SKU: BT.AMP-385-400
ISBN 9789043135832. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.AMP-382-400
ISBN 9789043135801. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-388-400
ISBN 9789043135863. 9x12 inches. English-German-French-Dutch.
SKU: BT.DHP-1175795-070
ISBN 9789043152426. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Clarinet Quartets for clarinet players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young clarinet ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Clarinet Quartets voor klarinettisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge klarinetensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Clarinet Quartets für Klarinettisten mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Klarinettenensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Clarinet Quartets pour clarinettistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de clarinettes.
SKU: BT.DHP-1175797-070
ISBN 9789043152440. English-German-French-Dutch.
Pascal Proust has many years of experience as a musician and music teacher. His works include several hundred compositions for the most diverse range of instrumentations. He wrote 14 Intermediate Trumpet Quartets for trumpet players who have around 4-5 years of experience. It is important that these players have paid special attention to an easy-to-follow and attractive musical style. These quartets are ideal performance and competition works for young trumpet ensembles.De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef 14 Intermediate Trumpet Quartets voor trompettisten die ongeveer vier tot vijf jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor zijn deze kwartetten ideale voordrachts- of wedstrijdwerken voor jonge trompetensembles.Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb 14 Intermediate Trumpet Quartets für Trompeter mit ungefähr 4 5 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignen sich diese Quartette ideal als Vortrags- und Wettbewerbsstücke für junge Trompetenensembles.Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue dâ??oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Intermediate Trumpet Quartets pour trompettistes ayant environ 4 5 années de pratique, dans un style musical accessible et coloré. De ce fait, ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de trompettes.
SKU: BT.AMP-384-400
ISBN 9789043135825. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-387-400
ISBN 9789043135856. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-383-400
ISBN 9789043135818. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-379-400
ISBN 9789043135771. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored tosuit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
SKU: BT.AMP-386-400
ISBN 9789043135849. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-381-400
ISBN 9789043135795. 9x12 inches. English-German-French-Dutch.
SKU: BT.AMP-393-400
ISBN 9789043135931. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Intermediate Classical Solos is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkeâ??s 15 Easy Classical Solos. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.The book will provide invaluable additional material tocomplement any teaching method and includes both piano accompaniment and a demo/play-along CD. Philip Sparkeâ??s 15 Intermediate Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die ongeveer anderhalf octaaf kan spelen. Het boek is een vervolg op Sparkeâ??s 15 EasyClassical Solos en het sluit qua instrumentaal bereik en gebruikte toonsoorten aan bij het Expert Level van Hal Leonards Essential Elements ®, maar het kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, diespecifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen: van Handel tot Tsjaikovski en van Clementi tot Brahms.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd metpianobegeleiding en een cd met demo- en meespeeltracks.15 INTERMEDIATE CLASSICAL SOLOS ist als Ergänzung zur bewährten ANGLO MUSIC PLAY-ALONG Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von eineinhalb Oktaven beherrschen. Es schlieÃ?t an Sparkes 15 EASY CLASSICAL SOLOS an undentspricht dem Niveau des Expert Levels der ESSENTIAL ELEMENTS Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.
SKU: BT.DHP-1145594-070
ISBN 9789043137010. English-German-French-Dutch.
A collection of classical works for various occasions including birthdays, anniversaries, weddings and funerals, arranged by Markus Schenk especially for this edition. These works are distinguished by their stylistic diversity and character, and areversatile thanks to their range of durations-from a short Bach chorale to an extended concert work.Of het nu gaat om een verjaardag, jubileumfeest, bruiloft of uitvaart, er zijn veel gelegenheden die vragen om passende plechtige blaasmuziek. Die muziek mag vaak feestelijk zijn, maar soms is eerder een ingetogen stemming gewenst. Voor zijn Musicfor Celebrations selecteerde Markus Schenk een aantal bekende en minder bekende klassieke werken, die hij speciaal voor deze uitgave heeft bewerkt. Deze verzamelde werken onderscheiden zich door hun stilistische diversiteit en de variatie insfeer, maar ook door de wisselende tijdsduur – van een kort Bachkoraal tot een omvangrijk concertwerk. Derhalve is deze veelzijdige bundel geschikt voor uiteenlopende gelegenheden.Music for Celebrations enthält 11 klassische Stücke für verschiedene Anlässe wie Geburtstage, Jubiläen, Hochzeiten und Beerdigungen, die von Markus Schenk extra für diese Ausgabe arrangiert wurden. Die sehr wohlüberlegte Auswahl enthält vomkurzen Bachchoral bis zum längeren Konzertwerk viele charakterlich und stilistisch unterschiedliche Werke.
Ebenfalls erhältlich für variables Bläserensemble in einer deutschen Ausgabe (Feierliche Bläserklänge DHP 1145595-070).Qu’il s’agisse d’anniversaires, de mariages ou de funérailles, il y a de nombreuses occasions qui font appel à la musique de cérémonie pour ensembles de cuivres. Que l’instant se prête à la gaieté ou aurecueillement, Music for Celebrations, de Markus Schenk, est l’ouvrage idéal puisqu’il rassemble des oeuvres classiques connues et moins connues, spécialement arrangées pour cette édition. Ces oeuvres complètes se distinguentpar leur diversité de style et de caractère, mais aussi par leur durée en partant du court choral de Bach jusqu’à la pièce de concert plus longue. Cette collection polyvalente est donc adaptée à un large éventaild’interprétation.
Aussi disponible pour ensemble vent - instrumentation variable (DHP 1145593-070).
SKU: BT.DHP-1196062-404
ISBN 9789043156127. English-German-French-Dutch.
The concept of the successful Swing Quartets, Jazz Quartets and Groove Quartets publications is now also available in a Christmas edition: Bert Lochs has arranged four traditional Christmas songs in a swing style with combo accompaniment. The Swingin' Christmas Quartets are available for trumpet, flute, clarinet and alto saxophone quartets, and all four versions can be combined to create whichever instrumentation you require. The online audio for each piece contains not only a demo version with a full line-upâ??and a pure playback versionâ??but additionally four versions in which each of the four wind voices is omitted in turn, making them ideal forpractice purposes. Het concept van de succesvolle uitgaven Swing Quartets, Jazz Quartets en Groove Quartets is nu ook toegepast op muziek voor Kerst: Bert Lochs heeft vier traditionele kerstliederen gearrangeerd in swingstijl met combobegeleiding. De Swingin' Christmas Quartets zijn verkrijgbaar voor trompet-, fluit-, klarinet- en altsaxofoonkwartet, en ze kunnen worden gecombineerd in elke samengestelde bezetting. De online audio bevat voor elk stuk niet alleen een volledige demoversie en een meespeelversie, maar ook vier opnamen waarin telkens een van de vier partijen is weggelaten: ideaal om mee te oefenen.Das Konzept der erfolgreichen Ausgaben Swing Quartets, Jazz Quartets und Groove Quartets ist nun auch im weihnachtlichen Gewand verfügbar: Bert Lochs hat vier traditionelle Weihnachtslieder in einem swingenden Stil mit Combo-Begleitung arrangiert. Die Swingin' Christmas Quartets sind verfügbar für Trompeten-, Flöten-, Klarinetten- und Altsaxophonquartett, wobei alle vier Versionen beliebig miteinander kombinierbar sind. Im Online-Audioteil dieser Ausgabe gibt es nicht nur eine Demoversion in voller Besetzung und eine reine Playback-Version, sondern zusätzlich auch Tracks, bei denen je eine der vier Stimmen weggelassen ist, sodass diese zuÃ?bungszwecken dazu gespielt werden kann. Le concept succès des Swing Quartets, Jazz Quartets et Groove Quartets se présente maintenant également en habits de Noël : Bert Lochs a arrangé quatre chants traditionnels de Noël dans un style swingué avec accompagnement de combo. Les Swingin' Christmas Quartets sont disponibles pour quatuors de trompettes, fl tes, clarinettes et saxophones altos, toutes les versions étant combinables entre elles. Dans la partie audio disponible en ligne de cette publication figurent non seulement une version de démonstration avec lâ??instrumentation complète et une version dâ??accompagnement, mais aussi quatre versions dans lesquelles chacune des quatre voix estsupprimée tour de rôle afin de permettre chaque instrumentiste de sâ??entraîner individuellement.
SKU: HL.49045014
ISBN 9790001202114. 9.0x12.0 inches.
The Belgian composer Nicholas Lens presents extremely varied etudes, exercises and simple phrases with wonderfully telling titles from poetry and everyday world for children and adults. For the most part the studies are tonal and simple and have no constructed line. They are not based on any educational concept but leave the musical dramatization to the pupils and teachers: 'Notes and rhythms are just notes and rhythms, they do not have that many rules, they do not have any pretension, they are just tools for you to use to express what you want to share'.
SKU: BT.DHP-1115171-401
ISBN 9789043142311. 9x12 inches. English-German-French-Dutch.
Are you looking for a duet book full of surprises? Then Klezmatic Duets (10 pieces) is just the right book for you! It is available for violin, viola and cello and each book can be combined with each other, making these truly flexible duets. The book contains a selection of well-known traditional melodies which are very different in character. These skilful arrangements allow violinists and viola players to play within the first position. Cello players play up to the fourth position.Typisch voor klezmer is de zeer expressieve melodie die zowel heel opgewekt kan klinken als tegelijk melancholisch of weemoedig. Klezmatic Duets is dan ook een veelzijdige uitgave: tien bekende en zeer verschillende klezmermelodieënzijn bewerkt voor twee violen, twee altviolen of twee cellos's. De verschillende uitgaven zijn onderling te combinerenKlezmatic Duets for Violins ist ein vielseitiges Buch: Zehn bekannte, sehr unterschiedliche Klezmermelodien wurden dafu?r als Duette fu?r zwei Violinen bearbeitet; aus diesem Buch kann aber auch gemeinsam mit anderen Streichern gespielt werden, welche die entsprechende Ausgabe fu?r Viola oder Cello besitzen. Geiger mu?ssen fu?r diese Stu?cke nur die erste Lage beherrschen. Klezmatic Duets for Violins est un recueil aux multiples facettes : dix mélodies klezmer connues et de styles différents ont été arrangées pour être jouées en duo de violons mais également en duo avec un autre instrumentiste cordes, tel quâ??un altiste ou un violoncelliste possédant le recueil approprié. En tant que violoniste, vous devrez cependant maîtriser la première position. Klezmatic Duets for Violins è una pubblicazione che può essere utilizzata in diverse combinazioni: 10 note melodie klezmer sono state arrangiate per due violini. Si può però suonare assieme ad un altro musicista che ha a disposizione la versione per viola o violoncello. Per lâ??esecuzione di questi brani è richiesta solo la padronanza della prima posizione.
SKU: CF.WF231
ISBN 9781491153314. UPC: 680160910816.
Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley.