SKU: UT.CH-388
ISBN 9790215328242. 9 x 12 inches.
Main source of the present editions is the manuscript by Manuel M. Ponce, kept in the Manuel M. Ponce Archive, located in the Cuicamatini library of the Facultad de Música de la Universidad Nacional Autónoma de México. The preludes were composed around 1929 after the invitation of Segovia who, urged by the publishers to write a method, asked Ponce to compose some short pieces to include in this didactic project. In April 1930 Segovia published only 12 preludes with Schott publishing house. Many of Ponceâ??s manuscripts remained unknown for a long time, until 1977, when the Mexican guitarist and musicologist Miguel Alcázar, thanks to the collaboration of Carlos Vázquez, pupil and heir of Manuel Ponceâ??s manuscripts, began an important recovery of Ponceâ??s guitar music by preparing the first complete edition of the preludes.
SKU: M7.GHE-702-96
ISBN 9783890447056. English.
HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.
