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| 100 Most Popular Songs for Fingerpicking Guitar Guitar notes and tablatures Hal Leonard
Solo Guitar Arrangements in Standard Notation and Tab. By Various. Guitar Solo...(+)
Solo Guitar Arrangements in
Standard Notation and Tab.
By Various. Guitar Solo.
Fingerstyle, Pop. Softcover.
With guitar tablature.
Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.
(14)$59.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Vocal Book - Volume IV (Low Voice) Low voice [Fake Book] Hal Leonard
(Low Voice). Composed by Various. For Voice. Fake Book. Softcover. 472 pages...(+)
(Low Voice). Composed by
Various. For Voice. Fake
Book. Softcover. 472 pages.
Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Vocal Book - Volume IV High voice, Piano [Fake Book] Hal Leonard
(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. ...(+)
(High Voice). By Various. For Voice, Piano Accompaniment. Fake Book. Softcover. 472 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Zion Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, C...(+)
Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more. SKU: PR.466000470 Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470). UPC: 680160099405. 11 x 17 inches. This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Zion Concert band Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more. SKU: PR.16500092L For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L). UPC: 680160039531. 11 x 17 inches. Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| FIRST 50 SONGS YOU SHOULD
PLAY ON HARP Harp - Easy Hal Leonard
Vous sentez-vous enfin prêt vous procurer un recueil de chansons après avoir s...(+)
Vous sentez-vous enfin prêt vous procurer un recueil de chansons après avoir suivi des cours ? La collection First 50 mène les musiciens en herbe dans la bonne direction. Ces recueils rassemblent des arrangements de chansons incontournables, allant du niveau facile intermédiaire. Chaque arrangement est simplifié tout en capturant l'essence de la mélodie. Maintenant disponible pour une plus large gamme d?instruments, cette collection est un article indispensable en stock pour tout magasin de musique ! All I Ask Of You (from THE PHANTOM OF THE OPERA) All You Need Is Love Amazing Grace (Tune Name: NEW BRITAIN) And So It Goes Ashokan Farewell (Theme from PBS Series THE CIVIL WAR) At Last (from ORCHESTRA WIVES) Beauty And The Beast (from BEAUTY AND THE BEAST) Bring Him Home (from LES MISERABLES) Can You Feel The Love Tonight (from THE LION KING) Can't Help Falling In Love (from the Paramount Picture BLUE HAWAII) Canon In D (featured in ORDINARY PEOPLE) Could I Have This Dance (from URBAN COWBOY) Danny Boy (featured in the Television Series THE DANNY THOMAS SHOW) Fields Of Gold From This Moment On Fur Elise, WoO 59 Greensleeves Hallelujah (featured in the DreamWorks Motion Picture SHREK) Here, There And Everywhere Hymne I Dreamed A Dream (from LES MISERABLES) I Just Called To Say I Love You (from THE WOMAN IN RED) I Will Let It Go (from FROZEN) Lullaby (Cradle Song) Lullabye (Goodnight, My Angel) Memory (from CATS) Morning Has Broken My Heart Will Go On (Love Theme From 'Titanic') (from the Paramount and Twentieth Century Fox Motion Picture TITANIC) Nocturne Ode To Joy (from SYMPHONY NO. 9 IN D MINOR, FOURTH MOVEMENT CHORAL THEME) Open Arms Over The Rainbow (from THE WIZARD OF OZ) River Flows In You The Rose (from the Twentieth Century-Fox Motion Picture Release THE ROSE) Scarborough Fair/Canticle Send In The Clowns (from A LITTLE NIGHT MUSIC) September Song (from the Musical Play KNICKERBOCKER HOLIDAY) Sunshine On My Shoulders Sweet Child O' Mine A Thousand Years (from the Summit Entertainment film THE TWILIGHT SAGA: BREAKING DAWN - PART 1) Time To Say Goodbye Unchained Melody (from the Motion Picture UNCHAINED) Water Is Wide What A Wonderful World (featured in the Motion Picture GOOD MORNING VIETNAM) Wonderful Tonight Yesterday (featured in YESTERDAY) You Light Up My Life (from YOU LIGHT UP MY LIFE) You Raise Me Up You'll Be In My Heart (from TARZAN (R)) / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD
28.99 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Adolphe Charles Adam:
Comrades In Arms: Mixed
Choir: Vocal Score [Sheet music] J. Curwen and Sons
Comrades In Arms has been a staple of the Male Voice Choir repertoire for almost...(+)
Comrades In Arms has been a staple of the Male Voice Choir repertoire for almost 150 years. The lyrics are from an earlier poem by George Linley (1798-1865) set to music by the French composerAdolphe Adam (1803-1856) who is perhaps better known for his operas and ballets. Adam provides all the musical contrast you would expect from an operatic composer: from the quiet tranquil openingrefrain of On the breeze a sound is sounding through a vigorous Allegro section before finishing with a march-style call-and-response Be true and brave and win the fight he keeps the listener entertainedthroughout. This exciting chorus is sure to impress any audience. It has been scored for TTBB and includes a Piano reduction.
4.50 GBP - Sold by Musicroom UK | |
| The Opera America
Songbook Piano, Voice Schott 64.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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