30 Famous Pieces for Piano. Par CHOPIN FREDERIC. This collection of 30 well-loved original compositions and arrangements for piano presents a selection of pieces by Frédéric Chopin that will delight any pianist. Besides the ?Raindrop Prelude? and other popular teaching pieces, the book also contains arrangements of the two famous Piano Concertos E minor and F minor, the Krakowiak and many more. All the pieces are at intermediate level, with fingerings and suggested metronome speeds added. The collection appears in modern and user-friendly print format; it is recommended not only for tuition purposes, but for anyone who enjoys playing the piano as a hobby. / Date parution : 2022-02-15/ Recueil / Piano

The Prelude de Profundis is excerpted from two sets of Preludes Howells composed for Organ of which this is the first of the second set. Entirely different in mood from the nervous energy of the Rhapsody Prelude de Profundis expresses the call ‘from the depths’.Herbert Howells is a giant of 20th century Anglican church music the remainder of whose oeuvre is in the process of gaining new appreciation.He left a body of distinguished Organ music of which these two works are fine examples. Howells’s first three rhapsodies for Organ were published together during the years of the first World War. It was not until forty years later that Howells returned to the form until although it shares many structural similarities with the earlier works.

Kids want to have fun learn to play their instrument AND be the STAR! Not surprisingly beginning band parents want those very same things for their kids.Now all your students can be STARS!They will learn to play Popcorn Prelude quickly and easily. Then add a bit of simple ?STAND UP SIT DOWN? staging and VOILA! It?s POPCORN!The kids love it and the parents love it! How can you lose? Popcorn Prelude will be the new standard in first-performance pieces for beginning bands everywhere.EVERY young band must have this one!

Prelude on an Irish Folk Tune (?Prélude sur un air irlandais?) est basée sur l'air traditionnel Slane la version hymnique d?une mélodie irlandaise plus ancienne The Banks of the Bann. La mélodie s?imbrique dans la trame musicale vers la fin de la pièce. Publiée pour la première fois en 1909 dans le recueil Old Irish Folk Music and Songs (?Chants et airs irlandais anciens?) de Patrick Joyce cette mélodie traditionnelle tient son nom d?une colline située à environ 16 kilomètres de Tara dans le comté de Meath. Selon un extrait des Confessions de Saint Patrick le saint irlandais aurait allumé le cierge pascal sur la colline de Slane le Samedisaint de l?an 443. Cet acte de défi provoqua la fureur de Laoghaire un roi païen qui avait promulgué un édit interdisant d?allumer un feu autre que le feu royal sur la colline de Tara. Le feu royal célébrait la coutume païenne du retour du Printemps après l?Hiver du triomphe de la lumière (saison claire) sur la pénombre (saison sombre).Dans Prelude on an Irish Folk Tune des fragments de la mélodie font allusion au canevas futur de la pièce. Un autre thème écrit dans le style traditionnel domine le contexte avant de servir de contrechant lorsque la mélodie Slane se dévoile.

Requiem da Camera was the young composer's first extended work- only the instrumental prelude was performed during Finzi's lifetime. The piano duet arrangement of the Prelude by Finzi's friend and collaborator Howard Ferguson forms part of the manuscript vocal score of the Requiem and is dated 1924. Suitable for intermediate standard players. / 2 Pianos 4 Mains

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.”In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility¦ Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways. The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.” In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Tablatures / 5-String Banjo

Stringpack-FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST is based on the hymn-tune ?St. Anne ? which was used by G.F.Handel in the Chandos anthem ?O Praise the Lord ? and by J.S.Bach in his triple fugue in E-flat ?The St. Anne Fugue.? James Curnow?s FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST captures the thoughts of this magnificent hymn which speaks of our country?s reliance upon God. The unusual 4/4 meter setting with artfully crafted re-harmonizations and lush counterpoint gives each listener cause to reflect on the importance and meaning of this melody to patriotic Americans everywhere.Inspired!

Par BULLA STEPHEN. A beautiful offertory style addition to the Curnow Music Press 'Praise and Adoration Series', SHIPSTON PRELUDE belongs on your stands this year. This endearing traditional English melody, originally collected and harmonized by Ralph Vaughan Williams, is now included in many of today's hymnals. An uplifting performance piece for school or church groups, the skillfully crafted arrangement also makes delightful warm-up material. A String-Pack is available for this publication. Allowing each part of the band to be heard at it's expressive best, SHIPSTON PRELUDE also makes a strong 'middle' piece for the festival program. / Niveau : 3 / Répertoire / Concert Band ou Harmonie

Triumphal Prelude (?Prélude triomphal?) est une œuvre de commande pour célébrer le centenaire de la fondation du très dynamique et polyvalent Orchestre d?Harmonie de Heiden (Musikkapelle Heiden) en Allemagne.L?œuvre s?ouvre avec un feu d?artifice de sons et de fanfares dignes d?un centième anniversaire. Triumphal Prelude est donc idéalement structuré pour débuter un programme de concert. Le développement est pétillant : les cuivres étincelants évoluent sur un fond lumineux et ornementé confié aux bois. Un vent d?enthousiasme souffle sur le public.

Par VAUGHAN WILLIAMS RALPH. In his Prelude ? The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from the Fantasia on Christmas Carols and The Oxford Book of Carols are skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting, Prelude ? The Truth from Above may be performed separately, or as the first of two preludes, preceding Paul?s arrangement of Rhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer

FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST is based on the hymn-tune ?St. Anne ? which was used by G.F.Handel in the Chandos anthem ?O Praise the Lord ? and by J.S.Bach in his triple fugue in E-flat ?The St. Anne Fugue.? James Curnow?s FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST captures the thoughts of this magnificent hymn which speaks of our country?s reliance upon God. The unusual 4/4 meter setting with artfully crafted re-harmonizations and lush counterpoint gives each listener cause to reflect on the importance and meaning of this melody to patriotic Americans everywhere.Inspired!

MusicWorks – Grade 3John Moss displays his depth of musicality and impeccable orchestrational style in this uplifting work composed in two main parts. The opening Prelude uses brief solos and rich sonoritiesto create a sense of anticipation. Revelation is in a faster and determined style and interweaves the percussion section nicely with the full ensemble while developing the main themes. The Prelude then returns for acalm and reflective ending. (5:40)

Prelude and Dance. Par HAKIM NAJI. The edition is the first part of the commissioned work Our Lady’s Minstrel. While Prelude paraphrases the famous chorale Salve Regina in a slow waltz, the gipsy-like cheerful waltz of Dance forms a stark contrast to it. The whole work is completed by Three Poems for soprano and organ (ED 22299). / Niveau : 3 / Répertoire / Clarinette et Piano

Score and Parts-Joan Tower is one of this generation's most dynamic and colourful composers. Her bold and energetic music with its striking imagery and novel structural forms has won large enthusiastic audiences. Growing up in South America she absorbed the wealth of native cultures and discovered a love of performing and composing. This 'Island Prelude' is one of the rare wind quintets where one instrument us a soloist throughout supported by the rest ofthe ensemble - in this case the oboe. The complicated rhythmic nuances give the pieces the improvisatory feeling of a prelude. The varied colours of the instruments join and separate from the oboe throughout the work providingan ever-changing background for its arabesques. The duration is approximately 10 minutes.

Par BACH JOHANN SEBASTIAN. Suitable for the intermediate-advanced level bassist, this book contains 10 pieces by J. S. Bach in arrangements by Josquin Des Pres for the Bass Guitar. Johann Sebastian Bach is recognised as one of the world's greatest musicians. Known primarily as an organist and then only later recognised as a composer, Bach transformed the conventional structures of preludes and fugues. J.S. Bach For Bass will open up a whole new world of phrasing for the aspiring bassist. Selections include: Prelude #1 in C Major, Suite #1 in G Major, Suite #2 in D Minor, Suite #3 in C Major, Partita #1 in B Minor, Partita #2 in D, Partita #3 in E Major, Sonata #1 in G Minor and Sonata #3 in C Major. This book is written in notation and tablature. Includes access to online audio./ Répertoire / Guitare Basse