La nouvelle production Disney en partitions !
Volt (ou Bolt en anglais) est ce petit chien star d'un show TV à Hollywood qui se retrouve par accident à New-York, dans la vie réelle ...
Retrouvez avec ce recueil de partitions 10 chansons extraites de la bande originale du film, dont les 2 titres originaux interprétés par John Travolta et Miley Cyrus I Thought I Lost You et Barking At The Moon arrangés pour Piano, Chant et Guitare ainsi 8 autres superbes morceaux de John Powell arrangés pour Piano Solo.
Le livre contient également 8 superbes pages en couleur de scènes du film. / Variétés Internationale / Partition /

Peter Mettke a réalisé un délicieux arrangement à cinq voix pour ensemble à instrumentation variable (partie de percussion optionnelle) du superbe You?ve Got a Friend composé et chanté dans les années 70 par l?inégalable Carole King.Part 1 Fl Ob Kl B S-Sax Trp Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hrn Part 3 Alt-Kl T-Sax Fg Hrn Pos Euph Part 4 T-Sax Fg Pos Euph Part 5 B-Kl B-Sax Fg Pos Euph Tuba Kb Opt. Drum

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Une superbe collection de classiques de Disney en arrangements simples pour piano, avec une notation en grande note pour aider le jeune débutant. Inclus The Bare Necessities, Candle on the Water, Let's Go Fly a Kite et bien d'autres.

Cette collection rassemble 100 super-classiques des Beatles pour les débutants à jouer. Les arrangements sont dans la clé de C, et les gravures sont toutes nouvelles et plus grandes que la notation livre le plus faux. / Piano/Vocal/Guitare (PVG) / 224 pages / Partition

22 superbes musiques de film arrangées pour pianistes débutants et intermédiaires.

Electronics for All My Friends Really Are Superheroes by Juliana Hodkinson. All My Friends Really Are Superheroes was commissioned by Samuel Stoll and first performed by him at Tate Britain London on 1st April 2011 as part of a Microtonal Projects/Late at Tate event. The electronics involved consist of 43 samples (some of which are recordings made by Samuel Stoll others taken from the internet) and pitch-shifts in the range +12/-12 (i.e.one octave up and one octave down). This all requires a close microphone and foot pedal e.g. Roland FC300 connected to computer. The left control pedal regulates downwardpitch-shifts the right control pedal regulates upward pitch-shifts. Samples and MaxMSP-patch are available on request.

Une superbe collection en trois volumes de plus de 100 classiques arrangés pour piano solo de niveau intermédiaire. Contient des musiques de film et des ballades de la collection Tunes You've Always Wanted To Play rassemblés ici dans une édition spéciale. / Partition /

Une superbe sélection pour les saxophonistes (sax alto). 128 morceaux / Saxophone

Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument