SKU: FH.WC1

ISBN 978-1-55440-577-0.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
Branch Line - Colin Cowles
Space-age Sonatina - Paul Harris
Skip - Errollyn Wallen
Peacherine Rag - Scott Joplin, arr. Forrest Kinney
Hornpipe - Henry Purcell, arr. Christine Donkin
Gavotte, HWV 491 - George Frideric Handel, arr. Christine Donkin
Ghoulish - Paul Harris
Major-General's Song - Arthur Sullivan, arr. Martin van de Ven
Lyrical Repertoire:
All the Pretty Little Horses - American lullaby, arr. Jason Gray
Swanee River - Stephen Foster, arr. Christopher Norton
Che faro senza Euridice? (What Shall I Do Without Euridice?) from Orfeo ed Euridice - Christoph Willibald Gluck, arr. Jason Noble
Sentimental Serenade - Alan Bullard
Entr'acte, from Carmen - Georges Bizet, arr. Christine Donkin
The Wish - Mr. Tuke, arr. Paul Harris
Largo, from The Four Seasons - Antonio Vivaldi, arr. Jason Gray
Hava Nagila - Israeli folk song, arr. Martin van de Ven and Forrest Kinney
Minuet, BWV Anh. 132 - attr. Johann Sebastian Bach, arr. Jason Gray.

SKU: GI.G-8070

UPC: 785147807001. Arabic, English, Greek, Hebrew, Latin. Text Source: Allah uh Akbar, Kyrie eleison, Adon olam (Jewish hymn), Lux aeterna, Yuriduna anyuttufiu (Qur'an—Sura 9:32), Agnus Dei, Isaiah 2:4. Scripture: Isaiah 2:4.

A serious choral work for eight mixed voices, organ, brass quintet, and timpani on texts in Latin, Greek, Hebrew, Arabic, and English. The vocal score is 19 pages 219 measures in length. Composition began on 9/11/01, and the work was published for the tenth anniversary of the events of that day. It's a work that calls for peace through unity and pluralism. The title refers to a fence along the Israeli-Lebanon border on which the flags of both countries fly over a plaque containing Isaiah 2:4 inscribed in Hebrew, Arabic, and English. .

SKU: PR.11441429S

UPC: 680160594054. 9.5 x 13 inches.

Written for Concertante, a string sextet which has commissioned six different works, each highlighting one of its players. In Ran's new work, the second cellist, Zvi Plesser, was spotlighted with an outgoing, intensely lyrical opening theme, according to a New York Times review. Yet, Lyre of Orpheus never overlooks the collaborative, conversational essence of the ensemble. Read the full review here: http://www.nytimes.com/2009/03/18/arts/music/18conc.html?_r=1&adxnnl=1&partner=rssnyt&emc=rss&adxnnlx=1286200920-wRrt7MJ416+FpOYAUe/IOQ For advanced performers.
Lyre of Orpheus was composed for Concertante, the New York-based string sextet, for its One Plus Five Project, a three-year, six-composer commissioning project designed to create six string sextets, each featuring one of Concertante’s core players. This particular commission was made with the goal of giving center-stage to the ensemble’s first cello, a choice I was especially grateful for, not only because it features Zvi Plesser, the outstanding Israeli cellist, but also because it gave ma an opportunity to highlight an instrument for which, from a very early stage in my life, I have felt a special affinity.  The cell’s “soul”, so naturally combining passion and lyricism, has always touched me in a special way. As sometimes happens, naming the piece was the final act in the process of creation.  Once titled, though, I found myself looking through the piece with a mixture of delight and astonishment – the narrative of the almost iconic mythological story of love and loss seems as one entirely plausible, and to my mind convincing, way to tract the unfolding of the musical events.  Of course, the music was written with no such tale (or any tale, for that matter) in mind.  But perhaps some stories are emblematic of so much that is part of our lives and psyches, of our desires, fears and wishes.  Orpheus, whose longing for Eurydice recognizes no boundaries of heaven and hell…  Love regained, then forever lost…  Orpheus’ lyre intoning his sorrowful yearning… Lyre of Orpheus, approximately fifteen minutes in length, composed in late 2008, is intermittently songful, caressing, passionate, pained, ferocious, longing.  The instrumentation consists of 2 violins, 2 violas, 2 cellos, the first of which is the soloist/protagonist, the second notable for having its lowest string tuned down a third to achieve extra lower notes. This commission has been made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.—Shulamit Ran.