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Motet #6 Bwv230 (Cello/Bass)
Cello, String Bass (duet)
Peters
/ Violoncelle Et Contrebasse
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
for 3 Violins Strings and Basso Continuo-Concerto in F major for 3 Violins Str...
(+)
for 3 Violins Strings and Basso Continuo-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Basso (Cello)-Concerto in F major for 3 Violins Strings and Basso continuo TWV ...
(+)
Basso (Cello)-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
7.00 GBP - Sold by Musicroom UK
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Rondo Varié Sur Un Thème De Boieldieu Pour Violoncelle Et Contrebasse
Cello, String Bass (duet)
Zimmermann
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Et Maintenant C'Est A Vous De Jouer Violoncelle And Ctrb (SCELSI GIACINTO)
Cello, String Bass (duet)
[Sheet music]
Salabert
Par SCELSI GIACINTO. / Répertoire / Violoncelle et Contrebasse
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La Stravaganza Op. 4 Vol.I: Concertos I-Vi (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Sheet music]
Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...
(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7). The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel. This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
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La Stravaganza Op. 4 Vol.II: Concertos VII-XII (VIVALDI ANTONIO)
Violon, Cordes et Basse Continue
[Sheet music]
Barenreiter
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antoni...
(+)
12 Concertos For Violin, Strings And Basso Continuo. Par VIVALDI ANTONIO. Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza” were first mentioned as a collection of 'Concerti a 4” in the 1711 Foreword of 'L'Estro Armonico” op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, 'La Stravaganza” is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7). The many reprints of 'La Stravaganza” bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel. This edition of 'La Stravaganza” is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2)./ Répertoire / Violon, Cordes et Basse Continue
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Violin 3 Solo-Concerto in F major for 3 Violins Strings and Basso continuo TWV ...
(+)
Violin 3 Solo-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
6.00 GBP - Sold by Musicroom UK
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Violin-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 T...
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Violin-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Viola-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Ta...
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Viola-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Georg Philipp Telemann: Konzert in F-Dur - Concerto in F major TWV 53:F1: String
3 Violons, Instruments à Cordes et Basse Continue
[Sheet music]
Barenreiter
Violin 1 Solo-Concerto in F major for 3 Violins Strings and Basso continuo TWV ...
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Violin 1 Solo-Concerto in F major for 3 Violins Strings and Basso continuo TWV 53:F1 Tafelmusik IIIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition
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Billy Sheehan: Bass Day 97: Bass Guitar: Recorded Performance
Alfred Publishing
Bass Day ?97 was a historic event organized by the Bass Collective NYC and Bass ...
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Bass Day ?97 was a historic event organized by the Bass Collective NYC and Bass Player magazine. It brought together world-class bassists from all over the globe for an all-day show that included an all-star jam session. Billy Sheehan has rewritten the book on virtuoso rock bass. His groundbreaking style and technique has been an integral part of Talas Mr. Big Niacin and David Lee Roth?s band. On this instructional DVD from Bass Day ?97 Billy intertwines stunning solo performances with answers to audience-selected questions such as about tapping neck bending scalloped frets dual-output basses 4-finger plucking covering several parts at once stringgauges ?playing? the pickups distortion compression and much more. Learn from one of the true legends of bass from this remarkable once-in-a-lifetime event. Special features include DVD-ROM content with the complete video formatted for computer and iPod.
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Take Your Bow: Double Bass: Instrumental Album
Double Bass
[Sheet music + Audio access]
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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Rocky Point Holiday: Concert Band: Score and Parts
Concert band
[Score and Parts]
Boosey and Hawkes
Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 ...
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Symphonic Band (score & parts).1 - Full Score1 - Piccolo3 - Flute 13 - Flute 21 - Oboe 11 - Oboe 21 - English Horn1 - Eb Clarinet4 - Bb Clarinet 14 - Bb Clarinet 24 - Bb Clarinet 32 - Eb Alto Clarinet2 - Bb Bass Clarinet2 - Bassoon 1 & 22 - Eb Alto Saxophone2 - Bb Tenor Saxophone2 - Eb Baritone Saxophone3 - Bb Trumpet 13 - Bb Trumpet 23 - Bb Trumpet 32 - F Horn 1 & 22 - F Horn 3 & 42 - Trombone 12 - Trombone 22 - Trombone 31 - Baritone T.C.2 - Baritone B.C.5 - Tuba1 - String Bass1 - Timpani4 - Percussion 13 - Percussion 21 - Harp1 -Celesta
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The Complete Electric Bass Method : Complete Edition
Bass guitar
[Sheet music + CD]
Alfred Publishing
Anyone interested in learning to play electric bass can pick up this book and ge...
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Anyone interested in learning to play electric bass can pick up this book and get started right away. This well-paced, comprehensive method covers everything from basic to advanced techniques. Beginning concepts include the basics of the instrument, reading music, and building bass lines using scales, modes, and chord progressions. For the intermediate player, it takes you further into using scales, techniques such as slap and pop, string muting, walking bass lines, modes, tetrachords, passing tones, and varying rhythms. The book concludes with ideas designed to guide you into high-level bass playing, such as rhythm changes, tritone substitution, odd time signatures, chord playing, a study of Latin grooves, reggae, ska, and advanced funk bass lines. Whether you are starting to learn the bass or are an advanced player looking to give your playing more nuance, Electric Bass Method Complete is all you will ever need. An MP3 CD demonstrating examples in the book is included. / Guitare Basse
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Lick Library : Phil Williams' Slap Bass In 6 Weeks - Week 4
Bass guitar
Roadrock International
Bienvenue sur Slap Bass en 6 semaines. Ces DVD sont conçus pour vous aider à a...
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Bienvenue sur Slap Bass en 6 semaines. Ces DVD sont conçus pour vous aider à atteindre les habiletés motrices et la technique qui sont nécessaires pour maîtriser ce style de jeu de basse. Contrairement aux frais de scolarité écrite, ce style est parfait pour les DVD que tous les exemples sont visuels et décomposé en morceaux maniables et faciles à suivre.Si vous avez été frustrés ou désorientés par du matériel didactique autre revêtement de ce style, ce cours est pour vous. Elle révèle les concepts cachés derrière l'un des styles les plus passionnants de jeu de basse. Vous serez en mesure de cartographier votre semaine de cours par semaine et se concentrer sur les domaines que vous pensez avoir besoin de travail, à l'aide d'exemples simples et efficaces et les constructeurs technique avec la basse slap bass en cours de 6 semaines.Ce matériel vous est présentée dans un format facile à absorber morceaux. A la fin de ces DVD, vous serez en jouant de la basse slap.SEMAINE 4Bâtiment de roulement string ouvert riffs à la Mark KingConstructeurs Technique utilisant 8 exercices à barresPrésentation des hits de pouce amorties et l'utilisation de la syncope gauche et à droite pour créer des phrases rythmiques.Exercices de travail sur le calendrier et la motricité / Guitare Basse
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Gioachino Rossini: Duetto for cello and double bass: Trombone: Instrumental
Violoncello, Basso continuo
Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...
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It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
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Take Your Bow: String Ensemble: Score
String Quartet: 2 violins, viola, cello
[Sheet music + Audio access]
Trinity College London
Take Your Bow is a collection of 20 concert pieces for beginner string players w...
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Take Your Bow is a collection of 20 concert pieces for beginner string players written by Celia Cobb and Naomi Yandell. Years of string teaching have given them the inspiration to produce pieces which will both delight and engage. Their imaginative writing strengthens rhythmic and stylistic concepts whilst employing a variety of adventurous playing techniques that students will find to be a fun and achievable challenge. Each piece is compatible with any of the other instruments in the series in any combination making it an excellent resource for individual or group teaching. Take Your Bow is available in 4individual editions — for violin viola cello and double bass each with piano accompaniment — and as a separate full score.
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100 Jazz Lessons: Bass Guitar Solo: Instrumental Tutor
Bass guitar
[Sheet music + Audio access]
Hal Leonard
Bass Lesson Goldmine Series-Expand your Bass knowledge with the Bass Lesson Gold...
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Bass Lesson Goldmine Series-Expand your Bass knowledge with the Bass Lesson Goldmine series. Featuring 100 individual modules covering a giant array of topics each of these 100 Jazz Lessons includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremely useful tips scale diagrams chord grids photos and more to reinforce your learning experience plus access to online audio featuring performance demos of all the examples in the book.A huge variety of jazz Bass styles techniques and concepts are covered including: lessons for upright and electric Bass; warm-ups; string crossing; fretting hand independence; handsynchronicity; sound and projection; tenths; jazz waltz; pedal points; interval cycles; beat manipulation; various scales; tritone substitution; using a bow; and much more.
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Audrey Akerman: Tricks to Tunes Book 1 Double Bass: Double Bass: Instrumental
Double Bass
The Tricks To Tunes series is designed for teaching mixed string instruments in ...
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The Tricks To Tunes series is designed for teaching mixed string instruments in groups. It is a systematic program developed over many years from many years experience teaching strings in schools. The tutors are aimed at the primary and lower secondary school age group but are also suitable for older beginners.The children learn ???tricks??? for their fingers or bows which are fun when done in a group. Reading skills are developed at the same time.Each page represents a small step in musical and technical development based on reading music from the very first lessons. Theory homework is included at the end of most sections providing the complete theoryrequired as children progress.The tutors for each instrument are identical in content except where differences are required to accommodate the different instruments.Books 1 and 2 of the series are each intended to cover one year of group tuition based on a school year of 40 weeks. Book 3 provides material for two years. Progress will vary according to the age of the children the size of the group and the extent of their previous musical experience.Additional repertoire at the end of the books provides: extension work for pupils who reach the end of the book before the rest of the group additional work for those who want it and end of year concert pieces. These brilliant tutors make playing music fun as it should be!
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100 Blues Lessons: Bass Guitar Solo: Instrumental Tutor
Bass guitar
[Sheet music + Audio access]
Hal Leonard
Bass Lesson Goldmine Series-Expand your Bass knowledge with the Bass Lesson Gold...
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Bass Lesson Goldmine Series-Expand your Bass knowledge with the Bass Lesson Goldmine series. Featuring 100 individual modules covering a giant array of topics 100 Blues Lessons includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremely useful tips scale diagrams chord grids photos and more to reinforce your learning experience plus access to online audio featuring performance demos of all the examples in the book.A huge variety of blues Bass styles techniques and concepts are covered including: blues scale; 12-bar blues; turnarounds; swing blues; the box shape; the Rhumba; 12/8 slow blues; palm muting;string bending; arpeggios; understanding chord symbols; playing with the kick Drum; Chicago blues; Texas blues; New Orleans blues; double stops; Willie Dixon style; Tommy Shannon style; Jack Bruce style and much more.
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Larry Clark: Compatible Trios for Strings: String Trio: Instrumental Album
String Trio: violin, viola, cello
[Part]
Carl Fischer
32 Trios That Can Be Played by Any Combination of String Instruments-If you're a...
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32 Trios That Can Be Played by Any Combination of String Instruments-If you're a cellist and you have a couple of friends who play another stringed instrument then Compatible Trios for Strings is the book for you! This collection contains 32 trios in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of three string instruments.Trios are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else who plays a string instrument making the combinations of instruments that can be used extensive. Compatible Trios for Strings are perfect for use in school setting whenstudents come in at lunchtime or after school and want to play for fun with their friends. The flexibility of these trios makes them a must-have for any string player.Available for:Violin - CFBF83Viola - CFBF84Cello - CFBF85Double Bass - CFBF86
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Larry Clark: Compatible Trios for Strings: String Trio: Instrumental Album
String Trio: violin, viola, cello
[Part]
Carl Fischer
32 Trios That Can Be Played by Any Combination of String Instruments-If you're a...
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32 Trios That Can Be Played by Any Combination of String Instruments-If you're a violinist and you have a couple of friends who play another stringed instrument then Compatible Trios for Strings is the book for you! This collection contains 32 trios in a variety of styles from classical to folk music to original pieces that will be fun to play with any combination of three string instruments.Trios are a great way to learn how to play in a chamber music setting and this unique collection gives you the opportunity to do it with anyone else who plays a string instrument making the combinations of instruments that can be used extensive. Compatible Trios for Strings are perfect for use in school setting whenstudents come in at lunchtime or after school and want to play for fun with their friends. The flexibility of these trios makes them a must-have for any string player.Available for:Violin - CFBF83Viola - CFBF84Cello - CFBF85Double Bass - CFBF86
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