Return To Avalon is scored for two flutes one doubling Piccolo the other doubling Alto Flute.In the mid-thirteenth century over 200 000 Cathars were murdered in the South of France 'Avalon' by forces of darkness and ignorance. The Cathars were European Buddhists who believed in loving each other that we are all equal in the eyes of God non-revenge vegetarianism and that women could be priests. They also believed in reincarnation.In answer to threats and bullying many of them chose to be burnt alive rather than be forced to follow teachings they believed to be untrue.People say that the Cathars never came back. People saythat they died in vain. But I believe that they are wrong I believe that the Cathars did come back to create a Church of light outside the constricts of religion but through the arts through music poetry and prose.'Return to Avalon' is the story of two great Cathar flute players who rise from the ashes of the Montsegur massacre to return and baptize the world into the truth of the eternal through the beauty of sound and honesty of expression. I imagined these 'Sons of the light ' playing this piece and letting its message of friendship and brotherhood echo out over the mountains.'Return to Avalon' begins with 'The Last Song' a 13th century Cathar melody echoed on alto flute then explores an idea I first used in my 1993 flute concerto the idea of orchestrated digital delay.The second movement 'Human flame' on piccolo and alto is also based on a medieval theme but takes it further and further out until finally it burns up into a huge fireball.In the third movement 'Sons of the light return to Avalon' the two flutes reappear Phoenix-like from the ashes leading and learning from each other. Eventually the flutes become inseparable as they interweave together at speed leading us to a higher truth that we are all brothers and sisters equally loved by God.Phenomenal flautist Samuel

Come play music written by kings and clowns Ladies and lawyers dance masters doctors and troubadours. Welcome to the Middle Ages and Renaissance. Creativity flourished throughout the times that produced writers Artists and scientists such as Dante Chaucer Shakespeare Michelangelo da Vinci and Galileo.That inventiveness is evident in the imaginative and eloquent music in this collection. Among the melodies are a Portuguese troubadour?s ?Song for a Friend? written almost 800 years ago John Dowland?s ?Midnight? silenced from the mid-1600's until the discovery of Margaret Board?s Lute Book in 1970 and a beautiful and haunting song written by aScottish Lady. There are over 40 tunes in this beautiful collection.

Référence unique par son ISBN 9790043910329 cette partition musique de Devogel Jacques n'est autre que FANFARE MEDIEVALE - PARTITION qui a été composée pour Grande Formation. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est EDFR0188 1. / Grande Formation / Partition

Référence unique par son ISBN 9790043910336 cette partition musique de Devogel Jacques n'est autre que FANFARE MEDIEVALE - PARTITION + MATERIEL qui a été composée pour Grande Formation. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Billaudot. La référence catalogue de cette oeuvre est EDFR0188 2. / Grande Formation / Partition

This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the CD. There are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There arechords with the music and at the end of the book there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Allan the author plays the lute guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense but these are great pieces with many of them having variations to make them longer.

Potes Suite is a set of four contemporary pieces for flute and guitar composed by the flute and guitar duo ?Nuclear Okra.? The pieces are inspired by the rich tapestry of diverse cultures living in the medieval mountain village of Potes, Spain. The suite incorporates a wide variety of musical styles, rhythms, and techniques drawn from folk, flamenco, Balkan, jazz, blues, country, classical, West African, and Latin American genres. Each piece is approximately four minutes in length. Includes access to online audio.

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano

Ensemble De Flutes [Piccolo, 3Xut, Alto, Basse] et Harpe Ad Lib.. Par SEYS E.. Ensemble De Flûtes [Piccolo, 3Xut, Alto, Basse] Et Harpe Ad Lib. / Niveau : Fin 1er Cycle / Répertoire / Ensemble de Flûtes Traversières et Harpe Ad Libitu

Rondeau of the Shepherds ' so ran the official title of the famous Dutch Christmas carol ‘Midden in de winternacht’. In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin Balbastre and Dandrieu. 'Rondeau of the Shepherds' was subtitled 'Catalan Christmas Carol'. The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages 'El Desembre congelat. The motives of this song (shepherds flutes drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. . Perfect as an uptempo intermezzoin a church service.

Rondeau of the Shepherds ' so ran the official title of the famous Dutch Christmas carol ???Midden in de winternacht???. In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin Balbastre and Dandrieu. 'Rondeau of the Shepherds' was subtitled 'Catalan Christmas Carol'. The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages 'El Desembre congelat. The motives of this song (shepherds flutes drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. . Perfect as an uptempo intermezzoin a church service.

Rondeau of the Shepherds ' so ran the official title of the famous Dutch Christmas carol ‘Midden in de winternacht’. In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin Balbastre and Dandrieu. 'Rondeau of the Shepherds' was subtitled 'Catalan Christmas Carol'. The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages 'El Desembre congelat. The motives of this song (shepherds flutes drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. . Perfect as an uptempo intermezzoin a church service.