Par SOREY TYSHAWN. Commissioned by violinist Jennifer Koh as part of her Limitless recital project collaborating with composer-performers, Tyshawn Sorey's In Memoriam Muhal Richard Abrams for violin and glockenspiel is itself dedicated to the memory of another composer-performer, the titular pianist and cofounder of the Association for the Advancement of Creative Musicians. The music of Sorey's friend and mentor, in particular Abrams' large-scale piano piece Young at Heart, taught the younger composer to recognize the boundary between improvised and notated music as irrelevant, in certain ways, to the kinds of music Sorey wanted to make. In Memoriam Muhal Richard Abrams, whose complex rhythms unfold slowly over the course of seven minutes, was premiered by Koh and Sorey at Brooklyn's National Sawdust venue in March of 2018. This score (two copies required for performance) is presented in landscape format. / Date parution : 2022-09-07/ Répertoire / Violon et Glockenspiel

Saint-Saëns' Sonata For Oboe And Piano Op.166 is a beautiful work which will provide an enjoyable challenge to the advancing oboist. This edition has been edited by Reiner Zimmermann.The solo oboe part is also included on a separate insert.

c-Moll C minor ut mineur. C.P.E. Bach?s Solfeggio (also commonly known as Solfeggietto) provides a thrilling sprint for the fingers around the keyboard in 60 seconds of pure musical energy. The title, referring to the solfège exercises commonly given to singers, indicates a piece that is designed to develop technique. But the panache with which Bach flies through the scales and arpeggios of this piece make it both a satisfying and highly-effective practice piece as well as a reliable concert showstopper for pianists moving past the first stages of learning. This new Urtext edition has been produced by the internationally renowned C.P.E. Bach expert Wolfram Enßlin and brings together the highest level of musicology with a beautifully prepared and practical edition. Contains a preface and critical commentary in German, English and French. ? New Urtext edition of C.P.E Bach?s famous and popular Solfeggio ? Edited by international C.P.E. Bach scholar Wolfram Enßlin ? Contains Preface and Critical Commentary in German, English and French ? Medium difficulty makes this a perfect study piece for advancing students

Already a staple in flute pedagogy, former New York Philharmonic principal flutist Jeanne Baxtresser's Orchestral Excerpts for Flute becomes even more essential with this edition containing over 50 of the most-requested audition pieces, Including: Stravinsky-Firebird Suite; Tchaikovsky-Symphony #4; Brahms-Symphony #4; Hindemith-Symphonic Lied Von Der Erde; Prokofiev-Peter And The Wolf; Mendelssohn-Midsummer Night's Dream; Rossini-William Tell Overture; R.Strauss-Dance Of The Seven Veils; Bizet-Menuet from L'Arlesienne ; Bach-Orchestral Suite #2; Rimsky-Korsakov-Capriccio Espagnol; Debussy-Prelude a L'apres-Midi d'un Faun and many more. For students at the Medium-Advanced through Advanced levels, this edition is packed with helpful tips and performance notes, additional errata, new and alternate fingerings, suggested tempi for all pieces, plus two updated, professional, principal flute audition lists. As required literature for more and more college courses, this is a must-have flute book for advanced players. Learning to Take a Successful AuditionPlaying in an OrchestraHow to Use This BookAcknowledgmentsAbout Jeanne Baxtresser and Martha RearickNotes for the Pianist2. AUS LIEBE FROM ST. MATTHEW PASSION3. DOMINE DEUS FROM MASS IN B MINOR4. SYMPHONY NO. 35. SYMPHONIE NO. 46. LEONORE NO. 37. ENTR'ACTE FROM CARMEN8. MENUET FROM L'ARLESIENNE9. SYMPHONY NO. 110. SYMPHONY NO. 411. AFTERNOON OF A FAUN12. SYMPHONY NO. 813. MENUET AND DANCE FROM ORPHEUS14. SYMPHONIC METAMORPHOSES15. MIDSUMMER NIGHT's DREAM16. CLASSICAL SYMPHONY17. PETER AND THE WOLF18. BOLERO19. DAPHNIS ET CHLOE20. RUSSIAN EASTER OVERTURE21. CAPRICCIO ESPAGNOL22. WILLIAM TELL OVERTURE23. CARNIVAL OF THE ANIMALS24. SALOME25. PETROUCHKA26. CHANT DU POSSIGNOL27. SYMPHONY NO. 428. CLOSING REMARKS / Flûte traversière / Theodore Presser Company

Successful French composer Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proven by his Boutade for Trumpet and Piano. Gabaye's compositional style has been described as following the French neo-classical tradition such as the music of Poulenc. Boutade exemplifies the composer's light-hearted music. A typical performance of the work lasts about two and a half minutes. For all advanced trumpeters seeking chirpy lively and upbeat repertoire Gabaye's Boutade is ideal.

This brand new edition presents Béla Bartók?s Mikrokosmos a progressive cycle of 153 studies for Piano in a single volume for the first time. Designed to illustrate the musical and technicalprogressions suitable for beginner to advanced players this complete collection is invaluable for every pianist. All six volumes of Mikrokosmos are presented here exactly as the composer intended them.Featuring beginning études through to technical tours de force this unique publication also contains an extensive introduction Bartók's original preface and photography throughout. The initial piecesconsolidate a balanced technique ideal for students working towards Grade 1. The cycle advances through fundamentals such as hand co-ordination musicality aural skills and ensemble-playing taking the pianist to the complexGrade 8 level pieces found towards the end of the collection. Already accomplished players will find a wealth of material to enjoy as sight reading practice and concert pieces making this a versatile collection as well as aninsight into the mind and work of a great composer. Mikrokosmos evolved from the Piano lessons that Bartók gave to his own 9-year old son. Studies were written on the spot for young Peter Bartókto learn by next time. Over time the 153 pieces took form and they are collected here for beginner and advanced pianists to benefit from. Mikrokosmos lets students and teachers explore Bartók?sendlessly imaginative and inventive musical world as they develop their pianistic skills.

The next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series key-centered and supported by scale and arpeggio exercises take the student to that next level ofperformance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such many states include these pieces in their all-state audition lists.

Successful French composer Pierre Gabaye (1930-2000) studied at the Paris Conservatoire where he won the 1956 Prix de Rome. His competence is proved by his Sonatina for Flute and Bassoon. Gabaye's compositional style has been described as following the French neo-classical tradition such as the music of Poulenc. Sonatina for Flute and Bassoon exemplifies the composer's light-hearted music. A typical performance of the duet lasts about 10 minutes and 40 seconds and comprises three movements. For all advanced flautists and bassoonists seeking alternative ensemble performance repertoire Gabaye's Sonatina for Flute and Bassoon is ideal.

The next step for students who have completed the advanced level method for their instrument. The full-page etudes in this series key-centered and supported by scale and arpeggio exercises take the student to that next level ofperformance wherein their accumulated skills allow them to play full-length performance pieces with a high level of musicianship and competence. As such many states include these pieces in their all-state audition lists.

All the tools the beginner novice and intermediate Tin Whistle player needs in order to progress to a high level of competence in Irish music. Includes an 'Orientation to Traditional Irish Music' which puts the music incontext with information on scales and modes dance tune types the historical roots of Whistle playing and advice for learning by ear. The book is full of thorough instruction exercises and musical examples: from holding fingering breathing and blowing up to advanced ornamentation phrasing and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Alsoincludes history and theory of traditional Irish Tin Whistle music. For those who don't read music almost all the exercises and examples appear on the companion audio. Audio download available online.

French composer and conductor Henri Tomasi (1901-1971) published Variations Grégoriennes Sur Un Salve Regina 1964. As with his other wind compositions Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in1921 he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Variations Grégoriennes Sur Un Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters providing an exciting alternative addition to the instrument's repertoire.

A fantastic original work in three movements each with it's own character. This piece is sure to be enjoyed by trumpeters of an advanced standard.

Armenian composer and pianist Alexandre Aroutiounian (1920-2012) was awarded many prizes for his compositions throughout his career. His Aria and Scherzo for Trumpet and Piano is little-known yet it is a sublime addition to the modern repertoire. Aroutiounian's works have been performed all over the world and he is particularly remembered for his Trumpet Concerto. Melodic and rhythmic characteristics of Armenian music are prominent in Aroutiounian's works further expressing his nationality by use of ashughner (folk minstrel) improvisations. Aria and Scherzo is made up of twomovements the Aria marked as adagio and the Scherzo as allegretto. Tonality is exploited throughout and contains unique uses of rhythm and ensemble. Aroutiounian's Aria and Scherzo is an exciting piece for all advanced trumpeters.

After hearing Castèréde's Concertino for Trumpet Trombone String Orchestra Piano and Percussion the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen then Castèréde's Concertino is one for you. Having won prizes in Piano chamber music harmony composition analysis and aesthetics in music whilst studying at Paris Conservatoire it is not surprising that the composer's Concertino is full of musically appealing features. Elements include exquisite use of brasstechnique exploiting tonality and clever accompaniment features in the Piano reduction. From allegro quaver passages to luscious melodies Concertino provides an enjoyable listen and fun piece to learn for all advanced trumpeters and trombonists.