American Company
(69 results)
No shipping to countries within the European Union.
|
European Companies
(45 results) |
|
|
|
| Leipzig Edition of the Works of Felix Mendelssohn Bartholdy Breitkopf & Härtel
SKU: BR.SON-451 Complete Works. Edited by Ralf Wehner. Linen. Comp...(+)
SKU: BR.SON-451 Complete Works. Edited by Ralf Wehner. Linen. Complete Works. Romantic period. Complete Works. 140 pages. Breitkopf and Haertel #SON 451. Published by Breitkopf and Haertel (BR.SON-451). ISBN 9790004803615. 9 x 12 inches. The Overture for Harmoniemusik in C major op. 24 MWV P 1 by Felix Mendelssohn Bartholdy is a special work in two respects: on the one hand, it is unique in its instrumentation in the composer's oeuvre - in the main version for 23 wind instruments; on the other hand, it exists in several versions originating from Mendelssohn himself, namely a variant for eleven wind instruments from 1826 and two arrangements for piano four hands from 1838. These versions, called Nocturno and Overture for Harmonie- and Militairmusik respectively - form the content of the present volume. The outstanding position of the composition is also underlined by a considerable variety of sources, by a number of unresolved questions connected with its composition, e.g. concerning the specifics of the contemporary instruments to be used, and by the fact that the overture in the extended wind version was the only piece of this body of works that the self-critical composer considered worthy of publication. The inspiration for its composition ultimately goes back to a stay by Felix Mendelssohn Bartholdy and his father in 1824 at the Baltic Sea resort of Doberan (then: Dobberan), where the Grand Duke of Mecklenburg-Schwerin maintained a summer residence surrounded by members of his court orchestra of national renown. Thus, the music sketched there was initially not given a title, but was always referred to in the Mendelssohn family as Dobberan harmony music in reference to the place associated with it. $188.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Twelve Voluntaries for Special Occasions Weinberger
Organ; Piano (Piano) SKU: HL.48016563 For Organ or Piano. Composed...(+)
Organ; Piano (Piano) SKU: HL.48016563 For Organ or Piano. Composed by Various. Edited by Oliver Janes. This edition: M570051434. BH Piano. Classical, Contemporary. 16 pages. Josef Weinberger #M570051434. Published by Josef Weinberger (HL.48016563). UPC: 073999165630. 8.5x11.0x0.035 inches. Contents: Pastoral on The Voice that breathed o'er Eden * Prelude on Lead us, Heavenly Father * Bridal March (Wagner) * Wedding March (Mendelssohn) * O Rest in the Lord (Mendelssohn) * Dead March from Saul (Handel) * Postlude on Jesus, blessed Saviour * I know that my Redeemer liveth (Handel) * With verdure clad the fields appear (Haydn) * Improvisation on Away in a manger * Trumpet Voluntary (Clarke) * Festal March on Onward, Christian Soldiers. $17.95 - See more - Buy online | | |
| Lyrical Violin Legends Violin and Piano SATB, Orchestra Music Distribution Services
Violin and piano SKU: M7.APUE-516186 Edited by Karen North. Sheet music. ...(+)
Violin and piano SKU: M7.APUE-516186 Edited by Karen North. Sheet music. Score and part. MDS (Music Distribution Services) #APUE 516186. Published by MDS (Music Distribution Services) (M7.APUE-516186). ISBN 9781875516186. Lyrical Violin Legends is an exciting collection of 20 works for violin and piano, featuring exclusively commissioned works by contemporary composers and inspiring new arrangements of 19th and 20th century compositions. Listen to the legends, discover beautiful scenes and enjoy lively dances through the alluring lyricism of this music. These exclusive commissioned works and new arrangements are suitable for intermediate level players. The violin part includes biographies of all composers and notes/ performance suggestions for each work. All pieces in Lyrical Violin Legends have free violin & piano recordings to listen to, as well as free piano backing tracks to play along with. Composers: Johannes Brahms, Antonin Dvorak, Hans Engelmann, Sally Greenaway, Greg Harradine, Jolin Jiang, Scott Joplin, Elena Kats-Chernin, Toivo Kuula, Rachel Laurin, Edward MacDowell, Felix Mendelssohn, Merryl Neille, Heather Percy, Gary Schocker. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| My First Violin Album Violin [CD] - Beginner Alfred Publishing
CD; CD Recording; Masterworks. Naxos My First... Series. 20th Century; Baroque; ...(+)
CD; CD Recording; Masterworks. Naxos My First... Series. 20th Century; Baroque; Classical; Contemporary; Masterwork; Romantic. Beginner. Published by Alfred Music
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Das Weihnachtsliederbuch Breitkopf & Härtel
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in ...(+)
Chorus a cappella SKU: BR.CHB-2950-02 Nach der Originalhandschrift in der Zwickauer Ratsschulbibliothek. Composed by Cornelius Freundt. Choir; Softbound. Chor-Bibliothek (Choral Library). Following Arnold Mendelssohn's edition of the 'Altdeutsche Weihnachtslieder', this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. For this work we offer sample pages of the choral score for download. Song; Renaissance/early Baroque. Choral score. 64 pages. Breitkopf and Haertel #ChB 2950-02. Published by Breitkopf and Haertel (BR.CHB-2950-02). ISBN 9790004411865. 7.5 x 10.5 inches. German. Following Arnold Mendelssohns edition of the ,,Altdeutsche Weihnachtslieder (ChB 2782), this is the second reprint of a choral collection which is particularly well suited for Christmas concerts. Freundt himself is the main composer in this 64-page collection, which also features pieces by his contemporaries, including some well-known composers.
New edition by Diethard Hellmann. $16.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Clarinet Orchestral Excerpts Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series,...(+)
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book. 48 pages. The Frederick Harris Music Company #WCE1. Published by The Frederick Harris Music Company (FH.WCE1). ISBN 978-1-55440-588-6. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Repertoire 7 Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition...(+)
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 88/36 pages. The Frederick Harris Music Company #WC7. Published by The Frederick Harris Music Company (FH.WC7). ISBN 978-1-55440-583-1. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Repertoire 7 Viola - Intermediate The Frederick Harris Music Company
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. ...(+)
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA7. Published by The Frederick Harris Music Company (FH.VA7). ISBN 978-1-55440-569-5. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Level 7: Holberg Suite, op. 40: I,V - Grieg, Edvard Symphony No. 5, op. 67: II - Beethoven, Ludwig van Symphony No. 4 (Italian), op. 90: II - Mendelssohn, Felix Brandenburg Concerto No. 3, BWV 1048: I - Bach, Johann Sebastian Symphony No. 35 (Haffner), K 385: I - Mozart, Wolfgang Amadeus Level 8: Ruslan and Ludmilla: Overture - Glinka, Mikhail Symphony No. 35 (Haffner), K 385: IV - Mozart, Wolfgang Amadeus Symphony No. 6 (Pathetique), op. 75: I - Tchaikovsky, Pyotr Il'yich Symphony No. 9, op. 125: IV - Beethoven, Ludwig van Symphony No. 3 (Eroica), op. 55: IV - Beethoven, Ludwig van Symphony No. 1, op. 68: I - Brahms, Johannes Symphony No. 9 (New World), op. 95: IV - Dvorak, Antonin Level 9: Symphony No. 5, op. 67: III - Beethoven, Ludwig van Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus The Hebrides, op. 26: Overture - Mendelssohn, Felix Variations on a Theme by Haydn, op. 56a - Brahms, Johannes Le carnaval romain - Berlioz, Hector Symphony No. 8, op. 88: I - Dvorak, Antonin Symphony NO. 4 (Romantic): II - Bruckner, Anton Level 10: Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix Symphony No. 4, op. 98: II,IV - Brahms, Johannes Peer Gynt Suite No. 1, op. 46: I - Grieg, Edvard Concerto for Orchestra: IV,V - Bartok, Bela Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus Serenade for Strings, op. 48: I,II - Tchaikovsly, Pyotr Il'yich Symphony No. 5, op. 47: I - Shostakovich, Dmitri Associate: Group 1: Ochestral Tutti Parts (Viola): Daphnis et Chloe: III - Ravel, Maurice Don Juan, op. 20 - Strauss, Richard Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Mendelssohn, Felix The Bartered Bride: Overture - Smetana, Bed_ich Group 2: Viola Solos: Don Quixote, op. 35 - Strauss, Richard Harold en Italie: I - Berlioz, Hector. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Inspiring Flute Solos Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.494032000 Composed by Karen North. Collect...(+)
Chamber Music Flute(s) SKU: PR.494032000 Composed by Karen North. Collection. Theodore Presser Company #494-03200. Published by Theodore Presser Company (PR.494032000). UPC: 680160686186. This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players. Be inspired as you discover scenes of natural beauty - starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection. The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters. Inspiring music for flute players, and suitable for concert, exam, or festival performances. Composers: Wendy Beardall-Norton, Johannes Brahms, Cecile Chaminade, Ansje De Groef, Ignacy Dobrzynski, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Angel Villoldo. Specifications: * Contents: 30 pieces * Standard: Intermediate level (some Advanced) * Key signatures: up to two sharps and three flats * Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre * Pitch range: Middle C to Bb6 (top Bb) * Techniques: Flutter tonguing, stamping, clapping (3 works) Free flute recordings for every piece can be found at https://www.youtube.com/channel/UC14kQiYx9ksLFQplZRzN3hA For preview pages, please visit https://www.theyoungfluteplayer.com/flutemusic. This captivating collection of 30 works for unaccompanied flute, offers refreshing and exhilarating repertoire for intermediate level flute players.Be inspired as you discover scenes of natural beauty – starry skies, a dragonfly, bird songs; enjoy lively dances with elves and ghosts; and immerse yourself in music of tender reflection.The collection features contemporary composers from around the world, with exclusively commissioned works, together with inspiring new arrangements of music by 19th and 20th century masters.Inspiring music for flute players, and suitable for concert, exam, or festival performances.Composers: Wendy Beardall-Norton, Johannes Brahms, Cécile Chaminade, Ansje De Groef, Ignacy DobrzyÅ„ski, Hans Engelmann, Emma Greenhill, Greg Harradine, Jolin Jiang, Elena Kats-Chernin, Fanny Mendelssohn, Merryl Neille, Suzanne Palmer-Holton, Sergei Rachmaninoff, Jon Raybould, Gary Schocker, Ãngel Villoldo.Specifications:• Contents: 30 pieces• Standard: Intermediate level (some Advanced)• Key signatures: up to two sharps and three flats• Time signatures: 4/4, 3/4, 2/4, 12/8, 6/8, 5/8, 3/8 and mixed metre• Pitch range: Middle C to Bb6 (top Bb)• Techniques: Flutter tonguing, stamping, clapping (3 works) Free flute recordings for every piece can be found at https://www.youtube.com/channel/UC14kQiYx9ksLFQplZRzN3hAFor preview pages, please visit https://www.theyoungfluteplayer.com/flutemusic. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters in 12 Volumes Barenreiter
SKU: BA.BVK02300 12 volumes and a CD-ROM. Composed by Felix Bartho...(+)
SKU: BA.BVK02300 12 volumes and a CD-ROM. Composed by Felix Bartholdy Mendelssohn. Edited by Alexander Staub, Anja Morgenstern, Benedikt Leßmann, C Koop, Helmut Loos, Ingrid Jach, Juliane Baumgart-Streibert, Juliette Appold, Kadja Grönke, Lucian Schiwietz, Susanne Tomkovic, Thomas Kauba, Wilhelm Seidel, and Wolfgang Seifert. Linen. Felix Mendelssohn Bartholdy. Samtliche Briefe in 12 Banden. Book, CD-ROM. 9651 pages. Baerenreiter Verlag #BVK02300_00. Published by Baerenreiter Verlag (BA.BVK02300). ISBN 9783761823002. 23.7 x 16.5 cm inches. Text language: German. Preface: Seidel, Wilhelm / Loos, Helmut. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer's death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector's item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$2389.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 10 Barenreiter
SKU: BA.BVK02310 January 1844 to June 1845. Composed by Felix Bart...(+)
SKU: BA.BVK02310 January 1844 to June 1845. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Uta Wald, and Wilhelm Seidel. Linen. Felix Mendelssohn Bartholdy. Samtliche Briefe in 12 Banden. Book. Baerenreiter Verlag #BVK02310_00. Published by Baerenreiter Verlag (BA.BVK02310). ISBN 9783761823101. 23.7 x 16.5 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 1 Barenreiter
SKU: BA.BVK02301 1816 to June 1830. Composed by Felix Bartholdy Me...(+)
SKU: BA.BVK02301 1816 to June 1830. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Juliette Appold, and Wilhelm Seidel. This edition: 2nd printing 2012 edition. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. Baerenreiter Verlag #BVK02301_00. Published by Baerenreiter Verlag (BA.BVK02301). ISBN 9783761823019. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 3 Barenreiter
SKU: BA.BVK02303 August 1832 to July 1834. Composed by Felix Barth...(+)
SKU: BA.BVK02303 August 1832 to July 1834. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Juliane Baumgart-Streibert, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02303_00. Published by Baerenreiter Verlag (BA.BVK02303). ISBN 9783761823033. 23.5 x 16 cm inches. Preface: Helmut Loos. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 6 Barenreiter
SKU: BA.BVK02306 February 1838 to September 1839. Composed by Feli...(+)
SKU: BA.BVK02306 February 1838 to September 1839. Composed by Felix Bartholdy Mendelssohn. Edited by Alexander Staub, Helmut Loos, Kadja Grönke, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02306_00. Published by Baerenreiter Verlag (BA.BVK02306). ISBN 9783761823064. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 4 Barenreiter
SKU: BA.BVK02304 August 1834 to June 1836. Composed by Felix Barth...(+)
SKU: BA.BVK02304 August 1834 to June 1836. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Lucian Schiwietz, Sebastian Schmideler, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02304_00. Published by Baerenreiter Verlag (BA.BVK02304). ISBN 9783761823040. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 2 Barenreiter
SKU: BA.BVK02302 July 1830 to July 1832. Composed by Felix Barthol...(+)
SKU: BA.BVK02302 July 1830 to July 1832. Composed by Felix Bartholdy Mendelssohn. Edited by Anja Morgenstern, Helmut Loos, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. Baerenreiter Verlag #BVK02302_00. Published by Baerenreiter Verlag (BA.BVK02302). ISBN 9783761823026. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters in Volumes Barenreiter
SKU: BA.BVK02403 Composed by Felix Bartholdy Mendelssohn. Edited by Alexa...(+)
SKU: BA.BVK02403 Composed by Felix Bartholdy Mendelssohn. Edited by Alexander Staub, Anja Morgenstern, Benedikt Leßmann, C Koop, Helmut Loos, Ingrid Jach, Juliane Baumgart-Streibert, Juliette Appold, Kadja Grönke, Lucian Schiwietz, Susanne Tomkovic, Thomas Kauba, Wilhelm Seidel, and Wolfgang Seifert. CD-ROM. Baerenreiter Verlag #BVK02403_00. Published by Baerenreiter Verlag (BA.BVK02403). ISBN 9783761824030. 18.9 x 14 cm inches. Preface: Seidel, Wilhelm / Loos, Helmut. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$384.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 8 Barenreiter
SKU: BA.BVK02308 March 1841 to August 1842. Composed by Felix Bart...(+)
SKU: BA.BVK02308 March 1841 to August 1842. Composed by Felix Bartholdy Mendelssohn. Edited by Christoph Koop, Helmut Loos, Sebastian Schmideler, Susanne Tomkovic, and Wilhelm Seidel. Linen. Book. Baerenreiter Verlag #BVK02308_00. Published by Baerenreiter Verlag (BA.BVK02308). ISBN 9783761823088. 23.5 x 16 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 12 Barenreiter
SKU: BA.BVK02312 February 1847 to November 1847. Composed by Felix...(+)
SKU: BA.BVK02312 February 1847 to November 1847. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Lucian Schiwietz, Stefan Münnich, Uta Wald, and Wilhelm Seidel. Linen. Book. Baerenreiter Verlag #BVK02312_00. Published by Baerenreiter Verlag (BA.BVK02312). ISBN 9783761823125. 23.7 x 16.5 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 5 Barenreiter
SKU: BA.BVK02305 July 1836 to January 1838. Composed by Felix Bart...(+)
SKU: BA.BVK02305 July 1836 to January 1838. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Thomas Kauba, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02305_00. Published by Baerenreiter Verlag (BA.BVK02305). ISBN 9783761823057. 23.5 x 16 cm inches. Preface: Helmut Loos. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 7 Barenreiter
SKU: BA.BVK02307 October 1839 to February 1841. Composed by Felix ...(+)
SKU: BA.BVK02307 October 1839 to February 1841. Composed by Felix Bartholdy Mendelssohn. Edited by Benedikt Leßmann, Helmut Loos, Ingrid Jach, Lucian Schiwietz, Wilhelm Seidel, and Wolfgang Seifert. Linen. Book. Baerenreiter Verlag #BVK02307_00. Published by Baerenreiter Verlag (BA.BVK02307). ISBN 9783761823071. 23.5 x 16 cm inches. Preface: Helmut Loos. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Barenreiter
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (...(+)
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (SATB), Orchestra) SKU: BA.BA09092 A Symphony-Cantata after Texts from the Holy Scriptures. Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 52, MWV A 18. Baerenreiter Verlag #BA09092_00. Published by Baerenreiter Verlag (BA.BA09092). ISBN 9790006565795. 31 x 24.3 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry. Mendelssohn’s contemporaries frequently mentioned his “Hymn of Praise†in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name “symphony-cantataâ€. Later he added a secular counterpart with “Die Erste Walpurgisnachtâ€.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.
For the first time the piano reduction includes Mendelssohn’s authorised version of the “Sinfoniaâ€, based on the first edition of No. 1 for piano solo.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$131.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Romantic-Style Service Piano solo - Intermediate/advanced Alfred Publishing
10 Hymn Arrangements Inspired by Romantic Masterworks. Arranged by Faye Ló...(+)
10 Hymn Arrangements
Inspired by Romantic
Masterworks. Arranged by
Faye López. Book; Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred Performer
Collections. Form: Medley.
Hymn; Masterwork
Arrangement; Romantic;
Sacred. 40 pages. Published
by Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Twelve Voluntaries for Sunday School and Church Weinberger
Organ; Piano (Piano) SKU: HL.48016564 For Organ or Piano. Composed...(+)
Organ; Piano (Piano) SKU: HL.48016564 For Organ or Piano. Composed by Various. Edited by Oliver Janes. BH Piano. Classical, Contemporary. 15 pages. Josef Weinberger #M570051441. Published by Josef Weinberger (HL.48016564). UPC: 073999751833. 8.5x11.0x0.066 inches. Contents: March from Scipio (Handel) * Andante Favori (Beethoven) * On Wings of Song (Mendelssohn) * Triumphal March (Grieg) * Arioso (Bach) * Cornelius March (Mendelssohn) * Meditation on I Think When I Read That Sweet Story of Old (Athens) * Voluntary on Silent Night, Holy Night * Andante from Symphony No. 53 (Haydn) * Prelude on Away in a Manger * March from the Occasional Oratorio (Handel) * Angels, Ever Bright and Fair (Handel). $17.95 - See more - Buy online | | |
| Saint Paul Op. 36 MWV A 14 Breitkopf & Härtel
Chorus a cappella (solos: SATBB - choir: SSAATB - 2.2.2.2.dble bsn.serp - 4.2.3....(+)
Chorus a cappella (solos: SATBB - choir: SSAATB - 2.2.2.2.dble bsn.serp - 4.2.3.0 - timp - org - str) SKU: BR.CHB-5297-02 Oratorio on Words from the Holy Scriptures - Urtext. Composed by Felix Bartholdy Mendelssohn. Edited by Michael Marker. Choir; Softbound. Chor-Bibliothek (Choral Library). Marker's Urtext edition is based on the first edition of the score from 1835. Oratorio/passion; Romantic. Choral score. 84 pages. Duration 130'. Breitkopf and Haertel #ChB 5297-02. Published by Breitkopf and Haertel (BR.CHB-5297-02). ISBN 9790004412237. 7.5 x 10.5 inches. One can truly say that Mendelssohn's St. Paul oratorio is a genuine work in progress - such as one finds repeatedly in the composer's works. After the world premiere in Dusseldorf in 1836, the composer sighed: Since I changed a number of things after the performance, notably in the recitatives, and omitted a few pieces entirely, I really don't know how these changes can be made in the quartet parts that have already been engraved.Luckily, the score had not yet been printed at this point in time. It was published not long afterwards (1837) and served as the basis for the old Complete Edition, where, however, it was mixed together with other sources.Michael Marker's present Urtext edition uses the first edition of the score as the main source for the first time. Its inconsistencies were emended by the editor in agreement with other contemporary sources.By forgoing the version transmitted by Julius Rietz (1878), on which all later reprintings were based, in favor of the score of the first edition of 1835, which was personally supervised by the composer, a new Paulus has come to light: freed from a number of conventionalizing, adulterating retouchings, at times more angular in detail and thus more characteristic. (Michael Marker about his New Edition, 1997)
Marker's Urtext edition is based on the first edition of the score from 1835. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| St. Paul (Paulus) - Intermediate Carus Verlag
Orchestra Violine 1 - Level 3 SKU: CA.4012911 Oratorio. Composed b...(+)
Orchestra Violine 1 - Level 3 SKU: CA.4012911 Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus. Innovative practice aids, Sacred vocal music, Oratorios. Individual part. Composed 1834-1836. Op. 36, MWV A 14. 40 pages. Duration 145 minutes. Carus Verlag #CV 40.129/11. Published by Carus Verlag (CA.4012911). ISBN 9790007217693. Language: German/English. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and part available separately - see item CA.4012900. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Paul (Paulus) - Intermediate Carus Verlag
Orchestra Contrabass - Level 3 SKU: CA.4012915 Oratorio. Composed ...(+)
Orchestra Contrabass - Level 3 SKU: CA.4012915 Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus. Innovative practice aids, Sacred vocal music, Oratorios. Individual part. Composed 1834-1836. Op. 36, MWV A 14. 36 pages. Duration 145 minutes. Carus Verlag #CV 40.129/15. Published by Carus Verlag (CA.4012915). ISBN 9790007217730. Language: German/English. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and part available separately - see item CA.4012900. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Paul (Paulus) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3 SKU: CA.4012919 Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. German title: Paulus. Innovative practice aids, Sacred vocal music, Oratorios. Set of Orchestra Parts. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/19. Published by Carus Verlag (CA.4012919). ISBN 9790007097158. Language: German/English. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score and parts available separately - see item CA.4012900. $734.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| St. Paul (Paulus) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra - Intermediate Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon...(+)
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3 SKU: CA.4012905 Oratorio. Composed by Felix Bartholdy Mendelssohn. Edited by R. Larry Todd. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Innovative practice aids, Sacred vocal music, Oratorios. Choral Score. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/05. Published by Carus Verlag (CA.4012905). ISBN 9790007186524. Text language: German/English. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 61 |
|
| Piano Treasury Of Hymns
Cd Piano, Voice [Sheet music + CD] - Intermediate Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...(+)
The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
27.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Mark Hayes: Well-Tempered
Weddings: Piano: Score
and Parts Piano solo Shawnee Press
Tired of carrying multiple collections and assorted sheet music to every wedding...(+)
Tired of carrying multiple collections and assorted sheet music to every wedding you play? This comprehensive collection is a one-stop destination for pianists who play for weddings.
Featuring styles ranging from Classical to contemporary, this anthology is a must-have for today?s bride and groom, and contains service music for preludes, processionals, bridal marches, unity candle lightings, recessionals and postludes. Although each piano selection can be played as a solo, there are optional instrumental obbligatos for some pieces, featuring parts for Cello, Oboe, Trumpet, Flute and Violin. In addition, Well-Tempered Weddings contains several classic and contemporary vocal selections suitable for use before and during the wedding ceremony.
53.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| MENDELSSOHN F. -
LOBGESANG OP.52 -VOCAL
SCORE Opera Barenreiter
Mendelssohn Bartholdy, Felix Lobgesang / Hymn of Praise op. 52 MWV A 18 (+)
Mendelssohn Bartholdy, Felix Lobgesang / Hymn of Praise op. 52 MWV A 18 A Symphony-Cantata after Texts from the Holy Scriptures - Urtext edition taking all sources into account - Piano reduction by the composer including his piano version of the ?Sinfonia? - Extensive Foreword (Ger/Eng) and detailed Critical Commentary (Eng) Mendelssohn?s contemporaries frequently mentioned his ?Hymn of Praise? in the same breath as Beethoven?s Ninth ? and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name ?symphony-cantata?. Later he added a secular counterpart with ?Die Erste Walpurgisnacht?. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work?s performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn?s authorised version of the ?Sinfonia?, based on the first edition of No. 1 for piano solo. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
15.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Felix Mendelssohn
Bartholdy: Lobgesang /
Hymn of Praise op. 52 MWV
A 18: Barenreiter
A Symphony-Cantata after texts from the Holy Scriptures-Mendelssohn’s con...(+)
A Symphony-Cantata after texts from the Holy Scriptures-Mendelssohn’s contemporaries frequently mentioned his “Hymn of Praise†in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper in his extensive Introduction to this new Urtext edition shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name “symphony-cantataâ€. Later he added a secular counterpart with “Die Erste Walpurgisnachtâ€.Drawing on all relevant sources Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance e.g.tempo articulation and dynamics.For the first time the piano reduction includes Mendelssohn’s authorised version of the “Sinfonia†based on the first edition of No. 1 for piano solo.
5.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
168.89 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
202.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
16.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
47.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
1.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
166.41 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Paulus
(MENDELSSOHN-BARTHOLDY
FELIX) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Sheet music] Carus Verlag
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first orato...(+)
Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
22.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Felix Mendelssohn
Bartholdy: Paulus MWV A
14: SATB Soli, Mixted choir and accompaniment satb (soli), SATB (chorus), Keyboard [Sheet music] Carus Verlag
Oratorium-Mendelssohn composed his first oratorio Paulus under the impression of...(+)
Oratorium-Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach?s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul for which he was accused by his contemporaries of making a stylistic break using an element unsuitable to church music. In spite of these reservations during Mendelssohn?s lifetime St. Paul was one of his most popular works which received numerous performances throughout Europe. Robert Schuman praised the ?inextinguishable color of the instrumentation? and the ?brilliant play with all the forms of composition.? He described it as a ?jewel of the present.?
18.00 GBP - Sold by Musicroom UK | |
| Alan Bullard: Pianoworks
Duets 2 4H.: Piano Duet:
Instrumental Album 1 Piano, 4 hands Oxford University Press
Pianoworks Duets 2 is the perfect resource for developing pianists to explore du...(+)
Pianoworks Duets 2 is the perfect resource for developing pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres including 'Spring' from Vivaldi's The Four Seasons Joplin's exuberant rag 'The Easy Winners' and the traditional Scottish song 'Afton Water'. In addition the collection contains several new and original gems by Alan Bullard the co-author of this celebrated series. 21 duets with parts of equal standard compiled and arranged for beginner to intermediate pianists (approx.Grades 3-5) Wide range of styles including Classical Romantic jazz folk and contemporary CD contains backing tracks of each part to allow solo practice Useful tips on style and technique and background information on every piece Perfect companion to Pianoworks Book 2 and Pianoworks Collection 2
13.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Felix Mendelssohn
Bartholdy: The Woodland
Songsters: Mixed Choir a
Cappella: Choral SATB [Vocal Score] Pavane Publishing
Even in this new setting this part-song has lost none of the charm which so beg...(+)
Even in this new setting this part-song has lost none of the charm which so beguiled Mendelssohn's contemporaries.
28.50 GBP - Sold by Musicroom UK | |
Next page 1 31 |
|