En 1900, soit trois années après la publication des trois mélodies, La Flûte de Pan, La Chevelure et Le Tombeau des Naïades , Claude Debussy écrivit une musique de scène, peu connue de nos jours, pour accompagner les poèmes de Pierre Louys, Chansons de Bilitis . L'ensemble instrumental choisi pour cette occasion se composait de deux flûtes, deux harpes et un célesta. En 1913 il en reprit les principaux thèmes pour en faire Six épigraphes antiques pour piano à quatre mains. Il nous a semblé intéressant, et même naturel de proposer cette version des Six épigraphes antiques afin d'en restituer la couleur originale.Transcription de Georges Lambert et Yung Wha Lee. Contenu : Compositeur/Auteur : DEBUSSY Claude Discipline/Instrument : flûte et harpe ou piano Support : Partition Style/Genre : classique Date de parution : avr.-07 Nombre de pages : 26 + 10

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Par DEBUSSY CLAUDE. Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances are also playable without problem on the pedal harp, which was to replace the chromatic harp on the concert platform. The archaic style of the pieces, including modal harmonies, used to express a ?sacred? rite and a ?profane? dance of joy, points to the enthusiasm for antiquity of Debussy himself and of the artistic world around 1900. Ours is the first critical edition of the pieces, and is based on careful checking of the autograph and first edition. Practical support has been provided by the well-known harpist Margit-Anna Süss-Schellenberger, who has arranged the solo part of this Urtext edition for modern harp. / Date parution : 2022-10-12/ Répertoire / Harpe et Piano

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Clair de Lune is one of the most famous Piano works by Claude Debussy. Strictly speaking it is the third movement of the four-movement 'Suite bergamasque'. Due to its fascinating tonal poetry and its moderate technical demands it soon became one of the most popular and most frequently performed individual pieces by Debussy which is why the Wiener Urtext Edition now publishes a separate edition on the occasion of the composer's 150th birthday. Debussy's music reflects the poem of the same name 'Clair de Lune' by Paul Verlaine which outlines the landscape of the soul of a faraway Arcadia in which reminiscences of the ancient'fêtes galantes' of the 'ancien régime' are combined with the modern sound experiments of the fin de siècle. In this edition Verlaine's poem is printed not only in the original French version but also in German and English translations preceding the musical text.

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).

Niveau Moyenne. Par . Un voyage musical à travers les pièces les plus emblématiques des prestigieux catalogues Durand-Salabert-Eschig, de Claude Debussy, Maurice Ravel et Erik Satie à Désiré-Émile Inghelbrecht, Constantin Silvestri et Alexandre Tansman. Les pièces sont classées par ordre de difficulté et constituent une édition indispensable pour un voyage dans l'univers du piano à travers le répertoire à quatre mains du siècle dernier. / Date parution : 2023-06-01/ Recueil / Piano 4 Mains

The Best Of Claude Debussy with fourteen superb pieces for Piano solo including Clair De Lune Golliwogg's Cakewalk and La Plus Que Lente.

This volume contains the complete music for solo piano written by Claude Debussy between 1888 and 1905. Beginning with Deux Arabesques it offers the Suite Bergamasque Reverie Danse Estampes and many more. This edition has been designed to be used at the piano.

This version of the famous piece Le Petit Nègre by Claude Debussy is a version transcribed for Bb Clarinet and Piano by Auguste Périer a professor at the Paris Conservatoire. First published in 1909 the piece in C major starts “Allegro giusto” and is an energetic cakewalk with an introduction followed by the main theme which is repeated before the piece comes to a close. This really charming work would suit an upper-intermediate level or above and is perfect to start working on Debussy’s music.

Composés entre 1909 et 1912 les deux livres de Préludes pour Piano comptent parmi les œuvres tardives de Claude Debussy (1862-1918). Chacune des vingt-quatre compositions - douze par livre - porte un titre évocateur. Elles révèlent une grande diversité de styles de textures de climats et d?émotions et constituent un condensé de toutes les particularités du langage du musicien. Debussy a pris soin de n'indiquer les titres qu'en fin de morceau de façon à permettre à chacun de découvrir ses impressions propres sans être influencé par des images ou poèmes existants. Le terme « impressionniste » prend ici tout son sens.La Fille aux Cheveux de Lin est lehuitième prélude du premier livre. Il est célèbre pour sa profondeur émotionnelle malgré sa simplicité technique et harmonique. Nul ne sait qui fut la fille aux cheveux de lin mais cette miniature merveilleusement subtile réveille notre imaginaire.

The Little Negro was originally composed by Claude Debussy (1862-1918) for Piano in 1909. The purpose was to write a great work that could also played by children. Eugène Bozza made the piece even more accessible in 1984 by arranging it for Wind Quintet. The Little Negro is marked Allegro and begins with a theme modelled on ragtime music a style which was very popular at the time of composition. Jazz influences the C major key signature 2/4 meter and upbeat features make for an exciting and accessible piece for all the ensemble. Bozza's arrangement of Debussy's The LittleNegro for a Wind Quintet made up of Flute Clarinet Oboe Bassoon and Horn is a thrilling addition to the repertoire.