SKU: BT.UFT-168343
SKU: BA.BA03139
ISBN 9790006429950. 27.7 x 19.7 cm inches.
90 dreistimmige Kompositionen von anonymen und 30 bekannten Meistern 15. und 16. Jahrhunderts. Urtext der Rhau-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.EB-6774
ISBN 9790004169735. 9 x 12 inches.
The pieces contained in this volume prepare the student for the playing in three and four parts that is required for the perfomance of the three-part inventions and the French suites. They are most appropriately incorporated into the teaching material after the two-part inventions have been studied. New technical problems, such as the passing under and over of fingers without using the thumb and the rapid substitution of fingers on one key, must here be solved. In order to make the fonn clear, the notation has been simplified as much as possible; the indications of fingering remain quite complicated enough, even though they cannot by far show all the possibilities. lt is necessary to adapt the fingerings to the mobility and span of the particular player's hands, whilst retaining the chosen phrasings to the best of his ability. Isolated notes which require a span exceeding the octave have been placed in brackets; the performance of the ornaments is shown in footnotes. As in the first volume, the missing dynamic and tempo indications must be supplied by the performer himself in accordance with the character of each piece. Especial attention must be paid in polyphonic music to the problem of phrasing and articulation. The editor's suggestions can be replaced by other solutions that make musical sense; these should then be written into the parts. An intensive preoccupation with polyphone structures can even at an early age increase the understanding and love of the musical work of art. Heinz Walter, Salzburg, Summer 1977.
SKU: BR.EB-6773
ISBN 9790004169728. 9 x 12 inches.
The pieces contained in the present volume provide a link between the easy, dance-like movements contained in the Anna Magdalena Bach Book and the two-part inventions. The text corresponds very largely to that of the original source; missing dynamic and tempo markings must be supplied by the player himself in accordance with the character of each piece. The training of the student's feeling for style must begin here, his technical capabilities being taken into account. The occasionally simplified ornaments can also be treated in this manner. The fingerings are intended as suggestions for small hands; they must, of course, be adapted to the particular player's hands, taking tempo and phrasing into consideration. The editor has attempted to solve the problems of phrasing and articulation by means of his own suggestions, but without cluttering the text too much. Various alternative solutions (as indicated in no. 3) are possible, and should - insofar as they make musical sense- be realized in practice. By independently choosing a phrasing and writing it into the music himself, the student improves his unterstanding of the polyphonic structure and the form. Heinz Walter, Salzburg, Spring 1977.
SKU: BA.BA06943
ISBN 9790006498666. 27 x 19 cm inches.
Johann Hermann Schein was born in the town of Grünhain in the Erz Mountains in 1586. He studied law and liberal arts in Leipzig before becoming musical director at Weissenfels and Leipzig. From 1616 until his early death in 1630 he was cantor at St Thomas's in Leipzig and took an active part in the city's musical life as „Director musici chori“.This setting of the Lord's Prayer has solo „concerto“ sections with continuo accompaniment set against full-voiced ritornelli from a „ripienochorus“. ln this way the five-part vocal tutti can be doubled ad libitum by strings and winds, creating an effective climax for festive church occasions.
SKU: BT.DHP-0920448-401
International.
This delightful book of easy clarinet duets introduces clarinettists to the music of JS Bach. It contains a variety of musical styles including minuets, marches and chorales. Twaalf marsen, koralen, menuetten, een musette, een bourree en een polonaise: boeiend repertoire van de beroemde componist Johann Sebastian Bach, meesterlijk bewerkt voor twee klarinetten.Eine Sammlung von zwölf Menuetten, Märschen, Chorälen und Polonaisen von Johann Sebastian Bach. Zwölf Duette für zwei Blasinstrumente im Stil von Johann Sebastian Bach.
SKU: BA.BA09109
ISBN 9790006530588. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
Volume 9 of the new Urtext edition of Schubert’s lieder contains lieder composed during the spring and summer of 1816, some of which follow upon series started in 1815. They are available in separate books for high, medium and low voice. The volume was completed by the eminent Schubert scholar Walter Dürr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi, Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart (“Grablied auf einen Soldaten†and “An mein Klavierâ€), the author of the words to one of his most famous songs “Die Forelleâ€/ “The Trout†(see Volume 2).
SKU: BA.BA09149
ISBN 9790006530809. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
SKU: BA.BA09129
ISBN 9790006530694. 30 x 23 cm inches. Language: German. Preface: Christoph Pregardien/Andreas Staier.
SKU: BA.BA05014-91
ISBN 9790006574643. 27 x 19 cm inches. Language: German. Preface: Dürr, Alfred.
With the publication of this choral score the performance material for this central work by Johann Sebastian Bach is now complete.
