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Entre Le Boeuf Et L'âne
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Francesco Agnelli: Imparo a suonare la chitarra senza solfeggio: Guitar:
Italiano
Guitar
Play Music Publishing
Questo metodo si rivolge a tutti coloro che desiderano imparare a suonare la chi...
(+)
Questo metodo si rivolge a tutti coloro che desiderano imparare a suonare la chitarra… senza farsi venire pesanti mal di testa! In altri termini senza solfeggio senza teoria musicale senza note senza pentagramma… Il chesignifica che dovrete giusto saper leggere semplici diagrammi di accordi (molto visivi) per capire cosa fa la mano sinistra mentre le pennate effettuate dalla mano destra sono rappresentate da piccole frecce (molto giudiziose).Semplice vero? Volendosi molto progressivo il metodo vi propone all’inizio di scoprire i principali accordi della chitarra. Vi farà poi lavorare sulle concatenazioni di accordi e vi insegnerà poi a suonarli su dei ritmi pop rock e folk… fino ad essere capaci di suonare degli accompagnamenti alla maniera dei più grandi successi della chitarra di ieri e di oggi (The Rolling Stones Jimi Hendrix AC/DC Oasis…). L’altro vantaggio di questo metodorisiede nel disco dati allegato. Vi troverete in effetti numerosi file audio e video che vi permettono di ottimizzare l’apprendimento e tutte le nozioni didattiche fornite nel libro. I video (mp4) presentano tramite l’immaginetutti gli esempi così come devono essere suonati mentre le registrazioni audio (mp3) propongono le basi musicali per permettervi di suonare tali esempi in vere condizioni musicali… come se foste già un chitarrista in seno ad ungruppo.
13.25 GBP - Sold by Musicroom UK
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Barrett David - First Lessons Harmonica, Spanish Edition - Harmonica
Harmonica
[Sheet music + CD]
-
Beginner
Mel Bay
Description El libro Primeras Lecciones de Armónica es un método emocionant...
(+)
Description El libro Primeras Lecciones de Armónica es un método emocionante, con instrucciones paso a paso para la armónica diatónica de 10 agujeros. Las materias que se cursan en este libro son: lectura de notas; entrenamiento rítmico; patrones de practica; canciones populares; blues; bending; vibrato; bloqueo de lengua de una nota y octavas y enseñanza en las 3 posiciones comunes de la armónica (1era, 2da y 3ra). El libro incluye un CD con todos los ejemplos grabados por el autor David Barret con música de fondo. El material audiográfico de este libro se encuentra en el idioma inglés. First Lessons Harmonica is an exciting set-by-step instruction course for the ten-hole diatonic harmonica. Subjects covered are: reading music notation; rhythm training; train patterns; folk tunes; blues; bending; vibrato; tongue blocking single notes and octaves; and instruction on all three common harmonica positions (1st, 2nd and 3rd). Book is accompanied by CD recording of all examples played by author David Barrett along with background music.
12.70 EUR - Sold by Woodbrass
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Piano Pieces For Children: Piano: Instrumental Album
Piano solo
Spartan Press
Federico Ruiz finds constant inspiration in the rich popular and folkloric music...
(+)
Federico Ruiz finds constant inspiration in the rich popular and folkloric music of his country.No. 10 The little Peruvian girl is featured by the Associated Board of the Royal Schools of Music in their Grade 4 piano exam pieces 2013 & 2014.Clara has recorded these pieces on CD: The Music of Federico Ruiz - on Nimbus Alliance Records (Catalogue No. NI6179).They first met in 1993 and she became acquainted not only with his music but through it discovered the precision and the soft expressiveness of each of the numerous rhythms of Latin America and the Caribbean. His music is a sophisticated synthesis of Latin American styles that amongst manyother traits expresses the subtle interface between 'classical' and 'popular' music of the continent.Clara Rodriguez is often described as an Ambassador of Latin-American piano music recognising the great number of concerts she has given and CDs where this music features prominently. Born in Caracas Clara studied there with Giomar Narváez and with Phyllis Sellick after winning a scholarship from the Venezuelan Arts Council to train in London at the Royal College of Music. At the age of sixteen she made her debut playing Mozart's last piano concerto with the Simón Bol var Orchestra under the baton of José Antonio Abreu which was the starting point of her international career as a concert pianist.Her discography includes CDs of the piano music of Venezuelan composers Moises Moleiro (Nimbus NI6104) Teresa Carreño (Nimbus NI6103) VENEZUELA (Nimbus NI 6122) receiving glowing reviews from international publications such as Gramophone Magazine: 'Clara Rodriguez makes the most of her innate feel for the exuberant and languorous dispatching the toe-tapping cross-rhythms with panache and a light touch. This is a treasure chest from which to cherry-pick.' She regularly plays in London's Wigmore Hall Southbank Centre St. John's Smith Square St. Martin in-the-Fields and at Barbican Centre. Clara Rodriguez teaches the
9.99 GBP - Sold by Musicroom UK
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Franco Cesarini: Colorado: Concert Band: Score
Concert band
Mitropa Music
Overture on a Traditional Arapaho Folk Song-Le thème principal de cette ouvertu...
(+)
Overture on a Traditional Arapaho Folk Song-Le thème principal de cette ouverture est basé sur une ancienne chanson amérindienne de la tribu des Arapahos. Le nom Colorado vient du mot espagnol qui signifie « coloré ». Ce mot fut utilisé à l?origine pour le fleuve puisque ses eaux érodaient la terre rouge en coulant à travers les canyons à pleine vitesse et devenaient donc rouges. L?Etat de Colorado est connu pour ses quatre Parcs Nationaux chacun fournissant des vues éblouissantes. Donnez libre cours à votre imagination pendant que vous voyagez à travers ces terres extraordinaires à l?aide de cette musique dynamique au rythme entraînant et aux couleurs fantastiques.
18.99 GBP - Sold by Musicroom UK
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Franco Cesarini: Colorado: Concert Band: Score & Parts
Concert band
[Score and Parts]
Mitropa Music
Overture on a Traditional Arapaho Folk Song-Le thème principal de cette ouvertu...
(+)
Overture on a Traditional Arapaho Folk Song-Le thème principal de cette ouverture est basé sur une ancienne chanson amérindienne de la tribu des Arapahos. Le nom Colorado vient du mot espagnol qui signifie « coloré ». Ce mot fut utilisé à l?origine pour le fleuve puisque ses eaux érodaient la terre rouge en coulant à travers les canyons à pleine vitesse et devenaient donc rouges. L?Etat de Colorado est connu pour ses quatre Parcs Nationaux chacun fournissant des vues éblouissantes. Donnez libre cours à votre imagination pendant que vous voyagez à travers ces terres extraordinaires à l?aide de cette musique dynamique au rythme entraînant et aux couleurs fantastiques.
119.99 GBP - Sold by Musicroom UK
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16 Trios (O'CAROLAN TURLOUGH)
2 Violons et Violoncelle ou Alto
[Part]
Schott
Par O'CAROLAN TURLOUGH. Aujourd'hui, Turlough O'Carolan (1670-1738) est considé...
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Par O'CAROLAN TURLOUGH. Aujourd'hui, Turlough O'Carolan (1670-1738) est considéré comme le dernier joueur de harpe grand d'Irlande et est entouré d'une aura presque mystique. Nombreuses anecdotes ont été prononcées qui témoignent d'une forte personnalité, un immense talent musical et l'énorme confiance en soi. Contrairement à d'autres, il savait comment combiner les vieux musique irlandaise avec de la Musique Baroque italien, créant ainsi un grand nombre de compositions sur 200 qui ont survécu. Belles pièces entre la musique folk et de l'art. 16 d'entre eux ont été sélectionnés par Patrick Pföß et arrangé pour trio à cordes. Une partie distincte Alto est aussi disponible - dans le cas où aucun violoncelle n'est disponible./ Répertoire / 2 Violons et Violoncelle ou Alto
9.43 EUR - Sold by LMI-partitions
(Seller in french langage)
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Adler S. - Etude De L'orchestration
Français
Musical course - Solfege
[Textbook]
Lemoine, Henry
ADLER Samuel Etude de l'orchestration Discipline / Instrument : tous instruments...
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ADLER Samuel Etude de l'orchestration Discipline / Instrument : tous instruments Genre : Méthode - études Média : Livre Nombre de pages : 1136 (17,8 x 25,4 cm) Editeur : Lemoine Date de parution : 15/06/2011 ISBN / ISMN : 9790230982122 plus de 150 ans après Hector BERLIOZ, plus de 50 ans après Charles KOECHLIN ou Nikolaï RIMSKI-KORSAKOV, et quelques années après... un long travail, Les éditions Henry Lemoine ont le plaisir de vous présenter, enfin en langue française, de Samuel ADLER : Etude de l'orchestration TRAITE PRATIQUE Titre original : The Study of Orchestration, traité d'orchestration de réputation internationale Véritable défi éditorial, l'ouvrage est proposé ici sous la forme d'une édition française, augmentée de 280 pages (+33%) par rapport à la version traduite. En effet, le texte original, déjà riche, est complété : - par Gilbert Amy, d'un chapitre nous offrant son regard sur l'orchestre en musique contemporaine aujourd'hui, - par Bruno Gillet, de trois chapitres concernant la voix humaine, - de 60 pages de commentaires et annotations, à vocation pédagogique, du traducteur de l'ouvrage Philippe Vernier - enfin, d'un index complet et performant (accru de 150%) sans lequel une telle ampleur de contenu se révélerait assez rapidement vaine. Samuel Adler Compositeur et chef d'orchestre américain d'origine allemande parti très jeune aux états-unis, Samuel Adler a composé plus de quatre cents oeuvres publiées, dont cinq opéras, six symphonies, douze concerti, huit quatuors à cordes, quatre oratorios et bien d'autres pièces orchestrales, chorales, vocales ou pour band. Elève notamment de Paul Hindemith, Aaron Copland et Sergei Koussevitski, il enseigna à son tour à l'University of North Texas (1957-1966) puis à l'Eastman School of Music de l'university of Rochester (1966-1995), et depuis 1997 reste membre intervenant à la Juilliard School of Music au sein du département composition. Auteur d'autres ouvrages que celui-ci (Choral Conducting et Sight Singing), Samuel Adler a reçu plusieurs prix et distinctions pour sa contribution exceptionnelle au monde musical comme compositeur, chef d'orchestre et auteur - en 2001, il entre à l'American Academy of Arts and letters. En tant que chef, il s'est produit avec de nombreux orchestres prestigieux, aux états-unis ou ailleurs - plus d'une cinquantaine de ses oeuvres furent enregistrées et sont distribuées par des labels américains ou européens de premier plan. Gilbert Amy Elève de Milhaud et Messiaen au Conservatoire de Paris, Gilbert Amy est un compositeur dont le talent a été salué par de multiples prix et dont les oeuvres sont jouées dans les plus hauts lieux mondiaux de la création musicale. Succédant à Pierre Boulez à la direction des concerts du Domaine musical, Gilbert Amy a ensuite poursuivi une carrière de chef d'orchestre. Fondateur du Nouvel Orchestre Philharmonique de Radio-France, il en sera le premier chef et directeur artistique jusque dans les années 1980. Pédagogue reconnu, il a enseigné la composition et l'analyse musicale à l'Université de Yale puis occupé le poste de directeur du C.N.S.M. de Lyon de 1984 à 2000. Bruno Gillet Compositeur, Bruno Gillet a beaucoup écrit pour la voix, en formations de chambre, en duos avec divers instruments, en ensemble vocal, et avec orchestre. Au théâtre, il a collaboré, entre autres auteurs, avec Italo Calvino et Georges Perec. Au C.N.S.M. de Paris, il a inauguré la classe d'analyse et culture musicale spécialement destinée aux chanteurs, et assuré au C.N.A.D. la formation musicale des acteurs. Philippe Vernier Philippe Vernier se passionne très tôt pour les musiques orales dont il approfondit la connaissance d'abord en autodidacte (chanson, folk music...) puis sous l'impulsion du guitariste Alain Berkès (manouche, blues, jazz...). Après une expérience pop-rock, il étudie la théorie classique, suit l'enseignement des compositeurs Alain Roizenblat, Michel Decoust et Philippe Leroux - il reçoit alors plusieurs Premiers Prix (Orchestration, Composition...) et un D.E.M. en électro-acoustique. Compositeur de pièces pour bande, ensemble, chansons, musiques de film ou de scène, il a remporté le Prix de la Création Musicale au festival Paris-Tout-Court (2002).
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Ungaresca (Concert Band) (GYORFFY ISTVAN)
Concert band
[Sheet music]
EMB (Editio Musica Budapest)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and...
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Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band
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Robert Xavier RodrÝguez: Con Flor Y Canto: Vocal: Score
Choral
Schirmer
A Cantata for Soloists Chorus Children's Chorus & Orchestra-This 15-minute nar...
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A Cantata for Soloists Chorus Children's Chorus & Orchestra-This 15-minute narrative cantata is the central portion of Rodr guez's multi-media Mexican folk celebration Adoración Ambulante. The American premiere in October of 1998 was performed separately as a concert work withthe University of Miami chorus and orchestra conducted by Thom Sleeper and it was subsequently recorded for Albany Records.
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Zhou Long: Words of the Sun: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
This is a poignant evocation of morning opening and closing with a delicate fo...
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This is a poignant evocation of morning opening and closing with a delicate folk-like melody in the solo part supported by hums and vocalizing. A central episode is more urgent and uses dance rhythms. Despite the divisi in all parts the pieces is surprisingly easy to prepare making it accessible to school choirs.
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Philip Sparke: Albion Heritage: Concert Band: Score
Concert band
Anglo Music
A British Folk Song Fantasy-Philip Sparke a composé cette fantaisie basée sur ...
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A British Folk Song Fantasy-Philip Sparke a composé cette fantaisie basée sur des airs traditionnels en provenance des quatre coins des Îles britanniques. L?oeuvre débute avec Brighton Camp la version anglaise du chant The Girl I Left Behind Me qui subit une succession de contorsions. Le passage central plus lent s?inspire de la mélodie écossaise O Waly Waly. Vient ensuite l?exposition solide et puissante du célèbre air gallois Men of Harlech qui dit-on raconterait le passé captivant du château de Harlech. Une oeuvre au flair typiquement britannique !
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Local Fusions
Oxford University Press
Folk Music Experiments in Central Europe at the Millennium
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Chansons De Normandie (Wind Band Sc And Pts) (HESS NIGEL)
Wind ensemble
[Sheet music]
Faber Music Limited
Par HESS NIGEL. Chansons de Normandie was commissioned by the Central Band of th...
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Par HESS NIGEL. Chansons de Normandie was commissioned by the Central Band of the Royal Air Force and premiered on BBC Radio 2 as part of their D-Day broadcast from the Royal Albert Hall on June 6th, 2014. This 4 minute piece is based on three traditional Normandy folk songs: Les Metamorphoses, Le marchand de velours and Le corselet. An ideal concert opener, the work is in a lively dance tempo with suggestions of Renaissance dance music./ Répertoire / Orchestre à Vent
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Ungaresca (Concert Band Score) (GYORFFY ISTVAN)
Concert band
[Sheet music]
EMB (Editio Musica Budapest)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and...
(+)
Par GYORFFY ISTVAN. Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gyorffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movement transfers a characteristic playing technique of Hungarian instrumental folk music to the concert band. István Gyorffy composed Ungaresca for young people preparing for careers in music. The work provides an excellent opportunity for students not only to display their instrumental skills, but also to gain orchestral playing experience./ Répertoire / Concert Band
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John Higgins: Serengeti: Concert Band: Score Parts & Audio
Concert band
Hal Leonard
This colorful concert work is based on folk themes of central Africa. It feature...
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This colorful concert work is based on folk themes of central Africa. It features traditional concert band percussion instruments throughout and easy repetitive syncopation for the entire band. Sections include: Safari Voodoo Celebration and Sunset.
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Chansons De Normandie (Wind Band Score) (HESS NIGEL)
Wind ensemble
[Sheet music]
Faber Music Limited
Par HESS NIGEL. Chansons de Normandie was commissioned by the Central Band of th...
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Par HESS NIGEL. Chansons de Normandie was commissioned by the Central Band of the Royal Air Force and premiered on BBC Radio 2 as part of their D-Day broadcast from the Royal Albert Hall on June 6th, 2014. This 4 minute piece is based on three traditional Normandy folk songs: Les Metamorphoses, Le marchand de velours and Le corselet. An ideal concert opener, the work is in a lively dance tempo with suggestions of Renaissance dance music./ Répertoire / Orchestre à Vent
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F. Brambock: World Music Afro Latin: Saxophone Ensemble: Instrumental Album
2 Saxophones (duet)
[Sheet music]
Universal Edition
When you explore the contents of this book you will immerse yourself in the exot...
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When you explore the contents of this book you will immerse yourself in the exotic world of Afro-Latin-Jazz an exciting form of music fusing African and Caribbean dance rhythms with American Jazz. Latin music has roots not only in Central and South-American folk music but is also strongly influenced by music from Africa. In particular the rhythmic richness and exotic flavour of Afro-Latin-Jazz can be traced to the traditions of African music which left its characteristic mark during the colonial period in America. These easy to moderately difficult saxophone duos serve as an introduction to the genre presenting some Latin and African grooves. Original compositions as well asarrangements of well-known melodies (some in several versions) will introduce new sound and rhythmic elements to help develop your technique and ensemble playing. Above all however this lively and diverse music is fun!
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Horacio Duran Italo Pedrotti: Charango Method: Banjo: Instrumental Tutor
Mel Bay
Written by Charango masters Horacio Duran and Italo Pedrotti this Charango Meth...
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Written by Charango masters Horacio Duran and Italo Pedrotti this Charango Method is the first to use conventional musical notation and the only bilingual (Spanish and English) text of itskind. These characteristics make the method attractive to musicians with a wide variety of cultural backgrounds interests and skill levels. The method is comprised of two parts: A first section regarding strummingtechniques and a second section regarding melodic plucking techniques. The first section provides a clear and precise method for learning the 'rasgueo' 'repique' and 'tremolo' skills central to the Charango repertoire. The secondsection meanwhile provides an indispensable guide to expressive techniques for embellishing melodic lines including hammer-ons and pull-offs trills simultaneous melodies and arpeggios. The method is appropriate for awide range of musical skill levels from beginners to accomplished Charanguists who want to improve their technical chops. Exercises are clear and progressive. In the event that the student is not familiar with music theory anappendix clarifies the basics of musical notation. In addition to 201 written exercises for the Charango solo the method includes 23 South American folk music classics arranged for Charango and Guitar accompaniment. It thusserves as both a pedagogical tool and a source of performance repertoire. The musical scores included in the method are accompanied by a free audio download of exercises as well as repertoire played by recognized ChileanInstrumentalists.
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James Bassi: Wexford Carol: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
This is the central slow movement of Bassi's larger work Carol Symphony. The c...
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This is the central slow movement of Bassi's larger work Carol Symphony. The composer recommends that the overall presentation should be close to the folk tradition so the soloist doesn't need a full operatic voice and may be amplified to achieve an easy balance. An orchestral accompaniment to Carol Symphony is available on hire.
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Local Fusions
Oxford University Press
Folk Music Experiments in Central Europe at the Millennium
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Zhou Long: Wu Kui: Piano: Instrumental Work
Piano solo
Oxford University Press
Wu Kui is a folk dance from northeast China which expresses the hunters' joy in ...
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Wu Kui is a folk dance from northeast China which expresses the hunters' joy in work and life. Capturing the original style of the dance this solo piano piece opens with animated rhythmic patterns moves into a free-flowing lyrical central section and concludes with a return to the fiercely exultant rhythms of the opening.
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Francis Pott: As Joseph was a-walking: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
This carol was composed in March 2009 and bears a dedication to Jeremy Backhouse...
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This carol was composed in March 2009 and bears a dedication to Jeremy Backhouse and the Vasari Singers with whom Pott has enjoyed a fruitful creative relationship over recent years. The folk ballad style of the anonymous traditional text lent itself well to a musical setting that preserved the original strophic arrangement and this in turn encouraged the use of textural variation in successive verses to offset repetition of the same musical material. One ‘verse’ of music actually spans two verses of text and therefore the first verse of the poem is here repeated before the fifth and last of the original an arrangement which permits three completemusical presentations. In the second of these the melody is sung by the tenors against a flowing wordlessly hushed background. In the third the melody deviates slightly presenting its central material slightly higher in pitch to create a restrained climax before a slower more melancholic peroration. Francis PottOver the past twenty-five years Francis Pott has acquired an international reputation as a composer of dramatic and emotionally challenging music. His writing unites a distinctive personal voice with a highly disciplined yet versatile technique that is rooted in a keen awareness of the past. Including a steady flow of major commissions his works are regularly performed recorded and broadcast throughout the world. Formerly Lecturer in Music at St Hilda's College Oxford he is currently Professor of Composition at London College of Music Thames Valley University.
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Samuel Scheidt: Canzone Bergamasca: Brass Ensemble: Score and Parts
Brass ensemble
[Sheet music]
Associated
Score and Parts-Samuel Scheidt's Canzone Bergamasca for Brass Quintet. Score and...
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Score and Parts-Samuel Scheidt's Canzone Bergamasca for Brass Quintet. Score and parts.Samuel Scheidt (1587-1654) was one of the influential trio of S's (with Heinrich Schutz and Johann Hermann Schein)who played an important part in both the development of German music of the early Baroque and in the survival of a high level of musical life during the devastation of the Thirty Years War.The son of a musical family of Halle in central Germany Scheidt spent most of his life in the city which saw both his birth and his death. From 1605 to 1608 however he went ot Amsterdam to study with the famous Ducth composer and organist Jan PietersSweelinck.Renowned in his day for his Vocal works - especially for his 'Concerti Sacri' - Scheidt achieved lasting fame for his revolutionary contributions to Organ literature. He introduced elements of tonal harmonyin his music and his masterwork 'Tabulatura Nova' marked the end of the German tablature system of notation for Organ.The Canzone Bergamasca marked by lively rhythms and contrapuntal inventiveness comesfrom an early collection of canzonas and dances published in Hamburg in 1621. The work is a 'chain' canzona (similar in form to the canzonas of Gabrieli) in which the material for one section develops out of the material of theprevious section uniquely linking all of the sections together. For additional contrast there is a tripla section in the middle and the work ends with a recapitulation of the first theme.The 'Bergamasca' of the title atthis period refers to the use of melodic material based on a harmonic ground derived from an Italian folk dance of the Bergamo region.
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Afro-Latin (DIVERS AUTEURS / BRAMBOCK FLORIAN (ARR)
2 Clarinets (duet)
[Sheet music]
Universal Edition
Arrangeur: Florian Bramböck. Par DIVERS AUTEURS / BRAMBOCK FLORIAN (ARR.). When...
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Arrangeur: Florian Bramböck. Par DIVERS AUTEURS / BRAMBOCK FLORIAN (ARR.). When you explore the contents of this book you will immerse yourself in the exotic world of Afro-Latin-Jazz, an exciting form of music fusing African and Caribbean dance rhythms with American Jazz. Latin music has roots not only in Central and South-American folk music but is also strongly influenced by music from Africa. In particular the rhythmic richness and exotic flavour of Afro-Latin-Jazz can be traced to the traditions of African music, which left its characteristic mark during the colonial period in America. These easy to moderately difficult clarinet duos serve as an introduction to the genre presenting some Latin and African grooves. Original compositions as well as arrangements of well-known melodies will introduce new sound and rhythmic elements to help develop your technique and ensemble playing. Above all however, this lively and varied music should be fun!/ Recueil / 2 Clarinettes
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