SKU: GI.G-10447
UPC: 785147044710. English. Text by Isaac Watts.
SKU: HP.C5629O
UPC: 763628256296. Words by Isaac Watts. Galatians 6:14, John 19:25, John 3:16, Luke 23:47-49, Mark 15:38-39, Matthew 27:54, Philippians 3:7-8, Psalms 34:2, Romans 12:1, 1 Corinthians 1:18-24.
Classic Lenten hymn with words by Isaac Watts The familiar Lenten text from Isaac Watts is beautifully paired here with Hal Hopson's tune, GIFT OF LOVE, in this deeply moving choral setting by Lloyd Larson. The addition of the optional instruments provide a stunning orchestral sound. The Orchestration by Mark Kellner contains a Conductor's Score and parts for: Flute, Oboe, Horn in F, Cello, Bass Guitar, and Piano.
SKU: ST.B934
ISBN 9780852499344.
This, the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune. Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes. The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items. These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion.
Robert Canham, Reform
SKU: GI.G-10552
English. Text Source: Alas! and Did My Savior Bleed?, Isaac Watts, 1674-1748, alt., At the Cross, Ralph E. Hudson, 1843-1901, alt. Text by Isaac Watts.
“At the Cross†contains the very rich texts of Isaac Watts and Ralph Hudson. My desire is to treat each verse with utmost respect by highlighting—through music—the suffering, shame, hope, beauty, and glory of the cross. The cross embodies all of these attributes. You will notice there is a somberness that begins at m. 84, mirroring the darkness that ensued while Christ hung on the cross (Mark 15:33). A “darker†sound from the altos is encouraged. This is the turning point in the song, preparing the singers for the response to such a sacrifice. Although the text speaks of grief and debt (starting at m. 93), one can see the hope that builds, with the realization that complete surrender is the only response to such a sacrifice. Much thought and energy (under control) should be expended to aid this verse in building to the climactic point of the song, when hope is found in the cross and the burden has been lifted.
SKU: CF.FAS115F
ISBN 9781491154885. UPC: 680160913435. 9 x 12 inches. Key: E minor.
Rejoice, East and West pairs two of the most popular holiday pieces. O Come, O Come Emmanuel is one of the staples of music for the season of Advent. Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day. The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of Joy to the World is attributed to George Frideric Handel. It first appeared in 1719 in a collection by Isaac Watts, who adapted the text. It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is rejoice. In Emmanuel the modal tones arrive at a major chord and the words exclaim Rejoice, rejoice! This is where a bridge is composed to arrive at a jubilant introduction of Joy to the World. This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.Rejoice, East and West pairs two of the most popular holiday pieces. “O Come, O Come Emmanuel†is one of the staples of music for the season of Advent. Its plaintive melody represents the subdued tone of Advent, waiting and anticipating during the four weeks before Christmas Day. The modal character has roots in Ancient Greece and is characteristic of the music from Middle Eastern countries. The melody of “Joy to the World†is attributed to George Frideric Handel. It first appeared in 1719 in a collection by Isaac Watts, who adapted the text. It is one of the most published Christmas hymns in North America and is one of the most iconic songs for celebrating the birth of Christ. The connection between these two contrasting pieces is “rejoice.†In “Emmanuel†the modal tones arrive at a major chord and the words exclaim “Rejoice, rejoice!†This is where a bridge is composed to arrive at a jubilant introduction of “Joy to the World.†This arrangement teaches students dynamic contrast, tempo changes, slurs and ties.
SKU: AU.9780800675561
ISBN 9780800675561.
You see the title We Sing the Mighty Power, O God and you think big and loud - not with this exquisite setting. Here the composer takes the awesome angle and treats us to a setting of the Isaac Watts text with quiet reverence.
SKU: GI.G-10489
UPC: 785147048916. English. Text Source: Lutheran Book of Worship, 1978. Text by Isaac Watts.
The entire story of Christ’s passion is told in this anthem—the fateful night, the bitter scene, the Body broken—it’s all there. Even though betrayed, Christ spoke words of love, reminded us of his broken body, and told us that we would celebrate this event while waiting for the marriage supper that will take place when he returns. The music portrays the powerful forces working against him, but also reminds us of his coming again in glory.