SKU: LM.27003
ISBN 9790230970037.
PROKOFIEV : L'amour des 3 oranges - GERSCHWIN : Un Americain a Paris - RAVEL : Valse noble et sentimentale n. 2 - THUILLIER : Balafon - SATIE : Gymnopedie n. 3 - THUILLIER : Funky Music - MOZART : Sonate KV 331 (Rondo a la turca) - HAYDN : Symphonie n. 63 - CHOPIN : Mazurka n. 2 - BEETHOVEN : Sonate n. 18, op.31 n. 1 - THUILLIER : Swing Baby Swing - LABROUSSE : d'apres Clementi - THUILLIER : Tumbao Le Son - HONNEGER : Chanson des Quatre - TRADITIONNEL : Billy Boy (Amerique) - THUILLIER : Jamaica - PANSERON : Trio vocal - BRAHMS : Petite soeur - THUILLIER : Rapline - THUILLIER : Guajira de Pasquita - TRADITIONNEL : A la plage de Saarijarvi (Finnois) - CHOPIN : Lied lituanien - TRADITIONNEL : Vania (Russie) - Steal Away to Jesus (negro spiritual) - THUILLIER : Baila, chica.
SKU: LM.27001
ISBN 9790230970013.
SCHUBERT : Marche militaire n. 1 - JANACEK : Sinfonietta - HAYDN : Quatuor op.64 n. 3 - MOZART : Contredanse en rondo en K 213 - MENDELSSOHN : Lied - PROKOFIEV : Pierre et le Loup - BRAHMS : Variations sur un theme de Haydn - THUILLIER : Boogie Woogie - DE FALLA : Le Tricorne (Danse du meunier) - LABROUSSE : d'apres Clementi - d'apres Gounod - TRADITIONNEL : Hey Diddle Diddle (Amerique) - MOZART : Menuet K487 - TRADITIONNEL : Oiseaux, fruit et vent (Catalogne) - De Angel Roll de Stone Away (gospel) - Adieu, carnaval (Nice) - Le cosaque (Russie) - DES H. : La Bouteille a la mer - TRADITIONNEL : Chant croate - A Barcelone (Catalogne).
SKU: HL.14045729
ISBN 9788438704660. Spanish.
SKU: HL.14045706
ISBN 9788438704677. Spanish.
SKU: HL.14045715
ISBN 9788438704714. Spanish.
SKU: HL.14045740
ISBN 9788438704653. Spanish.
SKU: HL.14045727
ISBN 9788438704707. Spanish.
SKU: HL.14045773
ISBN 9788438705513. Spanish.
SKU: UT.QC-2
ISBN 9788881094585. 6.5 x 9.5 inches.
The career of Muzio Clementi (1752-1832) spanned the lives of both Mozart and Beethoven and was exceptionally diverse. It encompassed performing on the keyboard, conducting, teaching, business activities and composition in the realms of keyboard, chamber and orchestral music. This book focuses on Clementi’s keyboard sonatas and aims to shed new light on their relationship with the complex cross-currents of late eighteenth-century musical style, both in England, where Clementi was active for much of his career, and the continent, which he visited periodically.The first chapter summarises Clementi’s historical reputation as it developed in the nineteenth and twentieth centuries, and evaluates the impact on it of the significant developments in Clementi scholarship since 2000. The aim is to stress the deficiencies of the established view of Clementi as a keyboard pedagogue and to stress the importance of liberating him as much as possible from this ingrained perception. This is attempted, in the remaining chapters, through close, analytical readings of a variety of keyboard sonatas from all stages of his career, comparing them with a range of works by Haydn, Mozart, Beethoven and other contemporaries such as Jan Ladislav Dussek (1760-1812). The comparisons are made from the perspectives of distinguishing features of Clementi’s style such as his unusually intense deployment of strict counterpoint in the later keyboard sonatas; his cultivation of irregularity in recapitulations; his use of the ‘three-key’ exposition in the middle-to-later stages of his career that seems to anticipate nineteenth-century developments, and also his assimilation of heightened virtuosity into the earlier sonatas, often in the form of cadenzas more suggestive of the keyboard concerto – a genre Clementi seems, rather strangely, to have neglected. The book has been envisaged as a direct response, not only to the most recent scholarship on Clementi, but also to current approaches to eighteenth-century music in general, including the interdisciplinary work of Annette Richards.
SKU: HL.50497361
9.0x12.5x0.105 inches.
SKU: HL.49006522
ISBN 9790001070805. UPC: 073999462876. 9.0x12.0x0.108 inches.
Many students lead an independent musical life apart from their normal piano lessons; they play jazz or pop music and make some attempts at improvisation without it being possible for the teacher to intervene and to supervise matters of technique, fingering , phrasing etc. The purpose of this volume is to create an additional link between teacher and pupil by making avaliable some small exercises in current jazz and blues styles. An additional stimulus should thus be given to the pupil who has a liking for musical forms of this kind, but not at the expense of the teacher's supervision of the necessary technicalside of piano playing. A hort holiday from Classical sonatinas and studies should help him to get over a time of boredom, so that he will eventually return to tratitional material with even greater enthusiasm. And in several pieces there is an opportunity to improvise above the harmonic pattern in the left hand. Blues-Rock Number one * Funny Scales * Mixolydian Etude * Alberti-Blues * Triads * Blue Waltz * Zirkus-Rag * 5/4 Boogie * Daddy's Bop Rhythm * Sleep Well Blues.
SKU: BT.LCM9790570121281
English.
This publication is part of a progressive series of handbooks, primarily intended for candidates considering taking LCM examinations in Piano. However, given each handbook's wide content of musical repertoire andassociatededucational material, the series provides a solid foundation of musical education for any Piano student, of any age, whether they are intending to take an exam or not.
