SKU: HL.48180797
UPC: 888680852542. 9x12.25 inches.
Russian composer, Alexander Glazounov (1865-1936) was director of the Saint Petersburg Conservatory for a large part of his career. As a prolific composer, his works were always well-received, Concerto in E-flat for Alto Saxophone and String Orchestra being no exception. Glazounov's compositional style was particularly significant due to his successful reconciliation of nationalism and cosmopolitanism in Russian music. Composed in 1934, a typical performance of Concerto in E-flat for Alto Saxophone and String Orchestra last about fourteen minutes and is played without a pause. The work is highly romantic and remains part of the standard Saxophone repertoire. For all advanced saxophonists, Glazounov's Concerto in E-flat ensures a riveting and exciting performance for players and audiences alike.
SKU: SU.00220263
This CD Sheet Musicâ„¢ collection makes available full scores and parts for string quartets by 19th C Slavic masters Dvorák, Glazunov and Tchaikovsky. DVORÃK: String Quartets No. 2 in B-flat major (parts only); No. 5 in F minor, Op. 9 (parts only); No. 7 in A minor, Op. 16 (parts only); No. 8 in E major, Op. 80; No. 9, Op. 34; No. 10 in E-flat major, Op. 51 Slavonic; No. 11 in C major, Op. 61; No. 12 in F major, Op. 96 American; No. 13 in G major, Op. 106; No. 14 in A-flat major, Op. 105 GLAZUNOV: String Quartets No. 1 in D Major, Op. 1; No. 2 in F Major, Op. 10; No. 3 in G major, Op. 26, Quartet Slave; No. 4 in A Minor, Op. 64; No. 5 in D Minor, Op. 70; No. 6 in Bb Major, Op. 106; Suite in C Major for String Quartet, Op. 35; 5 Novelettes for String Quartet, Op. 15 TCHAIKOVSKY: String Quartet, No 1 in D major; Op. 11; No. 2 in F major, Op. 22; No. 3 in E-flat minor, Op. 30 Also includes composer bios and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: CF.CAS63
ISBN 9780825889387. UPC: 798408089382. 8.5 x 11 inches. Key: D major.
Originally written for string quartet, this fantastic characteristic piece from Glazunov is a welcome addition to the string orchestra repertoire, as arranged by Deborah Baker Monday. Well-suited for the more advanced ensemble, it contains excellent musical opportunities and the chance to play the music of a prominent Russian composer. Deborah's setting stays very true to the original, but enhances it for use by the full ensemble. Alert your contest/festival music committee to this worthy new piece for high school string orchestras.Alexander Glazunov (1865–1936) lived during a very transitional period of Russian music history, active as a composer, conductor, and teacher. He was a part of the Romantic school of Russian music following in the tradition of Tchaikovsky, like his fellow composers Borodin and Rimsky-Korsakov.During his years at the conservatory he instructed many students who chose to pursue the modern trends set forth by Debussy. Stravinsky, Shostakovich, and even Prokofiev took instruction from Glazunov. Although they considered him old-fashioned, he was remembered as a stabilizing influence during transitional times.Glazunov’s music stayed within the category of Russian Romanticsm: nationalistic with classical formality. His list of works includes numerous symphonies, concertos, piano and vocal works, and chamber works including seven string quartets.Op. 15 was first given the title “Suite†(a collection of dances), and after a friend’s recommendation he changed the name to “Novelettesâ€. The five movements are of contrasting style, but beautifully reminiscent of their particular themes:I. Alla SpagnuolaII. OrientaleIII. Interludium in modo anticoIV. ValseV. All’ UnghereseThis movement is very well adaptable for string orchestra. The original string quartet moodis light, using harmonics and pizzicato, but there are forceful sections which allow for strong sectional playing (especially with the cello and bass orchestral sound). There is very much interesting melodic material offered for all instruments which lends itself to a fantastic string orchestra arrangement. Conductors will find material in all sections which provide greatopportunities for rehearsal.The form is a large ABA with a D.C. al fine, but the sections are not square by any means.There is lots of energy and momentum in the material of both sections, as well as a modalcharacter which gives the music an exotic sound. Bowing patterns abound in all sections formore great teaching opportunities.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: KJ.SO320C
ISBN 9788402703217. UPC: 8402703216.
The Dorian mode used in Interludium gives it the sound of the ancient past. Ms. Monday's arrangement stays remarkably true to Glazunov's original composition, however she has provided bowings and phrase marks to accommodate intermediate-level players. Interludium is a beautiful piece that will allow students to play with expression and sensitivity. A must for your library.
SKU: HL.48184961
UPC: 888680881696. 9.0x12.0x0.187 inches.
for trumpet, horn (or trumpet), trombone (or horn) and trombone (or tuba).
SKU: HF.FH-7063
ISBN 9790203470632. 8.3 x 11.7 inches.
1. Almira, 2. Agrippina; 3. Rinaldo; 4. Teseo; 5. Silla; 6. Amadigi; 7. Radamisto; 8. Muzio Seevola; 9. Floridante; 10. Giulio Cesare (Julius Caesar); 11. Tamerlano; 12. Alessandro; 13. Riccardo; 14. Lotario; 15. Partenope; 16. Poro; 17. Ezio; 18. Sosarme; 19. Ariodante; 20. Atalanta; 21. Giustino; 22. Serse (Xerxes); 23. Deidamia.
SKU: FG.55011-598-9
ISBN 9790550115989.
The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume: G1 the second position, G2 the third position, G3 the fourth position, G4 the fifth position and the last one, G5, the high positions (sixth and seventh). These books form an all-embracing, rich collection of shifting exercises, position playing studies, excerpts from the literature, chamber music (mainly duos), and performing pieces, piano accompaniment offered as a separate publication (Books G1, G2 & G2 supplement 9790550116467; Books G3 & G4 9790550116931 and Book G5 9790550116948).The extensive Book G5 - Sixth and Seventh Position (9790550116948) follows the key principles of Colourstrings methodology - the use of natural harmonics and constant developing of inner hearing for instance - but it can be fully utilized also without any previous use or knowledge about the Colourstrings method. The innovative and unique visual presentation of the “house of the positions and preparatory exercises for the challenging passages help the young and older students to fully understand, why and where the different positions are needed. The performance pieces with piano accompaniment in the Book G5 (alphabetical order):Bériot, Charles de: Air variéBohm, Carl: Introduction and PolonaiseBrahms, Johannes: Hungarian Dance No. 5Dancla, Charles: Second SoloDrdla, Frantisek: SouvenirGlazunov, Alexander: Spanish SerenadeKodály, Zoltán: Kallo Double Dances I-IIIKuula, Toivo: Chanson sans parolesMozart, Wolfgang Amadeus: MinuetPergolesi, Giovanni Battista: SicilianaPugnani-Kreisler: Tempo di MinuettoRachmaninov, Sergei: VocaliseSibelius, Jean: RomanceSonninen, Ahti: Karelian DanceWieniawski, Henryk: MazurkaŽilinskis, Arvīds MazurkaDuos for two violins in the Book G5:B. Campagnoli: Duo (Andantino)F. J . Mazas: Duos in six positions (Moderato)Excerpts from the violin literature: Prokofieff - Bartók - Tartini - Rachmaninoff - Bériot - Pugnani - Rode - Weiner - Schubert - Dancla - RiedingMore about the Colourstrings method: https://www.fennicagehrman.fi/sheet-music/colourstrings/.
SKU: HF.FH-3452
ISBN 9792030434528. 9 x 12 inches.
1. Ozi, Lento; 2. Krakamp, Allegretto; 3. Almenraeder,Allegro; 4. Krakamp, Allegro moderato; 5. Almenrader, Andante; 6. Almemrader, Allegretto; 7. Krakamp, Allegro con brio; 8. Ozi, Andante grazioso; 9. Ozi, Allegro; 10. Alemraeder, Allegro; 11. Almenraeder, Poco lente; 12. Ozi, Andante; 13. Krakamp, Allegretto cantabile; 14. Almenraeder, Allegro; 15. Almenrader, Menuetto; 16. Allegro; 17. Ozi, Tempo di Menuetto; 18. Almenraeder, Moderato; 19. Ozi, Andante; 20. Almenrader, Allegretto; 21. Almenrader, Allegro con moto; 22. Krakamp, Adagio sostenuto; 23. Ozi, Poco presto; 24. Krakamp, Larghetto cantabile; 25. Ozi, Lento; 26. Almenraeder, Allegro moderato; 27. Ozi, Allegretto; 28. Ozi, Lento; 29. Ozi, Adagio; 30. Ozi, Allegro; 31. Krakamp, Allegretto moderato; 32. Ozi, Allegretto; 33. Ozi, Adagio; 34. Ozi, Allegro moderato; 35. Ozi, Allegretto; 36. Krakamp, andante mosso; 37. Ozi, Allegro; 38. Ozi, Siciliano; 39. Krakamp, Allegretto moderato; 40. Ozi, Allegro,41. Ozi, Adagio non troppo: 42. Ozi, Andante; 43. Ozi, Andantino; 44. Krakamp, Allegretto moderato; 45. Ozi, Tempo di Menuetto; 46. Krakamp, Allegretto; 47. Ozi, Lento; 48. Krakamp, Larghetto; 49. Ozi,.