- I Táncol a hold fehér ingben (Es tanzt der Mond in weißem Hemd · The moon is dancing in a white robe) - II Gyümölcs-fürt (Fruchttraube · A cluster of fruit) - III Kalmár jött nagy madarakkal (Ein Krämer kam mit großen Vögeln · A merchant has come with giant birds) text writer: Weoeres, Sándor translator: Hellenbart, Gyula translator: McGowan, Anne

Inspired by four poems by poets from the Chinese Tang dynasty this piece directly combines Chinese and Western musical traditions. An undercurrent of tranquil meditation runs through the expressive work. Orchestral materials is available on hire.

Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.

15 Gentle Arrangements by Phillip Keveren. Par . 15 joyaux pianistiques pour bercer et réconforter petits et grands ! Dans la préface, Phillip écrit que cette collection de ballades berceuses s\'inscrit dans la tradition du café et de la crème, du chocolat et du beurre de cacahuète, et de Simon et Garfunkel, c\'est-à-dire des mélanges qui vont bien ensemble ! La plupart des airs se situent dans des environnements familiers, mais d\'autres s\'envolent dans un tourbillon de fantaisie. La collection comprend également trois morceaux originaux. / Niveau : Facile / Date parution : 2022-07-30/ Recueil / Piano

Jazz And Blues Love Songs is an excellent collection of over thirty classic sultry jazz and beloved blues numbers in the After Midnight series all arranged for Piano and Voice as well asincluding Guitar chord symbols and boxes. There are no better love songs that have ever been written than those from the jazz and blues tradition. These tunes were composed when people's emotions were real rawand their performances were in those dark smoky jazz bars of yesteryear. The times may have been tougher but the romance was genuine and with this collection of Jazz And Blues Love Song sheet music you canrevisit those lovelorn and heartfelt ballads that make us so nostalgic about those times.  Featuring classic Jazz And Blues Love Songs like Can't Help Lovin' Dat Man I'm GettingSentimental Over You Midnight Sun and The Way You Look Tonight if you're perchance In A Sentimental Mood you'll be able to relax and play the Piano along to these beautifully timeless tunes. Isn't ItRomantic when a song is written purely from the heart by a brilliant songwriter and countless other musicians for years after are inspired to learn and play the songs that say how they feel sowell. If you are looking for a collection of love song sheet music that is not merely full of the heartless and emotionless songs of today why not try looking a little further back at the Jazz AndBlues Love Songs of the past? This After Dark collection features all of those sensuous songs from a time of brilliant songwriters and even better singers.

Création 14/11/2015 - Clermont Ferrand, Festival Musiques démesurées, Théâtre le Petit Vélo - Christophe Desjardins (alto) Commanditaire Festival Musiques Démesurées Notice Cette pièce se situe dans la grande tradition des Lamenti de Monteverdi, Purcell, Britten (Lachrymae), ou encore plus récemment le Concerto lugubre de Tadeusz Baird. Il ne s'agit pas bien sûr d'une parenté esthétique, mais de cette capacité de l'alto à exprimer la plainte, et de sa parenté avec la voix. Deux éléments, l'un percussif et l'autre mélodique vont se répondre, se développer et interférer tout au long de la pièce jusqu'à lui donner une dimension polyphonique, telle que l'envisageait Berio dans ses Sequenza. Edith Canat de Chizy

Or Organ-Born in Geneva of a jeweller father (and excellent flautist) and singer mother Marguerite Roesgen-Champion (1894-1976) was one of those rare women who reconciled family life (in 1926 she settled in Paris with her husband a philately merchant) with a professional activity devoted to music. Her abundant output graced all genres with a predilection for sacred pieces the art song the Piano and chamber music. Published respectively in 1950 and 1953 the two Nocturnes for Oboe and Piano (or Organ) have their place in the glorious tradition of French music from the between-the-wars period. The first Nocturne subtitled 'Noël' is dedicated to Pierre Bajeux(1899-1961) who taught the oboe class at the Paris Conservatoire as of 1941. Of classic ABA construction this piece as simple as it is expressive is in the form of a pastorale: here the gentle opening recitative unfolds its dreamy melancholic volutes of which the modal character would have appealed to Charles Koechlin. The second Nocturne presents subtle modulations that give it a refined elegance. In both cases this tastefully polished music invites us to stroll in an Arcadian landscape bathed in azure: 'There all is order and beauty / Luxury calm and voluptuousness'.

Jazz Viola Wizard Jr. is designed for beginning and intermediate middle and high school violists in the tradition of the parent method Jazz Fiddle Wizard - a breakthrough approach for string playerswho want to learn to improvise within the jazz style. No step is left out in this sequentially arranged introduction to the role of rhythm call and response articulation scales and chord changes in jazz improvisation. Theexercises are turned into catchy tunes arranged to work in any configuration of string groups. That is three-part arrangements for each tune may be played with any number of like instruments or in conjunction with Jazz FiddleWizard Jr. and Jazz Cello Wizard Jr.. Suitable as a self-instruction book or for use in private and/or group string instruction Jazz Viola Wizard Jr. contains Piano accompaniment parts as well asaccess to online audio recording that provides a full rhythm section accompaniment for every exercise and tune. The appropriate tone and style are modelled by the author's performances of more than 50 sample exercises andimprovised solos.

Avec « le Lewis Porter » sur John Coltrane, la bibliographie sur le jazz en langue française s?enrichit d?un titre de référence, unanimement salué outre-Atlantique au moment de sa sortie (1999 aux Presses de l?Université du Michigan).

Après L?Improvisation, sa nature et sa pratique dans la musique de Derek Bailey et Free Jazz d?Ekkehard Jost, il s?agit du troisième texte majeur sur le jazz et les musiques improvisées proposé en traduction française originale par la collection Contrepoints. Cette politique éditoriale de traduction répond, dans ces trois cas, à une véritable demande de la part d?un lectorat qui s?élargit depuis plusieurs années en direction des musiciens, étudiants en musicologie ou élèves des écoles de jazz et des conservatoires.

Largement attendue par les amateurs comme par les spécialistes, l?édition française de l?ouvrage de Lewis Porter coïncide avec le quarantième anniversaire de la disparition du saxophoniste (1926-1967) couramment identifié comme l?un des derniers maîtres historiques du jazz, voire comme l?ultime dépositaire de sa modernité.

Tributaire d?une tradition remontant au Swing puis au Bebop (à travers l?influence de Johnny Hodges puis celle de Charlie Parker), Coltrane n?en est pas moins au c?ur du free jazz qu?il a en grande partie inspiré et dont il s?est lui-même nourri en ses dernières années.

L?auteur, pianiste et musicologue, enseignant et chercheur (fondateur et responsable du prestigieux Masters Program in Jazz History and Research à la Rutgers Université de Newark) s?est appuyé sur les travaux de ses prédécesseurs, notamment C.O. Simpkins et J.C. Thomas (1975), tout en comblant leurs nombreuses lacunes par de nouvelles et complètes investigations (archives, presse périodique, témoignages de proches et de musiciens, etc.) et de nombreuses analyses musicales détaillées.

Respectant l?imbrication étroite, chez tout musicien de jazz, du vécu personnel et du contexte social, des étapes et rebonds de la carrière et de la production musicale proprement dite, Porter conduit le lecteur vers une compréhension en profondeur des mécanismes de création observables chez Coltrane, musicien intègre, inquiet, hanté par le dépassement de lui-même.

Le livre comporte de nombreux exemples musicaux et reproductions de documents ainsi qu?une iconographie, pour l?essentiel inédite jusqu?alors. Il est complété par une chronologie de la carrière de Coltrane, la plus détaillée disponible à ce jour, ainsi que d?éléments indispensables de discographie, bibliographie et index.

La traduction de Vincent Cotro, lui-même collègue de l?auteur, musicologue et auteur de nombreux textes sur le jazz, rend justice aux exigences tant littéraires que musicales et techniques qui caractérisent ce livre indispensable. / Livre / Agrafé /

A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, color highlighting for concept emphasis, updated song titles and lyrics, and full-color illustrations.

À l?est des États-Unis s?élève le massif des Appalaches qui s?étire sur deux mille kilomètres de la frontière canadienne à l?Alabama. Appalachia est une visite aux sources des traditions musicales des Appalaches rurales berceau du bluegrass de la country et du square dance.

Bukka White's slashing slide figures and pounding chords are capable of generating a high level of excitement capable of leaving dancers joyously exhausted. Yet there is also a sensitivity and a sense of dynamics to his music. Bukka's lyrics ran the gamut from the perceptive to the surreal. The combination of these two voices places Bukka squarely within the blues tradition and in his own unique niche.In this lesson Tom Feldmann takes you through 10 of Bukka White's tunes. Starting off in Vestapol tuning you'll get his right hand train beat picking down pat with Special Streamline. Next you'll learn to master playing in Cross-Note tuningwith Jitterbug Swing Aberdeen Mississippi Blues World Boogie and Sic Em Dogs On.Bukka's approach to Cross-Note tuning set him apart from his contemporaries and will add a new depth to your own playing. You'll learn Bukka's trick of dampening the 3rd string behind the slide as well as his signature ?Spank the Baby? technique a real crowd pleaser. Moving into Open G tuning you'll learn Poor Boy Fixin' To Die Blues and Gibson Hill. The lesson finishes with When Can I Change My Clothes and Strange Place Blues in Standard Tuning.These carefully selected songs where chosen on the basis that Bukka used similar patterns for many of his songs and by learning these 10 you're really learning his entire recorded works. The original old recordings of all the tunes are included.Titles include: OPEN D TUNING: Special Streamline CROSS-NOTE TUNING: Jitterbug Swing Aberdeen Mississippi Blues World Boogie Sic Em Dogs On OPEN G TUNING: Poor Boy Fixin' To Die Blues Gibson Hill STANDARD TUNING: When Can I Change My Clothes Strange Place Blues112 minutes ? Level 2/3 ? Detailed tab/music PDF file on the DVD

À l?est des États-Unis s?élève le massif des Appalaches qui s?étire sur deux mille kilomètres de la frontière canadienne à l?Alabama. Appalachia est une visite aux sources des traditions musicales des Appalaches rurales berceau du bluegrass de la country et du square dance.

From this legendary stage show and film comes some of Broadway's most enduring music ? not only the memorable songs but also the dazzling ethnic dance music. Ira Hearshen's showcase is pure energy and musical excitementwith Tradition Wedding Dance #1 (The Bottle Dance) Perchik and Hodel Dance Chava Sequence and To Life.