Originally written for Violoncello solo-This volume includes six suites originally written by Johann Sebastian Bach (1685-1750) for unaccompanied cello. The suites have been transcribed for French Horn by noted horn specialist Wendell Hoss.

One collection of studies that is a must-have for every serious french horn player/student. Created by two of the finest virtuoso horn players of all time; Max Pottag Chicago Symphony Orchestra and Albert Andraud CincinnatiSymphony Orchestra. The studies were chosen from the works of renowned teachers of the world over. Additional studies may be found in Book 2 (3370622 ISBN 1-58106-074-2).

Composed for upper-beginners  Berceuse Op.19 is a piece for F Horn and Piano accompaniment by J. M. Damase. Quite short this piece is quite easy with a difficulty level 3°. Really nice and peaceful this piece is perfect to enjoy playing music aside from all the exercises and études necessary for beginners. The Horn begins “Andante” with a theme in seven measures accompanied by chords on the Piano. A really melodious part then features until the end of the piece when the initial themes are played again a Tempo. J. M. Damaseis a French musician and a great composer who wrotenumerous lyrical works and some chamber music. One of his most famous pieces is the Sonata for Flute and Harp.

Near Still Distant Still - Original Version for Violin French Horn and Piano was composed by Pelle Gudmundsen-Holmgreen in 2005.The present Horn Trio is an adaption of material used earlier in Near and far / Nær og Fjern(decet 1987) which is an adaption of material used earlier in the original trio ENCOUNTERS AND DREAMS (vl/cor/perc 1979)

This collection of Broadway classics contains 101 fabulous songs from the shows all specially arranged for the French Horn. This instrumental album features pieces by many much-loved composers for musical theatre including Andrew Lloyd Webber Rodgers and Hammerstein Irving Berlin Boublil and Schönberg and more. Songs include: As Long As He Needs Me (Oliver!) I Dreamed A Dream (Les Miserables) Tomorrow (Annie) Memory (Cats) The Music Of The Night (Phantom Of The Opera) If I Were A Rich Man (Fiddler On The Roof).

10 Strauss favourites arranged for solo French horn with backing track CD-10 thèmes brillants de la dynastie Strauss (père et fils) se distinguent dans cet album pour soliste. Sur le compact disc sont enregistrés les accompagnements en version orchestrale de chacune des pièces.

Volume III of the technical structure of the French Horn as taught at the Paris National Superior Conservatory.

Cor En Fa Et Piano-Johann Strauss' Train De Plaisir is a Polka arranged for French Horn with Piano Accompaniment by Armando Ghidoni.

Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Serenata In Vano was composed by Carl Nielsen in 1914. Scored for Clarinet Bassoon French Horn Cello and Double Bass.