SKU: HL.44004698
UPC: 073999046984. 8.2x11.7x0.128 inches. International (more than one language).
These four short pieces are from a collection of Madrigals by the English organist Thomas Weelkes. This arrangement by Peter Knudsvig works well for brass quintet and will bring a bit of Renaissance grandeur to any concert. Parts included in this set are trumpet 1/2, horn in F, horn in Eb, trombone (BC), Bb trombone, Tuba (BC) and Eb bass (TC / BC). Diese Sammlung von Madrigalen des englischen Organisten und Komponisten Thomas Weelkes enthalt absolute Glanzstucke seiner Musik. Peter Knudsvig gelang es, in seiner Bearbeitung fur Blechblaserquintett, die ursprungliche Atmosphare dieser Musikrichtung der Renaissance zu erhalten. Le Quintette de Cuivres Rekkenze Brass a ete fonde par des membres de l'Orchestre Symphonique d'Hof en Allemagne, et reconnu internationalement comme un des meilleurs ensembles du genre. La devise de l'ensemble se resume par BRASSzination(r) : la fascination par les cuivres. C'est avec grand plaisir que nous vous presentons la Collection Rekkenze Brass qui couvre un large eventail de styles. Chaque œuvre publiee dans cette collection est accompagnee d'un compact disc sur lequel sont enregistrees les versions integrales de la plupart des œuvres disponibles dans une interpretation unique du Rekkenze Brass. Instrumentation : 2 TrompettesSib, Cor en Fa/Mib,Trombone en Ut BC, Tuba Strumentazione: 2 Trombe Sib, Corno Fa/Mib, Trombone, Tuba in Do o Basso Sib.
SKU: GI.G-10911
English.
Weelkes is best known for both his Anglican Church music and secular vocal music (i.e., madrigals, balletts, and canzonets). His madrigals are known for having humorous or dramatic texts and for their expressive use of word painting, as well as for their use of chromaticism for emotional effect. “Cease, Sorrows Now†is one of the madrigals in Weelkes’ first publication, published in 1597, Madrigals to 3, 4, 5, & 6 Voyces.
SKU: MN.50-9104
UPC: 688670591044.
Part of series of short SAB arrangements by Renaissance composers, formally attributed to Thomas Weelkes. See Hide Not Thou Thy Face (MN.50-3403), O Come Ye Servants of the Lord (MN.50-7200).