Lieblings duette. Easy, favourite duets from four centuries for two recorders 36 easy arrangements of favourite compositions from the Renaissance, Baroque, Classical and Romantic periods Available in two volumes for flexible instrumentation: SA or ST, and SB or TB (UE38101) Ideal performance material to be enjoyed by the player and audience alike/ Recueil / 2 Flûtes à Bec (SA/ST)

Anthem with recorders oboe strings ATB soloists and mixed voice choir.Parts included:Recorder IRecorder IIOboeViolin IViolin IIViolaBassKeyboard

Henry Purcell viel-geliebt 'Trompete-Melodie' und 'Ayre' traf für Flotengruppen und Schlagwerk durch Albrecht Rosenstengel bearbeitet.Henry Purcell's much-loved 'Trumpet Tune' and 'Ayre' arranged for Recorder Ensemble and Percussion by Albrecht Rosenstengel.

for Descant Recorder with additional 2nd part. A new selection of traditional dance movements and arrangements for 1-2 recorders is now published in the successful 'Fun and Games with the Recorder' series. It contains the most important dance types and the most famous composers and dancing masters of the Renaissance and Baroque eras - from Praetorius, Handel and Lully to Purcell, Bach and Rameau. Even baroque operas are a must here. The attached CD includes recordings of the arrangements in two versions: with and without recorders./ Recueil / 2 Flûtes à Bec Soprano

These recorder sonatas by Gottfried Finger have been copied from an edition by the London publisher John Walsh. They are pretty pieces very similar in form and invention to the recorder sonatas of Daniel Purcell (cf. ED 3693 and 4732) and from the same period. They are moreover just as charming and just as easy to play.

Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa chaîne YouTube Team Recorder , présente dans ce volume ses morceaux préférés pour flûte à bec soprano (ténor) et piano. Des variations sur The Wellerman aux adaptations romantiques et aux compositions modernes, en passant par l'estampie médiévale, les danses de la Renaissance et les mouvements baroques, 14 ?uvres originales et des arrangements de difficulté moyenne garantissent un pur plaisir de jouer. Avec des pistes audio à écouter et à accompagner ainsi que des vidéos avec des informations et des conseils. Photo de couverture par Claudia Hansen.Anon. (Irish Traditional): Dear Irish BoyAnon. (Sea Shanty from New Zealand): The Wellerman (Variations)Anon. (14th Century): EstampieJacob van Eyck (ca. 1590 ? 1657): Doen Daphne (Variations)John Dowland (1563?1623): The Earl of Essex GaillardHenry Purcell (1659?1695): Rondeau (No. 2 from Abdelazar)Michel Blavet (1700?1768): Sonata seconda, 1st and 3rd movements - George Frideric Handel (1685?1759): Voli per l?aria chi può volareJoseph Bologne, Chevalier de Saint-Georges (1745?1799): Rondo (from: Harpsichord Quartet)Samuel Dushkin (1891?1976) / Maria Theresia von Paradis (1759?1824): SicilienneClara Schumann (1819?1896): Ich stand in dunklen TräumenVittorio Monti (1868?1922) CzárdásBarbara Heller (*1936) Water Lily (from: Musical Flowers)Victor Alcantára (*1975): Invisible Poem (extracts) / Flûte à bec / Schott

Le compositeur anglais Henry Purcell est né en 1659 à Westminster où il fut également inhumé en 1695. Outre une musique instrumentale abondante le célèbre compositeur baroque laisse un large catalogue d?œuvres religieuses et profanes. Ses compositions sont toujours abondamment interprétées aujourd'hui.Westminster Suite s?articule autour de trois pièces bien distinctes de Purcell : Fanfare Festive Anthem extrait de Funeral Music for Queen Mary (Musique funèbre pour la Reine Mary) et pour conclure le brillant Rondeau extrait de Abdelazer Suite (Abdelazer ou la revanche du Maure).

Chacun de ces albums contient des compositions originales ainsi que des arrangements pour flûte à bec alto avec accompagnement de clavecin orgue ou luth qui donnent une impulsion et une motivation nouvelles pour le travail quotidien.1-4 Traditional (France): Tourdion5-8 Traditional (The Netherlands): Prins Robberts Masco9-12 H. Purcell: Ecossaise13-16 H. Purcell: Canarie17-20 R. Carr/M. Zimmermann: Divisions upon an Italian Ground21-24 Traditional (England): Black Nagg

Airs tirés notamment de Indian Queen, King Arthur, Fairy Queen Instrumentation : Flb sopr, piano

1 T. Susato (1500-1561/64): Gagliarda 'La Gamba'2 T. Susato (1500-1561/64): Rondo3 H. Purcell (1659-1695): Air4 E. Ph. Chédeville (1696-1762): Menuet I E. Ph. Chédeville (1696-1762): Menuet II5 G. Ph. Telemann (1681-1767): Pastourelle6 Trad. Ireland: Ballincollig in the morning

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts.

Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

The Fairy Queen (Full Score)-Purcell Society Edition No.12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream. The work may be perfomed with a minimum of five soloists: Soprano I Soprano II Alto or countertenor or Tenor Tenor Bass. The orchestral scoring consists of two recorders two oboes two trumpets timpani strings and continuo. Orchestral parts are available for hire from the publisher. Vocal Score available for sale.