Voici une partition musicale pour Chant/Vocal/Choeur et plus spécialement pour Chants Minés, Saynétes Et Ballets Avec Chant que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est NOS PETITS RATS DE L'OPERA a été composée par le célèbre compositeur Faremont H. C'est l'éditeur Billaudot sous la référence DL3016 qui a les droits pour éditer cette partition. / Chants Minés, Saynétes Et Ballets Avec Chant / Partition

If you seek truly dramatic music look to opera. Opera has been enormously influential on Classical Popular and Film and Television music over the years. James L. Hosay’s new intermediate level piece Operatica incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal festival or just concert use you will find this to be a thrilling addition to your library.

Puccini's 'La Boheme' is based on Henri Murger's novel 'Scènes de la vie de bohème' which draws it's inspiration from the Bohemian lifestyle which was somewhat in vogue in Paris at the time. This Libretto by Giuseppe Giacosa andLuigi Illica runs as follows:Rodolfo?s neighbour in his garret Mimi knocks at the door saying her candle has gone out on the stairs. Rodolfo and Mimi sit in the dark talking and fall for each other. They go to meetRodolfo?s friends. While there Marcello's former lover Musetta arrives with her new husband Alcindoro but distracting him falls into Marcello's arms. Some time later Mimì pours out her distress to Marcello over Rodolfo'sincessant jealousy Rodolfo is actually concerned about Mimi?s poor health and wants to part with her. On realising this the two decide to stay together until spring Marcello and Musetta meanwhile part when she isunfaithful.Some months later Rodolfo Marcello and friends are amusing themselves in the garret when Musetta bursts in saying Mimi is downstairs and has begged to be taken to her lover to die. She dies almost happily recalling their early love.

Par HOSAY JAMES L.. If you seek truly dramatic music, look to opera. Opera has been enormously influential on Classical, Popular, and Film and Television music over the years. James L. Hosay’s new intermediate level piece, Operatica, incorporates the important elements of Opera and Classical music to bring exhilarating drama to the concert band stage. Style and technical considerations make this a rich learning experience for the band. Add in the dimension of music history by studying Opera and Classical music, and you have a wonderful teaching tool! The grand theme explores a multitude of colours as it twists and turns its way through opera-style development and variation. Whether for formal, festival, or just concert use, you will find this to be a thrilling addition to your library. / Niveau : 3 / Pièce de concert / Répertoire / Concert Band

Vocal Score / Softcover-In a letter of 2 January 1851 Verdi suggested for the first time Antonio Garcia Gutierrez play El Trovador as a possible subject for his new Opera: 'It seems to me very beautiful imaginative and full of strong situations'. Once he had settled on the subject the composer immediately began looking for a theater in which to produce the Opera and after protracted negotiations he decided to stage Il Trovatore in Rome. The premiere occurred on 19 January 1853 at the Teatro Apollo and was an enormous success. The appreciation of the new work increased from performance to performance. The third performance was the last the composer was contractuallyobliged to attend: at the end of the evening the audience presented Verdi with two laurel wreaths. Verdi's account of the performances contained in a letter to his friend Clarina Maffei was eloquent: 'They say that this Opera is too sad and that there are too many deaths. But ultimetley in life everything is death! What exists?...' Notwithstanding Verdi's pessimism Il Trovatore circulated rapidly. In fact no other Opera of Verdi except 'Ernani' enjoyed such instant and widespread success.

(Istanbul Symphony). Par SAY FAZIL. Two of the European Cultural Capitals in 2010 - Istanbul and the Ruhr area - were united in the personality of the composer and pianist Fazil Say. He lives in Istanbul and had a five-year residence as exclusive artist at the Konzerthaus Dortmund, the largest city in the Ruhr area. This cooperation culminated in the highlight of a concert, the world premiere of Say’s Istanbul Symphony in which the composer has created a portrait of the city in seven movements capturing everyday situations and the atmosphere, history and people of this great metropolis./ Répertoire / Orchestre et Instruments Turques

Kongen Af Himmeby-Demo/Utopiaville-Demofor Symphony Orchestra (2009). The Utopiaville-Demo is commissioned by Finn Schumacker for The Odense Symphony Orchestra. Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied up in a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focus is on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to me to start making orchestral excerpts from my operas that are meant to be played before the premiere (and after please); I call them 'operatrailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and more appetizer-ish. The Utopiaville-Demo is a fast-and-furious cinemascope 3D THX-demo for my chamber opera 'The King ofUtopiaville' which is sort of a mix between a reversed revolutionary opera (reversed because it's about a revolutionthat flops) and a rhythm'n blues theatre concert. The opera takes place on the remote tropical island of Honga-Tonga where a mayor form Europe is taking a much needed holiday as far away as possible from his home town Utopiaville. The mayor desperately needs to get away:He has overstepped his authority blatantly and broken every rule of law he felt like in order to create a modern liberalistic society where sanitation medicare hospitals schools the police and all other public institutions are sold to private investors and then leased back by the public - that way noone will ever have to pay taxes because everything finances itself the mayor says and in order to keep reality at a safe distance he drinks massive amounts of insanely expensive french claret all in the best interest of the inhabitants of Utopiaville of course.Honga Tonga can't get any further away from Waikiki Beach: It looks something like the 1933 version of

'Fidelio' Ludwig van Beethoven's only opera takes as its subject a theme close to the composer's heart: the defeat of tyranny through man's innate desire for liberty. The libretto was fashioned by Joseph Sonnleithner after Jean Bouilly's Leonore (1798) and revised by Leipzig-born playwright and poet Georg Friedrich Treitschke with Beethoven in 1814. It concerns Leonore's attempts to free her political-prisoner husband Florestan from the prison of the evil Pizarro by disguising herself as a man Fidelio and working in the prison. The music in 'Fidelio' is unassailably great and blazes with Beethoven's steadfast commitment to liberty and humanity.This is the Schirmeredition of the Vocal Score and contains an English translation by Theodore Baker and an essay by H.E. Krehbiel.

Mozart, Wolfgang Amadeus The Magic Flute K. 620 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.

Great songs from the world's top shows including Evita, Cabaret, The Phantom Of The Opera and Fiddler On The Roof. With these sixty-four songs arraged for piano, voice and guitar, you can bring Broadway home!

Par HOSAY JAMES L.. GUARDIANS OF PEACE is dedicated to the United States Atlantic Fleet. From their homeport of Norfolk, Virginia, they are ready and able to deploy to any region of the world at a moment’s notice, to help maintain peace and stability throughout the world. They have a long, proud history of service and dedication, and played a major role in the success of Operations Desert Shield and Desert Storm. The level of dedication and self-sacrifice required by this type of service is the highest in all the military, as individuals must be separated from families and loved ones for long periods of time, while placing their lives and well-being in grave danger. / Niveau : 4 / Répertoire / Concert Band ou Harmonie

Paul Griffiths says 'The piece is full of clever and beautiful things; the early scenes proceed almost in convulsions of orchestral brilliance within a marvellously clear and animated world whose chief references sometimes explicit are to Ravel and Stravinsky. The scene with the pig is deliciously rich in bass gruntings; that with the milkman cat mixes Marx brohters dialogue with a sophisticated recreation of low musical gags'.The Times 6 August 1985