Tonalité : A-Moll - Op.: 26 #4 -. Par PFLUGER HANS-GEORG. Gattungen: Kantaten - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Allemand / Date parution : 1973-10-01/ Répertoire / Choeur SATB, Solo S (T) et Orgue

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

Choralkantate. Par REGER MAX. Reger´s cantata for Good Friday, based on the famous Passion hymn by Paul Gerhardt, was composed in 1904 and belongs to a group with 4 further choral cantatas – Reger´s independent and most comprehensive contribution to a key family of protestant church music. The Carus edition of these works is intended to make Reger´s choral cantatas accessible for musical practice and musicological reasearch for the first time in a modern critical edition. In order to encourage the spread of Reger´s choral works in the anglo-saxon countries, a singable English translation has been added./ Répertoire / Solo à (S ou T), Choeur SATB, Hautbois, Violon et

Kantate Zum Fest Mariae Reinigung. Par BACH JOHANN SEBASTIAN. Setting in E minor. A new edition of the version for solo soprano by Bach, which can hold a place alongside the version for bass solo. Bach originally composed the cantata for the Feast of Purification for a solo bass in the key of C minor [CV 31. 082/00]. Since its scoring for only one solo voice made it easily adaptable for performances under different conditions, in the course of its compositional history it underwent many changes. The present version in E minor for solo soprano, which has been reconstructed, in part, by Ulrich Leisinger, enjoyed a great popularity among Bach’s family circle, as can be seen by copies of movements 2 and 3 in Anna Magdalena’s “zweitesNotenbüchlein. ” Both movements – certainly sung by her – are included in the appendix of this edition./ Répertoire / Solo S, Flûte Traversière, 2 Violons, Alto et Bass

Par BELLINI VINCENZO. Stundengebet - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/Anglais/ Répertoire / Solo S, 2 Flûtes Traversières, 2 Hautbois, 2 Clari

Motette. Par HAYDN FRANZ JOSEF. contains: solo aria 'O coelitum beati' [G major]; chorus 'Alleluja' [C major] / Mottet / Répertoire / Solo S (AT), Choeur SATB, 2 Trompettes, 2 Violons,

Tonalité : A-Dur - D 676. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et Violoncelle ou Contreba

Par BELLINI VINCENZO. Verwendung / Anlässe: Stundengebet - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/Anglais/ Répertoire / Solo S, 2 Flûtes Traversières, 2 Hautbois, 2 Clari

Tonalité : F-Dur - D 223. Par SCHUBERT FRANZ. Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Solo S, (2 Clarinettes, 2 Bassons et 2 Cors), 2 Vi

Hwv 237. Par HAENDEL GEORG FRIEDRICH. Gattungen: Kantaten - Verwendung / Anlässe: L Hautbois und Dank, Marienfeste, Marianische Gesänge, Stundengebet - Langue : Latin/ Répertoire / Solo S, Choeur SSATB, 2 Hautbois, 2 Violons, 2 Alt

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. Tonalité : F-Dur - KV 165 (158a)/ Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Par BEETHOVEN LUDWIG VAN. Langue : Allemand/Anglais / Date parution : 1980-01-01/ Répertoire / Choeur SATB, Orgue, Version 2: Solo S et Orgue (Ch

Volgarizzata da Dante. Par VERDI GIUSEPPE. The Ave Maria is suited for performance in a smaller setting. Instead of the Latin text Verdi set the Italian version, which during his lifetime was still ascribed to Dante. The Carus edition makes this work accessible in its original form. / Hymnes et chorals / Répertoire / Solo S, 2 Violons, Alto et 2 Violoncelles