SKU: BA.BA07036
ISBN 9790006484584. 35 x 27 cm inches.
World Premiere (Stuck 1) 20/10/1985, Braunschweig.
SKU: M7.BP-2871
ISBN 9790015287107.
Dieses Klavierquartett ist so gut, das müsste genau wie die Duos, Trios und das Quintett verlegt, und vom Liebhabervolk gespielt werden können. - Kontraste Köln, 5 Sterne Zellner war als Musiklehrer in Wien tätig. Seine Werke waren um 1900 sehr beliebt. Dieses Werk wird das Repertoire fleißiger Amateure, aber auch Berufsmusiker, zweifellos bereichern.
SKU: PE.EP68610
ISBN 9790300760124. 232 x 303mm inches.
SKU: PR.114414120
UPC: 680160594061.
SKU: PR.11441412S
UPC: 680160594085.
SKU: BT.DHP-1115120-070
ISBN 9789043142441. 9x12 inches. English-German-French-Dutch.
The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well.
Carnival of Strings is a delightful collection of dances for beginner string orchestras.De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek.
Carnival of Strings presenteert een leuke verzameling dansmuziek voor beginnende stijkorkesten.Die De Haske String Orchestra Series bietet attraktive, speziell fu r Streichorchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu.
Carnival of Strings präsentiert eine reizvolle Sammlung von Tänzen fu r Anfänger-Streichorchester. Titel wie Coconut Calypso und Waltz Away versprechen Stilvielfalt undSpielspaß! De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano.
Carnival of Strings met en évidence quatre délicieuses danses, dans un charmant arrangement pour Orchestre Cordes.De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano. Con CD.Carnival of Strings propone quattro deliziose danze in un piacevole arrangiamento per quartetto d'archi.
SKU: FG.55011-817-1
ISBN 9790550118171.
Composer, musician Timo Alakotila (b. 1959) is a distinguished, active and versatile talent in the Finnish music scene whose long career working with different genres of music – folk music in particular – has been ground-breaking. Alakotila’s works showcase his versatility: he has produced highly acclaimed classical music compositions and arrangements for Pekka and Jaakko Kuusisto, the Meta4 quartet, the Kamus and Tempera quartets, Eeva Oksala, Dalia Stasevska and Jorma Hynninen, among others.Timo Alakotila's Hope 2021 was commissioned by Kaustinen Chamber Music Week and its artistic director, violinist Kaija Saarikettu. The topic of the work invokes the hope for brighter future after the pandemic. It is scored for string quintet (two violins, viola, cello and double bass) and piano. The middle section, a wistful minuet with folk music features is enveloped with hopeful melody both opening and closing the work.Duration: c. 4'This product includes the full score (=piano part) and the string parts (2 violinis, viola, violoncello, double bass).
SKU: FG.55011-755-6
ISBN 9790550117556.
Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth.Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles.Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts.Duration: c. 25'. Have a look inside by clicking sample.
SKU: GI.WW1676A
UPC: 785147012566. English. Text by Emily Bronte.
This haunting work from Ola Gjeilo for women's chorus from the album Winter Songs will be a be a beautiful addition to your program any time of the year. Can be performed with piano only or with piano and string quartet.
SKU: SU.91770981
Full Score & Set of Parts (Flute, Violin, Viola, Violoncello, Piano)1. My Dream (Anna Vacek) 2. You (Walt Whitman) 3. The New Colossus (Emma Lazarus) 4. City of the World (Walt Whitman) 5. Old Ireland (Walt Whitman)Instrumentation: Mezzo-Soprano, Flute, Violin, Viola, Violoncello & Piano Duration: 15' Composed: 2018 Published by: Subito Music Publishing.
SKU: M7.DOHR-12675
ISBN 9790202026755.
Die beiden Slavischen Skizzen lassen sich in verschiedenen Besetzungsvarianten aufführen: zwei Violinen, Violoncello, Harmonium und Klavier: Originalfassung mit rekonstruierter Violoncellostimme zwei Violinen, Harmonium und Klavier (von Vieweg veröffentlichte Fassung) zwei Violinen, Violoncello und Klavier (die im Harmonium ausgeschriebene Musik findet sich im Wesentlichen auch im Klaviersatz wieder; der Rest wurde dem Violoncello anvertraut und kann zusätzlich vom Klavier verdoppelt werden) Violine, Viola, Violoncello und Klavier (Klavierquartett; die Stimme der zweiten Violine liegt auch im Altschlüssel bei) Ein ausführliches Nachwort in der Partitur informiert über Leben und Schaffen des Komponisten sowie die hier vorgelegten Stücke. Die Partitur dient zugleich als Klavierstimme. Das Stimmenset enthält Streicher- und Harmoniumstimmen und ermöglicht alle genannten Varianten.
SKU: M7.DOHR-12674
ISBN 9790202026748.
SKU: SU.91770980
1. My Dream (Anna Vacek) 2. You (Walt Whitman) 3. The New Colossus (Emma Lazarus) 4. City of the World (Walt Whitman) 5. Old Ireland (Walt Whitman) Instrumentation: Mezzo-Soprano, Flute, Violin, Viola, Violoncello & Piano Duration: 15' Composed: 2018 Published by: Subito Music Publishing.
SKU: CA.1282014
Language: German. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich.
Courage, tolerance and conciliation - this is the message of a sweet and sharp, thrilling love story. Based loosely on Shakespeare and his famous tragedy Romeo and Juliet, a prince, smitten with love, and a courageous baroness bring foreign cultures and two hostile families together in a dramatic happy end. Musically, Konig Keks thrives on contrasts: Whereas the music of Krokantia borrows from the world of operetta, the music of the Chili islands is fiery and rhythmic. On the one hand, a small salon orchestra, and on the other a band produce a diversified sound. An experienced pianst can accompany a performance of the piece alone. Konig Keks offers ample musical as well as scenic performance possibilities for people of all ages. Score and part available separately - see item CA.1282000.
SKU: PR.114405580
UPC: 680160008964.
Concerto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing. Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism. Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.
