Four pieces by the great composer carefully jarranged by Robert Threlfall for the solo Piano. The pieces are suitable for the accompalished concert Pianist and include movements from the Florida Suite.

Experiencing Music Expressing Culture-Mariachi Music in America: Experiencing Music Expressing Culture is one of the case study volumes in the Global Music Series edited by Bonnie Wade and Patricia Shehan Campbell. This volume describes the social cultural and economic circumstances surrounding mariachi music in the United States. Massive immigrations of Mexicans to the U.S. the power of the international recording industry and the fluid travel of mariachi musicians back and forth between the two countries have maintained a strong base of musical continuity across the political border. This book explains how mariachi music is at once a folk music rooted in over 150 years of tradition a commodity governedby market considerations and a dynamic evolving musical stream of activity shaped and expanded by musical innovation and social meaning. This book offers an understanding of Mariachi music's historical roots its evolving role and nature and its place in contemporary American society. Woven through the text are eyewitness accounts of local performances interviews with key performers and vivid illustrations.

This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.

Partitions (tout instrument) et enregistrements (piano, basse, batterie) de 16 Blues de St. Louis. When The Saints Go Marching In The Darktown Strutter's Ball Royal Garden Blues Alexander's Ragtime Band The Sheik Of Araby St. James Infirmary St. Louis Blues Way Down Yonder In New Orleans Margie Chicago Tiger Rag After You've Gone Indiana Bill Bailey That's A Plenty Limehouse Blues

Beginning with a beautiful modal soliloquy the euphonium soloist establishes the molto espressivo style of the opening section of the composition. This is followed by an exciting scherzo which gives way to a brilliant finale. Nicely done!

Andrea Ramsey Choral Series-The strength of women and the importance of women with power sets the stage for this exciting work by Misty Dupuis. Setting the poem by Alice Moore Dunbar-Nelson one of the first African American women poets the composer establishes strength by layering and building voices and shaping dynamics to build to multiple high points. Finally ending as the music began in the whispered repeating of the heroine Madame Curie.

12 Exciting new pop songs to teach social moral spiritual and cultural learning-This exciting collection of twelve new pop songs is written by Andy Silver who has tried and tested these songs with schools across the country as part of the PopUK project. The songs are written with lyrics which enable schools to teach SMSC PSHE Citizenship and Religious Education as required by Ofsted through music. Covering values including Thankfulness Humility Endurance Compassion Trust Peace Forgiveness Friendship and Justice these catchy songs are suitable for those of all faiths or none and will teach inspire and bring people together. The book includes includes backing tracks and demonstration tracks alongside videos synchronizinglyric display with the music to get everyone Singing Out! with confidence.

This fantastic double disc instructional DVD features Sam Bell walking you through 4 of Paul's best instrumental pieces covering early and later Racer X Get out of my Yard and Silence Followed by a Deafening Roar along with a vocal classic.This course includes Guitar Lessons on how to play the following songs:ScarifiedI Like RockThe Curse Of Castle DragonTechnical DifficultiesNorwegian CowbellFrom terrifying alternate picking string skipping and tapping to melodic arpeggios bending and power chord riffs - this is one of the most extreme instructional products on the market today!There's no denying the popularity of PaulGilbert. One of the finest shredders from the mid 80s!Paul began his career after a spotlight in Mike Varney's column. From there he set the world on fire with his band Racer X before forming Mr Big in the early 90s with Billy Sheehan.As the years went by Paul went down the solo album route though these were more vocal based at first. In 2006 Paul released his first solo instrumental album 'Get out of my Yard'.Get 5 songs from Paul Gilbert's amazing career under your fingers today.

Derivative Work of How Many Nights for Hanuka-Woody Guthrie America's folk troubadour wrote hundreds of lyrics that were never recorded including a set of Hanukkah songs that languished until they were rediscovered and set to music by the renowned band the Klezmatics. Thisplayful cumulative song counts down the eight days and nights of Hanukkah in a dazzling Klezmer polka style that will delight everyone and leave them breathless! With opt. clarinet. Available separately: SATB SAB 2-Part ShowTrax CD. Duration: ca. 2:50.

This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. They've had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentine and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Adios a Cuba (I.Cervantes) - Almendares (I.Cervantes) - Carioca (Ernesto Nazareth) - Coquetona (Danza) (Jose I.Quinton) - Cruz, Perigo!! (Ernesto Nazareth) - El Entreriano (Tango) (A.Rosendo) - El Esquinazo (Tango Criollo) (A.G.Villoldo) - El Panuelo de Pepa (Contradanza) (manuel Saumell) - El Zurdo (Tango) (Juan Maglio) - Esta Chumbado (Ernesto Nazareth) - Garoto (Ernesto Nazareth) - Ilusiones Perdidas (I.Cervantes) - l Chicotazo (Tango No.2) (Vincente Greco) - La Encantadora (I.Cervantes) - La Isabelita (J.Morel Campos) - La Luz Electrica (Tomas Leon) - La Matilde (Contradanza) (Manuel Saumell) - La Paloma (Sebastian Yradier) - La Quejosita (Manuel Saumell) - La Reina de las Flores (Tomas Leon) - Lamentos de Amor (Manuel Saumell) - Laura y Georgina (J.Morel Camppos) - No Me Toques! (J.Morel Campos) - O Que Ha? (Tango) (Ernesto Nazareth) - Por Que, Eh? (Why, Eh?) (I.Cervantes) - Que Le Importa a Usted? (Tomas Leon) - Quien Sabe (Tomas Leon) - Recuerdos de Gottschalk (Contradanza) (Manuel Saumell) - Remando (Tango) (Ernesto Nazareth) - Suipacha (Tango Milonga) (Eduardo Arolas) - Tiene Que Ser (It Must Be) (I.Cervantes) - Trocha (A Cuban Dance) (Wm.H.Tyres) - Tu (Habanera) (E.Sanchez Fuentes) - Vaya Una Pregunta (Tomas Leon) - Vitorioso (Tango) (Ernesto Nazareth) - Vuelta al Hogar (I.Cervantes) - Yo Se Lo Dire a Ustted (Tomas Leon)

Pour les 3 joueurs de Conques rempli d'eau et une conque-joueur à l'aide de respiration circulaire et le bruit de feu / Divers

Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since mysister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78.However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim.The manuscript leavesfew questions. Obviously the pedal sustains the sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like thiselsewhere. A few phrase-marks have been added on existing patterns.' - Peter Dickinson

This work is dedicated to John Fletcher who gave the first performance on 24 April 1976. The concerto is in three movements the first in sonata-form shell with two contrasting themes. There is a reference made in the development section to the opening theme of Vaughan Williams Tuba Concerto. Set as part of the ABRSM Tuba Syllabus.

Truly a sermon in song this intense text admonishes us to consider the outcast and marginalized in our society and see them through the eyes of Christ. There is deep healing and grace in every phrase as this gentle ballad builds to a chorus that well articulates the strong emotions of the lyric. A perfect mingling of ministry and artistry! Score and Parts (rhy dm vn 1-2 va vc db timp perc) available as a digital download.

To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.