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Cello Suite No. 3, BWV 1009: I. Prelude
Cello Suite No. 3, BWV 1009: I. Prelude
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2 Cellos (duet)
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Johann Sebastian Bach
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Justin M. Ryan
Cello Suite No. 3, BWV 1009: 4. Sarabande
Cello Suite No. 3, BWV 1009: 4. Sarabande
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2 Cellos (duet)
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Johann Sebastian Bach
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Justin M
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Justin M. Ryan
Cello Suite No. 4, BWV 1010: 3. Courante
Cello Suite No. 4, BWV 1010: 3. Courante
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2 Cellos (duet)
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Johann Sebastian Bach
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Suites Pour Violoncelle Seul Vol.1:Suite N01/Suite N02-Presentation Strophique
Français
Cello
Leduc, Alphonse
La partition Suites Pour Violoncelle Seul Vol.1:Suite N01/Suite N02-Presentation...
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La partition Suites Pour Violoncelle Seul Vol.1:Suite N01/Suite N02-Presentation Strophique a été composée pour Violoncelle. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Violoncelle / Partition
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Claude Debussy: Suite Bergamasque: Piano: Instrumental Work
Keyboard
[Sheet music]
G. Henle
The Suite Bergamasque is one of the most famous Piano suites by Claude Debussy. ...
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The Suite Bergamasque is one of the most famous Piano suites by Claude Debussy. Debussy wrote the first version of it in 1890 but the final version wasn?t finished or published until 1905.The suite recalls rococo decorousness with a modern cynicism and puzzlement and contains one of Debussy's most popular pieces Clair de Lune (ca. 6.40 minutes). The other three movements are: Prelude(ca. 6 minutes) Menuet (ca. 5.15 minutes) and Passepied (ca. 5.30 minutes).Every movement in the suite reflects Debussy?s non-traditional ?impressionist? style largely influenced by symbolism.According to the traditional belief Suite Bergamasque is a basic reflection of end of the century French symbolist poet Paul Verlaine?s Fêtes galantes (Gallant parties).This Urtext edition takes theoriginal edition as its basis and the comments at the end of it provide detailed information on the sources and alternative readings. A preface by François Lesure is also included.Just as most other Piano works ofDebussy Suite Bergamasque is a challenging but rewarding piece. Movements may be played separately or together.
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Hanseatic Suite (DE HAAN JACOB)
Clarinet Ensemble
[Score and Parts]
De Haske Publications
Par DE HAAN JACOB. La Hanseatic Suite (suite hanséatique) a été composée à ...
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Par DE HAAN JACOB. La Hanseatic Suite (suite hanséatique) a été composée à !\'occasion des jours hanséatiques qui ont eu lieu en 1990 à Deventer et à Zutphen. Les villes hanséatiques médiévales sur la rivière l\'IJssel sant centrales dans cette suite en quatre parties. La première partie est une image imposante de la ville de Deventer, qui est également le domicile du compositeur. Ensuite, la petite ville de Doesburg est présentée d\'une manière vive et pleine de fantaisie dans une danse rapide en une mesure à trois temps. Dans la troisième partie, la ville de Kampen est centrale sous forme d\'une danse solennelle de la cour, la pavane. La suite se termine par un reflet triomphant de la ville de Zutphen. A nice challenge for clarinet ensemble, fun to play and practice together. Un beau défi pour ensemble de clarinettes, amusant à jouer et à pratiquer ensemble. / Date parution : 2022-07-23/ Répertoire / Ensemble de Clarinettes
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Grieg E. - Peer Gynt Suite, Holdberg Suite Et Autres Pieces - Piano
Piano solo
Dover Publications
Treasury of piano music by great Norwegian composer, including the perennial fav...
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Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content : Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel) I. Allegro con leggerezza II. Non Allegro e molto espressivo III. Mazurka IV. Allegretto con moto Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen) I. Allegro, ma non troppo II. Allegro cantabile III. Con moto IV. Andante con sentimento V. Allegro moderato VI Allegro scherzando Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak) I. Tempo di Valse II. Tempo di Menuetto ed energico III. Allegretto con grazia IV. Allegro alla burla Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade) Allegro moderato Andante molto Alla Menuetto, ma pocco più lento Finale Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert) Allegro molto moderato Adagio Allegro moderato e molto marcato Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen) I. Allegro con moto II. Allegretto espressivo III. Vivace IV. Andantino serioso Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg; arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2) I. Heart's Wounds [Herzwunden] II. Last Spring [Letzter Frühling] From Holberg's Time [Fra Holbergs tid; Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen) I. Praeludium II. Sarabande III. Gavotte IV. Air V. Rigaudon Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41 I. Lullaby [Wiegenlied] II. Little Haakon [Klein Haakon] III. I Love Thee [Ich liebe dich] IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss] V. The Princess [Die Prinzessin] VI. To Springtime [An den Lenz] Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work) I. Morning Mood [Morgenstimmung] II. Åse's Death [Åses Tod] III. Anitra's Dance [Anitras Tanz] IV. In the Hall of the Mountain King [In der Halle des Bergkönigs] Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52 I. A Mother's Grief [Mutterschmerz] II. The First Meeting [Erstes Begegnen] III. The Poet's Heart [Des Dichters Herz] IV. Solvejg's Song [Solvejgs Lied] V. Love [Liebe] VI. The Old Mother [Die alte Mutter] Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda; arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no I. Norwegian [Norwegisch] II. The First Meeting [Erstes Begegnen] Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work) I. Ingrid's Lament [Ingrids Klage] II. Arabian Dance [Arabischer Tanz] III. Peer Gynt's Return Home [Peer Gynts Heimkehr] IV. Solvejg's Song [Solvejgs Lied] Moods [Stimmungen], Op. 73 I. Resignation II. Scherzo-Impromptu III. Night Ride [Natligtridt] IV. Folksong [Folketone] V. Study [Studie] (Hommage à Chopin) VI. Students' Serenade [Studenternes serenade] VII. The Mountaineer's Song [Lual?t] Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp. Three Piano Pieces [Drei Klavierstückel], WoOp. I. White Clouds [Hvide skyer] II. Gnomes' Tune [Tusselsl?t] III. The Dance Goes On [Dansen går]
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2ème Livre De Pièces Pour La Flûte Traversière Avec La Basse Continue
Piano solo
Anne Fuzeau Productions
Editeur : Paris, l'Auteur, Foucault, 1710Deux livres de très belles suites pour...
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Editeur : Paris, l'Auteur, Foucault, 1710Deux livres de très belles suites pour la flûte, sans grande difficulté, mais d'une sensibilité très délicate. - Présentation de : Philippe Lescat : Biographie de Michel De La BarreJean Saint-Arroman : l'agrémentation de Michel De La Barre - / Musique De Chambre, Flûte Et Basse Continue / 72 pages / niveau : 1 / Fac-Similés - Format: 16.5 X 24
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Johann Sebastian Bach: J.S. Bach Transcriptions For Organ: Organ: Instrumental
Organ
Oxford University Press
This collection presents a varied repertoire by J. S. Bach arranged for the Org...
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This collection presents a varied repertoire by J. S. Bach arranged for the Organ by Martin Setchell.Bringing a wealth of popular pieces under the fingers and feet of intermediate players this volume caters for all parts of the church service as well as providing recital repertoire and popular encores.Taking its cue from the Baroque practice of transcription and with the needs of modern players in mind Bach Transcriptions For Organ presents a set of pieces with wide and varied use and makes a valuable addition to any organist's repertoire.This volume includes:A selection of varied repertoire by J.S. Bach in new arrangements for the Organ.16 pieces from a cross-section of the master's instrumental and Choral works.Practical new transcriptions by a leading concert organist suited to most Organs.Music suitable for all parts of a church service - preludes postludes and communion pieces - as well as recital repertoire and popular encores.A host of well-known favourites including the Badinerie from Orchestral Suite No. 2 the slow movement of the Double Violin Concerto and the Pastoral Symphony from the Christmas Oratorio as well as less familiar works.
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Jakob Fester: Vandre Suiten - Piano Solo: Piano: Instrumental Work
Piano solo
-
Easy
Wilhelm Hansen
Vandre - Suiten is a Piano solo expertly composed by Jakob Fester. The title tr...
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Vandre - Suiten is a Piano solo expertly composed by Jakob Fester. The title translates in English to Hiking Suite.
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Henry Purcell: Keyboard Works: Piano: Instrumental Album
Piano solo
-
Intermediate/advanced
Dover Publications
Near-complete collection of this great English composerâ??s keyboard compositio...
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Near-complete collection of this great English composerâ??s keyboard compositions including the eight suites the core of his keyboard works. Also included are many miscellaneous one-movement pieces: airs trumpet tunes (for harpsichord solo) grounds preludes dances etc. Edited with a preface by noted music scholar William Barclay Squire.
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6 Suites For Violoncello Solo Bwv 1007-1012
Cello
Barenreiter
Urtext edition with articulation markings - Soft-cover performing editionWhen yo...
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Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle
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Johann Sebastian Bach: Six Suites For Violoncello Solo: Cello: Instrumental
Cello
Barenreiter
Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing ...
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Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical
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Georges Bizet: Arlesienne Suite 2: Orchestra: Miniature Score
Orchestra
Eulenburg
The première of Daudet's play L'Arlésienne with incidental music by Bizet g...
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The première of Daudet's play L'Arlésienne with incidental music by Bizet given at the Théâtre du Vaudeville on 30 September 1872 was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber however was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion for the première of the first Arlésienne suitetook place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet however did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.
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Artur Schnabel: Eine Tanzsuite (Dance Suite): Piano: Instrumental Album
Piano solo
Peermusic Classical
Eine Tanzsuite (Dance Suite)
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Suites anglaises BWV 806-811 (BACH JOHANN SEBASTIAN)
Piano solo
[Sheet music]
G. Henle
Par BACH JOHANN SEBASTIAN. L?appellation de «Suites anglaises», ? tout comme c...
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Par BACH JOHANN SEBASTIAN. L?appellation de «Suites anglaises», ? tout comme celle des «Suites françaises» ? n?est pas de Bach. Contrairement aux six Suites «françaises», et à leur caractère intime, les Suites «anglaises» relèvent d?une identité sonore plus grandiose: chaque suite s?ouvre sur un prélude dans le style concertant; deux des sarabandes sont augmentées chacune d?une version ornementée par Bach lui-même, illustrant l?idéal de virtuosité et de somptuosité qui animait sa conception stylistique du clavecin. Même si nous ne connaissons aucune source autographe, le texte musical a été transmis par l?intermédiaire de plusieurs copies de l?époque particulièrement bonnes et fiables. Dans l?édition Urtext révisée, des variantes authentiques, portant essentiellement sur l?ornementation, ont fait l?objet d?un travail exemplaire de documentation effectué par Ullrich Scheideler, et sont directement accessibles à l?interprète dans le texte musical lui-même. Cette nouvelle édition accueille à son bord une nouvelle spécialiste de Bach en la personne d?Ekaterina Derzhavina, dont les doigtés très réfléchis guident l?interprète avec sécurité dans le cosmos musical de ces Suites «anglaises» de Bach. / Date parution : 2023-03-11/ Recueil / Piano
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Suites anglaises BWV 806-811 (BACH JOHANN SEBASTIAN)
Piano solo
G. Henle
Par BACH JOHANN SEBASTIAN. L?appellation de «Suites anglaises», ? tout comme c...
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Par BACH JOHANN SEBASTIAN. L?appellation de «Suites anglaises», ? tout comme celle des «Suites françaises» ? n?est pas de Bach. Contrairement aux six Suites «françaises», et à leur caractère intime, les Suites «anglaises» relèvent d?une identité sonore plus grandiose: chaque suite s?ouvre sur un prélude dans le style concertant; deux des sarabandes sont augmentées chacune d?une version ornementée par Bach lui-même, illustrant l?idéal de virtuosité et de somptuosité qui animait sa conception stylistique du clavecin. Même si nous ne connaissons aucune source autographe, le texte musical a été transmis par l?intermédiaire de plusieurs copies de l?époque particulièrement bonnes et fiables. Dans l?édition Urtext révisée, des variantes authentiques, portant essentiellement sur l?ornementation, ont fait l?objet d?un travail exemplaire de documentation effectué par Ullrich Scheideler, et sont directement accessibles à l?interprète dans le texte musical lui-même. Cette nouvelle édition accueille à son bord une nouvelle spécialiste de Bach en la personne d?Ekaterina Derzhavina, dont les doigtés très réfléchis guident l?interprète avec sécurité dans le cosmos musical de ces Suites «anglaises» de Bach. / Date parution : 2023-03-11/ Recueil / Piano
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Danican-philidor Anne - 6 Suites Vol.1 - Suites 1-3
Descant (Soprano) Recorder, Basso continuo
Amadeus Verlag
6 Suites - Volume I: Suites 1 - 3 DANICAN-PHILIDOR, Anne (1681-1728) for trebl...
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6 Suites - Volume I: Suites 1 - 3 DANICAN-PHILIDOR, Anne (1681-1728) for treble recorder and bc. Die Suiten enthalten in lockerer Gruppierung Tänze und tanzähnliche Sätze in der im Frankreich des 18. Jahrhunderts sehr beliebten Rondeau-Form. Didaktisch von hohem Anspruch.
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Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
3 Flûtes à Bec SAB/STB
Universal Edition
Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach...
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Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB
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Brian Kelly: Suite Parisienne Brass Quintet: Brass Ensemble: Parts
Brass Quintet: 2 trumpets, horn, trombone, tuba
[Sheet music]
Novello & Co Ltd.
Contemporary British composer Brian Kelly has composed a series of place-inspire...
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Contemporary British composer Brian Kelly has composed a series of place-inspired suites including the Cuban Suite and the New Orleans Suite. The Suite Parisienneâ??s four movements suggest the Paris of years gone by Quartier Latin Promenade Memoire Moulin Rouge in music that shows a deep understanding of brass instruments and a lively sophisticated setting of melodies that are almost but not quite French tunes. The solistic opportunities for each instrument are generously shared and the three livelier movements make a brilliant frame for the longing tone of the Memoire movement.
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Peer Gynt Suite (GRIEG EDVARD)
Violon, Violoncelle, Alto et Contrebasse
[Sheet music]
Faber Music Limited
Par GRIEG EDVARD. This stringset Suite from Peer Gynt contains a score and 16 pa...
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Par GRIEG EDVARD. This stringset Suite from Peer Gynt contains a score and 16 parts. It is appropriate for an intermediate level player and explores a varied programme of 4 movements. Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876. Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. / Ensemble Music / Répertoire / Violon, Violoncelle, Alto et Contrebasse
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SCHUEHMACHER G. / BACH J.S. - SUITES POUR VIOLONCELLE (PRESQUE) SEUL VOL.1
Chanteloup-musique
Johann Sebastian Bach : Suites pour violoncelle (presque) seul, première suite,...
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Johann Sebastian Bach : Suites pour violoncelle (presque) seul, première suite, réalisation pour 2 à 8 violoncelles par Gilles Schuehmacher.Première suite pour violoncelle arrangée pour ensembles de deux à huit violoncelles par Gilles Schuehmacher. Partition vendue avec les parties séparées. / Violoncelle / Chanteloup-musique
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Praxipode - Ensemble De Trois Suites Pour Le Travail Du Pédalier
Français
Organ
Delatour France
Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt p...
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Ecrit en 01/01/14 et 01/01/15, Praxipode est constitué d'un ensemble de vingt pièces regroupées en trois suites distinctes, Elles ont été écrites dans le but d'aider les organistes à user du pédalier de manière progressive, Le recueil fait suite à Dactylopraxie, destiné au manuel seul, et en adopte exactement la même structure, Si les différentes pièces qui composent chaque suite peuvent être isolées ou regroupées selon les envies des interprètes, elles sont néanmoins reliées entre elles par un propos identique qui en assure la cohérence et apparente les trois ensembles au genre des Partitas, This collection of concise works by Christophe Marchand is an excellent introduction for beginning organ students to develop a good, solid pedal technique and independence for the performance of 21st century music, I highly recommend this superb collection without any reservations,James David Christie Ce nouveau recueil de Christophe Marchand est une musique charmante et inspirante qui prépare à l'écoute de la musique d'aujourd'hui,Bernhard Haas Praxipode est à la fois original, bien construit, et surtout très adapté à l'évolution des jeunes organistes grâce à l'acquisition de réflexes bien ciblés, le tout sous un aspect ludique qui, j'imagine, doit facilement séduire les plus jeunes, Bref, une réussite !Olivier Latry Christophe Marchand réconcilie travail et jeu, ce qui n'est pas un mince défi ! Une oeuvre à mettre entre toutes les mains, et tous les pieds oserait-on dire,Aude Heurtematte et Christophe Mantoux / Orgue
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SCHUEHMACHER G. / BACH J.S. - SUITES POUR VIOLONCELLE (PRESQUE) SEUL VOL.3
Chanteloup-musique
Johann Sebastian Bach : Suites pour violoncelle (presque) seul, troisième suite...
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Johann Sebastian Bach : Suites pour violoncelle (presque) seul, troisième suite, réalisation pour 2 violoncelles et ensemble de violoncelles par Gilles Schuehmacher.Deuxième suite pour violoncelle arrangée deux violoncelles et ensemble de violoncelles par Gilles Schuehmacher. Vendu avec les parties séparées. / Violoncelle / Chanteloup-musique
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Georges Bizet: L'Arlesienne Suites Nos. 1 And 2: Orchestra: Score
Orchestra
Dover Publications
L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental ...
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L'Arlésienne Suites Nos. 1 and 2 consist of selections from Bizet's incidental music. For Suite No. 1 Bizet chose four sections from the original score of 27 episodes extensively modifying and rescoring the music in the process. The pieces for Suite No. 2 were selected and reorchestrated by Bizet's close friend Ernest Guiraud following the composer's death in 1875. Reproduced here from the authoritative Breitkopf & Härtel editions they will delight musicians and music lovers. Reprinted from the Breitkopf & Härtel Wiesbaden Germany n.d. editions.
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SCHUEHMACHER G. / BACH J.S. - SUITES POUR VIOLONCELLE (PRESQUE) SEUL VOL.2
Chanteloup-musique
Johann Sebastian Bach : Suites pour violoncelle (presque) seul, deuxième suite,...
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Johann Sebastian Bach : Suites pour violoncelle (presque) seul, deuxième suite, réalisation pour 2 à 3 violoncelles par Gilles Schuehmacher.Deuxième suite pour violoncelle arrangée pour ensembles de deux ou trois violoncelles par Gilles Schuehmacher. / Violoncelle / Chanteloup-musique
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Johann Sebastian Bach: 6 Suites Vol.1 No.1-3: Treble Recorder: Instrumental
Treble (Alto) Recorder
Leduc, Alphonse
Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by ...
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Six Suites - Vol. 1 for Alto Recorder is the first volume of a series of two by J. S. Bach. Initially composed for Cello between 1717 and 1723 it was transcribed by Jean-Claude Veilhan and features the Suites I II and III. The transcription keeps the original key and only some passages have to be played one octave higher than in the original sheet. The first suite BWV 1007 is in G major and contains a Prelude an Allemande a Courante a Sarabande two Minuets and a Guigue. Its Prelude is the most famous movement of the whole set of Suites consisting mainly of only arpeggiated chords. It can be heard in manyfilms and is highly recognisable. The second one BWV1008 is in D minor and held the same movements' organisation. Its prelude in two parts features a cadenza which leads to other cadenzas in the Allemande. The Minuet part is quite technical to play. Finally the third one BWV 1009 in C major sees the Minuets being replaced by Bourrées which are often played together as a solo material. The second Bourrée only has a partial signature and the Allemande has a rhythm quite unique for the piece as it includes three semiquavers instead of one. These suites also exist arranged for Piano for Trombone and for many other instruments.
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Johann Sebastian Bach: The Six English Suites BWV 806-811: Harpsichord or Piano:
Piano solo
[Sheet music]
Barenreiter
Bach composed these suites early in life before any of the other suite sets su...
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Bach composed these suites early in life before any of the other suite sets such as the French suites. They portray a young Bach bursting with energy dexterity and ideas and rapt enthusiasm for the newest styles of the day - the Italian concertos of Vivaldi and the French harpsichord suites of D'Anglebert Daquin and Couperin. Melding these powerful forms with the already Italianate German fantasy or toccata Bach produced some of the world's first true virtuoso keyboard masterpieces. Little wonder that his contemporaries were dazzled. This Urtext edition edited by Alfred Durr provides you with a clear and accurate realisation of Bach's exciting English suites.
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Hilary Tann: Embertides: Suite for Organ: Organ: Instrumental Album
Organ
Oxford University Press
Hilary Tann's Embertides is a four-movement suite for Organ based on the roughly...
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Hilary Tann's Embertides is a four-movement suite for Organ based on the roughly equal divisions of the church year - Advent Lent Whitsun and Michaelmas - which in turn hark back to earlier secular traditions.Throughout there are short references and hints to plainsong and other hymns relevant to the seasons. Drawing on a wide range of colours and textures the composer creates an evocative and varied suite of pieces perfectly suited for both recital and church performance; as such the work will be welcomed by a wide range of players.
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