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| Collection Mini Series: Pop Hits - Piano Piano, Guitar (duet) [Sheet music + CD] Editions Musicales Francaises
Guitar and Piano SKU: HL.14021534 Music Sales America. Pop. Book with CD....(+)
Guitar and Piano SKU: HL.14021534 Music Sales America. Pop. Book with CD. Editions Musicales Francaises #EMF100072. Published by Editions Musicales Francaises (HL.14021534). English-French. Les titres de ce recueil sont issus des grands succes de la variete francaise et internationale. Tous les themes sont arranges de maniere a faire de chaque piece un oeuvre pianistique complete, doigtes et chiffrage harmonique a l'appui. Les professeurs trouveront aussi dans ce volume un repertoire plaisant et motivant a donner a leurs eleves. Afin de'apporter un cote ludique a recueil, les midi-files contenus dans le CD mixte (CD audio CD rom) offrent la possibilite d'ecouter les titres en MIDI au moyen de la carte son d'un ordinateur. De plus, avec un materiel approprie (sequenceur, editeur de partitions et autres), il est possible de changer les sons et les tempi, de jouer facilement des passages en boucles ainsi que toute autre possibilite offerte par les differents logiciels actuels. Nous vous souhaitons donc un excellent voyage au pays de Pops Hits et esperons vous apporter un reel plaisir pianistique. The titles in this collection are abstracts from the greatest French and International hits. All of the titles are arranged in a way to make each piece a complete pianistic work, fingered with support of chord symbol. Piano teachers will also find in this volume a pleasant and attractive repertory to make their students play with. The playful aspect is added to this anthology by way of the midi-files which accompany the mixte CD (CD audio and CD rom) offering the possibility to listen to the pieces in midi by using the sound card of a computer. In addition, it is possible to change the sounds and the tempi with appropriate equipment (e.g. sequencer, score editors and others). You acn also easily play in loop passages. Other options are offered by today's different software. We wish you an excellent journey into the Piano Pop Hits world and hope it will bring you true pianist pleasure. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Madrigal Pavane / Timburibá Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arran...(+)
Guitar solo - Advanced SKU: DZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. Les Productions d'OZ #DZ 4287. Published by Les Productions d'OZ (DZ.DZ-4287). ISBN 9782898522048. Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others. In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre. Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez. Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin). In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions. In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro. Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro. The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.
Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres. En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre. De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez. Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne). En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes. En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro. Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro. La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ». Envoyer des commentaires Panneaux latéraux Historique Enregistrées. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Phantom of the Music Room Children choir [Teacher Editions] Alfred Publishing
A Musical for 2-Part Voices. Composed by Janet Gardner. This edition: Teacher'...(+)
A Musical for 2-Part Voices.
Composed by Janet Gardner.
This edition: Teacher's
Handbook. Classroom/Pre-
School; Musicals; Musicals
and Programs. Book. 40
pages. Alfred Music #00-
47901. Published by Alfred
Music
$69.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Latin Philharmonic (Teacher's Score) School Ensemble [Teacher Editions] Alfred Publishing
(Teacher's Score). Composed by Victor López and Bob Philli...(+)
(Teacher's Score). Composed
by Victor López and Bob
Phillips. Orchestra. For
Teacher's Score. Book; CD;
String Orchestra Collection.
Latin; Multicultural; World.
68 pages. Published by
Alfred Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Leonardo Concert band - Easy Hal Leonard
Concert Band; Concert Band Set (Score) - Level 2.5 SKU: HL.4007968 For...(+)
Concert Band; Concert Band Set (Score) - Level 2.5 SKU: HL.4007968 For Concert Band, Grade 2.5 6:00 Score. Composed by Otto M. Schwarz. Concert. Softcover. Duration 360 seconds. Hal Leonard #SDP0662101. Published by Hal Leonard (HL.4007968). Leonardo da Vinci (1452-1519) was a painter, sculptor, inventor, philosopher and researcher. He is renowned as the original “Renaissance Man.†“I will preserve the memory of myself in the minds of others†was one of his maxims. Among his most famous works of art are the Mona Lisa, The Last Supper, and the Vitruvian Man. He left an extensive collection of handwritten documents in his notebooks. These books, known as codices, survive in various volumes such as the Codex Atlanticus, Codex Madrid, Codex Trivulzianus etc.). They include sketches of ground-breaking inventions as well as studies and commentaries which span the gamut of human study. The left-handed da Vinci wrote the texts in mirror writing. Through wars and other upheavals, the documents were scattered throughout Europe and much of his work disappeared. Leonardo da Vinci wanted to leave a kind of encyclopaedia for posterity and, although it is estimated that up to 80% of his manuscripts were lost, some 6,000 individual documents survive to this day, the contents of which in many cases were only understood centuries later. $17.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Leonardo Concert band - Easy Hal Leonard
Score and Parts Concert Band; Concert Band Set (Score & Parts) SKU: HL.400796...(+)
Score and Parts Concert Band; Concert Band Set (Score & Parts) SKU: HL.4007969 For Concert Band, Grade 2.5 6:00 Score and Parts. Composed by Otto M. Schwarz. Concert. Softcover. Duration 360 seconds. Hal Leonard #SDP0662102. Published by Hal Leonard (HL.4007969). Leonardo da Vinci (1452-1519) was a painter, sculptor, inventor, philosopher and researcher. He is renowned as the original “Renaissance Man.†“I will preserve the memory of myself in the minds of others†was one of his maxims. Among his most famous works of art are the Mona Lisa, The Last Supper, and the Vitruvian Man. He left an extensive collection of handwritten documents in his notebooks. These books, known as codices, survive in various volumes such as the Codex Atlanticus, Codex Madrid, Codex Trivulzianus etc.). They include sketches of ground-breaking inventions as well as studies and commentaries which span the gamut of human study. The left-handed da Vinci wrote the texts in mirror writing. Through wars and other upheavals, the documents were scattered throughout Europe and much of his work disappeared. Leonardo da Vinci wanted to leave a kind of encyclopaedia for posterity and, although it is estimated that up to 80% of his manuscripts were lost, some 6,000 individual documents survive to this day, the contents of which in many cases were only understood centuries later. $100.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Appalachian Fiddle Music Violin Mel Bay
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 ...(+)
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 Fiddlers and 188 of Their Tunes. Perfect binding. Folk. Book. 212 pages. Mel Bay Publications, Inc #30091. Published by Mel Bay Publications, Inc (MB.30091). ISBN 9781513466378. 8.75 x 11.75 inches. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Charles Dickens Christmas Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional English carols. Arranged by William Ryden. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 6:30. Published by Manhattan Beach Music (MH.1-59913-050-5). ISBN 9781599130507. Charles Dickens certainly would have known the three carols in A CHARLES DICKENS CHRISTMAS. They were among the best-known and best-loved carols of the Victorian Era, and were a staple of the repertoire of roving waits, or carollers, that appear in his novels. Today this music is as familiar as Santa Claus and Tiny Tim. THE FIRST NOWELL was first collected in Christmas Carols, Ancient and Modern by William Sandys in 1833. It is most probably 200 years older than that. The Oxford Book of Carols contains nine verses, which makes it an ideal processional for Christmas or Epiphany (the feast commemorating the coming of the Magi). COVENTRY CAROL, or Lully, Lullay, comes from the medieval tradition of mystery and miracle plays. In 1534 the Pageant of the Shearman and Tailors Guild included a scene in which the mothers of Jewish children sang this haunting lullaby after hearing the horrifying order: Herod the king, In his raging, All young children to slay. The music is anonymous; the text believed to be by Robert Croo. ANGELS WE HAVE HEARD ON HIGH is probably of French origin, but the English long ago adopted it as their own. Besides the French text, Les Anges dans nos compagnes, it is known in several versions and by several titles, including Angels from the Realms of Glory, When the Crimson Sun Had Set, and Westminster Carol. It belongs to a category known as macaronic carols, which mix vernacular verses with Latin refrains - in this instance, Gloria in Excelsis Deo (Glory be to God on High). Ensemble instrumentation: 1 Piccolo, 8 Flute, 2 Oboe, 1 Bassoon 1, 1 Bassoon 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 1 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (Bass Clef), 2 Euphonium (Treble Clef), 5 Tubas, 1 Timpani, 2 Bells & Chimes, 3 Percussion 1: small triangle, suspended cymbal, crash cymbal, snare drum, bass drum, 2 Percussion 2: large triangle, finger cymbals. $75.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Little Swingies Violin and Piano De Haske Publications
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pie...(+)
Violin and Piano - easy SKU: BT.DHP-1196083-404 16 easy 'swinging' pieces for violin and piano accompaniment. Composed by Joachim Johow. Contemporary Music. Book with Part and Audio-Online. Composed 2019. 57 pages. De Haske Publications #DHP 1196083-404. Published by De Haske Publications (BT.DHP-1196083-404). ISBN 9789043156837. English-German-French-Dutch. Swing-style music for violin lessons? A delightful idea in itself, but suitable literature is somewhat thin on the ground. This is where the Little Swingies collection comes in: sixteen new pieces by Joachim Johow—some full-spirited and passionate, others gentler in character—introduce the student step by step to playing in the swing style. In addition to the violin part, this edition includes an easy-to-play piano accompaniment: and on top of this, MP3 recordings of both demo performances and backing tracks are available online. Little Swingies will add new momentum to violin lessons and performances alike.
Swingmuziek voor de vioolles? Een prachtig idee, maar het materiaal daarvoor is dun gezaaid. Little Swingies biedt de oplossing: zestien nieuwe stukken van de hand van Joachim Johow sommige temperamentvol, andere rustiger van karakter laten de leerling stap voor stap kennismaken met het spelen in swingstijl. Naast de vioolpartijen bevat deze uitgave ook eenvoudige pianobegeleidingen: bovendien zijn de mp3-opnamen van zowel de meespeel- als begeleidingstracks online te downloaden. Little Swingies geeft vioollessen en toonmomenten een verfrissende nieuwe impuls.
Musik im Swing-Stil für den Geigenunterricht? An und für sich eine reizvolle Vorstellung, jedoch ist Spielliteratur, die dafür geeignet wäre, dünn gesät. Hier setzt die Sammlung Little Swingies an: Sechzehn neue Stücke von Joachim Johow mal temperamentvoll, mal eher sanft im Charakter führen die Schüler Schritt für Schritt in das Spiel im Swing-Stil heran. Die Ausgabe umfasst neben der Violinstimme auch eine gut spielbare Klavierbegleitung: zusätzlich stehen sowohl Demo- als auch Mitspielaufnahmen aller Stücke im MP3-Format online zur Verfügung. Little Swingies kann dem Geigenunterricht wie auch dem Vorspiel neue Impulse geben.
Du swing pour les cours de violon ? Cette idée est en elle-même séduisante, mais il existe peu de partitions adaptées. C’est pourquoi la collection Little Swingies vient combler un vide : seize nouvelles pièces par Joachim Johow certaines pleines de feu et d’entrain, d’autres plus sereines initient l’élève, pas pas, aux rythmes ternaires. Outre la partie violon, cette édition comprend un accompagnement piano facile : et, pour compléter le tout, des exemples d’interprétation et des pistes d’accompagnement sont disponibles en ligne sous forme de fichiers MP3. Little Swingies apportera un nouvel élan aux cours de violon tout comme aux auditions. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Musical Challenges Violin and Piano De Haske Publications
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wi...(+)
Violin and Piano SKU: BT.DHP-1115211-400 Composed by Jaap van Elst and Wim Meuris. Speel viool! Book with CD. Composed 2011. 56 pages. De Haske Publications #DHP 1115211-400. Published by De Haske Publications (BT.DHP-1115211-400). 9x12 inches. French-Spanish-Italian. Musical Challenges works alongside the third volume of the violin method Play the Violin!, but it can also be used by intermediate students along with any other method. The pieces are in jazz, pop, world music and classical styles and contain musical as well as technical challenges with some being accompanied by a relevant technical exercise. Many of the pieces have chord symbols or piano accompaniment whilst others are duets. The CD contains all accompaniments and many demo tracks.
Musical Challenges sluit aan op het derde deel van Speel Viool!, maar kan ook los van deze methode worden gebruikt. De stukken in de stijlen jazz, pop en klassiek bevatten zowel technische als muzikale uitdagingen, enkeletitels worden voorafgegaan door een technische oefening. Een aantal werken kan als duet worden uitgevoerd en andere stukken zijn voorzien van akkoordsymbolen of pianobegeleiding. Daarnaast kan met de cd, die ook talrijke demo'sbevat, worden meegespeeld.
Musical Challenges schlie�t an den dritten Band der Schule Spiel Violine! an, kann aber von allen fortgeschrittenen Geigenschülern verwendet werden. Die Stücke in den Stilen Jazz, Pop, Weltmusik und Klassik enthalten sowohl musikalische als auch technische Herausforderungen; teilweise sind sind sie mit Akkordsymbolen oder Klavierstimmen versehen oder als Duett ausnotiert. Au�erdem kann zu den beiden CDs gespielt werden, die sämtliche Begleitungen und zahlreiche Demoversionen enthalten.
Musical Challenges peut être considéré comme lâ??épilogue du deuxième volume de la méthode Je joue du violon! Mais ce recueil peut également être utilisé par les violonistes ayant suivi une méthode dâ??apprentissage différente. Les pièces contenues offrent une grande variété de style et abordent des exercices techniques divers. Certains morceaux présentent une notation dâ??accord ou un accompagnement de piano, dâ??autres sont écrits sous forme de duos. Le compact disc contient tous les accompagnements et de nombreuses versions intégrales.
Musical Challenges rappresenta valido materiale complementare da usare assieme (ma anche individualmente) al secondo volume del metodo Suona il Violino! I brani proposti sono in stile jazz, pop, folk e classico (musica originale e non) e contengono sfide musicali e tecniche. Alcuni brani propongono un breve esercizio tecnico, mentre altri contengono i simboli degli accordi o le parti del piano. Sono previsti anche alcuni duetti. E per chi non ha un altro musicista con cui suonare, il CD propone gli accompagnamenti e un grande numero di tracce demo. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nabucco (Complete Opera) LudwigMasters Publications
Concert Band; Orchestra 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): ...(+)
Concert Band; Orchestra 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus SKU: AP.36-A461401 Composed by Giuseppe Verdi/ Libretto by Temistocle Solera. Serious Opera, Orchestra Accompaniment, Conductor Score. Kalmus Opera Library. Score. LudwigMasters Publications #36-A461401. Published by LudwigMasters Publications (AP.36-A461401). ISBN 9798892700559. UPC: 659359503863. English. NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, following a difficult period in the composer's life. Having lost his young wife, Margherita, in the summer of 1840, and seeing his second opera, UN GIORNO DI REGNO, fail disastrously, closing after only a single performance in September 1840, Verdi was left understandably depressed and prepared to give up on music altogether. However, Bartolomeo Merelli, who ran the famed Milan opera house, La Scala, urged Verdi to write another opera. Verdi wrote Nabucco in 1841, and it was an instant commercial and critical success upon its premiere in 1842. Instrumentation: 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $325.00 - See more - Buy online | | |
| Nabucco (Complete Opera) LudwigMasters Publications
Concert Band; Orchestra 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): ...(+)
Concert Band; Orchestra 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus SKU: AP.36-A461402 Composed by Giuseppe Verdi/ Libretto by Temistocle Solera. Serious Opera, Orchestra Accompaniment, Conductor Score & Parts. Kalmus Opera Library. Score and Part(s). LudwigMasters Publications #36-A461402. Published by LudwigMasters Publications (AP.36-A461402). UPC: 659359957796. English. NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, following a difficult period in the composer's life. Having lost his young wife, Margherita, in the summer of 1840, and seeing his second opera, UN GIORNO DI REGNO, fail disastrously, closing after only a single performance in September 1840, Verdi was left understandably depressed and prepared to give up on music altogether. However, Bartolomeo Merelli, who ran the famed Milan opera house, La Scala, urged Verdi to write another opera. Verdi wrote Nabucco in 1841, and it was an instant commercial and critical success upon its premiere in 1842. Instrumentation: 2(2nd dPicc).2(1st d.EH).2.2: 4.2.3.1: Timp: Perc(2-3): Hp(2): Str(4-4-3-3-3 in set): Banda(0.0.3.0: 3.3.3.2: 2Basses: Perc[3]): Vocal Soli (8 roles, SSATTBBB): Mixed Chorus. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $900.00 - See more - Buy online | | |
| Jazz Saxophone Duets 2 Saxophones (duet) [Book + CD] Greg Fishman Jazz Studios
By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published...(+)
By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grand Recueil pour la Guitare Op. 114 - Vol. 2: Third and Fourth Part Guitar Classical guitar Ut Orpheus
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387). ISBN 9790215328235. 9 x 12 inches. Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended. The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees. This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument. $43.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Transcriptions for Solo Guitar Vol. 4 Guitar Music Distribution Services
Guitar - intermediate to advanced SKU: M7.GHE-904 Quadrat d'Or. Ed...(+)
Guitar - intermediate to advanced SKU: M7.GHE-904 Quadrat d'Or. Edited by Stefano Grondona. Arranged by Miguel Llobet. This edition: Saddle-wire stitching. Sheet music. 64 pages. MDS (Music Distribution Services) #GHE 904. Published by MDS (Music Distribution Services) (M7.GHE-904). ISBN 9783890449043. English. In contrast to Llobet´s output of just 14 original works, his transcriptions for guitar number 118, a considerable quantity of an extremely high standard. These were a huge influence on the two generations of guitarists following Llobet some of whom mercilessly and anonymously plundered and disfigured them for their own use! Being also an accomplished pianist, Llobet was in a better position than any other of his contemporaries to transcribe the German Romantic Masters, as well as the piano music of Albéniz and Granados, among others. Transcribed by Llobet mainly during his formative years these transcriptions are masterpieces which transcend their original setting. In his early career, Segovia played many transcriptions of Llobet, eg Bach's Prélude in Dm, Sarabande, Bourrée, Gavotte. This volume is highly recommended. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| Abba: Mamma Mia And
Others. SATB Acc. (Cps) Choral [Vocal Score] I.M.P.
Cet opéra de Gilbert and Sullivan est défini dans la tour de Londres, au cours...(+)
Cet opéra de Gilbert and Sullivan est défini dans la tour de Londres, au cours du XVIe siècle, et est la plus sombre et peut-être plus émotionnellement engageant, des opéras Savoy, se terminant avec un personnage principal-Hearted et deux missions très réticentes, plutôt que l'habituel de nombreux mariages. Le livret contient humour considérable, y compris beaucoup de calembour-laden fractionné, mais la satire de marque de commerce de Gilbert et de complications de l'intrigue envers sont remplacées par les nouvel ISBNdued en comparaison avec les autres opéras de G and S. / Chant/Vocal/Choeur
6.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| The Classic Guitar
Technique Guitar Classical guitar [DVD] RGB Arte Visual S.L
Jorge Cardoso is a recognized performer who has travelled the world over giving ...(+)
Jorge Cardoso is a recognized performer who has travelled the world over giving hundreds or concerts as a soloist, in duos, and with orchestras. There are innumerable recordings of his performances, and he is a prolific composer whose works have been recorded by other guitarists in more than thirty albums. Cardoso is also a master teacher with followers around the world. This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to the workshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the proper development of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it 'Aguado's machine?, Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings of the hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author, backed up by his knowledge as a doctor. As Jorge Cardoso says in the introduction, this course 'can be useful both to beginners and to more advanced players. . . it can be useful to anyone who plays a plucked stringed instrument.? It includes basic demonstrations and explanations about how the hands work from the moment they are placed on the guitar, as well as exercises and concert pieces of the highest level. There is a discussion of strumming technique, of 'toque mixto? and four complete pieces interpreted by the author. The course will also be useful for electric guitarists and others who have focused on the use of the pick and have neglected other essential guitar techniques. UK product number 8353412233. / Guitare Classique / 125 pages / niveau : Multiple Levels / Dvd - Format: 7,5 X 5,25
51.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Bach J.s. - Complete
Organ Works Vol.5 -
Sonatas, Trios, Concertos
+ Cd-rom Organ [Sheet music + CD-ROM] Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5
Sonatas / Trios / Concertos - ed. by Pieter D...(+)
Bach: Complete Organ Works Vol. 5
Sonatas / Trios / Concertos - ed. by Pieter Dirksen
Organ Works Based on Compositions by Bach and Others
Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
34.70 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| The Gallipoli Songbook
(Pvg) Piano, Vocal and Guitar Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...(+)
The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
39.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Gold Easy Classic Film
Piano Collection Piano solo [Sheet music] - Easy Chester
une sélection des plus belles musiques de film du monde, arrangé pour Piano fa...(+)
une sélection des plus belles musiques de film du monde, arrangé pour Piano facile. Ces livres utilisent la notation même comme cours de Piano classique de Carol Barratt et sont présentés dans un style nouveau, facile à lire, complet avec doigtés et biographies détaillées compositeur. Convient pour les pianistes entre la norme de Grade 1-3. D'autres livres de la série comprennent : Bach Mozart Chopin Beethoven Baroque classique début romantique / Piano / 64 pages / Partition
17.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Howard Goodall Inspired CD Faber Music Limited
Nouvel album Howard Goodall Inspiré présente des oeuvres nouvelles et ré-arra...(+)
Nouvel album Howard Goodall Inspiré présente des oeuvres nouvelles et ré-arrangée par le compositeur britannique. Inclus dans cette version est un nouveau travail 10 morceau qui s'appelle 'toute chose sous les cieux' qui est annoncé comme le Messie du 20e siècle, de Haendel. Aussi en vedette sont des thèmes TV préférées, y compris Blackadder, Red Dwarf et le Vicaire de Dibley. Inspiré dispose également d'étoiles classiques tels que Noah Stewart, Laura Wright et Craig Ogden. / CD
17.66 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Laverne A. - Chords In
Motion - Piano Piano solo Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...(+)
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation
24.60 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| John Bucchino: Grateful -
The Songs of John
Bucchino: Vocal and
Piano: Vocal Hal Leonard
Rex Reed comments If Tennessee Williams was alive and writing tunes he'd be Joh...(+)
Rex Reed comments If Tennessee Williams was alive and writing tunes he'd be John Bucchino and the Los Angeles Times says Bucchino provides gentle humorous sad and sardonic insights into modern life. One of the best kept secrets of the New York cabaret scene acclaimed songwriter John Bucchino makes his debut in a literate collection of songs for grown-ups. This folio matches his 16-song CD featuring versions of his songs sung by acclaimed artists such as Michael Feinstein Art Garfunkel Judy Collins Liza Minnelli Patti LuPone Andrea Marcovicci Amanda McBroom and others. Includes a note from Bucchino on the process of making this songbook come to life.
27.99 GBP - Sold by Musicroom UK | |
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