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Corelli Op. 5
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Adagio in G Minor (from Violin Sonata in G Minor, Op. 5, No. 5)
Adagio in G Minor (from Violin Sonata in G Minor, Op. 5, No. 5)
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Flute and Guitar
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Arcangelo Corelli
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A. J. Cornell Publications
Adagio in A Minor (from Violin Sonata in G Minor, Op. 5, No. 5)
Adagio in A Minor (from Violin Sonata in G Minor, Op. 5, No. 5)
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Flute and Guitar
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Arcangelo Corelli
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Adagio (from Violin Sonata in G Minor, Op. 5, No. 5)
Adagio (from Violin Sonata in G Minor, Op. 5, No. 5)
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La Follia
Violin and Piano
Schott
Le deuxième volume de la série Violinissimo, 'La Follia', propose un vaste cho...
(+)
Le deuxième volume de la série Violinissimo, 'La Follia', propose un vaste choix de 25 compositions intermédiaires-avancés originales pour violon et piano. Le matériau s'étend de la période baroque au 21ème siècle et contient des morceaux populaires - de Corelli, Vivaldi et Mozart, Fauré, Brahms et Dvo?ák ainsi que les compositeurs modernes. Doigtés, des suggestions de tempo et d'informations sur les embellissements complètent la collection. La série Violinissimo n'est pas seulement un compagnon idéal pour des leçons, des concerts et des compétitions scolaires, mais aussi un véritable trésor pour les amateurs de musique de violon classique. / Violon Et Piano
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Schott Violin Library
Violin, Basso continuo
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Cello & Piano 1: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
Cello & Piano book I and book II (Z14637) contain a selection from 200 years of ...
(+)
Cello & Piano book I and book II (Z14637) contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto) and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson's Dance of the sylphids thelighter kind include Joplin’s Ragtime. This colourful ample selection provides a good basis for a music-lover's library. Book I Contents: 1. Corelli Arcangelo: Sonate Op. 5 No.8 2. Scarlatti Domenico: Sonata 3. Jacchini G. M.: Sonata 4. Vivaldi Antonio: Concerto RV 411 5. Telemann Georg Philipp: Sonata aus ''Der getreue Musikmeister'' 6. Bach Johann Sebastian Marcello Alessandro: Adagio BWV 974 7. Haydn Joseph: Scherzando Hob. XI:70 8. Mozart Wolfgang Amadeus: Menuet KV 334 9. Cherubini Luigi: Ave Maria 10. Romberg Bernhard: Rondo Op. 38 No. 1 11. Beethoven Ludwig van: Menuet WoO 10 No. 212. Beethoven Ludwig van: Tema con variazioni Op. 105 No. 1 13. Rossini Gioacchino Antonio: Pour Album 14. Schubert Franz: Morgenständchen D 889 15. Schubert Franz: Grätzer Galopp D 925 16. Schumann Robert: Arabeske Op. 18 17. Bizet Georges: Agnus Dei 18. Tchaikovsky P. I.: Valse sentimentale Op. 51 No. 6 19. Dvo ák Antonín: Humoresque Op. 101 No. 7 20. Dvo ák Antonín: Gipsy Melody Op. 55 No. 4 21. Fauré Gabriel: Mandoline Op. 58 No. 4 22. Joplin Scott: The Strenuous
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Arcangelo Corelli: Sonaten(6) 2 Op.5: Viola: Score and Parts
Violin
[Sheet music]
Peters
Volume 2 of Archangelo Corelli's 6 Sonatas for Violin and Piano. Includes sonata...
(+)
Volume 2 of Archangelo Corelli's 6 Sonatas for Violin and Piano. Includes sonatas 3 5 and 9 from Opus 5. Edited by Klengel.
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Four Strings Vol. 2 (NEUMANN EVA-MARIA (Arr)
String Quartet: 2 violins, viola, cello
[Sheet music]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
(+)
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Arcangelo Corelli: Complete Violin Sonatas and Trio Sonatas: Violin: Score
Chamber Orchestra
Dover Publications
A comprehensive collection of all 48 of the trio sonatas of Opp. 1 2 3 and 4 a...
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A comprehensive collection of all 48 of the trio sonatas of Opp. 1 2 3 and 4 and all 12 of the violin sonatas Op. 5.
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Floreat Musica 5 Sonate En Trio N02 Op. 3 Ensemble Cuivre Ption/Pties
Français
Brass ensemble
[Score and Parts]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Flore...
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L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Floreat Musica 5 Sonate En Trio N02 Op3 Ensemble Cuivre Ption/Pties. C'est une partition musicale composée par Corelli/Lemetre et qui est destinée aux joueurs de Ensemble Instrumental et Petit Orchestre. Le détail de l'instrumentation Ensemble De Cuivres vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Ensemble De Cuivres / Partition Et Parties
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Sonatas Op. 5 With Keyboard. Nos 7 10 and 12: Violin: Instrumental Album
Violin
Stainer and Bell
While the value of authenticity in the performance of Baroque music is now widel...
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While the value of authenticity in the performance of Baroque music is now widely appreciated many players still feel daunted by the task of realising the unadorned melodies and basses of Corelli’s Op.5 Violin Sonatas in their original form.Fortunately Gustav Jensen’s edition of these works provides an ideal solution to the problem. Carefully fingered and bowed with the continuo sensitively arranged for harpsichord or modern piano it presents the notated elements of a spirited and musically satisfying reading while still leaving room for performers to shape their own interpretation.This volume includes sonatas No.7 and No.10 both composed on the sonata dacamera pattern and the celebrated La folia variations with which Corelli concluded his collection. Fiery and virtuosic they have remained a favourite item in the violinist’s repertoire since their publication in Rome in 1700.The solo violin part is also included on a separate insert.
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Arcangelo Corelli: La Folia op. 5/12: Treble Recorder: Score and Parts
Treble (Alto) Recorder, Piano
Zen-on
La Folia Op.5/12 for Alto Recorder and Keyboard by Arcangelo Corelli
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CORELLI A. - SONATA OP.5 N°12 LA FOLLIA - VIOLON & PIANO
Imc
CORELLI A. - SONATA OP.5 N°12 LA FOLLIA - VIOLON & PIANO / Violon / Imc
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Arcangelo Corelli: 12 Sonaten Op.5 Heft 4: Treble Recorder: Score and Parts
Heinrichshofen Verlag
Sonaten 7 und 8-Arcangelo Corelli: 12 Sonatas Op.5 for Treble Recorder and Cont...
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Sonaten 7 und 8-Arcangelo Corelli: 12 Sonatas Op.5 for Treble Recorder and Continuo - Volume 4. Sonatas 7 and 8.
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Arcangelo Corelli: Violinsonaten op. 5 Band 2: Violin: Instrumental Work
Violin
Wiener Urtext
Wiener Urtext-These sonatas are among the epoch-making works of the Violin reper...
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Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Arcangelo Corelli: Violinsonaten op. 5 Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
These sonatas are among the epoch-making works of the Violin repertoire and nowa...
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These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli’s time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.
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Sonata (CORELLI ARCANGELO)
Cello, Piano
IMC (International Music Co.)
In D Minor Opus 5 No. 8. Par CORELLI ARCANGELO. Arrangeur: Patrick Jee/ Réperto...
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In D Minor Opus 5 No. 8. Par CORELLI ARCANGELO. Arrangeur: Patrick Jee/ Répertoire / Violoncelle et Piano
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12 Sonaten Op. 5 (CORELLI ARCANGELO)
Treble (Alto) Recorder, Basso continuo
[Sheet music]
Heinrichshofen Verlag
Band Iii Sonaten 5 Und 6. Par CORELLI ARCANGELO. / Répertoire / Flûte à Bec A...
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Band Iii Sonaten 5 Und 6. Par CORELLI ARCANGELO. / Répertoire / Flûte à Bec Alto et Basse Continue
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Arcangelo Corelli: Sonaten(12) 2 Opus 5: Violin: Instrumental Album
Violin and Piano
Schott
New edition after the Urtext op. 5. Violin and harpsichord (piano); cello (viol...
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New edition after the Urtext op. 5. Violin and harpsichord (piano); cello (viola da gamba) ad lib. Sonatas 7-12
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Corelli A. - Sonate (2) Op. 5 N. 7 E 8 - Alto
Emb (editio Musica Budapest)
per viola e pianoforte Op. 5, No.7-8 Édité par Nagy Sándor, Martos László ...
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per viola e pianoforte Op. 5, No.7-8 Édité par Nagy Sándor, Martos László Instrument: Alto et piano Genre: Baroque Pages: 24 pp Date du parution: 1988
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Sonate, Op. 5, No. 11 (CORELLI ARCANGELO)
Violin, Guitar (duet)
[Sheet music]
-
Intermediate
Productions OZ
Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire...
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Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon
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12 Sonatas In 6 Volumes Op. 5 Vol.1 (CORELLI ARCANGELO)
Flûte à Bec ou Alto et Clavier
[Sheet music]
Heinrichshofen Verlag
Par CORELLI ARCANGELO. A- Flûte à Bec - Piano/ Répertoire / Flûte à Bec ou ...
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Par CORELLI ARCANGELO. A- Flûte à Bec - Piano/ Répertoire / Flûte à Bec ou Alto et Clavier
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Arcangelo Corelli: Twelve Sonatas Op. 5 - Volume 2: Violin: Score and Parts
Schirmer
Composed by Arcangelo Corelli (1653-1713) Edited by Gustav Jensen.
16.99 GBP - Sold by Musicroom UK
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Sonate, Op. 5, No. 8 (CORELLI ARCANGELO)
Violin, Guitar (duet)
[Sheet music]
-
Intermediate
Productions OZ
Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire...
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Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon
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Sonate, Op. 5, No. 12 (CORELLI ARCANGELO)
Violin, Guitar (duet)
[Sheet music]
-
Intermediate
Productions OZ
Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire...
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Par CORELLI ARCANGELO. Alberto Vingiano / Niveau : Intermédiaire / Répertoire / Guitare et Violon
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12 Sonaten Op. 5 (CORELLI ARCANGELO)
Flûte à Bec Alto et Basse Continue
[Sheet music]
Heinrichshofen Verlag
Band I Sonaten 1 Und 2. Par CORELLI ARCANGELO. / Répertoire / Flûte à Bec Alt...
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Band I Sonaten 1 Und 2. Par CORELLI ARCANGELO. / Répertoire / Flûte à Bec Alto et Basse Continue
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