Transport your audience back to medieval times in this spirited and bold new work for young band. The noble opening instantly conjures images of a world where magic and chivalry abound. As tempo picks up the entire ensemble drives forward as layer upon layer is added. A beautiful lyrical section builds to a powerful impact before the piece moves to a final section beginning with a trumpet ostinato that alternates between 4/4 and 2/4. As layers are added in different speeds the piece builds to a dramatic conclusion! (5:07)

Composed in 1823 but not performed during his lifetime Franz Schubert?s Fierabras is a ?number opera? with spoken dialogue in the manner of opéra comique. It is based on the medieval legends associated with Charlemagne including that of Eginhard and Emma and draws on the old French heroic epic (chanson de geste).Emma the daughter of Charlemagne secretly loves the knight Eginhard who is not befitting of her rank. The heathen Moorish prince Fierabras who after being defeated by Charlemagne falls into French captivity and converts to Christianity is also in love with Emma. His sister Florinda on the other hand loves the Franconianknight Roland who is being held prisoner by the Moors and whom she helps to escape. After several military conflicts where Charlemagne?s army finally conquers the Moors the lovers reunite. Only Fierabras who is reprieved renounces his love and accepts the liaison between Emma and Eginhard.Urtext edition based on the ?New Schubert Edition?Detailed foreword (Ger/Eng) by Christine Martin including information on the work?s genesis reception and performance history.Uncluttered idiomatic Piano reduction.Also available:BA5557 hardback full scoreBA5557-72 performance material for hire

CANZONE ANTICA translates as ?ancient song?. The dark mystery of the Middle Ages from plainsong and cowled robes to shrouded medieval architecture permeates a misty atmosphere as your band roams the catacombs in this powerful composition.Steeped in ancient history and opening with a short basso ostinato this is a unique and significant work. Stephen Bulla masterfully weaves a tapestry of mystic percussion sounds enigmatic harmonies that are sometimes open and sometimes dense in a style which evokes ancient choral traditions.If your quest is a truly distinctive work for your next concert or contest your crusade is at an end!

In the year 1368 a rapacious character takes up residence in the castle of Rijnesteyn at Cothen. He is Johan bastard son of the Bishop of Utrecht.Round this now so peaceful castle eventful matters are enacted. In part one Johan and Willem Gulik of Guelders set out to do battle against King Charles of France. On their return in part two Johan captures two French goldsmiths in Hainault and incarcerates them at Castle Rijnesteyn. Part three is a musical representation of a courtly ballet in medieval style. The final part relates how Jan van Rijnesteyn goes to war against Hendrik van Vianen and Lord of 'Goy Viscount of Utrecht.Jan loots hispossessions and threathens to conquer all. In het jaar 1368 betrekt een roofzuchtig heerschap het kasteel Reijnestein te Cothen.Het is Johan de bastaardzoon van de Utrechtse bisschop. Rond dit nu zo vredig gelegen ridderslot hebben zich toen geruchtmakende taferelen afgespeeld. In het eerste deel trekt Johan met Willem Gullik de hertog van Gelre ten strijde tegen koning Karel van Frankrijk. De terugreis speelt zich af in het tweede deel. Tijdens deze reis neemt Johan in Henegouwen twee Franse goudsmeden gevangen en sluit ze op in de kerker van slot Rijnesteyn. Deel 3 is de muzikale weergave van een hoofs ballet in middeleeuwse stijl. In het laatste deel wordt verteld hoe Jan van Rijnesteyn in 1396 ten strijde trekt tegen Hendrik van Vianen en de heer van't Goy burggraaf van Utrecht. Jan plundert diens goederen en dreigt diens bezittingen te veroveren.

Composer Peter Martin received his inspiration from the period of the versatile Henry VIII and the accompanying sparkling late-medieval music. At Henry's Table describes the atmosphere at the court of the English king. Music that stays with you because it is so special.

The Faber Carol Book is an exciting volume of Christmas carols and songs with an original contemporary twist designed to breathe fresh air into Christmas concerts. They contain forty pieces expertly edited and arranged by Gwyn Arch and Ben Parry capturing a variety of moods and styles through time – from contemporary arrangements of medieval and traditional carols to spirituals and music from around the world.There is also an impressive line-up of original pieces by some of today’s most highly respected choral composers including Howard Goodall Lin Marsh Peter Gritton Errollyn Wallen and Mike Brewer. Presented in two separate volumes this isthe second anthology with all carols arranged for SATB choir with Piano Accompaniment. Both publications include undemanding keyboard accompaniment and suggestions for optional instrumental lines.

Par WATSON SCOTT. The 14th-century carol, 'Personent hodie,' is both mysterious and powerful. On This Day Earth Shall Ring---a festive processional on the ancient melody arranged by Scott Watson---explores both aspects. Beginning quietly, the modal tune emerges over a chant drone with rustic, medieval percussion. Before long, the piece takes on the joyous character alluded to in the tune's most familiar English text setting, 'On This Day Earth Shall Ring' (written by composer, Jane Joseph, a student of Gustav Holst). As the work draws to an ebullient close, all the stops are pulled with resounding brass and ringing metallic percussion! Whether used as a striking concert opener or a jubilant final selection, On This Day Earth Shall Ring will add festive élan to your winter/holiday program! (3:28) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Concert Band

Quite playable yet exceptionally rewarding this easy three-movement suite is written in early English folksong style and effectively captures the mood of common folk living in the shadows of medieval castles. Includes: TheJolly Earl of Cholmondeley Ayre for Eventide and The Fiefs of Wembley. Dur: 5:00 (Grade 3)

As long as we can remember trumpets and percussion have been the instruments most closely associated with the army and its soldiers. Just think of the medieval herald who publicly proclaimed all the king's important announcements. This work opens with a festive fanfare which immediately calls for your attention. No tidings of disaster but a festive parade of soldiers passing by while whistling merrily. This idea was the composer's starting point when writing this cheerful little piece.

(1998)Since its premiere by the Baltimore Symphony in 1991 at Carnegie Hall the GRAMMY®-winning Metropolis Symphony has entered the orchestral repertoire and been performed by orchestras all over the world.Arranged for band by Mark Sped under the supervision of the composer Red Cape Tango is set after Superman's fight to the death with Doomsday and is Daugherty's final work based on the Superman mythology. The principalmelody first heard in the bassoon is derived from the medieval Latin death chant Dies Irae. The band alternates between legato and staccato sections to suggest a musical bullfight. Duration - ca. 11:00

Rondeau of the Shepherds ' so ran the official title of the famous Dutch Christmas carol ‘Midden in de winternacht’. In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin Balbastre and Dandrieu. 'Rondeau of the Shepherds' was subtitled 'Catalan Christmas Carol'. The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages 'El Desembre congelat. The motives of this song (shepherds flutes drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. . Perfect as an uptempo intermezzoin a church service.

Quite playable yet exceptionally rewarding this easy three-movement suite is written in early English folksong style and effectively captures the mood of common folk living in the shadows of medieval castles. Dur: 5:00 (Grade 3)

Klezmer and Sephardic Tunes for Accordion presents 33 beautiful pieces ranging from well known traditional tunes to the newly composed. The collection is ideal for those looking to explore Klezmer music in more depth as well as the lesser known music of the Sephardic Jews- drawing on the culture?s roots in Medieval Spain and the Balkans. The book contains notes on all of the pieces as well as points on general interpretation and is accompanied by a CD with all pieces performed by Merima Klju o. German and French translations of all texts are available as free pdf downloads from the Schott Music website. Suitable forplayers of grades 3-8.

A Medieval Story-Score and parts for Hermann Pallhuber's Lionheart composed for Concert band with Harmonie