Initial to Grade 2. Trinity?s new Acoustic Guitar syllabus reinvents the popular Plectrum Guitar syllabus, keeping it vital and relevant to today?s guitarist by giving teachers and learners the flexibility to develop fingerstyle and plectrum playing. A selection of the best-loved pieces from the previous syllabus has been retained at every grade for continuity. This book contains all the exam pieces for Initial to Grade 2, covering a wide range of styles at each grade ? folk, acoustic, rock and pop styles, jazz, blues, country ? allowing candidates to follow distinct stylistic pathways as they progress. All pieces are printed in both tablature and standard notation so are accessible for any learner.

24 Favourite Pieces Arranged For The Moderately Advanced Guitarist. Par COLES PAUL. 'From Folk to Classical 2” is a mouth-watering collection of 24 arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Habanera” from 'Carmen” and Saint-Saën's famous 'Swan” but they really work! Traditional folk numbers are not neglected, with 'Michael Row the Boat” and 'Londonderry Air” among the best known. The arrangements are for moderately advanced players (UK grade 5-6) and Paul has offered fingering help for both left and right hands. It follows Book 1 (UE 21673) which was published in 2017 (Grades 3-4). Try it, perhaps as a warm up for Book 2 if you don't already know it and then try Paul's '26 Melodic Studies” (UE 21670) or his 'Momentos Españoles” (UE 21671)./ Recueil / Guitare

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Alexander Borodin/Anatoly Lyadov-This collection contains arrangements by one of the leading guitarists of the new generation Rovshan Mamedkuliev. Rovshan invites Guitar lovers to explore Russian music of the 19th century. Alexander Borodin(1833 - 1887) member of the famous Mighty Handful wrote his Petite Suite for the Piano. The four pieces presented in this collection barely utilize any of the Piano's idiomatic techniques. Though unfamiliar to the Guitar untilthe present day the selected miniatures are wonderfully suited to its technical and timbral capabilities especially Serenade. Thanks to the clearly defined genre of Nocturne the vivid imagery of Reverie and the folk colour andbell-like melodiousness of In the Cloister the four pieces rich in quality and substance will be a valuable contribution to the Guitar repertoire.Anatoly Lyadov (1855 - 1914) used to joke that he could not standmore than five continuous minutes of music. The genius of musical miniature created his compositions to be laconic and refined in form simple yet elegant. Lyadov's contemporaries called his pieces 'tiny pearls of finestfinishing' and compared the composer himself to a jeweler. His three preludes from op.36 op.39 and op.40 will become a fulfilling experience for the guitarist as the music explores the rich palette of the 'mysterious Russiansoul' ranging from stormy aspirations to dreamlike elegiac moods - expressed by the composer in but a few sounds.

Trinity?s new Acoustic Guitar syllabus reinvents the popular Plectrum Guitar syllabus, keeping it vital and relevant to today?s guitarist by giving teachers and learners the flexibility to develop fingerstyle and plectrum playing. A selection of the best-loved pieces from the previous syllabus has been retained at every grade for continuity. This book contains all the exam pieces for Grades 3 to 5, covering a wide range of styles at each grade ? folk, acoustic, rock and pop styles, jazz, blues, country ? allowing candidates to follow distinct stylistic pathways as they progress. All pieces are printed in both tablature and standard notation so are accessible for any learner.

Pour guitares folk et classiqueLA METHODE (72 pages) : Accompagnements ? Mélodies ? Arpèges ? Improvisation ? Photos ? Cahier d?exercices ? Dictionnaire d?accordsLe CD (1heure) : Tous les exercices ? Ralentis ? 15 play-backsLe DVD (3 heures) : JJ Rébillard décompose et commente les plans de la méthode en vous dévoilant ses meilleures astuces pour progresser rapidement et sûrement. Le cours intégral en vidéo avec le prof sous la main !Et la participation de : Didier Reboul (Tout pour bien choisir sa guitare savoir changer ses cordes utiliserun accordeur?) Daniel Givone (Les bases de la guitare manouche) Thomas Hammje (Folk et finger picking) Christian Séguret (Country et flat picking) François Shanka Maigret (Guitare acoustique rock) : 12 pages de partitions en plus sur le PDF du DVD !!Bob Dylan ? The Beatles ? Eric Clapton ? Jeff Buckley ? Neil Young ? Red Hot ? Led Zep ? Alanis Morissette ? Ben Harper ? Bob Marley ? Everlast ? Mike Oldfield ? Pink Floyd ? The Beach Boys ? REM ? Françis Cabrel ? Georges Brassens ? Renaud ? Lightnin' Hopkins ? Popa Chubby?

Alexandre Lagoya once said: 'For one Guitar you can write what the Guitar will allow you to write. For two Guitars you can write what you choose.' While there is a measure of overstatement in this it remains true that themedium of two Guitars allows much greater creative freedom to the composer.There are many kinds of Guitar-duo works- at one extreme the very simple at the other the call for two virtuosi; those in this book inhabit themiddle of this spectrum. They are not in effect accompanied Guitar solos but equal duets in which two players of moderate technical ability converse with one another sharing the lead. This they do without sacrificing musicalinterest.Two of the pieces consist of variations on folk tunes - Shades of Green uses the Irish tune The Next Market Day while Varieties of Scotch is based on the well known Scottish tune YeBanks and Braes. The remaining duet is an affectionate nod in the ragtime direction of Scott Joplin. The two sets of variations are suitable for concert use and Joblinesque is a natural encore piece.

Bert Jansch was one of the most influential and unique guitarists to emerge from the British folk music scene of the sixties.His influence can be traced in the playing of Neil Young Jimmy Page Johnny Marr andcountless others. Over the course of nearly fifty years he produced a prodigious body of work as a solo guitarist singer and songwriter as a member of the seminal'folk-baroque' band Pentangle as a duo with his equallyrevered friend John Renbourn and in a variety of other ensemble situations.On The Guitar Of Bert Jansch Taught By Rolly Brown we explore a representative selection from the folk traditional and bluessegment of his Guitar arrangements ranging from simple early folk Guitar settings like 'Running From Home' to his most iconic sophisticated and original accompaniments(e.g. Reynardine Black Waterside). These are carefullyarranged little gems and his virtuosity as a guitarist allowed him to have a very specific and beautifully wrought arrangement while still showing an ability to create a number of subtle variations which occurred in hisrecordings over the years.Rolly Brown first heard Bert's playing in the mid-60s and has been a fan ever since. Along with basic arrangements Rolly discusses variations introductions and endings whereappropriate.Titles include Running From Home Blues Run The Game Strollin' Down The Highway In The Bleak Midwinter and more.

A travers cette méthode d'apprentissage Guitare vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage METHODE DE GUITARE FOLK VOLUME 1 - CASSETTE a été écrit par Bigo Bernard et éditée par les éditions Billaudot sous la référence GB3063 A. / Guitare / niveau : Débutant

Bienvenue dans l'aventure musicale et guitaristique que vous allez découvrir au fil de ces pages. A travers de nombreux exemples clairs et précis, vous allez tout de suite être mis en situation de jeu afin de pouvoir allier apprentissage et plaisir. En effet, nous oublions bien trop souvent la notion de jeu dans l'expression 'jouer de la musique' ! Ainsi, dans cette nouvelle approche, je vous propose d'apprendre progressivement toutes les notions de base qu'un musicien, et plus particulièrement un guitariste, se doit de connaître et de maîtriser. Cette méthode est plus particulièrement destinée à l'apprentissage de la guitare folk, appelée également guitare acoustique. Son objectif est de vous donner toutes les clés pour jouer et enchaîner les accords que vous trouverez dans n'importe quel morceau que vous désirerez ajouter à votre répertoire. Chaque exemple vous permettra d'apprendre les techniques de jeu et les positions d'accords essentielles pour un guitariste afin d'être capable d'accompagner sereinement un chanteur, une chanteuse ou vous-même. Gardez à l'esprit que n'importe quelle chanson possède un début, un milieu et une fin, éléments que vous devez savoir jouer ! N'omettez jamais de travailler une de ces parties. Il n'y a rien de plus frustrant pour celui qui vous écoute ou celui qui décide de chanter ou de jouer avec vous, que de ne pouvoir aller d'un bout à l'autre d'un morceau. Cela sera frustrant pour vous également. Si vous regardez autour de vous, dans votre famille ou votre entourage, de nombreux musiciens sont paralysés dès qu'ils n'ont plus leur partition sous les yeux et ne savent souvent en jouer qu'un extrait. A vous de ne pas tomber dans ce piège afin de jouer un maximum par coeur. Considérez les partitions uniquement comme un aide-mémoire. Toute l'attention que vous porterez auditivement à votre musique sera toujours plus efficace que l'attention visuelle que vous porterez à vos partitions. Faites appel à vos sens et débranchez votre cerveau ! Ne devenez pas juste un guitariste de plus, mais devenez un musicien qui joue de la guitare ! Enfin, n'oubliez pas que répéter ne serait-ce que quinze minutes tous les jours, est cent fois plus efficace que de répéter tous les samedis et mercredis après-midi pendant trois heures. Sur ce, à vos médiators ! Attention les doigts ne sont pas livrés avec la méthode ! / Guitare

Classical Guitar Tunes - English Folk Songs. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. ?It?s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. ?These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.? Gerald Garcia

Dans ces leçons de CD, Dave Van Ronk présente ses arrangements de mélodies folkloriques et le blues. Ces leçons sont pour le guitariste fingerstyle intermédiaire. Le livre comprend une entrevue, une discographie et les 11 mélodies enseignées sur le triple CD en notation standard et de la tablature. UNE leçon : La technique de basse alternance est présentée avec quatre accords : Green Green Rocky Road, Kansas City Blues, Stackerlee et samedi soir Shuffle. LECON deux : Alternance de la basse dans 3/4 avec la ballade de l'IRT. Wilson Rag de Elizabeth Cotten, aveugle de Blake qui n'arrivera jamais sans plus et Moan de Spike conduire de Miss John Hurt. Leçon 3: Blues du Brownie Mc-Ghee de vie que joue a chuté de réglage D. Dans 12/8 avec St. James Infirmary Blues joué en la mineur. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75