Par MC CASKILL MIZZY. Une autre collection solo artistiquement belle et les plus populaire pour les flûte ! Sélections comprennent ' Ave Maria ' par j. s. Bach/Gounod, ' Sonate en fa ' par b. Marcello, 'Chorale des Cantata #140' (Wachet Auf) par j. s. Bach, un medley de six chants traditionnels de Noël et plus encore. Tous les travaux sont prévus pour les flûte (ou violon) avec accompagnement de piano, orgue. Une partie d'arrachement commode est incluse pour le soliste. Le CD inclus contient à la fois orgue et piano accompagnements pour toutes les pièces dans le livre. Introductions ont été ajoutées lorsque cela est nécessaire pour établir le tempo et de permettre le soliste entrer avec l'accompagnement enregistrée en temps opportun. / Niveau : Intermédiaire / Classic - Solos / Recueil / Flûte Traversière

From the classics to todays hits, these timeless tunes are now available as easy arrangements for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, French Horn and Trombone. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. A fully orchestrated accompaniment CD is provided, featuring each song as a live performance demo track followed by a playalong track. Boulevard Of Broken Dreams (Green Day); Celebration (Kool And The Gang); My Immortal (Evanescence); Na Na Hey Hey Kiss Him Goodbye (Steam); New Soul (Yael Naim); Old Time Rock and Roll (Bob Seger

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

This arrangement of Cantique de Noel (O Holy Night) was transcribed by G.E. Holmes for flute with piano accompaniment. An optional duet part is included.

Twelve Fantasias for Flute Solo TWV 40:2-13-Georg Philipp Telemann's 12 Fantasias for solo Flute.Aside from the Partita in A minor by Johann Sebastian Bach (HN457) and the Sonata in A minor by his son Carl Philipp Emanuel (HN555) it wasalso mainly Telemann’s 12 Fantasias that enriched the solo Flute repertoire in the first half of the 18th century.Telemann’s cycle evidently had a great influence on the flautist’s world.The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on.This Henle Urtext edition is based on Telemann’s print which has been reproduced as a facsimile in the edition. The Flute expert Rachel Brown has provided a commentary with details regarding performance practice.

Sonata in a minor Wq 132 for Flute Solo-There are many unanswered questions surrounding Carl Philipp Emanuel Bach's Flute Sonata A Minor Wq. 132. For whom was this solo work written? The addressee of the sonata is frequently thoughtto be King Friedrich II of Prussia yet Bach would not have made music that was exclusively intended for the king available for all. The intrigue is heightened by the fact that this sonata for Flute solo was published twice in the1760s.The riddle is not to be solved. Today this three-movement work is one of the solo pieces that all flautists have to have played once it is truly regal music. This Henle Urtext edition features informedcomments on performance practice by the flautist Karl Kaiser.

With Online Audio- The first of two volumes of the most requested pieces for weddings church services or meditative settings these compositions provide excellent intermediate literature for study in private lessons.Each of these classical masterpieces is excellent for development of tone and vibrato. All works are arranged for flute (or violin) with piano and organ accompaniment. A convenient 16-page pull-out part is included for the flutesoloist. The online audio contains both organ and piano accompaniments for all pieces in the book. Introductions have been added where necessary to establish tempo and allow the soloist to enter with the recorded accompaniment atthe proper time. Includes access to online audio.

One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales arpeggios technical studies studies for musicianship articulation studies solos duets and studies devoted to the special needs of each instrument this series provides a fantastic wealth of material for all student musicians.

One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales arpeggios technical studies studies for musicianship articulation studies solos duets and studies devoted to the special needs of each instrument this series provides a fantastic wealth of material for all student musicians.

Easy Instrumental Duets-22 mega hits in easy duet arrangements for two instrumentalists are featured in this collection: All About That Bass • All of Me • Brave • Can't Stop the Feeling • Grenade • Hey Soul Sister • I Will Wait • Let Her Go • 100 Years • Royals • Shake It Off • Shape of You • Stay with Me • Viva La Vida • and more. Arrangements work for two flutes or can be used with the other woodwind titles from this series.

Deluxe 2-CD Set-38 songs performed by Harriet Wingreen staff pianist of the New York Philharmonic and Katherine Isles on the flute.

with Flute 2 Parts for Andersen Berbiguier and Mozart-This unique album of universal flute 2 accompaniments is compatible with any standard edition of the following solo repertoire works available: Anderson: 24 Etudes for Flute Op. 15 - Anderson: 24 Etudes for Flute Op. 33 - Berbiguier: 18 Studies for Flute - Mozart: Flute Concerto No. 1 in G - Mozart: Flute Concerto No. 2 in D The idea of creating a second flute part has its foundation in the teachings of the great French flutist Marcel Moyse (a pivotal mentor to Professor Wincenc). In lessons Moyse would accompany the student on his own instrument and often vocally improvise melodies and/or lyrics. In adding his second line Moyse was able to underscore the harmonic melodic rhythmic structure and shape of the lines in a way which went far beyond any possible verbal explanation. It intuitivey teaches rhythmic stability phrasing intonation and quality of sound by playing with the master. This collection is an indispensible resource for any flutist learning or teaching the core repertoire.

CDs with fully orchestrated accompaniment tracks are the hallmark of these instrumental collections. Each book contains a carefully edited part that is appropriate for the Level 2-3 instrumentalist. The CDs include a demo track with a live instrumental performance followed by a play-along track. Songs include: Beat It · Billie Jean · Black or White · Don't Stop Till You Get Enough · Human Nature · I Just Can't Stop Loving You · Man in the Mirror · She's Out of My Life · Thriller · The Way You Make Me Feel · You Are Not Alone. The woodwinds and brass books are compatible with each other and can be played together or as solos: the strings books are compatible with each other butnot with the woodwinds and brass instrument editions.