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| The Jazz Harmony Book
Musical course - Solfege [Sheet music + CD]
Sher Music Company
Composed by David Berkman. Instructional book & 2 CDs. Published by Sher...(+)
Composed by David Berkman.
Instructional book & 2 CDs.
Published by Sher Music
Company
$34.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Learn to Play the Songs of John Denver - DVD
Guitar notes and tablatures [DVD] - Easy
Homespun
DVD. Performed by John Denver. By Pete Huttlinger. Homespun Tapes (Instructional...(+)
DVD. Performed by John Denver. By Pete Huttlinger. Homespun Tapes (Instructional). DVD (Digital Video Disc). Size 5.3x7.5 inches. Published by Homespun Video.
(2)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| I Need a Vacation (Musical)
Children choir [Teacher Editions]
Hal Leonard
An All-School Musical Revue. By Mac Huff, John Jacobson. (teacher edition). Exp...(+)
An All-School Musical Revue. By Mac Huff, John Jacobson. (teacher edition). Expressive Art (Choral). Children's Musical. Size 9x12 inches. 56 pages. Published by Hal Leonard.
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Jazz Is Elementary
Musical course - Solfege [Sheet music + Audio access]
Berklee
Creativity Development Through Music Activities, Movement Games, and Dances fo...(+)
Creativity Development Through
Music Activities, Movement
Games, and Dances for K-5.
Berklee Guide. Classroom
Resources, Jazz Instruction,
Teacher Resource. Softcover
Video Online. 160 pages.
Published by Berklee Press
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| John Sebastian Teaches Blues Harmonica - DVD
Harmonica [DVD] - Beginner
Homespun
Performed by John Sebastian. Homespun Tapes (Instructional). DVD (Digital Video ...(+)
Performed by John Sebastian. Homespun Tapes (Instructional). DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Homespun.
$29.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | | |
| I Need a Vacation (Musical)
Choral CD [Accompaniment CD]
Hal Leonard
By Mac Huff, John Jacobson. (Showtrax Cd). Expressive Art (Choral). Children's ...(+)
By Mac Huff, John Jacobson. (Showtrax Cd). Expressive Art (Choral). Children's Musical. CD only. Size 5x5 inches. 56 pages. Published by Hal Leonard.
(1)$60.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Rory Block Teaches the Guitar of Robert Johnson - DVD
Guitar notes and tablatures [DVD]
Homespun
DVD Two. Performed by Robert Johnson. Homespun Tapes (Instructional). DVD . With...(+)
DVD Two. Performed by Robert Johnson. Homespun Tapes (Instructional). DVD . With notes and tablature. Size 5.5x7.5 inches. Published by Homespun.
$29.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | | |
| Kaleidoscope
Piano solo [Sheet music] - Intermediate
EMB (Editio Musica Budapest)
(Romantic Piano Pieces Musical Expeditions Series). By Various. Edited by Ãgn...(+)
(Romantic Piano Pieces Musical Expeditions Series). By Various. Edited by Ãgnes Lakos. EMB. Softcover. 52 pages. Editio Musica Budapest #Z14702. Published by Editio Musica Budapest
$20.45 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The iTheatrics Method
Choral
GIA Publications
The Quintessential Guide to Creating Quality Musical Theatre Programs. Chora...(+)
The Quintessential Guide to
Creating Quality Musical
Theatre Programs. Choral.
Hardcover. 368 pages. GIA
Publications #G9403.
Published by GIA
Publications
$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Sonatina
String Orchestra - Easy
Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F). ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major. IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Endless Fascination: The Life and Work of Thomas Pitfield, Composer, Artist, Craftsman, Poet
Forsyth Publications
SKU: FP.FPT06 Composed by John Turner Ed. Rosemary Firman. Biography. A w...(+)
SKU: FP.FPT06 Composed by John Turner Ed. Rosemary Firman. Biography. A wonderful retrospective on the life of Bolton-born composer, artist and craftsman Thomas Pitfield, featuring autobiographical writings, new critical essays reappraising his work, and the recollections of family, friends, pupils and colleagues, as well a. Non-Fiction. Text Book. Forsyths Publications #FPT06. Published by Forsyths Publications (FP.FPT06). ISBN 9780951479544. Endless Fascination brings together Thomas Pitfield’s most significant autobiographical writings, new critical essays reappraising his work, and the recollections of family, friends, pupils and colleagues. It is illustrated with portraits, musical examples and over 100 reproductions of his art and craft works, supplemented by a CD of music by the composer and his acquaintances.
Thomas Pitfield (1903-1999) was born in Bolton, Lancashire, into a conventional and narrow-minded working-class family. Drawn to music and driven by a compelling urge to compose, he overcame initial setbacks and lived according to principles he worked out for himself, maintaining a modest and honest lifestyle directed by the precepts of vegetarianism and pacifism, and keeping faith with his innate gifts to make a living and a home for himself and his like-minded wife Alice. He became a notable and prolific composer who enjoyed numerous performances and broadcasts of his works, especially in the North West region of England, some by leading artists such as John Barbirolli, Vilém Tauský, Benjamin Britten and Peter Pears, John McCabe, and Ronald Stevenson. His music, often written for specific occasions or performers, was typically light-hearted and small-scale, with frequent reference to folk-music; larger-scale pieces included two piano concertos, concertos for violin, cello and recorder, and more than a dozen stage works. He was also an artist, craftsman and poet (with an enthusiasm for nonsense verse), whose work reflects the revival of interest in the arts and crafts during the first half of the 20th century. Running as a thread though everything he did was his unswerving love for the natural world and in particular the beauty of trees. $62.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | | |
| Learn to Play Autoharp - DVD
Autoharp [DVD] - Beginner
Homespun
Performed by John Sebastian. Homespun Tapes (Instructional). DVD . Size 5.3x7.5 ...(+)
Performed by John Sebastian. Homespun Tapes (Instructional). DVD . Size 5.3x7.5 inches. Published by Homespun Video.
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| John Sebastian - Beginning Blues Harmonica
Harmonica [Sheet music + CD]
Hal Leonard
Homespun Tapes (Instructional). Book and CD package. Size 9x12 inches. 32 pages....(+)
Homespun Tapes (Instructional). Book and CD package. Size 9x12 inches. 32 pages. Published by Homespun Listen and Learn Se
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Quatre peces per a piano for Piano
Piano solo
Periferia Music
Piano SKU: AY.PN3099PM Composed by F. Taverna-Bech. Keyboards - Piano. Sh...(+)
Piano SKU: AY.PN3099PM Composed by F. Taverna-Bech. Keyboards - Piano. Sheet music. Duration 10'. Periferia Publishing #PN3099PM. Published by Periferia Publishing (AY.PN3099PM). ISBN 9790543573550. This four pieces group can be considered as a study of style. Somehow, one wonders the capacity to assimilate some musical languages that that appeared at the beginning of the XX century, in a very permissive tone concept. The music in each of them is explicit enough to expose this purpose. Stravinski should be, then, understood as an approach to the personal features of Stavinski and polytonality from an ironic and portrait perspective. The Nocturne is inspired on the spirit of the pieces of the Mikrokosmos of Bartok, at the same time that counts on the poetical contributions of the composer John Field for his contributions to the nocturne pianist genre. The Song for Anna seeks protection in the bright and transparent harmonies of Ravel, and the popular song Au claire de la lune is developed in a pentatonical scale and reminds of the harmonical treatment. $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| I Need a Vacation - Singer 5 Pak
Children choir
Hal Leonard
By Mac Huff, John Jacobson. (Singer 5 Pak). Expressive Art (Choral). Children's...(+)
By Mac Huff, John Jacobson. (Singer 5 Pak). Expressive Art (Choral). Children's Musical. Size 6.7x10.5 inches. 40 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Clap Your Hands Follow Me
Classroom SKU: BT.9781408114544 Book with CD. Collins Music Publishing #9...(+)
Classroom SKU: BT.9781408114544 Book with CD. Collins Music Publishing #9781408114544. Published by Collins Music Publishing (BT.9781408114544). ISBN 9781408114544. English. Clap Your Hands Follow Me is one of three new Earlybirds music activity packs, guaranteed to get under-fives moving, listening and having fun with music. Each pack has twelve songs, a CD andcross-curricular activity plans. Earlybirds develop singing, dancing and musical understanding in a practical, easy-to-use format. Enjoy! The packs includes a CD with full performance tracks for all twelvesongs, lyrics for all twelve songs, and activity plans with cross-curricular activities for all twelve songs. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| To Hell and Back
Biography [Book]
My Life in Johnny Thunders' Heartbreakers, in the Words of the Last Man...(+)
My Life in Johnny Thunders'
Heartbreakers, in the Words
of the Last Man Standing. By
Johnny Thunders and the
Heartbreakers. Book.
Biography / Personal Memoir,
Biography/Composers &
Musicians. Softcover. 264
pages. Duration 245 seconds.
Published by Rowman &
Littlefield
$18.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Modern Electric Bass - DVD
Bass guitar [DVD]
Alfred Publishing
By Jaco Pastorius. Jaco Pastorius. For Guitar. Bass Guitar DVD. Warner Bros. Cla...(+)
By Jaco Pastorius. Jaco Pastorius. For Guitar. Bass Guitar DVD. Warner Bros. Classics. Jazz/Fusion. DVD. 1 pages. Published by Alfred Publishing.
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Classic Hymns (Trumpet)
Trumpet [Sheet music + CD] - Intermediate
Anglo Music
Trumpet - intermediate SKU: BT.AMP-091-400 Arranged by Philip Sparke. Edu...(+)
Trumpet - intermediate SKU: BT.AMP-091-400 Arranged by Philip Sparke. Educational Tool. Book with CD. Composed 2004. 24 pages. Anglo Music Press #AMP 091-400. Published by Anglo Music Press (BT.AMP-091-400). ISBN 9789043153362. English-German-French-Dutch. In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.
Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.
Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book]
Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Fiddler's Fakebook
Violin [Fake Book]
Oak Publications
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.
(7)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The iTheatrics Method
GIA Publications
SKU: GI.G-9403 The Quintessential Guide to Creating Quality Musical Th...(+)
SKU: GI.G-9403 The Quintessential Guide to Creating Quality Musical Theatre Programs. Composed by Cynthia A. Ripley, Marty Johnson, and Timothy Allen McDonald. Music Education. 366 pages. GIA Publications #9403. Published by GIA Publications (GI.G-9403). ISBN 9781622772285. English. I’ve seen the iTheatrics method firsthand, in teacher training and student workshops, and love the accessibility and focus on storytelling. — Julie Cohen Theobald   Executive Director of the Educational Theatre Association & International Thespian Society The collaborative group that created this remarkable book did so after spending two decades honing the craft of training educators to teach young people the arts. It is a must-read for all teachers. — Freddie Gershon    Chairman/CEO, Music Theatre International    Recipient of the Tony Honor for Excellence in Theatre The iTheatrics Method is the world's first musical theatre education textbook specifically devoted to building high-quality, sustainable musical theatre programs in schools and community settings. Created by iTheatrics, the leading authority on music theatre education, this book is the culmination of more than twenty years of hands-on teacher training conducted by master educators Timothy Allen McDonald, Cynthia A. Ripley, and Marty Johnson. These methods have been vetted by the John F. Kennedy Center for the Performing Arts’ prestigious Changing Education Through the Arts (CETA) initiative, and have been eagerly embraced by New York City’s Department of Education and the President’s Committee on the Arts and the Humanities. Written in an entertaining, conversational style, and featuring hundreds of images from successful musical theatre programs all over the world, this book also includes the advice of more than 100 instructors currently working in the field. Whether you’re a teacher just starting out or a seasoned professional, The iTheatrics Method is indeed your quintessential guide to creating quality musical theatre programs for students. Timothy Allen McDonald is an award-winning playwright and director, founder and CEO of iTheatrics and Executive Director of the Junior Theater Festival, and he got his big break in the 7th grade musical thanks to his choir teacher, Mrs. Dolores Bowman. Cynthia A. Ripley has 33 years of classroom teaching experience, was recognized by USA Today as a 2005 Teaching All Star, and started advocating for musical theatre in the 5th grade when she convinced her school’s administration to put on their first show. Marty Johnson is a leading authority on musical theatre education, and has led professional development sessions for The John F. Kennedy Center for the Performing Arts, the United Federation of Teachers, and New York City’s Department of Education. Marty made his theatrical debut in the local 4H’s production of Peter Pan in the fourth grade. $49.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Rockschool Drums Grade 7 (2018)
Drums [Sheet music + Audio access] - Intermediate
Rock School Limited (RSL)
Drum Kit - late intermediate SKU: BT.RSK200067 Exam Material. Book with O...(+)
Drum Kit - late intermediate SKU: BT.RSK200067 Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200067. Published by Rockschool (BT.RSK200067). ISBN 9781912352760. English. Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. For Rockschool's 2018-2024 Drums series, Rockschool have commissioned arrangements of titles reflecting popular music's rich heritage in all its forms and have tailored each piece to make it exactly right for the grade. You can also use titles from Rockschool's Classics series as part of the syllabus. The arrangements have been written and performed by top session musicians who have worked with some of the biggest names in rock, metal and pop. The tracks were recorded at Real World's acclaimed recordingstudios and feature live instruments and first rate performances for an unrivalled level of feel, authenticity and musicianship. Featuring: - Chase & Status - Control
- Tower Of Power - What Is Hip
- Justin Timberlake - Cry Me A River
- Richard Spaven - Law
- John Scofield - Techno
- Mary J Blige - Family Affair
- 6 Rockschool Originals
Plus: - Band and artist fact files with recommended listening
- In-depth walkthroughs of every track
- Easy-access downloadable audio
- Example tests and exercises
$28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Jaco Pastorius -- Modern Electric Bass
Bass guitar [Sheet music + DVD]
Alfred Publishing
Composed by Jaco Pastorius. For Bass Guitar. Artist/Personality; Bass Guitar Met...(+)
Composed by Jaco Pastorius. For Bass Guitar. Artist/Personality; Bass Guitar Method or Supplement; Book; DVD; Digital Download; Method/Instruction. Alfred's Artist Series. Jazz/Fusion. 32 pages. Published by Alfred Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Two Roads, Both taken
Music Distribution Services
SKU: M7.DOHR-68461541 The choice not to choose. Composed by Franco...(+)
SKU: M7.DOHR-68461541 The choice not to choose. Composed by Franco Ambrosetti. This edition: Hardback/Hard Cover. Book. 180 pages. MDS (Music Distribution Services) #DOHR 68461541. Published by MDS (Music Distribution Services) (M7.DOHR-68461541). ISBN 9783868461541. English. Franco Ambrosetti (born 1941 in Lugano, Switzerland) successfully managed two lives for a long time: on the one hand as a world class jazz trumpeter, on the other hand as manager of an international company with two offices in Switzerland and Italy and 600 employees having taken over from his father. His musical career is related to celebrities like Kenny Clarke, Cannonball Adderley, Dexter Gordon, Phil Woods, Michael Brecker, Steve Coleman, John Scofield, Greg Osby, Geri Allen, Kenny Barron and many others. Ambrosetti has played in many venues around the world. In his autobiography, he takes the reader to these places, plus his encounters with many colourful figures of the jazz world. At the same time, he recounts how he managed to master the balancing act of his life in a charming and modest tone. The result is a fascinating walk through jazz history - with some serious side views to the world of business and its changing ethics. The autobiography is introduced by Jess Levenson and Roland Spiegel and contains a discography (2019). Translated from the Italian by Flavia Ambrosetti and Paul Kilbey. The table of contents is available as PDF. $31.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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| Playing Outside the Chord
(KANE DAVID)
Musical course - Solfege [Sheet music]
Aebersold Jamey
A Manual of Techniques and Possibilities for the Adventurous Improvising Musicia...(+)
A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument
(Seller in french langage)
Pre-shipment lead time: On order | | |
| The Jazz Harmony Book
(BERKMAN DAVID)
Musical course - Solfege [Sheet music]
Sher Music Company
Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies...(+)
Par BERKMAN DAVID. The definitive book on how to create beautiful jazz harmonies for any melody. Starting from the most basic harmonic situations and progressing to contemporary jazz harmony, this book is a serious study of the fundamentals of jazz harmony. It will help you to uncover the best choices for chords to accompany any melody, to better understand and create the \'right\' chord progressions to standard tunes, to re-harmonize songs freely in the manner of great jazz artists like Hank Jones, Thelonious Monk, Art Tatum, Oscar Peterson, Bill Evans, Chick Corea, Brad Mehldau, Herbie Hancock, Duke Ellington, Gil Evans, Thad Jones, Joe Pass, Jim Hall and John Scofield. Topics covered include: basic functional harmony, diatonic substitutes, secondary dominants, passing chords, diminished harmony, tritone substitutes, non-functional approaches to harmonizing melodies including quartal harmony, color chords, harmonizing basslines, pedals, slash chords, unavailable tensions and more. Includes 2 CDs of the author playing many of the written examples in the 206-page book. / Methods
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| The Real Book Play Along
Vol.1 6th Edition C
Instruments (livre + Cle
Usb)
C Instruments [Fake Book]
Hal Leonard
The Real Book you know and love has now been updated to include backing tracks f...(+)
The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The play-along CDs alone are worth $100 so this is an amazing package price! The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any reqard to copyright law or royalties paide to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed! (I Love You) For Sentimental Reasons [Best, William] [Watson, Deek] (The Old Man From) The Old Country [Adderley, Nat] [Lewis, Curtis, R.] 500 Miles High [Corea, Chick] [Potter, Neville] 502 Blues [Rowles, James] A Child Is Born [Jones, Thad] A Fine Romance [Kern, Jerome] [Fields, Dorothy] A Man And A Woman (Un Homme Et Une Femme) [Lai, Francis] [Barouh, Pierre] [Keller, Jerry] A Night In Tunisia [Gillespie, John ?Dizzy?] [Paparelli, Frank] A String Of Pearls [Grey, Jerry] A Sunday Kind Of Love [Belle, Barbara] [Prima, Louis] [Leonard, Anita] [Rhodes, Stan] African Flower (Petite Fleur Africaine) [Ellington, Duke] Afro Blue [Santamaria, Mongo] Afternoon In Paris [Lewis, John] Água De Beber (Water To Drink) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] Airegin [Rollins, Sonny] Alfie [Bacarach, Burt] [David, Hal] Alice In Wonderland [Fain, Sammy] [Hilliard, Bob] All Blues [Davis, Miles] All By Myself [Berlin, Irving] All Of Me [Simons, Seymour] [Marks, Gerald] All Of You [Porter, Cole] All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] Alright, Okay, You Win [Watts, Mayme] Always [Berlin, Irving] Ana Maria [Shorter, Wayne] Angel Eyes [Dennis, Matt] [Brent, Earl] Anthropology [Parker, Charlie] [Gillespie, Dizzy] Apple Honey [Herman, Woody] April In Paris [Duke, Vernon] [Harburg, E. Y.] April Joy [Metheny, Pat] Arise, Her Eyes [Swallow, Steve] Armageddon [Shorter, Wayne] Au Privave [Parker, Charlie] Autumn In New York [Duke, Vernon] Autumn Leaves [Kosma, Joseph] [Mercer, Johnny] [Prevert, Jacques] Beautiful Love [Young, Victor] [King, Wayne] [Van Alstyne, Egbert] [Gillespie, Haven] Beauty And The Beast [Shorter, Wayne] Bessie's Blues [Coltrane, John] Bewitched [Rodgers, Richard] [Hart, Lorenz] Big Nick [Coltrane, Nick] Black Coffee [Webster, Paul Francis] [Burke, Sonny] Black Diamond [Sealey, Milton] Black Narcissus [Henderson, Joe] Black Nile [Shorter, Wayne] Black Orpheus [Bonfa, Luiz] Blue Bossa [Dorham, Kenny] Blue In Green [Davis, Miles] Blue Monk [Monk, Thelonious] Blue Train (Blue Trane) [Coltrane, John] Blues For Alice [Parker, Charlie] Bluesette [Thielemans, Jean] [Gimbel, Norman] Body And Soul [Green, John] [Heyman, Edward] [Sour, Robert] [Eyton, Frank] Boplicity (Be Bop Lives) [Davis, Miles] [Evans, Gil] Bright Size Life [Metheny, Pat] Broad Way Blues [Coleman, Ornette] Broadway [Byrd, Bill] [McRae, Teddy] [Woode, Henri] But Beautiful [Van Heusen, Jimmy] [Burke, Johnny] Butterfly [Hancock, Herbie] [Maupin, Bennie] Byrd Like [Hubbard, Freddie] Call Me [Hatch, Tony] Call Me Irresponsible [Van Heusen, James] [Cahn, Sammy] Can't Help Lovin' Dat Man [Kern, Jerome] [Hammerstein II, Oscar] Captain Marvel [Corea, Chick] Central Park West [Coltrane, John] Ceora [Morgan, Lee] C'est Si Bon [Betti, Henri] [Seelen, Jerry] [Hornez, Andre] Chega De Saudade (No More Blues) [Jobim, Antonio Carlos] [De Moraes, Vinicius] Chelsea Bells [Swallow, Steve] Chelsea Bridge [Strayhorn, Billy] Cherokee (Indian Love Song) [Noble, Ray] Cherry Pink And Apple Blossom White [Louiguy] [Larue, Jacques] [David, Mack] Chippie [Coleman, Ornette] Chitlins Con Carne [Burrell, Kenny] Come Sunday [Ellington, Duke] Como En Vietnam [Swallow, Steve] Con Alma [Gillespie, John ?Dizzy?] Conception [Shearing, George] Confirmation [Parker, Charlie] Contemplation [Tyner, McCoy] Coral [Jarrett, Keith] Cotton Tail [Ellington, Duke] Could It Be You [Porter, Cole] Countdown [Coltrane, John] Crescent [Coltrane, John] Crystal Silence [Corea, Chick] D Natural Blues [Montgomery, John L. (Wes)] Daahoud [Brown, Clifford] Dancing On The Ceiling [Rodgers, Richard] [Hart, Lorenz] Darn That Dream [Van Heusen, Jimmy] [DeLange, Eddie] Day Waves [Corea, Chick] [Potter, Neville] Days And Nights Waiting [Jarrett, Keith] Dear Old Stockholm [Varmeland] Dearly Beloved [Kern, Jerome] [Mercer, Johnny] Dedicated To You [Cahn, Sammy] [Chaplin, Saul] [Hyzaret] Deluge [Shorter, Wayne] Desafinado [Jobim, Antonio, Carlos] [Mendonca, Newton] Desert Air [Corea, Chick] Detour Ahead [Ellis, Herb] [Frigo, John] [Carter, Lou] Dexterity [Parker, Charlie] Dizzy Atmosphere [Gillespie, John ?Dizzy?] Django [Lewis, John] Doin' The Pig [Swallow, Steve] Dolores [Shorter, Wayne] Dolphin Dance [Hancock, Herbie] Domino Biscuit [Swallow, Steve] Donna Lee [Parker, Charlie] Don't Blame Me [McHugh, Jimmy] [Fields, Dorothy] Don't Get Around Much Anymore [Ellington, Duke] [Russell, Bob] Dream A Little Dream Of Me [Schwandt, Wilbur] [Andree, Fabian] [Kahn, Gus] Dreamsville [Mancini, Henry] [Livingston, Jay] [Evans, Ray] E.S.P. [Shorter, Wayne] Easter Parade [Berlin, Irving] Easy Living [Robin, Leo] [Rainger, Ralph] Easy To Love (You'd Be So Easy To Love) [Porter, Cole] Ecclusiastics [Mingus, Charles] Eighty One [Davis, Miles] [Carter, Ronald] El Gaucho [Shorter, Wayne] Epistrophy [Monk, Thelonious] [Clarke, Kenny] Equinox [Coltrane, John] Equipoise [Cowell, Stanley] Fall [Shorter, Wayne] Falling Grace [Swallow, Steve] Falling In Love With Love [Rodgers, Richard] [Hart, Lorenz] Fee-Fi-Fo-Fum [Shorter, Wayne] Follow Your Heart [McLaughlin, John] Footprints [Shorter, Wayne] For All We Know [Coots, Fred, J.] [Lewis, Sam M.] For Heaven's Sake [Meyer, Don] [Bretton, Elise] [Edwards, Sherman] Forest Flower [Lloyd, Charles] Four [Davis, Miles] Four On Six [Montgomery, John L. (Wes)] Freddie Freeloader [Davis, Miles] Freedom Jazz Dance [Harris, Eddie] Full House [Montgomery, John L. (Wes)] Gee Baby, Ain't I Good To You [Redman, John] [Razaf, Andy] Gemini [Heath, Jimmy] Giant Steps [Coltrane, John] Gloria's Step [Le Faro, Scott] God Bless' The Child [Herzog Jnr, Arthur] [Holiday, Billie] Golden Lady [Wonder, Stevie] Good Evening Mr. And Mrs. America [Guerin, John] Grand Central [Coltrane, John] Groovin' High [Gillespie, John ?Dizzy?] Grow Your Own [Jarrett, Keith] Guilty [Kahn, Gus] [Whiting, Richard] [Akst, Harry] Gypsy In My Soul [Boland, Clay] [Jaffe, Moe] Half Nelson [Davis, Miles] Have You Met Miss Jones? [Rodgers, Richard] [Hart, Lorenz] Heaven [Ellington, Duke] Heebie Jeebies [Atkins, Boyd] Hello, Young Lovers [Rodgers, Richard] [Hammerstein II, Oscar] Here's That Rainy Day [Van Heusen, Jimmy] [Burke, Johnny] Hot Toddy [Hendler, Herb] [Flanagan, Ralph] House Of Jade [Shorter, Wayne] How High The Moon [Lewis, Morgan] [Hamilton, Nancy] How Insensitive (Insensatez) [Jobim, Antonio, Carlos] [De Moraes, Vinicius] [Gimbel, Norman] How My Heart Sings [Zindars, Earl] [Zindars, Anne] Hullo Bolinas [Swallow, Steve] I Can't Get Started With You [Duke, Vernon] [Gershwin, Ira] I Can't Give You Anything But Love [McHugh, Jimmy] [Fields, Dorothy] I Could Write A Book [Rodgers, Richard] [Hart, Lorenz] I Got It Bad And That Ain't Good [Ellington, Duke] [Webster, Paul Francis] I Let A Song Go Out Of My Heart [Ellington, Duke] [Nemo, Henry] [Redmond, John] [Mills, Irving] I Love Paris [Porter, Cole] I Love You [Porter, Cole] I Mean You [Monk, Thelonious] [Hawkins, Coleman] I Remember Clifford [Golson, Benny] I Should Care [Cahn, Sammy] [Stordahl, Axel] [Weston, Paul] I Wish I Knew How It Would Feel To Be Free [Taylor, Billy] Icarus [Twoner, Ralph N.] If You Never Come To Me (Inutil Paisagem) [Jobim, Antonio Carlos] [De Oliveira, Aloysio] [Gilbert, Ray] I'll Never Smile Again [Lowe, Ruth] I'll Remember April [Johnston, Pat] [Raye, Don] [De Paul, Gene] I'm All Smiles [Leonard, Michael] [Martin, Herbert] I'm Beginning To See The Light [George, Dan] [Hodges, Johnny] [Ellington, Duke] [James, Harry] I'm Your Pal [Swallow, Steve] Impressions [Coltrane, John] In A Mellow Tone [Ellington, Duke] In A Sentimental Mood [Ellington, Duke] In The Mood [Garland, Joe] In The Wee Small Hours Of The Morning [Mann, David] [Hilliard, Bob] In Your Quiet Place [Jarrett, Keith] Indian Lady [Ellis, Don] Inner Urge [Henderson, Joe] Interplay [Evans, Bill] Invitation [Kaper, Bronislam] [Webster, Paul Francis] Iris [Shorter, Wayne] Is You Is, Or Is You Ain't (Ma' Baby) Isn't It Romantic? [Rodgers, Richard] [Hart, Lorenz] Isotope [Henderson, Joe] Israel [Carisi, John] It Don't Mean A Thing (If It Ain't Got That Swing) [Ellington, Duke] [Mills, Irving] It's Easy To Remember [Rodgers, Richard] [Hart, Lorenz] Jelly Roll [Mingus, Charles] Jordu [Jordan, Duke] Journey To Recife [Evans, Richard] [Gimbel, Norman] Joy Spring [Brown, Clifford] Juju [Shorter, Wayne] Jump Monk [Mingus, Charles] June In January [Robin, Leo] [Rainger, Ralph] Just One More Chance [Johnston, Arthur] [Coslow, Sam] Kelo [Johnson, J. J.] Lady Bird [Dameron, Tadd] Lady Sings The Blues [Nichols, Herbert] [Holiday, Billie] Lament [Johnson, J.J] Las Vegas Tango [Evans, Gil] Lazy Bird [Coltrane, John] Lazy River [Carmichael, Hoagy] Like Someone In Love [Van Heusen, Jimmy] [Burke, Johnny] Limehouse Blues [Braham, Philip] [Furber, Douglas] Lines And Spaces [Lovano, Joe] Litha [Corea, Chick] Little Boat (O Barquinho) [Menescal, Roberto] [Boscoli, Ronaldo] [Kaye, Buddy] Little Waltz [Carter, Ron] Long Ago (And Far Away) [Kern, Jerome] [Gershwin, Ira] Lonnie's Lament [Coltrane, John] Look To The Sky [Jobim, Antonio Carlos] Love Is The Sweetest Thing [Noble, Ray] Lucky Southern [Jarrett, Keith] Lullaby Of Birdland [Shearing, George] [Weiss, George David] Lush Life [Strayhorn, Billy] Mahjong [Shorter, Wayne] Maiden Voyage [Hancock, Herbie] Man In The Green Shirt [Zawinul, Joe] Meditation (Meditacao) [Jobim, Antonio Carlos] [Mendonca, Newton] [Gimbel, Norman] Memories Of Tomorrow [Jarrett, Keith] Michelle [Lennon, John] [McCartney, Paul] Midnight Mood [Zawinul, Josef] Midwestern Nights Dream [Metheny, Pat] Milano [Lewis, John] Minority [Gryce, Gigi] Miss Ann [Dolphy, Eric] Missouri Uncompromised [Metheny, Pat] Misty [Garner, Erroll] Miyako [Shorter, Wayne] Moment's Notice [Coltrane, John] Mood Indigo [Ellington, Duke] [Mills, Irving] [Bigard, Albany] Moonchild [Jarrett, Keith] Mr. P.C. [Coltrane, John] My Buddy [Donaldson, Walter] [Kahn, Gus] My Favorite Things [Rodgers, Richard] [Hammerstein II, Oscar] My Foolish Heart [Young, Victor] [Washington, Ned] My Funny Valentine [Rodgers, Richard] [Hart, Lorenz] My One And Only Love [Wood, Guy] [Mellin, Robert] My Romance [Rodgers, Richard] [Hart, Lorenz] My Shining Hour [Arlen, Harold] [Mercer, Johnny] My Ship [Weill, Kurt] [Gershwin, Ira] My Way [Revaux, Jacques] [Francois, Claude] [Anka, Paul] [Thibaud, Gilles] Mysterious Traveller [Shorter, Wayne] Naima (Niema) [Coltrane, John] Nardis [Davis, Miles] Nefertiti [Shorter, Wayne] Never Will I Marry [Loesser, Frank] Nica's Dream [Silver, Horace] Night Dreamer [Shorter, Wayne] Night Train [Forrest, Jimmy] [Washington, Oscar] [Simpkins, Lewis C.] Nobody Knows You When You're Down And Out [Cox, Jimmie] Nostalgia In Times Square [Mingus, Charles] Nuages [Reinhardt, Django] [Larue, Jacques] Oleo [Rollins, Sonny] Oliloqui Valley [Hancock, Herbie] Once I Loved (Amor Em Paz) (Love In Peace) [Jobim, Antonio Carlos] [De Morales, Vinicius] [Gilbert, Ray] Once In Love With Amy [Loesser, Frank] One Finger Snap [Hancock, Herbie] One Note Samba (Samba De Uma Nota So) [Jobim, Antonio Carlos] [Mendonca, Newton] Only Trust Your Heart [Carter, Benny] [Cahn, Sammy] Orbits [Shorter, Wayne] Ornithology [Parker, Charlie] [Harris, Bennie] Out Of Nowhere [Green, Johnny] [Heyman, Edward] P.S. I Love You [Jenkins, Gordon] [Mercer, Johnny] Paper Doll [Black, Johnny S.] Passion Dance [Tyner, Mccoy] Passion Flower [Strayhorn, Billy] [Raskin, Milton] Peace [Silver, Horace] Peggy's Blue Skylight [Mingus, Charles] Pent Up House [Rollins, Sonny] Penthouse Serenade [Jason, Will] [Burton, Val] Peri's Scope [Evans, Bill] Pfrancing (No Blues) [Davis, Miles] Pinocchio [Shorter, Wayne] Pithecanthropus Erectus [Mingus, Charles] Poem For #15 (The Saga Of Harrison Crabfeathers) [Kuhn, Steve] Portsmouth Figurations [Swallow, Steve] Prelude To A Kiss [Ellington, Duke] [Gordon, Irving] [Mills, Irving] Prince Of Darkness [Shorter, Wayne] Pussy Cat Dues [Mingus, Charles] Quiet Nights Of Quiet Stars (Corcovado) [Jobim, Antonio Carlos] [Lees, Gene] Quiet Now [Zeitlin, Denny] Recorda Me [Henderson, Joe] Red Clay [Hubbard, Freddie] Reflections [Monk, Thelonious] Reincarnation Of A Lovebird [Mingus, Charles] Ring Dem Bells [Ellington, Duke] [Mills, Irving] Road Song [Montgomery, John L. (Wes)] 'Round Midnight [Monk, Thelonious] [Williams, Cootie] [Hanighen, Bernie] Ruby, My Dear [Monk, Thelonious] Satin Doll [Ellington, Duke] Scotch And Soda [Guard, Dave] Scrapple From The Apple [Parker, Charlie] Sea Journey [Corea, Chick] [Potter, Neville] Seven Come Eleven [Goodman, Benny] [Christian, Charlie] Seven Steps To Heaven [Davis, Miles] [Feldman, Victor] Sidewinder [Morgan, Lee] Silver Hollow [DeJohnette, Jack] Sirabhorn [Metheny, Pat] Skating In Central Park [Lewis, John] So Nice (Summer Samba) [Valle, Marcos] [Valle, Paulo Sergio] [Gimbel, Norman] So What [Davis, Miles] Solar [Davis, Miles] Solitude [Ellington, Duke] [De Lange, Eddie] [Mills, Irving] Some Day My Prince Will Come [Churchill, Frank] [Morel, Larry] Some Other Spring [Herzog Jnr, Arthur] [Kitchings, Irene] Some Skunk Funk [Brecker, Randy] Somebody Loves Me [Gershwin, George] [DeSylva, B. G.][MacDonald, Ballard] [Ranaud, Emelia] Sometime Ago [Mihanovich, Sergio] Song For My Father [Silver, Horace] Sophisticated Lady [Ellington, Duke] [Mills, Irving] [Parish, Micthell] Speak No Evil [Shorter, Wayne] Standing On The Corner [Loesser, Frank] Stella By Starlight [Young, Victor] [Washington, Ned] Steps [Corea, Chick] Stolen Moments [Nelson, Oliver] Stompin' At The Savoy [Goodman, Benny] [Sampson, Edgar] [Webb, Chick] Straight No Chaser [Monk, Thelonious] Stuff [Davis, Miles] Sugar [Turrentine, Stanley] Swedish Pastry [Kessel, Barney] Sweet Georgia Bright [Lloyd, Charles] Sweet Henry [Swallow, Steve] [Gregg, Jack] Take Five [Desmond, Paul] Take The 'A' Train [Strayhorn, Billy] Tame Thy Pen [Niles, Richard] Tell Me A Bedtime Story [Hancock, Herbie] Thanks For The Memory [Robin, Leo] [Rainger, Ralph] That's Amoré (That's Love) [Warren, Harry] [Brooks, Jack] The Blue Room [Rodgers, Richard] [Hart, Lorenz] The Girl From Ipanema (Garôta De Ipanema) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] The Green Mountains [Swallow, Steve] The Inch Worm [Loesser, Frank] The Intrepid Fox [Hubbard, Freddie] The Magician In You [Jarrett, Keith] The Most Beautiful Girl In The World [Rodgers, Richard] [Hart, Lorenz] The Night Has A Thousand Eyes [Brainin, Jerry] [Bernier, Buddy] The Song Is You [Kern, Jerome] [Hammerstein II, Oscar] The Sorcerer [Hancock, Herbie] The Sphinx [Coleman, Ornette] The Star-Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] The Surrey With The Fringe On Top [Rodgers, Richard] [Hammerstein II, Oscar] The World Is Waiting For The Sunrise [Seitz, Ernest] [Lockhart, Eugene] There Is No Greater Love [Jones, Isham] [Symes, Marty] There Will Never Be Another You [Warren, Harry] [Gordon, Mack] There'll Be Some Changes Made [Overstreet, Benton] [Higgins, Billy] They Didn't Believe Me [Kern, Jerome] [Reynolds, Herbert] Think On Me [Cables, George] Thou Swell [Rodgers, Richard] [Hart, Lorenz] Three Flowers [Tyner, McCoy] Time Remembered [Evans, Bill] Tones For Joan's Bones [Corea, Chick] Topsy [Battle, Edgar] [[Durham, Eddie] Tour De Force [Gillespie, John ?Dizzy?] Triste [Jobim, Antonio Carlos] Tune Up [Davis, Miles] Turn Out The Stars [Evans, Bill] [Lees, Gene] Twisted Blues [Montgomery, John, L. (Wes)] Unchain My Heart [Sharp, Bobby] [Powell, Teddy] Uniquity Road [Metheny, Pat] Unity Village [Metheny, Pat] Up Jumped Spring [Hubbard, Freddie] Upper Manhattan Medical Group (UMMG) [Strayhorn, Billy] Valse Hot [Rollins, Sonny] Very Early [Evans, Bill] Virgo [Shorter, Wayne] Wait Till You See Her [Rodgers, Richard] [Hart, Lorenz] Waltz For Debby [Evans, Bill] [Lees, Gene] Wave [Jobim, Antonio Carlos] We'll Be Together Again [Fischer, Carl] [Lane, Frankie] Well You Needn't (It's Over Now) [Monk, Thelonious] [Perro, Mike] West Coast Blues [Montgomery, John L. (Wes)] What Am I Here For? [Ellington, Duke] What Was [Corea, Chick] When I Fall In Love [Young, Victor] [Heyman, Edward] When Sunny Gets Blue [Fischer, Marvin] [Segal, Jack] When You Wish Upon A Star [Harline, Leigh] [Washington, Ned] Whispering [Coburn, Richard] [Schonberger, John] [Rose, Vincent] Wild Flower [Shorter, Wayne] Windows [Corea, Chick] Witch Hunt [Shorter, Wayne] Wives And Lovers (Hey, Little Girl) [Bacharach, Burt] [David, Hal] Woodchopper's Ball [Bishop, Joe] [Herman, Woody] Woodyn' You [Gillespie, Dizzy] Yes And No [Shorter, Wayne] Yesterday [Lennon, John] [McCartney, Paul] Yesterdays [Kern, Jerome] [Harbach, Otto] You Are The Sunshine Of My Life [Wonder, Stevie] You Are Too Beautiful [Rodgers, Richard] [Hart, Lorenz] You Brought A New Kind Of Love To Me [Fain, Sammy] [Kahal, Irving] [Norman, Pierre] You Don't Know What Love Is [Raye, Don] [DePaul, Gene] You Took Advantage Of Me [Rodgers, Richard] [Hart, Lorenz] Young At Heart [Richards, Johnny] [Leigh, Carolyn] You're Nobody 'Til Somebody Loves You [Morgan, Russ] [Stock, Larry] [Cavanaugh, James]
Pre-shipment lead time: In Stock | | |
| Jazz Transcription
Musical course - Solfege
Advance Music
Transcriptions are used to develop the ears, to derive technical exercises, and ...(+)
Transcriptions are used to develop the ears, to derive technical exercises, and for analysis to gain understanding of the theory and techniques used to construct phrases. The solo transcriptions are included as complete examples. / Tout Instrument
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| JOHN MILLER - HILLBILLY
FINGERSTYLE BLUES GUITAR
Guitar notes and tablatures
Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...(+)
The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
Pre-shipment lead time: On order | | |
| Hillbilly Fingerstyle
Blues Guitar
Guitar notes and tablatures [Sheet music + Audio access]
Grossman's Guitar Workshop
Par . The musical appeal of the Blues, as they began to be heard in the early tw...(+)
Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare
(Seller in french langage)
Pre-shipment lead time: 3-10 days - In Stock Supplier | | |
| John Lennon Paul
McCartney: Michelle:
Marching Band: Score
Marching band
Hal Leonard
This sensitive and carefully paced chart is a beautiful change of pace for the f...(+)
This sensitive and carefully paced chart is a beautiful change of pace for the field. Creatively scored in a very musical setting.
| | |
| John Lennon Paul
McCartney: Michelle:
Marching Band: Score &
Parts
Marching band [Score and Parts]
Hal Leonard
This sensitive and carefully paced chart is a beautiful change of pace for the f...(+)
This sensitive and carefully paced chart is a beautiful change of pace for the field. Creatively scored in a very musical setting.
| | |
| John Luther Adams: The
Immeasurable Space Of
Tones: Chamber Ensemble:
Score and [Sheet music]
Taiga Press
John Luther Adams' The Immeasurable Space Of Tones for Violin Vibraphone Piano...(+)
John Luther Adams' The Immeasurable Space Of Tones for Violin Vibraphone Piano sustaining Keyboard and Contrabass. Duration: 30 minutes. 'Number 5 1950 was MarkRothko's last painting before the breakthrough into his mature format. In it the luminous color fields of a classic Rothko are inscribed across the middle with three delicate lines. Describing thispainting and its pivotal position in Rothko's work Brian O'Doherty observes: 'After this the lines disappear completely.' In recent years gesture and figuration have disappeared from my music. What used to bebackground has emerged to become a musical world composed entirely of floating color fields. In this new world I've changed media moving from the orchestra to smaller combinations of acoustical instruments andelectronically-processed sounds. I still think in orchestral terms but this hybrid medium allows me to create orchestral textures for more practical and readily available ensembles. Initially I imagined this as akind of monolithic music -an entire piece as one rich and complex sound. Then I came to hear it as homophonic or heterophonic. And now -in this musical world that I thought was completely free of lines -I've come to hear apolyphony of harmonic clouds. Maybe the lines never disappear completely. Maybe Christian Wolff was right when he quipped: 'No matter what we do sooner or later it all sounds melodic'.' - John LutherAdams
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| Chopin F. - Nocturnes
(recueil) - Piano
 Français
Piano solo - Intermediate
Lemoine, Henry
Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être joué...(+)
Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des Notturni pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le legato et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le bel canto italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Sources La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir: 1) Autographes, copies 2) Premières éditions 3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982) 4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966)Contenu : Chopin: Nocturnes Op.9 n°1 à 3 - Nocturnes Op.15 n°1 à 3 - Nocturnes Op.27 n°1 et 2 - Nocturnes Op.32 n°1 et 2 - Nocturnes Op.37 n°1 et 2 - Nocturnes Op.48 n°1 et 2 - Nocturnes Op.55 n°1 et 2 - Nocturnes Op.62 n°1 et 2 - Nocturne Op. posthume 72 n°1 - Nocturnes Op. posthume (index Brown n°49 et 108)Compositeur/Auteur : CHOPIN FrédéricDiscipline/Instrument : pianoCollection : UrtextSupport : PartitionStyle/Genre : classiqueDate de parution : juin-94Niveau de difficulté : 4Nombre de pages : 101
Pre-shipment lead time: On order | | |
| Nocturnes (Recueil)
(CHOPIN FREDERIC)
Français
Piano solo [Sheet music] - Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, dest...(+)
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIe siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles.
Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son.
Frédéric Chopin compose 21 Nocturnes. L'année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort.
Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la Nuit de Mai d'Alfred de Musset.
Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques - l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords brisés sont plus ingénieux.
Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres.
Sources
La présente édition des Nocturnes de Frédéric Chopin se réfère aux sources authentiques suivantes, à savoir:
1) Autographes, copies
2) Premières éditions
3) Exemplaires annotés (ayant appartenu à Ludwika Jedrzejewicz, soeur de F. Chopin, Société Chopin, Varsovie (M.l74), Camille Dubois O'Meara (1830-1907), élève de F. Chopin, Bibliothèque Nationale, Paris Res.F. 980 et Jane Stirling (1804-1859), élève de F. Chopin, Bibliothèque Nationale, Paris Res. Vma 241 Vol. 1 à 7. Edition en Fac Simile (J.J. Eigeldinger) B.N. Paris (1982)
4) Editions critiques (Oxford University Press (E. Ganche), Londres (1928-1932), Bibliothèque de l'Université Jagiellone, Cracovie (depuis 1943), Edition complète des oeuvres (Paderewski) - Vol. VII et XVIII P.W.M., Varsovie (1949), Wiener Urtext (Jan Ekier) éd. Schott-Universal, Mainz Wien (1980), et Editions Urtext Henle Veriag (E. Zimmermann) München (1966) / Niveau : Intermédiaire / classique / Répertoire / Piano
(Seller in french langage)
Pre-shipment lead time: On order | | |
| Nocturne Op. 72 #1 En Mi
Min. (CHOPIN FREDERIC)
Français
Piano solo [Sheet music] - Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, dest...(+)
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la 'Nuit de Mai' d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques, l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords prisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Nouvelle Edition revue et corrigée (1993) sous la direction de Dominique Geoffroy. / Niveau : Intermédiaire / classique / Répertoire / Piano
(Seller in french langage)
Pre-shipment lead time: On order | | |
| 3 Nocturnes Op. 9 (CHOPIN
FREDERIC)
Français
Piano solo [Sheet music] - Intermediate
Lemoine, Henry
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, dest...(+)
Par CHOPIN FREDERIC. Les musiques de Nuit instrumentales du XVIIIo siècle, destinées à être jouées en plein air, sont à l'origine du Nocturne. Mozart et Haydn ont composé des 'Notturni' pour divers ensembles. Cependant, John Field est considéré comme le créateur du Nocturne pour piano. Chopin le tenait en grande estime et faisait souvent travailler à ses élèves les Nocturnes de ce pianiste et compositeur irlandais au même titre que les siens pour qu'ils se familiarisent avec le 'legato' et qu'ils acquièrent un beau son. Frédéric Chopin compose 21 Nocturnes. L année de composition de chaque Nocturne ne peut pas toujours être certifiée avec précision mais celle de leur publication est une référence exacte. Trois Nocturnes ont été édités après sa mort. Chopin a l'âme romantique et la musique de ses Nocturnes en exprime les états. L'ambiance crépusculaire est en effet propice aux tendres épanchements, à la mélancolie, aux improvisations poétiques et musicales, comme le dialogue de la Muse et du Poète dans la 'Nuit de Mai' d'Alfred de Musset. Tout en conservant une forme classique (forme Lied A.B.A. généralement), Chopin s'éloigne de la romance et sublimise le Nocturne par son inspiration et son sens pianistique: la mélodie, influencée par le 'bel canto' italien est plus ample et se développe en variations ornementales expressives, souvent chromatiques, l'harmonie est plus raffinée et plus audacieuse par ses dissonances et les dessins d'accompagnement de la basse en forme d'arpèges ou d'accords prisés sont plus ingénieux. Les Nocturnes de Chopin ont beaucoup contribué à sa célébrité et, malgré les difficultés techniques de certains, ils apparaissent comme une bonne introduction à la connaissance et à l'étude de ses autres oeuvres. Nouvelle Edition revue et corrigée (1993) sous la direction de Dominique Geoffroy. / Niveau : Intermédiaire / classique / Répertoire / Piano
(Seller in french langage)
Pre-shipment lead time: On order | | |
| John Luther Adams: Four
Thousand Holes: Ensemble:
Score and Parts
Taiga Press
John Luther Adams' Four Thousand Holes for Piano Percussion (Vibraphone and Orc...(+)
John Luther Adams' Four Thousand Holes for Piano Percussion (Vibraphone and Orchestra Bells) and Electronic Aura. Composed in 2010 and dedicated to Stephen Drury. Duration: 32 minutes 30 seconds.'Four Thousand Holes is my own effort to re-appropriate and reclaim for myself something of my own musical past. For the first time since my days as a rocker I've chosen to restrict myself to major and minor triads - thosemost basic elements of Western music (both pop and classical). But I've tried to assimilate them fully into my own musical world. Approaching these simple chords as found objects I've superimposed them in multiple streams oftempo to create darker harmonies and lush fields of sound. In recent years I've been fortunate enough to form a close musical partnership with Stephen Drury. Steve's extraordinary gifts inspired me to exploreexpansive forms and textures (similar to those of my orchestral music) with only one or two performers In essence Four Thousand Holes is a concerto. To begin I composed the score for the electronic tracks. Steve recorded all ofthe individual chords that occur in the score. I took these recordings time-stretched them reversed their envelopes and knit the reversed sounds together with their original decays. The resulting waves of sound I layered intoten independent tracks to create the virtual 'orchestra'. Next I composed the Piano part articulating the peaks of all the electronic tracks simultaneously - a feat of coordination that demands considerable virtuosity from thepianist. Finally I composed another multi-layered part for metallic Percussion sounds that I think of as sparks emanating from the Piano. In Four Thousand Holes strong musical currents fall and rise again andagain as points and lines are juxtaposed with heavy hammered chords. The mix of 'live' and electronic sounds blurs the distinction between musical figure and ground. As in much of my recent music I conceive of the entire piece
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| Betty Roe: The Banky
Field: Vocal: Script [Script]
Thames Publishing
A Musical play with words by John Oliver and music by Betty Roe. This is the scr...(+)
A Musical play with words by John Oliver and music by Betty Roe. This is the script containing all song lyrics stage directions and dialogue. Set in the late 18th century this fictional play is about a mining village on the outskirts of Shrewsbury once a thriving mining area and examines the changes that occur to the landscape over time. The play has been designed without set scenes or sets; one scene flowing into the next and using only really lighting for added effect so is suitable for most groups of varying size and ability.
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| Betty Roe: The Banky
Field: 2-Part Choir:
Score
Choral 2-part [Vocal Score] - Easy
Thames Publishing
A Musical play with words by John Oliver and music by Betty Roe. This is the sco...(+)
A Musical play with words by John Oliver and music by Betty Roe. This is the score for Voice and Piano accompaniment containing all the music and song lyrics. Set in the late 18th century this fictional play is about a mining village on the outskirts of Shrewsbury once a thriving mining area and examines the changes that occur to the landscape over time. The play has been designed without set scenes or sets; one scene flowing into the next and using only really lighting for added effect so is suitable for most groups of varying size and ability.
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| John Jacobson Kirby Shaw:
We Haz Jazz! Musical:
Classroom Musical
Hal Leonard
Exploring the History of America's Own Music-Jazz is OUR MUSIC...the music of Am...(+)
Exploring the History of America's Own Music-Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the cotton fields to the Cotton Club you will learn about such jazz greats as Fats Waller Cab Calloway Benny Goodman Billie Holiday and more! The sixoriginal songs and delightfully entertaining script in this 30-minute musical are ideal for elementary/middle school performers and John Jacobson's choreography and staging are included right in the publication. Available:Teacher's Manual Singer's Edition 5-Pak Preview Cassette (full performance) Performance/Accompaniment Cassette and CD. Performance Time: 30 minutes. For Grades 4-8.
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| John Jacobson Kirby Shaw:
We Haz Jazz! Musical:
Mixed Choir: Parts
Hal Leonard
Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the...(+)
Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the cotton fields to the Cotton Club you will learn about such jazz greats as Fats Waller Cab Calloway Benny Goodman Billie Holiday and more! The sixoriginal songs and delightfully entertaining script in this 30-minute musical are ideal for elementary/middle school performers and John Jacobson's choreography and staging are included right in the publication. Songs include: WeHaz Jazz! Let's Jam! Work Song I'm Old Enough to Sing the Blues Up the M-I-S-S-I-S-S-I-P-P-I Hobo Swing. Available: Teacher's Manual Singer's Edition (5-Pak) Preview Cassette (full performance) Performance/AccompanimentCassette and CD. For grades 4-8.
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| John Jacobson Kirby Shaw:
We Haz Jazz! Musical:
Children's Choir: CD
Hal Leonard
Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the...(+)
Jazz is OUR MUSIC...the music of America! From New Orleans to Chi-town from the cotton fields to the Cotton Club you will learn about such jazz greats as Fats Waller Cab Calloway Benny Goodman Billie Holiday and more! The sixoriginal songs and delightfully entertaining script in this 30-minute musical are ideal for elementary/middle school performers and John Jacobson's choreography and staging are included right in the publication. Songs include: WeHaz Jazz! Let's Jam! Work Song I'm Old Enough to Sing the Blues Up the M-I-S-S-I-S-S-I-P-P-I Hobo Swing. Available: Teacher's Manual Singer's Edition (5-Pak) Preview Cassette (full performance) Performance/AccompanimentCassette and CD. For grades 4-8.
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| The New Decade Series:
Songs of the 1990s
Piano, Vocal and Guitar [Sheet music]
Hal Leonard
Par . La nouvelle collection The New Decade Series propose une compilation des m...(+)
Par . La nouvelle collection The New Decade Series propose une compilation des meilleurs tubes pop-rock par décennies musicales arrangés pour Piano, Voix et Guitare. Découvrez les 4 premiers volumes de cette collection contenant environs 80 morceaux chacun : - les années 90 des Spice Girls à Oasis - les années 80 de Madonna à David Bowie - les années 70 d'ABBA à Queen - les années 60 des Beatles à Jimi Hendrix / Date parution : 2022-10-25/ Recueil / Piano/Vocal/Guitare (PVG)
(Seller in french langage)
Pre-shipment lead time: In Stock | | |
| John McCabe: Postcards
For Wind Quintet (Parts):
Wind Ensemble:
Instrumental
Woodwind Quintet: flute, oboe,
bassoon, clarinet, horn [Sheet music]
Novello & Co Ltd.
Postcards was written in 1991 for the Vega Wind Quintet who first performed it ...(+)
Postcards was written in 1991 for the Vega Wind Quintet who first performed it at the Huddersfield Festival in the same year. It is a reworking of a set of eight Bagatelles written in 1965: each movement has been rewritten and enlarged to a greater or lesser extent. The title was chosen to emphasise the nature of the pieces which are in a sense brief postcards from different genres (fugato dance etc). John McCabe (1939-2015) was a British composer pianist and music administrator. He studied at the Royal Manchester College of Music and built a career as a virtuoso pianist. However he also wrote several hundred musical compositions ranging from large-scale orchestral works to chamber music and solo instrumental pieces - it is said the only classical genre he did not write for was opera.
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