SKU: CL.MB115
SKU: CL.013-1156-01
SKU: CL.110-0115-20
3 Eb Alto Saxophones or 2 Eb Alto Saxophones, Bb Tenor Saxophone.
SKU: CL.013-1155-01
SKU: CL.SCM-1154-00
Bob and Weave has a distinctive hip-hop groove that will be a great change-of-pace selection for your band! As the title says, there is a lot of interplay between sections making this lots of fun to play. Great ensemble writing throughout. Moderate ranges for brass. Very cool!
SKU: CL.016-0115-00
SKU: CL.SCM-1153-00
The rhythm section sets the groove on this lively chart! Solid ensemble scoring make this an excellent choice for your band. Lots of solo space for alto, trumpet, piano and guitar, or you can open it up. Hot shout chorus concludes this dynamic chart. Don’t miss this one!
SKU: CL.SCM-1152-00
This medium tempo swing chart has a laid-back bouncy feel, and is very playable. Lots of space for solos on a blues scale. Goes together quickly, and bound to be a favorite for the band!
SKU: CL.013-1157-01
SKU: CL.029-0115-00
SKU: CL.SCM-1155-00
Check out this unique chart! This shuffle/blues is fun to play, as it switches from a shuffle feel to straight swing for the shout chorus. Lots of room for solos. Oo-Bop!
SKU: CL.SCM-1156-01
This straight ahead swinging blues is just what the doctor ordered! Reasonable ranges for the brass, with plenty of call-and-response between sax section and brass. A great set of out choruses brings this one to a close. Have fun with this one!
SKU: CL.021-7115-00
SKU: CL.SCM-1158-01
Groove Walk is a great rock chart with character! Goes together easily with a minimum of rehearsal time, and sounds like a million bucks. Open solo section gives everyone a chance to step forward. Perfect for when you just want to have some fun!
SKU: CL.SCM-1115-01
Andy Farber is a master at composing beautiful ballads. Your Alto Sax soloist is supported by tasty brass backgrounds and lush soli sections. It’s a great feature for the whole band and a wonderful choice for any concert or festival performance. Includes an optional flute part. Outstanding!
SKU: CL.013-1152-00
SKU: CL.013-1151-00
SKU: CL.082-0115-13
Bb Bass Clarinet solo with piano accompaniment.
SKU: CL.013-1150-00
SKU: CF.YPS200
ISBN 9781491152201. UPC: 680160909704. Key: D minor.
Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.†This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.†This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.†It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!
SKU: CF.YPS200F
ISBN 9781491152881. UPC: 680160910380.
SKU: HL.49008105
ISBN 9790001115964. UPC: 196288077473. 9.0x12.0x0.355 inches.
The fourth volume in this series of female composers is dedicated to works of the 19th and 20th century. The pieces by Violetta Dinescu, Caroline Ansink, Myriam Marbe and Lucie Robert-Diessel have been composed specially for this anthology. M. Wieck: Fantasy on Skandinavian Folksongs • L.A. le Beau: Romanc, Op. 24/1 • C. Faisst: Melody after an old Ballad • J. Senffter: Three pieces Op. 25 • L. Vellére: Nocturne • V. Shlonsky: Dialogue • M. Marbe: Prphet and Bird • B. Heller: Lalai • L. Robert-Diessel: Lamento • E. Firsova: Album leaf • V. Dinescu: Flesh across • C. Ansink: Water under the bridge.
SKU: HL.44007054
UPC: 884088158934.
Theme from Rocky, war schon 1977 ein Riesenerfolg fur den Komponisten, Orchesterleiter und Oscar-Gewinner Bill Conti, der sich auch mit Musik zu legendaren U.S.-Fernsehserien wie Denver Clan oder Falcon Crest einen Namen machte. Lorenzo Bocci, selbst ein anerkannter Komponist und Arrangeur, nahm sich des schwungvollen Titels erneut an und machte ihn so auch Ihrem Repertoire zuganglich. Bill Conti a compose les musiques de nombreuses productions hollywoodiennes ou series televisees americaines. Recompense par un Oscar pour la musique du film L'Etoffe des Heros, il est pourtant entre dans l'histoire du cinema avec le celebrissime theme Gonna Fly Now extrait du film culte Rocky (1976) qui revela Sylvester Stallone. L'arrangement de Lorenzo Bocci ne laissera personne de marbre. Il famoso tema dal film Rocky, del 1997i. Il compositore italiano Lorenzo Bocci ha reso questo arrangiamento accessibile a tutte le bande.
SKU: HL.49046988
ISBN 9781705174333. UPC: 842819115281. 8.25x11.75x0.695 inches.
SYNOPSIS Aribert Reimann's 'Trilogie lyrique' is based on three plays by Maurice Maeterlinck: In L'Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. Who is sitting in our midst? he asks. He is the only one who cansee the presence of death. Interieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirsto the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queens servants, who ful?l her demand and snatch the sleeping boy from his sisters'arms. Commentary 'In comparison with his Medea for example with its stormy outbreaks of emotion and violence, Reimann's score is worked in an impressive refinement of sound. It begins with rumbling, hesitating and expressive music in the first section, demanding highly ingenious sound effects from the lower strings including tapping and faltering glissandos in its noisy expression of mortal fear. Inthe second part, the woodwind formation plays at times almost in chamber music fashion and is then suddenly painfully shrill. The third part luxuriates and rages in its rich, full orchestration. The manner in which Reimann displays his mastery in textural shading, the invention of sounds welling up and fading away, the rhythmic and melodic capacity of suffering and the music's inner violence are all utterly compelling.'(Wolfgang Schreiber, Opernwelt, November 2017).
SKU: LM.29115
ISBN 9790230991155.
SKU: BT.WHSK05115
SKU: RM.9782111523845
