SKU: WD.080689518171
UPC: 080689518171.
“Train up a child in the way he should go, and when he is old, he will not depart from it.†Proverbs 22:6 (KJV) This familiar scripture, taken from Proverbs, is an easy segue into the concept behind Psalms & Psongs, from Christy and Daniel Semsen. One of the most powerful things we can do for our kids is to be sure they are grounded in a strong scriptural foundation. Teaching our kids God’s Word – in this case, the Psalms – is so important to how we apply that wise, scriptural directive to “train up a child.â€Make it FUN—one of the most important ways to get kids excited about learning scripture is to make it fun…and make it easy! A great way to do that is by creating new, modern songs inspired by the Book of Psalms that kids will be eager to sing! Christy and Daniel Semsen have created a wildly-fun, musically-engaging project that brings the Psalms to life in a fresh, new way for young worshippers. Perfect for Kids Choir, Children’s Church and Children’s Worship services, you can also use it as a tremendous teaching tool to help your kids connect with the scriptures and learn some of the wonderful words and Biblical concepts found in the Psalms. With the downloadable Bible lessons and activity book this will become one of the most valuable kids ministry tools to come your way in a long time. Available with a brilliant, super-fun, high-energy DVD accompaniment that can be used as a performance track for Kids Choir concerts or use as a sing-along tool in your next kids’ service, you’ll be sure to love this fast-paced, musically-innovative project from creators Christy and Daniel Semsen and your friends at WordKidz!
SKU: HL.14009206
ISBN 9781844494804. 9.0x12.0x0.215 inches. English. Lyrics by Nick Toczek.
Dragons! is a dramatic and comical musical for Key Stages 2 and 3, by poet Nick Toczek and acclaimed composer Malcolm Singer. Fergus is different from all the other kids - he is turning into a Dragon! He and his imaginary friends are taken through their paces at the School For Dragons, where they are taught to speak Dragonese and how to become hard as nails! Soon he discovers that he's not the only person he knows who is a dragon, and that in fact these firey fiends are everywhere! Dragons contains nine original, varied and challenging songs and includes optional solos and instrumentals. The play has a super rhyming story, and the songs are also suitable as a song-cycle for young choirs. The matching CD contains a complete performance of all the songs, plus imaginative backing tracks to sing along to. Pupil's Book: Catalogue number GA11638. Script available in student book.
SKU: WD.080689576171
UPC: 080689576171.
Perfect for Kids Choir, Children’s Church, Children’s worship services, VBS, and Wednesday night services, PSALMS & PSONGS VOLUME 2 created by Christy and Daniel Semsen, is a fun-filled teaching tool to help your kids connect with the scriptures through high energy, Biblically accurate, easy-to-learn songs that teach Biblical truths. In addition to the 10 new “psongs,†you can also find supplementary Bible lessons and activities to enhance the impact of PSALMS & PSONGS VOLUME 2 on your children’s ministry. Available with a brilliant, super-fun, high-energy DVD that you can use as both a performance track for Kids Choir performances or as a fast-paced sing-along tool in your next kids service. Either way, you’ll be sure to love this fun and foundational music and teaching resource from your friends at WORDKidz!
SKU: WD.080689625176
UPC: 080689625176.
As a follow-up to the Semsens’ Songs from Letters in Red, this new collection will bring even more scripture to life for the kids in your ministry! Anchored by a super-fresh, contemporary version of the heartwarming hymn Standing on the Promises as the title song, this new project includes 10 dynamic songs, each based on a Biblical promise of God. Created by the multi-Dove-award nominated team of Christy and Daniel Semsen, this collection of kid-friendly arrangements offers fun-to-sing, easy-to-learn, Bible-inspired songs designed to teach kids about the faithful, everlasting promises of God. STANDING ON THE PROMISES is a resource you won’t want to miss, featuring versatile, edgy and trendy songs and arrangements. This is the perfect teaching and kids choir performance tool with which to instill God’s Word and His never-failing promises in the hearts of your kids. With all-new energetic, engaging songs and a full complement of companion resources available (including CD and DVD Accompaniment Tracks), this collection is guaranteed to be a huge hit with your kids, teachers, and volunteers!
SKU: GI.G-10563
ISBN 9781622775996.
Conductor, chorus director, airplane pilot, educator, activist, mentor, and advocate Margaret Hillis blazed a trail upon which many continue to tread. The first woman to regularly conduct a major symphony orchestra, she was the founder of the Chicago Symphony Chorus and served for thirty-seven years as its first director, winning nine Grammy Awards. She was also a flight instructor for the U.S. Navy during World War II, an influential member of the National Endowment for the Arts, and built a reputation for her meticulous score preparation and innovative methods of refining choruses into superb ensembles. She earned the respect of the world’s major conductors along with the admiration and affection of many musicians, colleagues, and music lovers. But as compelling as what Margaret Hillis achieved is how she deftly circumvented the constant barriers in fields where women were not welcome. Further complicating her career aspirations, Margaret Hillis was a lesbian woman in an era when such an identity would have certainly ended her career. In Margaret Hillis: Unsung Pioneer, author Cheryl Frazes Hill—a longtime colleague and associate—examines how Hillis was able to overcome the many challenges she faced, navigating a career in ways relatable not only to musicians but also to women in all professions. Margaret Hillis’s story is one of resilience, determination, and passion for music. Her journey is an inspiration, a portrait of what it takes to succeed at the highest level in any field. Dr. Cheryl Frazes Hill is the Conductor of the Milwaukee Symphony Chorus and the Associate Conductor of the Chicago Symphony Chorus (CSC). Beginning as a member of the CSC in 1976, Margaret Hillis appointed Frazes Hill to the CSC conducting staff in 1987. Frazes Hill has served as professor of music at Roosevelt University’s Chicago College of Performing Arts since 2002. A frequent guest conductor, Frazes Hill is a published writer for national education and choral journals on topics of her research in music education and choral conducting. She is married to Dr. Gary Hill, and they have two children, Carlyn and Mitchell.  We are living in an age when strong women are accomplishing amazing things—and this is the story of a woman who succeeded in the male world of orchestral conducting and established the award-winning Chicago Symphony Chorus. Her life consisted of challenges continually met and conquered, and her relentless drive for excellence in her profession. Cheryl Frazes Hill gives us a carefully researched, balanced, and well-written account of her eventful life and achievements. —Alice Parker   Renowned conductor, composer, and longtime friend of Margaret Hillis Cheryl Frazes Hill was in a unique position to observe the career of Margaret Hillis because she was close to her on a personal and professional level. What is particularly gratifying about this biography is that it is clearly the work of someone who admires Margaret Hillis’s accomplishments, but at the same time Frazes Hill has retained a balanced objectivity about her subject. I came away from reading this with a greatly increased knowledge about Margaret Hillis, along with a deep appreciation for what she accomplished as a true pioneer. —Henry Fogel   Former President, Chicago Symphony Orchestra, League of American Orchestras   Dean Emeritus, Chicago College of Performing Arts, Roosevelt University.
SKU: PR.110406720
UPC: 680160001316.
I have always been fond of writing works for specific people or organizations. It has been my good fortune during most of my creative career to be asked to compose for many extraordinary performers. The Sonata for Harpsichord Solo is such a case in point: it was written in 1982 for Barbara Harbach, a superb performer, close friend, and collaborator on many musical projects. The Sonata was premiered on March 2, 1984, in a recital given by Dr. Harbach at Nazareth College in Rochester, New York. During my formative years as a composer, one seldom heard of the harpsichord as a modern instrument, though while I attended undergraduate school at Boston University, some of us banded together to construct a small harpsichord from one of the first do-it-yourself kits which began to appear in the late '40s. It was also during this time that I heard the Sonatina for Violin and Harpsichord by my teacher Walter Piston and consequently specified that the accompanying instrument for my second violin sonata could either be a piano or a harpsichord. It was not until recently, however, that my interest in the harpsichord as a solo instrument for new music was aroused. This was because of the emergence of so many young virtuosi, such as Barbara Harbach, who are interested in the performance of new music besides the great harpsichord music of the Classical, Baroque, and pre-Baroque eras. The keyboard music of Domenico Scarlatti has always intrigued and fascinated me. The brevity, excitement, and clarity of this sparkling music is charming as well as exhilarating. It is this type of Baroque sonata that inspired the conception and form of my harpsichord sonata. The entire work is loosely based on the musical translation of Barabara Harbach's name, especially the conflict of the B (B-flat) and H (B-natural in German notation). This secondo rub or dissonance especially pervades the first movement, which is in a modified sonata form, pitting jagged and tense melodic elements against most lyrical and smooth lines. This second movement is a song-like melody accompanied by rolled chords which may be played on the lute stop of the instrument if this sonata is performed on a two-manual harpsichord. The final movement is an ever-driving joyous toccata which brings the work to an exciting close with a coda made up of accelerating repeated chords. --Samuel Adler.
SKU: HL.1197761
UPC: 196288134930. 6.75x10.5x0.019 inches.
The Out from the Shadows Choral Series brings you “Summer Is Gone,†a new setting of British poet Christina Rosetti's 1862 poem “Bitter for Sweet.†The composer, Samuel Coleridge Taylor, displays superb control of text painting and dynamics, creating vocal lines as natural as speech. In perfect harmony with Rosetti's text, falling chromatic figures tossed back and forth among voice parts create an inescapable sense of decay and sorrow. Taylor's harmonic rhythm conveys the latent impression of time stretching and constricting. A truly masterful work, this piece makes for a great festival or competition performance. A fun challenge for an accomplished chamber or larger choir, and a memorable addition to any concert. Samuel Coleridge-Taylor (1875-1912) was an English-born composer and conductor who hailed from an English and African musical family. After discovering his inherent musical ability, Coleridge-Taylor's family arranged for him to study at the Royal College of Music under composition professor Charles Villiers Stanford. After completing his degree, Coleridge-Taylor was appointed a professor at the Crystal Palace School of Music and became the conductor of the Croydon Conservatoire Orchestra. With his compositions, Samuel Coleridge-Taylor sought to draw from traditional African music and integrate it into the classical tradition, in a similar fashion to Brahms and Dvorak with Hungarian and Bohemian music. He was a prolific composer and a well-respected conductor in England and America, even touring in America and being received at the White House by President Theodore Roosevelt. His most celebrated work was his cantata Hiawatha's Wedding Feast. On his death, close friend and poet Alfred Noyes said, “Too young to die: his great simplicity, his happy courage in an alien world, his gentleness, made all that knew him love him.â€.
SKU: PA.H07911
ISBN 9790260104457. 31 x 23.5 cm inches.
Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.Fiser's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).