SKU: BT.EMBZ14505
English-German-Hungarian.
Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.
SKU: BT.WMP2517
ISBN 9789811479939. English.
SKU: BT.EMBZ12697-REV
English-Hungarian.
SKU: BT.SLB-00599200
PIANO inches. French.
Alfred Cortot est l'un des plus grands pianistes du XXe siècle. Ses cours d'interprétation musicale sont légendaires dans toute l'Europe et ont influencé d'innombrables interprètes et musiciens. Cortot était l’un des plus célèbres interprètes au piano de Franz Liszt et a en tant que tel produit des éditions papiers de ses œuvres pour piano, remarquables pour leur commentaire méticuleux sur les problèmes techniques et les questions d'interprétation. Toutes les éditions publiées dans cette collection proviennent des éditions Salabert.
SKU: BT.SLB-00599300
PIANO inches. English.
Study edition with extensive commentary from the editor.
SKU: BT.PWM6771040
SKU: BT.FP1626
SKU: BT.PWM944
SKU: BT.BWHBRM7813
German.
The accompanying CD for Hans-Günter Heumann 's Piano Gefällt Mir! Classics , featuring demonstrations of all the tracks in the book, this is a wonderful way to improve your playing and easily learn the pieces.
SKU: HL.132784
UPC: 884088976187. 9.0x12.0x0.042 inches.
SKU: BT.EMBZ14768
Not many people know that Franz Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and that these versions of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these for this volume compiled to mark Liszt's jubilee: Elegies I and II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour (pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt the cello version, transposed into G major, of the E Major Consolation is by Jules de Swert, solo cellist in the Weimar orchestraof those days that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage ) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20th century. The Valse oubliée No. 1 was transcribed by Liszt s virtuoso piano pupil Ferruccio Busoni Notturno, which became famous as the third piece in the Liebesträume series, is a transposed version of the original song ( O lieb, so lang du lieben kannst ) made by the editor of this volume. Not many people know that Ferenc Liszt arranged some of his piano pieces for the cello, with piano accompaniment, and this version of the works appeared in print during the maestro's lifetime. Ãrpád Pejtsik selected two of these forthis volume compiled to mark Liszt's jubilee: Elegy I and Elegy II. The other compositions by Liszt that appear in the collection were likewise originally works for piano: the Ave Maria and Cantique d'amour(pieces from the Harmonies poétiques et religieuses cycle) were transcribed by a pupil of Liszt, Robert Pflughaupt; the cello version, transposed into G major, of the E major Consolation is by Jules de Swert, solo cellistin the Weimar orchestra of those days; that of the Angelus (the opening piece in Volume 3 of the cycle entitled Years of Pilgrimage) is by Lothar Windsperger, a German composer who lived at the turn of the 19th-20thcentury.Nur Wenigen ist bekannt, dass Liszt einige seiner Klavierstücke auch für Violoncello mit Klavierbegleitung bearbeitet hatte, und dass diese Version der Werke noch zu Lebzeiten des Komponisten in Druck erschien. In diesem Band nahm Ãrpád Pejtsik zwei dieser Stücke, die I. und II. Elegie auf. Die anderen Liszt-Kompositionen in der Sammlung sind auch ursprünglich Klavierwerke: der Bearbeiter ist beim Ave Maria und Cantique d'amour (Stücke aus dem Zyklus Harmonies poétiques et religieuses) der Liszt-Schüler Robert Pflughaupt. Von Jules de Swert, der damals Solocellist des Weimarer Orchesters war, wurde die in G-Dur transponierte Violoncelloversion der E-Dur Consolation, und vonLothar Windsperger, dem an der Wende zum 20. Jahrhundert lebenden deutschen Komponisten, das Angelus (das Eröffnungsstück des III. Bandes des Zyklus Pilgerjahre) bearbeitet.
SKU: BT.EMBZ14622
Hungarian-English-German-French.
Liszt was one of the greatest piano virtuosos of the 19th century and a very influential teacher who played an enormous part in the development of modern piano technique. For this reason the majority of his works make the highest technical demands of the performer - this selection, however, contains only pieces at an intermediate difficulty level. In addition to the hits (D flat major Consolation, Liebestraum No. 3) the moderately advanced student or amateur player will discover real finds such as the three pieces in the Bunte Reihe ( Colourful Series ), the earlier version of the Valse impromptu and the Romance oubliée ( Forgotten Romance ) and the later, simplified versionthe composer made of the i>Grand galop chromatique. This publication was based on the EMB New Liszt Edition, but bearing practical considerations in mind. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. Franz Liszt war einer der größten Klaviervirtuosen des 19. Jahrhunderts und als Lehrer von großem Einfluss, in der Entwicklung der modernen Klaviertechnik spielte er eine herausragende Rolle. Gerade deswegen konfrontiert ein Großteil seiner Werke die Vortragenden mit höchsten technischen Anforderungen - diese Auswahl beinhaltet aber nur Stücke, die auch schon auf einer mittleren Stufe spielbar sind. Neben den Schlagern“ (Consolation in Des-Dur, Liebesträume Nr. 3) können die drei Stücke aus dem Zyklus Bunte Reihe“, die frühere Version des Valse impromptu und der Vergessenen Romanze, bzw. die von dem Komponisten im nachhinein gefertigte, vereinfachte Version des Grandgalop chromatique für die mäßig fortgeschrittenen Schüler oder Musikamateure eine wahre Entdeckung bedeuten. Die Ausgabe wurde aufgrund der Neuen Liszt-Gesamtausgabe des Verlags Editio Musica Budapest, aber unter Berücksichtigung praktischer Aspekte, angelegt.
SKU: GI.G-8504
ISBN 9781579999674. English. Text by Liam Lawton.
    ‘It is in great simplicity that great beauty is revealed, and only then may we discover where God truly hides.  In this moving exploration of the path to understanding God’s presence, Liam Lawton considers how we can bring spiritual awakening and consolation into our lives, in every circumstance. Liam shares remarkable stories of human life and of the people and events that have touched him during his years of ministry, along with fascinating perspectives on his own spiritual awakening. These pages reveal a God who does not intrude upon human living but rather is available to enter into the very depth of it and become present to those who wish for “eyes to see, and ears to hearâ€. Here are stories of pain and beauty, challenge and consolation, but, above all, inspiration Liam Lawton is an award-winning, critically acclaimed Irish singer-songwriter, author and Roman Catholic priest, who was ordained in 1984. The poetic lyrics on his numerous platinum-selling albums are inspired by many sources, including the ancient texts of Celtic Ireland, from which he also draws inspiration for his haunting melodies. His music has been used in many an auspicious occasion, from the memorial services of 9/11 to concerts in such places as the Vatican, the White House, and The Chicago Symphony Hall. Liam’s choral music is used in choirs all over the English-speaking world and has been translated into Spanish, German, and Swedish.  He is author of the bestselling The Hope Prayer. Contents: A Time to Be Born, A Time to Plant, a Time to Uprood, A Time to Heal, A Time to Let Go, A Time to Weep, a Time to Laugh, A Time to Dance, A Time to Search, A Time to Keep, a Time to Throw Away, A Time to Share, A Time to Be Silent, A Time to Speak, A Time to Love, a Time to Hate, A Time for Peace, A Time to Embrace.
SKU: GI.G-CD-648
High voltage electricity - unplugged! Tony Alonso and Michael Mahler cross currents on their exciting new recording Songs from Another Room. The range and versatility between these two young GIA artists surges with a palpable energy that only this kind of chemistry creates. Armed with only acoustic instruments, Alonso and Mahler deliver electric performances on songs like My Savior, Your Son, and Te Ensalzaré. The beautifully crafted lyrics of My Love Will Be Waiting for You tells the compelling story of the prodigal son while the emotional musical setting of And Jesus Said paints Shirley Erena Murray's gorgeous text in passionate colors of consolation. The pinnacle of this recording is surely Were I the Perfect Child of God. John Bell's provocative poetry is perfectly fused with an exquisite tune from an old Scottish love song. Songs from Another Room is a must have. It's acoustic music with a positive charge!
