WORKS FOR ORGAN OR KEYBOARD FANTASIAS AND RICERCAR 1. Fantasia Chromatic (Dorian mode) 2. Fantasia (Dorian) 3. Fantasia (G Dorian) 4. Fantasia (G Dorian) 5. Fantasia (A Phrygian) 6. (Hexachord) Fantasia super: Ut, Re, Mi, Fa, Sol, La (F Ionian) 7. Fantasia (F Ionian) 8. Fantasia (Mixolydian) 9. Fantasia (Mixolydian) 10. Ricercar (Aeolian) 11. Fantasia (Aeolian) 12. Fantasia ut sol fa mi (Ionian; 1st version) 13. Fantasia (Ionian; 2nd version) ECHO FANTASIAS 14. Fantasia (Dorian) 15. Fantasia (Ionian) 16. Fantasia (Aeolian) 17. Fantasia (Ionian) 18. Fantasia (Ionian) 19. Fantasia (Ionian) TOCCATAS 20. Toccata (Dorian) 21. Toccata (Aeolian) 22. Toccata (Aeolian) 23. Toccata (Dorian) 24. Toccata (G Dorian) 25. Toccata (G Dorian) 26. Toccata (G Dorian) 27. Toccata (Mixolydian) 28. Toccata (Mixolydian) 29. Toccata (Aeolian) 30. Toccata (Ionian) 31. Toccata (Ionian) 32. Toccata (Ionian) WORKS FOR ORGAN PRELUDE AND CHORALE VARIATIONS 33. (Praeludium; F Ionian) 34. Ach Gott vom Himmel sieh darein: (3 variations) 35. Allein Gott in der Höh sei Her (4 variations by Swelinck, 5 by Andreas Düben, 2 by Petrus Hasse [I], 6 by Gottfried Scheidt) 36. Allein zu dir, Herr Jesu Christ (1 variation) 37. Christe qui lux es et dies (3 variations) 38. Da pacem, Domine, in diebus nostris (4 variations) 39. Dies sind die heilgen zehn Gebot (2 variations) 40. Durch Adams Fall ist ganz verderbt (2 variations) 41. Erbarm dich mein, o Herre Gott (6 variations) 42. Es ist das Heil ulns kommen her (2 variations) 43. Es spricht der Unweisen Mund wohl (1 variation) 44. Herr Christ der einig Gottes Sohn (2 variations) 45. Herzlich lieb hab ich dich, o Herr (4 variations) 46. Ich ruf zu dir, Herr Jesu Christ (4 variations) 47. Nun freut euch, lieben Christen gemein (Was kann uns kommen an, Es ist gewisslich an der Zeit; 3 variations 48. Nun freut euch, lieben Christen gemein (original chorale melody; 3 variations) 49. Nun komm der Heiden Heiland (3 variations) 50. O lux beata trinitas (2 variations) 51. Psalm 116 (J'ayme mon Dieu, car lors que j' ay crie'; 4 variations) 52. Psalm 140 (O Dieu, donne moy delivrance; 4 variations) 53. Puer nobis nascitur (4 variati 54. Vater unser im Himmelreich (4 variations) 55. Wie nach einem Wasserquelle (Ainsi qu' on oit le cerf bruire, Freu dich sehr, o meine Seele; 1 variation) 56. Wir glauben all an einen Gott (4 variations) 57. Wo Gott der Herr nicht bei uns hält (2 variations) WORKS FOR KEYBOARD VARIATIONS ON SECULAR SONGS 58. Est-ce Mars (7 variations) 59. Ich fuhr mich vber Rheine (6 variations) 60. Mein junges Leben hat ein End (6 variations) 61. More palatino (4 variations) 62. Soll es sein (8 variations) 63. Unter der Linden grüne (4 variations) 64. Von der Fortuna werd' ich getrieben (3 variations) VARIATIONS ON DANCE TUNES 65. Balletto del granduca (5 variations) 66. Paduana Lachrimae colorirt 67. Passamezzo (6 variations) 68. Pavana Hispanica (4 variations by Sweelinck, 4 by Samuel Scheidt) 69. Pavana Philippi (2 variations) SUPPLEMENT 70. Capriccio 71. Fantazia op de Fuga van M: Jan Pieters. Fecit Dr. Bull 1621 15 Decemb. (Fantasia on a Fugue of Sweelinck, by John Bull, 1621) 72. Toccata (G Dorian; fragment) 73. Praeludium pedaliter (another version of No. 33)

Schwingt Freudig Euch Empor BWV 36 (final version)Cantata for the First of Advent- Urtext of the New Bach Edition- Performance material (BA10036) vocal score (BA10036-90) and study score (TP1036) available for saleBärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of thechurch year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Introduction and Passacaglia In A Minor is written for solo Organ. It  is dedicated to David Willcocks who at the time of composition was organist at Worcester Cathedral. Craig Seller Lang (1891-1971) was a British composer organist and musical pedagogue who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ’s Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books but he also created prolific volumes of material in both sacred and secular choral genres.

A selection of three hymn tune preludes composed by Francis Jackson and arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Francis Jackson's Festival Toccata arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Francis Jackson's Fifth Sonata arranged for Organ.Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Hilary Tann's Embertides is a four-movement suite for Organ based on the roughly equal divisions of the church year - Advent Lent Whitsun and Michaelmas - which in turn hark back to earlier secular traditions.Throughout there are short references and hints to plainsong and other hymns relevant to the seasons. Drawing on a wide range of colours and textures the composer creates an evocative and varied suite of pieces perfectly suited for both recital and church performance; as such the work will be welcomed by a wide range of players.

Francis Jackson's arrangement to the text Gaudeamus for SATB and Organ. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

Of Noblest Cities is intended for a choir of between 12 and about 40 voices although it may also be given by just six singers one to a part (SSATBB). The piece can be performed unaccompanied if no suitable organ is available simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next.Underlying the melody is a simple rhythm which is sometimes expanded or contracted. In the first verse the position of the main beats in this rhythm is made clear by the barlines. In the remaining verses however the barlines are only there to help the singers to keep together and forconvenience in rehearsal: singers should observe their own strong beats which fall in different places for each part and not regard the barlines as indicating downbeats. A few of the strong beats which underlie individual parts and appear to be contradicted by the barlines are marked by the symbol / .The words are a beautiful Victorian translation of a Latin hymn by Prudentius which meditates on the story of the three wise men. Each verse is set to the same melody in an increasingly rich counterpoint inspired by the wonderful sound of Tudor choral polyphony.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. Jeremy Thurlow is a composer writer and pianist. His music has been described as ‘seductive innovative full of freshness’ by Henri Dutilleux. It has been performed by the BBC Philharmonic the Fitzwilliam String Quartet Rolf Hind the BBC Singers Endymion Carmen Elektra Peter Sheppard Skaerved Matthew Schellhorn and Sequitur (New York) among others. In 2007 he won the George Butterworth Award for new composition. As a musicologist he writes on French music in

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Ubi caritas et amor is a simple, reflective anthem for mixed-voice choir and organ. Brian Easdale was educated at Westminster Abbey Choir School and attended the Royal College of Music, where he won the Foli Scholarship for composition. He wrote his first opera, Rapunzel , when only 17, and went on to composer many other dramatic and orchestral works, including the chamber opera The Sleeping Children. The Missa Coventriensis is one of his larger choral works, composed for the consecration of Coventry Cathedral in 1962. Easdale is perhaps most famous for his film music, including Black Narcissus and The Red Shoes, for which he won an Academy Award for best original music score in 1948. 'Ubi Caritas is the work of a craftsman steeped, naturally, in the musical culture of the inter-war years. It commends itself in its quiet yet muscular and expansive response to the text. With minimal divisi, it is within the capability of a good church choir.' - Howard Layfield, Mastersinger / Choeur SATB Et Orgue

The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom Himmel hoch. The music is based loosely upon the well-known chorale melody which at times is quoted in full in both voices and organ. Except where indicated singers should adopt a legato style especially in the repeated quaver patterns. In the bars which appear to be in compound time conductors should beat in crotchets.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yetaccessible repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music as a singer conductor teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers with whom he recorded and performed worldwide.For eighteen years he directed the Choir of Magdalen College Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons and gave the première of Paul McCartney’s Ecce Cor Meum written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

The text of Susanni is a translation of Martin Luther's hymn of 1535, Vom Himmel hoch . The music is based loosely upon the well-known chorale melody, which, at times, is quoted in full in both voices and organ. Except where indicated, singers should adopt a legato style, especially in the repeated quaver patterns. In the bars which appear to be in compound time, conductors should beat in crotchets. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music - as a singer, conductor, teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge, taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King's Singers, with whom he recorded and performed worldwide. For eighteen years he directed the Choir of Magdalen College, Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons, and gave the première of Paul McCartney's Ecce Cor Meum, written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music. / Choeur SATB Et Orgue

The Complete Wedding Music Planner is a comprehensive guide to selecting and performing the music and choosing readings that will make your wedding day extra special.Planning your wedding is an enjoyable butchallenging task. Just as important as the practical elements is choosing the music and readings that will be at the emotional heart of your big day. Selecting the perfect music in the best arrangements and choosing texts thatcreate exactly the right atmosphere are personal and important decisions where good advice and practical help are absolutely crucial.With sheet music for over 40 pieces of suitable music spanning the classical pop and jazzgenres The Complete Wedding Music Planner offers more than mere advice - it is a complete practical resource for the bride groom musicians and readers. With popular processional music music for signing theregisters as well as popular songs without that religious tinge for couples marrying in a secular ceremony. Coming complete with 3 audio CDs that contain backing and demo tracks as well as sample readings TheComplete Wedding Music Planner has absolutely everything you need to plan and organise the all-important words and music for your wedding. It is perfect for a singer who is looking to perform at weddings as well as thebride- and groom-to-be who need to plan the musical background to each and every section of the ceremony. With space at the back to write which musical choices you ended up making The Complete Wedding Music Plannerwould make a perfect memento for the bride and groom to remind them of the best day of their lives.Containing over 280 pages of music photographs illustrations Bible readings poems sample vows and practicaladvice this is no ordinary collection of wedding-themed sheet music. The Complete Wedding Music Planner is the ideal guide for putting together your wedding your way.