This collection of English Christmas carols arranged by Star Edwards is a warming welcome to the season of festive cheer. Basked in tradition each and every carol will fill your seasonal celebrations with merrimentand joy.These timeless classics are a delight to play providing hours of entertainment year after year. The carols in 'English Carols for Celtic Harp' are arranged for the Folk Harp which beginners andadvanced beginners can play to usher in the gifts of this magical season.All of the carols in this book are provided with Guitar chords fingering and brackets suitable for nylon and wire strung folk harps arranged usingstandard bass patterns. Six songs contain lever changes which also provide a simple visual aid for smooth transitions. The carols are in the keys of F C G and D. Included with this book is a bonus song arranged for two harps perfect for beginners.

The fantastic forest, a book in two illustrated books, offers 10 educational pieces for semi-collective courses. They are written for 2 or 3 undergraduate harpist students. These pieces use the sound resources of the instrument and its modes of play (xylo sounds, pinches, fingernails, slipped, whistled sounds, zincing ...) and also call on the voice (poem, spoken voice, sung). Each collection offers a piece of graphic writing, which will give great freedom to students, they will be already improvisers and creators of their own music. The themes in these pieces are inspired by nature and animals - real or imaginary - universal themes that every child experiences through his experience. Each piece is readable, attractive and meaningful so that everyone can take ownership. Students and teachers can give free rein to their imagination to propose stagings during public performances. 7. The Fairy Line 8. The twin camels 9. The horse and the unicorn 10. The explorers

76 Disney Songs For The Harp arranged by Sylvia Woods. This collection includes the favourites: A Dream Is a Wish Your Heart Makes ? A Whole New World ? Be Our Guest ? Candle on the Water ? I've Got No Strings ? It's a Small World ? Kiss the Girl ? Some Day My Prince Will Come ? Under the Sea ? When You Wish upon a Star ? Winnie the Pooh ? Zip-A-Dee-Doo-Dah and more. All songs are playable on Lever Harps and Pedal Harps.

This book teaches harpers step-by-step the music theory and techniques they need to make their own arrangements. Subjects covered include chords inversions keys accompaniment patterns transposing and much more. The book gives plenty of examples and includes more than 90 pieces on which the students can practice their newly gained skills as they progress through the book. Spiral-bound.

Par WOODS SYLVIA (Arr.). Sylvia Woods (née en 1951 dans le Tennessee) est une harpiste et compositrice américaine, peut-être plus connue pour son rôle dans la renaissance mondiale de la harpe celtique, ou cláirseach. Elle a commencé à vendre et à écrire de la musique pour les harpes celtiques dans les années 1970, alors que l'instrument était peu connu aux États-Unis, contribuant ainsi à une vague d'intérêt pour la harpe et la musique celtique. Constatant un manque de répertoire et de ressources pour la harpe folk, Sylvia a commencé à écrire et à arranger de la musique spécifiquement pour la harpe folk (ou harpe à levier) en 1978. Le premier livre de Mme Woods, Teach Yourself to Play the Folk Harp, est sans doute l'ouvrage d'apprentissage le plus connu pour la harpe à levier, et a servi d'introduction à la harpe à des milliers de musiciens. Elle a depuis publié plus de 80 livres et arrangements de partitions pour la harpe celtique, englobant une grande variété de styles musicaux, du folk au classique en passant par la pop. Découvrez dès maintenant tous les nouveaux titres disponibles tels que : Le Magicien d'Oz, Stairway to Heaven ou Marry Me et bien plus encore. / Date parution : 2021-11-03/ Répertoire / Harpe

Par WOODS SYLVIA (Arr.). Sylvia Woods (née en 1951 dans le Tennessee) est une harpiste et compositrice américaine, peut-être plus connue pour son rôle dans la renaissance mondiale de la harpe celtique, ou cláirseach. Elle a commencé à vendre et à écrire de la musique pour les harpes celtiques dans les années 1970, alors que l'instrument était peu connu aux États-Unis, contribuant ainsi à une vague d'intérêt pour la harpe et la musique celtique. Constatant un manque de répertoire et de ressources pour la harpe folk, Sylvia a commencé à écrire et à arranger de la musique spécifiquement pour la harpe folk (ou harpe à levier) en 1978. Le premier livre de Mme Woods, Teach Yourself to Play the Folk Harp, est sans doute l'ouvrage d'apprentissage le plus connu pour la harpe à levier, et a servi d'introduction à la harpe à des milliers de musiciens. Elle a depuis publié plus de 80 livres et arrangements de partitions pour la harpe celtique, englobant une grande variété de styles musicaux, du folk au classique en passant par la pop. Découvrez dès maintenant tous les nouveaux titres disponibles tels que : Le Magicien d'Oz, Stairway to Heaven ou Marry Me et bien plus encore. / Date parution : 2021-11-03/ Répertoire / Harpe

from The Lord of the Rings; This Academy Award-winning song from The Lord of the Rings: The Return of the King movie has been arranged for harp by Sylvia Woods. An easy arrangement and an intemediate arrangement are both included in the same piece of sheet music. The lyrics are written between the staves so you can sing along while you play. In the key of C, with no lever changes. Chord symbols included. 6 pages of music of each level: 12 pages total. Playable on lever harps and pedal harps.

In this unique collection renowned harpist Ma té Etcheverry has expertly transcribed twenty of Hanon's world-famous pedagogical exercises for the Celtic Harp or Harp withpedals. Hanon's exercises for the Piano originally published in 1873 have since become the most widely-used exercises in Piano teaching. Now twenty of these exercises have been transcribedfor the Harp so you can start stretching those fingers and learning the practical practice pieces that Hanon?originally devised.

Arranged for Harp-This publication includes two harp arrangements of the theme from the HBO series â??Game of Thrones.â? The first arrangement requires a harp with two octaves below middle C. The second arrangement is for smaller harps with one octave below middle C.

Australian born Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Famous Studies For Harp is well-informed and essential to progression on the instrument. The second volume comprises twenty studies which focus on fingering countermelodies rhythms intervals chords articulation phrasing chromaticism dynamics and performance directions amongst other musical aspects. Famous Studies For Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

Susan Raimond is a Harper in the ancient tradition of masters whose playing touches the emotions of the listeners directly - the magical instrument of legend.Simple and deeply moving are the words that comefirst to mind. Selections range from lighthearted to haunting evoking the range of human emotional experience. Her lucid clear arrangements are perfect for the beginning Harper's understanding of the heart of the music - as wellas serving as melodic springboards for improvisation.This beautiful collection is a perfect basis for performance as well as instruction. Standard notation. Selections include: Matilija; Aliso; Gentry's Gait; Jacob'sLadder; The Ash Grove; Greensleeves; Skye Boad Song and more. Includes access to online audio.

First Lessons Folk Harp is designed for the beginner Harp student who has no prior music training. In this book they will learn to read music notation count rhythm implement important fingering techniques organize practice tune a Harp play common bass patterns and make a decision about which kind of Harp to play.Tips are included to help students get the most out of practicing. The songs serve as examples of Harp basics allowing the student to learn while playing vibrant melodies instead of repetitive or trite exercises. This book features traditional Irish Scottish Welsh Canadian American and Renaissance music. These songs will transport anddelight audiences with their simplicity and profound clarity. They invite us to ancient landscapes steeped in mystery and to experience the traditions of Harping throughout the ages. This book presents two new note readingmethods based on logical predictable music patterns that employ cutting edge techniques. They were developed to move students beyond reading notes as single isolated symbols. The rhythm table compares the different note valuesand rests to each other and visually shows how they are related through counting out rhythm increments.Helpful photos define how important hand positions are on the harp. These are an immense resource for students allowingthem to avoid tension in their hands and prevent injury. Accompanying audio allows them to play along as they learn. Includes access to online audio.

Companion CD to the Songbook-This companion CD will assist harp players in learning the pieces in the 52 Scottish Songs for All Harps book. Since many will want to ?play along? as they learn Sylvia has recorded most of the pieces slowerthan they are usually played and as ?straight? as possible with little or no expression or rhythmic variations. Each piece has two arrangements: (A) an easy version and (B) one that is more difficult. On theserecordings Sylvia plays version A directly followed by version B. Since the two versions can be played as a duet you can play either version along with the recording. The companion CD includes all the pieces from the book and inthe same order.

This companion CD will assist harp players in learning the pieces in the 50 Irish Melodies for All Harps book. Since many will want to ?play along? as they learn Sylvia has recorded most of the pieces slowerthan they are usually played and as ?straight? as possible with little or no expression or rhythmic variations. Each piece has two arrangements: (A) an easy version and (B) one that is more difficult. On theserecordings Sylvia plays version A directly followed by version B. Since the two versions can be played as a duet you can play either version along with the recording. The companion CD includes all the pieces from the book and inthe same order.