SKU: CA.3114914

ISBN 9790007208592. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SKU: CA.3114949

ISBN 9790007208608. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SKU: CA.3114911

ISBN 9790007208561. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SKU: CA.3114913

ISBN 9790007208585. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SKU: BR.OB-4649-19

ISBN 9790004317686. 9 x 12 inches.

SKU: BR.OB-4649-26

ISBN 9790004317693. 9 x 12 inches.

SKU: HF.FH-7065

ISBN 9790203470656. 8.3 x 11.7 inches.

Johann Sebastian Bach: 1. Ouverture (Suite) Nr. 1 C-Dur, BWV 1066; 2. Ouverture (Suite) Nr. 4 D-Dur, BWV 1069; 3. Kantate: Am Abend desselbigen Sabbaths, BWV 42; 4. Kantate: Lobe den Herrn, meine Seele, BWV 143; 5. Kantate: Man singet mit Freuden vom Sieg, BWV 149; 6. Kantate: Mein Gott, wie lang' ach lange, BWV 155; 7. Kantate: Ich ruf' zu dir, Herr Jesu Christ, BWV 177; 8. Gott ist unsre Zuversicht, BWV 197; Joseph Haydn: 1. Sinfonie Nr. 6 Le Matin, Hob. I:6; 2. Sinfonie Nr. 61, Hob. I:61; 3. Sinfonie Nr. 67, Hob. I:67; 4. Sinfonie Nr. 74, Hob. I:74; 5. Sinfonie Nr. 77, Hob. I:77; 6. Sinfonie Nr. 79, Hob. I:79; 7. Sinfonie Nr. 82 L'Ours, Hob. I:82; 8. Sinfonie Nr. 85 La Reine, Hob. I:85; 9. Sinfonie Nr. 88, Hob. I:88; 10. Sinfonie Nr. 90, Hob. I:90; 11. Sinfonie Nr. 91, Hob. I:91; 12. Sinfonie Nr. 93, Hob. I:93; 13. Sinfonie Nr. 96 The Miracle, Hob. I:96; 14. Sinfonie Nr. 99, Hob. I:99; 15. Sinfonie Nr. 103 Mit dem Paukenwirbel, Hob. I:103; 16. Sinfonie Nr. 104 Salomon, Hob. I:104.