Arrgt: Eric Vireton. Par FAURE GABRIEL. Formation : Musique de Chambre, Orchestre - Instrumentation : Violon (1 partition) Violons 1 (4 partitions) Violons 2 (4 partitions) Altos (3 partitions) Violoncelles (2 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Gabriel FAURE - Arrangeur : Eric VIRETON / Niveau : Facile / Classique / Répertoire / Violon (1 Partition) Violons 1 (4 Partitions) Viol

Arrgt: Eric Vireton. Par FAURE GABRIEL. Formation : Musique de Chambre, Orchestre - Instrumentation : Trombone (1 partition) Violons 1 (4 partitions) Violons 2 (4 partitions) Altos (3 partitions) Violoncelles (2 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Gabriel FAURE - Arrangeur : Eric VIRETON / Niveau : Facile / Classique / Répertoire / Trombone (1 Partition) Violons 1 (4 Partitions) Vi

SAM-Klang. Par FAURE GABRIEL. Le Requiem de Gabriel Fauré est sans doute l’œuvre chorale la plus connue et la plus fréquemment interprétée de la fin du XIXe siècle et du début du XXe siècle. En tant que chef de chœur et organiste, Fauré a cherché à façonner une nouvelle musique religieuse, loin du bel canto qui régnait à Paris et du style romantique allemande plébiscité qui dominait une grande partie du paysage musical européen. Son style musical distinctif a constitué la base de l’école impressionniste de Debussy et Ravel (son élève) qui a suivi. Avec des versions pour église (1893) ou salle de concert (1900), le Requiem est une œuvre quasi unique en son genre par sa sobriété, notamment en raison de l’omission d’une Séquence complète du ‘Dies irae’ et de la finale séraphique ‘In Paradisum’. L’œuvre fait sienne la conviction de Fauré selon laquelle la mort doit être considérée “comme une heureuse délivrance, une aspiration vers le bonheur céleste, plutôt qu’une expérience douloureuse”. Cette réduction pour piano présentée ici est fidèle à l’édition de Desmond Ratcliffe publiée par Novello en 1975. Le tempo original de Fauré et les subtilités de la dynamique ont été conservés, bien que certaines des marques de respiration originales du compositeur, aujourd’hui considérées comme superflues dans les partitions contemporaines, aient été supprimées. Les passages pour voix de ténor dans l’Introit et l’Agnus Dei peuvent être chantés par toutes les voix basses lorsque cela est possible. Si non, le passage peut être chanté par un ensemble de voix masculines plus aiguës et d’altos. Note éditoriale : De par sa conception, cette édition SAM-Klang propose un défi de circonstance en proposant un niveau de chant légèrement plus élevé que dans la version SATB originale. À certains endroits, une subtile redistribution des entrées vocales dans les sections polyphoniques a été nécessaire. Néanmoins, l’accompagnement orchestral original peut être utilisé sans restriction avec cette version, et l’œuvre peut tout aussi bien être interprétée avec piano. / Date parution : 2023-06-01/ Répertoire / SAM et Piano

Fassung für Sinfonieorchester-Gabriel Fauré's Requiem Op. 48 for SATB and Piano. Version for Symphony orchestra. The Requiem of Gabriel Fauré is undoubtedly the most important opus among the sacred works of this French master. Beginning with the first performances during the composer?s lifetime it is one of those works whose popularity has never waned. In the absence of an autograph score a new edition of this work posed a challenge in two important respects: on the one hand to present an edition faithful to the often contradictory sources and on the other to render a clear and meaningful musical text of the work.

Written by Gabriel Yared composer to the scores for The English Patient Cold Mountain and The Talented Mr Ripley this folio of 22 original Cello pieces has been designed to inspire andencourage duettists especially teacher/pupil collaborations.The idea grew out of composer Gabriel Yared’s own learning experience which suggested a need for one part to be written for the experienced teacher and anotherfor the developing novice.The duets themselves progress from beginner to advanced levels gradually addressing new technical problems as they go as well as providing varied and stimulating music to play.Theaccompanying CD includes a full recording of each duet as well as two alternative playalong versions each giving prominence to one part or the other.The publication comes with individual parts completing a package thatwas developed composed and produced as a completely original way of learning cello duets.

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the Flute and Piano reduction edition. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Suite for Orchestra-Incidental music with the famous 'Sicilienne'Fauré wrote ?Pelléas et Mélisande? in 1898 originally as incidental music to Maurice Maeterlinck?s like-named play. After the premiere and subsequent performances he set about reworking the musical material into an orchestral suite. The premiere of the originally three-movement suite took place in February 1901 under the baton of Camille Chevillard.In December 1912 the four-movement version of ?Pelléas et Mélisande? was finally premiered. The additional movement the Sicilienne was taken from the third interlude of the incidental music. This delightful piece would later become one of Fauré?s mostpopular compositions and now exists in countless arrangements.Bärenreiter?s new scholarly-critical edition of the four-movement orchestral suite ?Pelléas et Mélisande? Op.80 is based on ?Gabriel Fauré The Complete Works? Volume IV/2 which appeared in 2016.First Urtext edition Based on ?Gabriel Fauré The Complete Works?Score and orchestral parts available for sale (BA7895)

Written by Gabriel Pierné Op. 3 No.12 Cache-Cache is the twelfth of a set of fifteen pieces for Piano. It was composed in 1883 and is ideal for intermediate players. This lovely piece holds the name of the children's game ?Hide & Seek?. Within the piece and after the introduction right and left hands alternate the use of semiquavers going up and down continuously the other hand playing mainly chords In the series this work is preceeded by two other pieces named after children's games and comes before a waltz in A. Gabriel Pierné was a French composer and conductor who mainly wrote some chamber music and somelyrical symphonies.

Gabriel Og Maria af John Høybye. Juleoratorium for blandet kor (SATB) recitator soli fløjte orgel klaver og bas (trommer/percussion ad lib.). Stemmesæt: WH31081A Korpartitur: WH31081B Tekster af Britt G. Hallqvist. Programnote: I 1985 udkom Gabriel og Maria - 7 sange til jul for kor og rytmegruppe.Det var nyt på den tid at skrive kormusik - oven i købet til kirkelige tekster - der skulle akkompagneres af jazz/rock-musikere og hvor korsangerne skulle udfolde sig i stilarter som bossa samba og jazzvals. Men sangene blev hurtigt populære og allerede i de første år efter udgivelsen blev de en fast del af mange kors julerepertoire både herhjemme og i Skandinavien (i en svensk-sproget udgave) - ja helt til USA kom de (i en engelsk-sproget udgave).Tæt på 25 års jubilæet er det nu tid til en revideret ny-udgivelse.Selve sangene er der ikke lavet om på - men storformen er ændret således at værket nu fremstår som et lille juleoratorium med recitationer og orgel-mellemspil. En enkel ny sats er kommet til: Lovsangen Stjerner og vinde og skyer og de instrumentale mellemspil (soli for fløjte/sax piano eller bas) er udbygget på forskellig måde. Normalt er det instrumenterne der akkompagnerer koret. Men i de instrumentale mellemspil er rollerne byttet om. Nu er det koret der med riffs scatsang og forskellige akkordbaserede figurer 'akkompagnerer' de improviserende solister.Fløjten vil - med passende oktaveringer - kunne erstattes af saxofon (sopran og/eller alt). Det forudsætter dog at saxofonisten er i stand til - også - at spille med smuk 'klassisk' klang. Recitationsteksterne er taget fra Cecil Bødkers bog: Marias barn (Gyldendal).Orgelsatserne

Arrgt: Eric Vireton. Par FAURE GABRIEL. Formation : Musique de Chambre, Orchestre - Instrumentation : Hautbois (1 partition) Violons 1 (4 partitions) Violons 2 (4 partitions) Altos (3 partitions) Violoncelles (2 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Gabriel FAURE - Arrangeur : Eric VIRETON / Niveau : Facile / Classique / Répertoire / Hautbois (1 Partition) Violons 1 (4 Partitions) Vi

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the score and parts of the Flute and Strings edition. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Cordes

This collection of Vocalises contains 45 vocal exercises devised by innovative teacher Gabriel Fauré. When Gabriel Fauré was appointed Director of the Paris Conservatoire in 1905 one of his most pressing concerns – and first achievements – was a complete reform of the teaching of singing. He was determined to introduce mandatory study of art song along with 'exercises developing vocal suppleness articulation and voice placement and production which are the basis of singing teaching'. To this end between 1906 and 1916 he composed a substantial body of accompanied vocalises for use in theConservatoire’s sight-singing examinations. For a century these vocalises – all but one now held in the Archives nationales de France in Paris – have lain unknown to the musical world at large. Their first publication here marks a major event for the vocal teaching repertoire (as well as some entrancing music); a marvellous resource of skilfully devised vocal exercises ranging from elementary to advanced virtuoso level all from one of history’s greatest song composers.

Gabriel Grovlez (1879-1944) studied under Gabriel Fauré at the Paris Conservatoire. His compositions proved to be extremely versatile from Operas and Ballets to solo works. Grovlez's Sarabande et Allegro is a sublime addition to the Oboe repertoire. Much of the composer's works show neo-classical features which is also the case in Sarabande et Allegro where the texture is predominantly melody-dominated homophony perfect cadences are frequently heard and modulations to related keys occur. Grovlez's D minor Sarabande is in a steady triple metre superblycontrasted by the fast Allegro composed in the relative major. All these features make for an enjoyable and delightful performance.

Par FAURE GABRIEL. Fauré composed his 5 impromptus in two distinct periods of his career, in 1881?83 and 1906?09. Inspired by Chopin?s example, the brilliant early impromptus (opp. 25, 31 and 34) resemble lyrical études that seem like improvisations but are laid out in symmetrical form with a coda. In contrast, the impromptus opp. 91 and 102 are far more boldly conceived in their sonority, harmony and virtuosity. This scholarly-critical Urtext edition is edited by Jean-Pierre Bartoli, a musicologist and professor at the Sorbonne. It presents the musical text from the corresponding complete edition volume (BA 9471) which was published in 2020 as part of the ?OEuvres complètes de Gabriel Fauré?. The edition contains a knowledgeable Foreword (Fr/Eng/Ger) and Critical Commentary (Eng). It goes without saying that a reader friendly engraving, practical page turns and valuable performance suggestions are also included./ Répertoire / Piano