SKU: CA.611300
ISBN 9790007010683.
SKU: CA.626000
ISBN 9790007012076. Key: B minor. Language: German. Text: Heermann, Johann. Text: Johann Heermann.
SKU: CA.1405900
ISBN 9790007030810.
SKU: CA.970200
ISBN 9790007087739.
SKU: CA.3103212
ISBN 9790007042516. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200.
SKU: CA.3103213
ISBN 9790007042523. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
SKU: CA.3103205
ISBN 9790007042493. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score available separately - see item CA.3103200.
SKU: CA.3062213
ISBN 9790007040833. Language: German/English.
Score available separately - see item CA.3062200.
SKU: CA.3062214
ISBN 9790007040840. Language: German/English.
SKU: CA.3062211
ISBN 9790007040819. Language: German/English.
SKU: CA.3062215
ISBN 9790007040857. Language: German/English.
SKU: CA.3062212
ISBN 9790007040826. Language: German/English.
SKU: CA.3062205
ISBN 9790007102883. Language: German/English.
SKU: HL.50336970
ISBN 9781423441922. UPC: 073999557084. 9x12 inches. Niesberger.
Contents: Canzona in D Minor • Christ Lag in Todesbanden • Doric Toccata & Fugue • Herzlich Thut Mich Verlang • In Dulci Jubilo • Jesu, Meine Freude (My Joy) • Liebster Jesu Wir Sind Hier • Passacaglia & Fugat C Minor • Pastorale • Prelude & Fugue in A Minor • Prelude & Fugue in C • Prelude & Fugue in E Flat • Prelude & Fugue in E Minor • Prelude & Fugue in G Minor • Prelude & Fugue in G Minor • Sleepers, Awake (Wachet Auf) • Sonata II • Toccata & Fugue in D Minor.
SKU: CA.400500
ISBN 9790007006518.
SKU: CA.1490100
ISBN 9790007031381.
SKU: BA.BA08075
ISBN 9790006488452. 29 x 21 cm inches.
From the collection Choralgesange and the motet Jesu, meine Freude BWV 227.
SKU: CA.3103207
ISBN 9790007092450. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian.
SKU: MN.25-300
UPC: 688670253003.
A transcription for brass quintet of the Paul Manz organ setting on the tune Liebster Jesu, wir sind hier, the melody is beautifully ornamented and almost takes on a new life of its own. The french horn is assigned the cantus firmus for the most part. The piece is perfectly suited for this instrumentation, which provides a flexible, fluid quality to the hymn tune.
