Everything you need for class assemblies in one ready-to-use pack. Fourassemblies specially tailored for Year 3 with accompanying songs andmusic as well as ideas for dances costumes and sets with supportingteaching notes. Four complete class assemblies for Year 3 carefully designed to take the stress out of whole-class performances.Each assembly is based on a story which links to literacy topics as well as cross-curricular themes. The stories are scripted allowing the class to join in with lines actions and choral speech. Supporting teaching notes provide ideas for sets costumes and dances as well as advicefor preparing the performance and for linking the assembly to classroom work and SEAL themes. The accompanying audio CD provides music for entering and exiting the assembly performance and backing tracks for the songs and music for optional dances. No music reading required.

In Scotland the monster of Loch Ness is a hot issue but the American state of Montana enjoys a comparable phenomenon going by the name of Montana Nessie. In the western part of this remote state lies Flathead Lake: a lake of 45 kilometres /38miles in lenght and 24 kilometres /15 miles breath. At several places its depth exeeds 100 metres.Nessies discovery takes us back to the year 1889 when captain James Kerr aboard the passengership U.S.Grant was startled by a ship unknown to himsuddenly approaching his vessel across Flathead Lake. However it turned out not to be a ship but an undefinable animal of immense size.From that moment onwards life would never be the same again in and around Flathead Lake.The composer wasinspired by the story and summarized the events into a symphonic poem but from a surprising angle:that of the monster. The exiting opening allows us to follow the monster in its natural surroundings.The fast follow-up movement depictsMontana Nessie trotting and frolicking about the Montana woods and prairies.From its abode it thorougly enjoys everything around it. This period abruptly ends in a short climax (Chimes). The solo for cor anglais marks a new period in themonsters life.The presence of people has a paralizing effect and the apprehensive atmosphere of the slow movement may be felt profoundly.The monster observes and mildly teases the ship. Abhor sounds force the ship to a withdrawal.The movingmusical continuation depicts the triumphant monster dancing an ironic waltz. The monsters fear and anger at the intrusion of his freedom run through the piece like continuous threads and develop into the works final theme.

Creation 04/11/2018 - Cologne (Germany), Philharmonie - Anaïs Gaudemard (harp) Sponsor Calouste Gulbenkian Foundation and Philharmonie de Paris Dedication to Anaïs Gaudemard Notice Nighthawks is a work for solo harp. When Anaïs Gaudemard [1] asked me to write this work, she wanted to integrate it into a program on the theme of birds. I immediately thought of the work Nighthawks (1942) - or Night Birds - by the American realist painter Edward Hopper (1882-1967). Inspired by this work, I designed the piece in one piece as a trip to the heart of this painting. Hopper projects there a snapshot of American daily life. The scene takes place at a late hour of the night and several atmospheres emerge from it. Indeed, the eye is at the same time attracted by this dark, deserted, and immaculate street of an American downtown; intrigued by the frozen situation of the four characters inside a brightly colored diner; and hypnotized by the glare of the huge bar window. Contrasting with the darkness of the street, the light from this neon-lit window is striking. It thus separates the two atmospheres of the painting. The view of the spectator through it is from outside to inside the bar. The absence of an exit door gives the impression that the characters are isolated and their solitude is further reinforced by this glass which surrounds the illuminated stage - as if they were under a bell . Inside the diner, a man seen from behind is eating; a couple stand side by side (the man smokes; the woman is dressed in red); a server is busy. We don't know anything about them. What are they doing at such a late hour? Where is the exit? What are they discussing? Do they know each other? I wanted to musically conceive this scene from the viewer's point of view, as if we were caught up, sucked into the very interior of the painting. The introduction - Mysterious, dark - sounds the twelve strokes of midnight and plunges us into the darkness of this typically American street. From this nocturnal atmosphere is born a strange song - almost padded with xylophonic sounds - as if we could not hear it distinctly through the luminous glass which separates the street and the bar. Caught up in this bright light, we pass through the window and gradually return inside the diner by means of a hypnotic loop repeated tirelessly, as if we were entering a state of trance - Hypnotic. It is the underlying tension of this frozen situation of the characters that I wanted to represent in the central passage - Rhythmic and pulsed. Then, we come out of this feeling of hypnosis by passing through the bar window again and rediscover the nocturnal atmosphere of this deserted and immaculate street - Hypnotic - Mysterious. Camille Pepin [1] Creator and dedicatee of the piece Hurry What a simply beautiful work here! Camille Pépin, born in 1990, had a career marked by dance and composition. But we discover here quite simply an artist, who invites us to the contemplation of a work of the painter Edward Hopper. Having worked on composition and orchestration with Thierry Perrine as well as with Thierry Escaich, Guillaume Connesson and Marc-André Dalbavie, she has forged an original language which allows her here to bewitch us both by her music and by contemplation of the painting. We can judge by the interpretation of this piece on YouTube that we will listen to while looking at the painting. Of course, you can also listen to the work as it is: it is sufficient. But with the painting ... Daniel blackstone Music Education n ° 128 (Jan-Feb 2020)

Haydn?s ?Farewell Symphony? is one of the most frequently played works of the symphonic repertoire. The popular title did not derive from the composer but refers to the final movement at the end of which (Adagio) the musicians stop playing one after the other leaving only two violins to end the work. According to an anecdote the musicians? exit was a means of making reference to the demands of orchestral work at Esterháza at the end of the season.The publication of Haydn?s ?Sturm und Drang? Symphonies the Farewell Symphony and Symphony No. 48 (the so-called ?Maria Theresia? Symphony) represents a continuation of the cooperation between Bärenreiter and theHenle publishing company for editions of larger choral works operas and symphonic works. The publications are based on the Henle ?Complete Edition of the Works of Joseph Haydn?. Both symphonies (BA 10971 and BA 10972) will be published with a full score and orchestra parts on sale in a large format.

Volume Two-The performances in this DVD series present two generations of artists who have advanced the acoustic guitar’s cause with formidable boldness. We clearly hear their folk blues and country roots even as they develop other distinctly personal harmonic and melodic pathways. Thinking coupled with the 90% perspiration 10% inspiration formula is evident in the performances here no less than in the artful arrangements in the original compositions. There are English guitarist playing original music tinged by American blues and American guitarists picking with English accents. There are guitarists from everywhere bringing music from the keyboard and othersources to the guitar. There is an apparent user-friendly adaptability happening around the instrument: the example of these players encourages the rest of us to tinker with arrangements explore open tunings try varied techniques of picking. The means they demonstrate are flexible. And the ends? Endless. As the redoubtable Claw Jerry Reed once remarked I don’t go to see a man pick. I go to see a man think. Dave Evans Stagefright John Renbourn Rosslyn Stefan Grossman Tightrope John Knowles Coastin' Pat Donohue The Mooch Marcel Dadi Saturday Night Shuffle Duck Baker Blood Of The Lamb Chris Proctor Interstate John Renbourn Little Niles Stefan Grossman Bermuda Triangle Exit El McMeen My Mary Of The Curling Hair Joe Miller Ivory Coast John Knowles Waltz Forever Pat Donohue High Society Duck Baker 'Round Midnight Chris Proctor Morning Thunder El McMeen Angels We Have Heard On High Marcel Dadi Je Te Veux Bonus Instructional Tracks: Stefan Grossman Diddie Wa Diddie and Pat Donohue High Society

Learn to play every song from Ella Henderson's No. 1 debut album Chapter One arranged for Piano Voice and Guitar. After her shocking early exit from the X Factor despite being the favourite Ella Henderson has come back in full force with Chapter One a fantastic pop album that has ticked all the right boxes with the public and critics alike. The songs vary instyle from upbeat danceable party tracks to pure pop balladry. The one constant is Henderson's unmistakeable voice with its wide range and ability to convey a great sense of emotion. ThisChapter One sheet music songbook contains singles like the catchy Ghost and Glow with its powerful and uplifting chorus. The 11 other tracks from the album are also included here all arrangedfor Piano Voice and Guitar with full lyrics. The album as a whole has been critically acclaimed and you'll love singing and playing each and every one of these melodic gems. Critics have particularly commendedHenderson's vocal abilities and her songwriting talent and these are evident on this album her stellar range shining through as she sings such personal lyrics.  Ella Henderson'sdebut is a powerhouse of a pop album where sombre Piano and heartfelt lyrics intermix with catchy choruses and verses full of vitality. If you want to learn to sing and play these wonderful songs this EllaHenderson sheet music songbook can't be beaten for its accuracy so that you can be performing the entire album straight away. We're hoping for Chapters Two andThree.

Full Score-Nico Muhly's Sentences for Countertenor and Chamber Orchestra. Composed: 2014 Duration: 30 minutes Composers Note: Sentences is a thirty-minute meditation in collaboration with Adam Gopnik on several episodes drawn from the life and work of Alan Turing. Turing lived in a sense many different lives but at the heart of his work was I think a very musical set of anxieties. Even the idea of code-breaking is inherently musical; the French for score-reading is déchiffrage: deciphering. His wartime work on the Enigma code translated later in life to a more nuanced relationship to code in the form ofa primitive but emotionally (and philosophically) complicated artificial intelligence. The piece uses a single voice not to speak necessarily as Turing but as a guide through these various episodes. I’ve always felt that the question of sentient computers is wildly emotional: we anthropomorphise the Mars Rover imagining its solitude on that dusty planet. Any act of communication in which the second person is unseen can be a one-way conversation. An email sent can never be returned — did it arrive or did it not? — or a text message can be delivered but never read. The thrill of a fast response is immediately tempered with the harsh but empty rudeness of an out-of-office reply. Anybody who has made a condolence phone call only to hear the voice of the deceased on the outgoing answering machine message knows the complexities of what could be a simple binary communication. 

This edition of the Really Easy Piano series is a bumper collection of 37 of the best One Direction songs from their massive career to date. All arranged for Easy Piano with simplifiedfingerings each song also comes with some interesting background information and performance hints and tips for perfect Piano playing. Featuring all of the band's best tunes The Big One DirectionSongbook includes songs like Best Song Ever Fireproof Live While We're Young Midnight Memories and Story Of My Life. Spanning their entire career to date these songs represent the development ofpossibly the world's biggest pop band. Their earlier upbeat tunes are included here as well as their more intimate personal and reflective songs from their more recent albums. This is the perfect One Directionsheet music songbook for any beginning pianist who loves the sounds of Harry Zayn Louis Liam and Niall. Every one of these 37 songs is accurately and lovingly transcribed for Easy Piano withsimplified arrangements that retain the heart and power of each song. Simple guides to fingering are included helping you to get those fingers into place while there are also chord symbols and full lyrics letting you play alongexactly to how the song sounds. Not only this but some fascinating background information on the songs is included as well as really useful performance tips to help you hit those right notes firsttime.  Taking songs from their first four albums this songbook is a huge collection of the best and most popular One Direction songs on the airwaves right now. Since burstingonto the scene after an untimely exit from the X Factor the five lads from humble backgrounds have become one of the biggest and most popular bands ever breaking all kinds of records. Their success is here to stay and this

Everything you need for class assemblies in one ready-to-use pack. Four assemblies specially tailored for Year 1 with accompanying songs and music as well as ideas for dances costumes and sets with supporting teaching notes. Four complete class assemblies for Year 1 carefully designed to take the stress out of whole-class performances. Each assembly is based on a story which links to literacy topics as well as cross-curricular themes. The stories are semi-scripted allowing the class to join in with lines actions and choral speech. Supporting teaching notes provide ideas for sets costumes and dances as well as advice for preparing the performance and forlinking the assembly to classroom work and SEAL themes. The accompanying audio CD provides music for entering and exiting the assembly performance and backing tracks for the songs and music for optional dances. No music reading required.

Music Minus One Oboe-A fabulous selection of woodwind quintets from such masters as Beethoven Haydn Mozart Lefebvre Colomer and Barthe. Contains pieces of varying lengths and complexities for a broad range of technical abilities. This is truly a treasure-trove for any oboist. Includes a high-quality printed music score and a compact disc containing accompaniments to each piece minus the soloist. Accompaniment: Camerata Woodwind Quintet

Music Minus One Bassoon-A fabulous selection of woodwind quintets from such masters as Beethoven Haydn Mozart Lefebvre Colomer and Barthe. Contains pieces of varying lengths and complexities for a broad range of technical abilities. This is truly a treasure-trove for any bassoonist. Includes a high-quality printed music score and a compact disc containing accompaniments to each piece minus the soloist. Accompaniment: Camerata Woodwind Quintet: Gerald Carey flute George Townsend clarinet Roger Collins french horn Robert Koper bassoon

La partition In Exitu Israel de Hamal/Lemaire a été composée pour Chant/Vocal/Choeur et plus particulièrement pour Soli/2 Choeurs SATB Sans Accompagnement Choeur 1. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Soli/2 Choeurs SATB Sans Accompagnement Choeur 1 / Partition

A rhythmic and exiting setting that captures the joyful spirit of this traditional Latin text. Fantastic vocal writing that will be a nice challenge for your choir. Jo-Michael Scheibe Choral Series