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| Polish Favorites for Easy Piano Piano solo - Easy Santorella Publications
Polish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
Polish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Latin Favorites for Easy Piano Piano solo - Easy Santorella Publications
Latin Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jona...(+)
Latin Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| German Favorites for Easy Piano Piano solo - Easy Santorella Publications
German Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
German Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Italian Favorites for Easy Piano Piano solo - Easy Santorella Publications
Italian Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jo...(+)
Italian Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications
(1)$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jewish Favorites for Easy Piano Piano solo Santorella Publications
Jewish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jon...(+)
Jewish Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications
$8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Russian Favorites for Easy Piano Piano solo - Easy Santorella Publications | | |
| 1001 Drum Grooves (Drum) Drums Cherry Lane
1001 Drum Grooves. (The Complete Resource For Every Drummer). For drum set. Perc...(+)
1001 Drum Grooves. (The Complete Resource For Every Drummer). For drum set. Percussion. Instructional. Instructional book. Drum notation. 112 pages. Published by Cherry Lane Music
(2)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Hillbilly Fingerstyle
Blues Guitar Guitar notes and tablatures [Sheet music + Audio access] Grossman's Guitar Workshop
Par . The musical appeal of the Blues, as they began to be heard in the early tw...(+)
Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare
28.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Songs II GA/CE vol. 11
(SZYMANOWSKI KAROL) Piano, Voice [Sheet music] PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...(+)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
72.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| JOHN MILLER - HILLBILLY
FINGERSTYLE BLUES GUITAR Guitar notes and tablatures Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...(+)
The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. 1. Hillbilly Fingerstyle Blues Guitar ? An Introduction 2. Learning the Songs 3. Understanding the Tablature 4. The Songs 5. 1) Knoxville Blues?Sam McGee 6. 2) Easy Rider?Sam McGee 7. 3) Railroad Blues?Sam McGee 8. 4) Sally Long?Sam McGee 9. 5) Fuzzy Rag?Riley Puckett 10. 6) Worried Blues?Frank Hutchison 11. 7) Train That Carried The Girl From Town?Frank Hutchison 12. 8) The Miner?s Blues?Frank Hutchison 13. 9) K. C. Whistle?Lester McFarland 14. 10) John Hardy Was A Desperate Little Man?The Carter Family 15. 11) Johnson City Blues?Clarence Greene 16. 12) Brown Skin Blues?Dick Justice 17. 13) Cocaine?Dick Justice 18. 14) She Lied To Me?Emry Arthur 19. 15) Everyday Dirt?David McCarn 20. 16) Take Them For A Ride?David McCarn 21. 17) Jailhouse Rag?David Miller 22. 18) Match Box Blues?Larry Hensley 23. 19) New Chattanooga Mama?Lake Howard 24. 20) Soap Box Blues?Debs Mays 25. 21) Rabbit Blues?Debs Mays 26. 22) Graveyard Blues?Hobart Smith 27. 23) Railroad Bill?Hobart Smith 28. 24) K. C. Moan?Hobart Smith 29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb 30. 26) Riley And Spencer?Fields Ward 31. 27) Raggin? The Wires?E. C. Ball 32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball 33. Appendix?Default Chord Positions 34. ABOUT THE AUTHOR 35. Afterword 36. ACKNOWLEDGEMENTS / Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
22.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
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