SKU: BT.PMC4191
SKU: FH.VC7
ISBN 978-1-55440-543-5.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Level 7:Il barbiere di Siviglia: Overture - Rossini, GioachinoCarmen: Prelude to act 1 - Bizet, GeorgesCoriolan Overture, op. 62 - Beethoven, Ludwig vanSymphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz JosephRuslan and Ludmilla: Overture - Glinka, MikhailPeer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, EdvardLevel 8:Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, FelixSymphony No. 8, op. 88: I,IV - Dvorak, AntoninThe Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yichSymphony No. 8 (Unfinished), D 759: I,II - Schubert, FranzDie Zauberfloete, K 620: Overture - Mozart, Wolfgang AmadeusSymphony No. 40, K 550: I,IV - Mozart, Wolfgang AmadeusLevel 9:Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig vanSymphony No. 8, op. 93: III - Beethoven, Ludwig vanSerenade for Strings, op. 22: III,IV,V - Dvorak, AntoninPiano Concerto No. 2, op. 83: III - Brahms, JohannesSerenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, FelixSymphony No. 3, op. 90: III,IV - Brahms, JohannesSymphony No. 35 (Haffner), K 385: I,IV - Mozart, WolfgangLe nozze di Figaro, K 492: Overture - Mozart, Wolfgang AmadeusLevel 10:Group 1:Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, EdvardDichter und Bauer: Overture - Suppe, Franz vonMessa da Requiem: III - Verdi, GiuseppeGuillame Tell: Overture - Rossini, GioachinoGroup 2:Symphonie fantastique: II,III,V - Berlioz, HectorSymphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 5, op. 67: I,II,III - Beethoven, Ludwig vanSymphony No. 4, op. 98: I,II,III,IV - Brahms, JohannesSymphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yichSymphony No. 2, op. 73: I,II,IV - Brahms, JohannesAssociate:Group 1:Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, SergeiLa mer: I,II - Debussy, ClaudeThe Bartered Bride: Overture - Smetana, Bed_ichSymphony No. 5, op. 47: I,II,III - Shostakovich, DmitriGroup 2:Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann SebastianDon Juan, op. 20 - Strauss, RichardEin Heldenleben, op. 40 - Strauss, RichardVerklaerte Nach1, op. 4 - Schoenberg, Arnold.
SKU: CA.926880
ISBN 9790007294694. Key: A minor. German.
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background- cross-over between jazz, chanson, and chamber music.
SKU: BR.EOS-1527-30
ISBN 9790004786529. 8.5 x 11.5 inches.
No. 1 in B major 82.2.0.0. 0.0.0.0. str bc(hps) No. 2 in A major 50.2.0.0. 0.0.0.0. str bc(hps) No. 3 in C major 50.2.0.2. 0.0.0.0. str bc(hps) No. 4 in F major 70.2.0.2. 2.0.0.0. str bc(hps) No. 5 in D major 80.2.0.0. 0.2.0.0. timp str bc(hps) No. 6 in F major 70.2.0.0. 0.0.0.0. str bc(hps) No. 7 in B major 92.2.0.0. 0.0.0.0. str bc(hps) No. 8 in D minor 112.2.0.0. 0.0.0.0. str bc(hps)
SKU: CA.7030321
Key: D flat major. Text language: German/French.
Carus 70.301/10, which is part of the material associated with this piece, can be used as the choral score. Gabriel Faure composed the Cantique de Jean Racine in 1865, the prizewinning work for the completion of his musical training. The composer expanded the original scoring for choir and organ by adding a string accompaniment; the version with orchestra was first performed in 1906. As a text Faure chose a French adaptation by Jean Racine of the Latin hymn Consors paterni luminis. The Cantique already displays the characteristics of an expressive choral setting typical for Faure, as well as the finely worked out orchestral accompaniment, and together with the Requiem, composed considerably later, it is among the most popular works of the composer. Score and part available separately - see item CA.7030300.
SKU: XC.HRMG2351B
Parts for Chamber Orch. and Organ and Winds version - Organ + Winds (5 players + Org.): Flute, Oboe, Fr. Horn, 2 - Bb Tpts., and Org. (opt. Timp/Perc) – Organ plays a separate part and replaces the string and harp parts in the score - Chamber Orchestra (13-20 players): Flute, Oboe, French Horn, 2 - Bb Trumpets, Timpani, Percussion (Glock, Sus. Cym., Crash Cym.), Harp and Strings (3.3.3.2.1).
SKU: BR.EOS-8041-15
ISBN 9790004789612. 8.5 x 11.5 inches.
Of the 11 surviving settings of the Mass by Charpentier, the present work, ,Messe de Minuit', ist without doubt one of the most popular. The work belongs to the tradition of the parody-Mass: the composer adapted 10 noels - whose titles are given in the autograph - to the text of the Ordinary. The resulting music is fresh, charming and jubilant.The single extant source is book 66 of the 25th volume of Charpentier's autograph ,Meslanges' which was sold to the Bibliotheque Royale (now Bibliotheque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.(Jean-Paul Montagnier) (Jean-Paul Montagnier) The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung.
SKU: PR.16400286S
UPC: 680160620005.
A special birthday present to his wife became Schickele's String Quintet, premiered in 1998 by the Armadillo String Quartet and Roland Kato (viola). Upon hearing the work, Schickele considered it to be too long, It outstayed its welcome. His solution was to split the original five sections into two separate quintets, adding new material to complete the second set. Today, String Quintet No. 1 consists of the movements Pastorale, Requiem, and Dance Music from the original. Schickele says, Like Einstein, I'm a great believer in the conservation of matter and energy. For advanced performers. (Manuscript).
SKU: KU.GM-990A_SP
ISBN 9790206200939. Latin.
SKU: CA.751003
ISBN 9790007016265. Language: German.
Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.
SKU: CA.926610
ISBN 9790007295578. German.
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Was ist die Welt?A strict Allegro ben ritmato symbolises how inexorable the course of the world is. The choir chants the question about what Welt (the world) actually is. Hectic bustle is expressed through a pulsing basic motif. This is repeated constantly and moves through the parts. A lyrical B flat minor in the central section allows us to float like shadows on the way into a dream.The song text is a collage. The first verse, by the Baroque poet Christian Hoffmann von Hoffmannswaldau, is concerned with the vanitas motif: the world, and everything which seems beautiful to us, is ephemeral. The second and third verses were written in the 18th century by Johann Gottfried Herder. Here, the poet expounds the view that real life does not take place in the world and that people's mathematical abilities are insufficient to measure space and time.
SKU: GI.G-005277
English.
A delicate song of consolation. It draws its refrain text from the Requiem Mass., paired with verses adapted from the book of Wisdom and Psalms 42 and 64. The simplicity and ease of performance of this chorale-like work will make Rest Eternal .an essential part of your repertoire for funerals and memorial services.
SKU: CA.2706013
Text language: Latin.
Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.
SKU: HL.49043930
8.0x11.0 inches.
Includes CD with demo recording.
SKU: HL.50580196
SKU: HF.FH-7043
ISBN 9790203470434. 8.3 x 11.7 inches.
1. Symphonie Nr. 1 (c-Moll), op. 68; 2. Symphonie Nr. 2 (D-Dur), op. 73; 3. Symphonie Nr. 4 (e-Moll), op. 98; 4. Tragische Ouverture (d-Moll), op. 81; 5. Akademische Festouverture (c-Moll), op. 80; 6. Serenade Nr. 1 (D-Dur), op. 11; 7. Klavierkonzert Nr. 1 (d-Moll), op. 15; 8. Klavierkonzert Nr. 2 (B-Dur), op. 83; 9. Konzert fur Violine und Violoncello, op. 102; 10. Violinkonzert (D-Dur), op. 77; 11. Ein deutsches Requiem, op. 45.
SKU: CA.4006412
ISBN 9790007060138. Key: D minor. Language: Latin/English.
The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II. In the years after 1721 he composed an extensive repertoire of Catholic church music together with the Kapellmeister Johann David Heinichen. These works, together with the Dresden operas composed by Johann Adolf Hasse in quick succession from 1731 onwards, established the reputation of the Saxon court as one of the most important musical centers of the late Baroque period. Zelenka composed this psalm setting De profundis in D minor ZWV 97 in 1724 on the death of his father, including a concluding Requiem verse. This was later replaced by the lesser doxology so that the work can be performed in the office of Christmas week. Both endings are included in this new edition. Three trombones, used as an independent instrumental group, give the work a special tonal color. Score and part available separately - see item CA.4006400.
SKU: TM.02951SC
Chs sold separately; Transposed: hn 1+2, cl orig in Bb.
