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| Studio Ghibli Songs for Horn Ensemble 3 French horns (trio) [Score and Parts] Yamaha
Horn Trio SKU: YM.GTW01100336 Composed by Joe Hisaishi. Studio Ghibli Son...(+)
Horn Trio SKU: YM.GTW01100336 Composed by Joe Hisaishi. Studio Ghibli Songs. Anime, Studio Ghibli. Score and Parts. Yamaha Music Media #GTW01100336. Published by Yamaha Music Media (YM.GTW01100336). ISBN 9784636102338. 8.5 x 12 inches. This is a collection of 23 popular songs from Studio Ghibli's works, arranged for a duet, trio, and quartet. The arrangements are designed to be played by the same type of instruments in the same key and are considerably flexible, allowing the trio to play as a duet and the quartet as a trio. Please refer to the guide in the score if full members are not available. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Essential Elements Pop Songs for Horn French horn Hal Leonard
Horn (F Horn) SKU: HL.870076 Composed by Various. Essential Elements Band...(+)
Horn (F Horn) SKU: HL.870076 Composed by Various. Essential Elements Band Folios. Pop. Softcover. 16 pages. Published by Hal Leonard (HL.870076). ISBN 9781705150252. UPC: 196288016991. 9.0x12.0x0.072 inches. 30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gustave Vogt's Musical Album of Autographs English horn, Piano Carl Fischer
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and English Horn. Composed by Gustave Vogt. Edited by Kristin Jean Leitterman. Collection - Performance. 32+8 pages. Carl Fischer Music #WF229. Published by Carl Fischer Music (CF.WF229). ISBN 9781491153789. UPC: 680160911288. Introduction Gustave Vogt's Musical Paris Gustave Vogt (1781-1870) was born into the Age of Enlightenment, at the apex of the Enlightenment's outreach. During his lifetime he would observe its effect on the world. Over the course of his life he lived through many changes in musical style. When he was born, composers such as Mozart and Haydn were still writing masterworks revered today, and eighty-nine years later, as he departed the world, the new realm of Romanticism was beginning to emerge with Mahler, Richard Strauss and Debussy, who were soon to make their respective marks on the musical world. Vogt himself left a huge mark on the musical world, with critics referring to him as the grandfather of the modern oboe and the premier oboist of Europe. Through his eighty-nine years, Vogt would live through what was perhaps the most turbulent period of French history. He witnessed the French Revolution of 1789, followed by the many newly established governments, only to die just months before the establishment of the Third Republic in 1870, which would be the longest lasting government since the beginning of the revolution. He also witnessed the transformation of the French musical world from one in which opera reigned supreme, to one in which virtuosi, chamber music, and symphonic music ruled. Additionally, he experienced the development of the oboe right before his eyes. When he began playing in the late eighteenth century, the standard oboe had two keys (E and Eb) and at the time of his death in 1870, the System Six Triebert oboe (the instrument adopted by Conservatoire professor, Georges Gillet, in 1882) was only five years from being developed. Vogt was born March 18, 1781 in the ancient town of Strasbourg, part of the Alsace region along the German border. At the time of his birth, Strasbourg had been annexed by Louis XIV, and while heavily influenced by Germanic culture, had been loosely governed by the French for a hundred years. Although it is unclear when Vogt began studying the oboe and when his family made its move to the French capital, the Vogts may have fled Strasbourg in 1792 after much of the city was destroyed during the French Revolution. He was without question living in Paris by 1798, as he enrolled on June 8 at the newly established Conservatoire national de Musique to study oboe with the school's first oboe professor, Alexandre-Antoine Sallantin (1775-1830). Vogt's relationship with the Conservatoire would span over half a century, moving seamlessly from the role of student to professor. In 1799, just a year after enrolling, he was awarded the premier prix, becoming the fourth oboist to achieve this award. By 1802 he had been appointed repetiteur, which involved teaching the younger students and filling in for Sallantin in exchange for a free education. He maintained this rank until 1809, when he was promoted to professor adjoint and finally to professor titulaire in 1816 when Sallantin retired. This was a position he held for thirty-seven years, retiring in 1853, making him the longest serving oboe professor in the school's history. During his tenure, he became the most influential oboist in France, teaching eighty-nine students, plus sixteen he taught while he was professor adjoint and professor titulaire. Many of these students went on to be famous in their own right, such as Henri Brod (1799-1839), Apollon Marie-Rose Barret (1804-1879), Charles Triebert (1810-1867), Stanislas Verroust (1814-1863), and Charles Colin (1832-1881). His influence stretches from French to American oboe playing in a direct line from Charles Colin to Georges Gillet (1854-1920), and then to Marcel Tabuteau (1887-1966), the oboist Americans lovingly describe as the father of American oboe playing. Opera was an important part of Vogt's life. His first performing position was with the Theatre-Montansier while he was still studying at the Conservatoire. Shortly after, he moved to the Ambigu-Comique and, in 1801 was appointed as first oboist with the Theatre-Italien in Paris. He had been in this position for only a year, when he began playing first oboe at the Opera-Comique. He remained there until 1814, when he succeeded his teacher, Alexandre-Antoine Sallantin, as soloist with the Paris Opera, the top orchestra in Paris at the time. He played with the Paris Opera until 1834, all the while bringing in his current and past students to fill out the section. In this position, he began to make a name for himself; so much so that specific performances were immortalized in memoirs and letters. One comes from a young Hector Berlioz (1803-1865) after having just arrived in Paris in 1822 and attended the Paris Opera's performance of Mehul's Stratonice and Persuis' ballet Nina. It was in response to the song Quand le bien-amie reviendra that Berlioz wrote: I find it difficult to believe that that song as sung by her could ever have made as true and touching an effect as the combination of Vogt's instrument... Shortly after this, Berlioz gave up studying medicine and focused on music. Vogt frequently made solo and chamber appearances throughout Europe. His busiest period of solo work was during the 1820s. In 1825 and 1828 he went to London to perform as a soloist with the London Philharmonic Society. Vogt also traveled to Northern France in 1826 for concerts, and then in 1830 traveled to Munich and Stuttgart, visiting his hometown of Strasbourg on the way. While on tour, Vogt performed Luigi Cherubini's (1760-1842) Ave Maria, with soprano Anna (Nanette) Schechner (1806-1860), and a Concertino, presumably written by himself. As a virtuoso performer in pursuit of repertoire to play, Vogt found himself writing much of his own music. His catalog includes chamber music, variation sets, vocal music, concerted works, religious music, wind band arrangements, and pedagogical material. He most frequently performed his variation sets, which were largely based on themes from popular operas he had, presumably played while he was at the Opera. He made his final tour in 1839, traveling to Tours and Bordeaux. During this tour he appeared with the singer Caroline Naldi, Countess de Sparre, and the violinist Joseph Artot (1815-1845). This ended his active career as a soloist. His performance was described in the Revue et gazette musicale de Paris as having lost none of his superiority over the oboe.... It's always the same grace, the same sweetness. We made a trip to Switzerland, just by closing your eyes and listening to Vogt's oboe. Vogt was also active performing in Paris as a chamber and orchestral musician. He was one of the founding members of the Societe des Concerts du Conservatoire, a group established in 1828 by violinist and conductor Francois-Antoine Habeneck (1781-1849). The group featured faculty and students performing alongside each other and works such as Beethoven symphonies, which had never been heard in France. He also premiered the groundbreaking woodwind quintets of Antonin Reicha (1770-1836). After his retirement from the Opera in 1834 and from the Societe des Concerts du Conservatoire in 1842, Vogt began to slow down. His final known performance was of Cherubini's Ave Maria on English horn with tenor Alexis Dupont (1796-1874) in 1843. He then began to reflect on his life and the people he had known. When he reached his 60s, he began gathering entries for his Musical Album of Autographs. Autograph Albums Vogt's Musical Album of Autographs is part of a larger practice of keeping autograph albums, also commonly known as Stammbuch or Album Amicorum (meaning book of friendship or friendship book), which date back to the time of the Reformation and the University of Wittenberg. It was during the mid-sixteenth century that students at the University of Wittenberg began passing around bibles for their fellow students and professors to sign, leaving messages to remember them by as they moved on to the next part of their lives. The things people wrote were mottos, quotes, and even drawings of their family coat of arms or some other scene that meant something to the owner. These albums became the way these young students remembered their school family once they had moved on to another school or town. It was also common for the entrants to comment on other entries and for the owner to amend entries when they learned of important life details such as marriage or death. As the practice continued, bibles were set aside for emblem books, which was a popular book genre that featured allegorical illustrations (emblems) in a tripartite form: image, motto, epigram. The first emblem book used for autographs was published in 1531 by Andrea Alciato (1492-1550), a collection of 212 Latin emblem poems. In 1558, the first book conceived for the purpose of the album amicorum was published by Lyon de Tournes (1504-1564) called the Thesaurus Amicorum. These books continued to evolve, and spread to wider circles away from universities. Albums could be found being kept by noblemen, physicians, lawyers, teachers, painters, musicians, and artisans. The albums eventually became more specialized, leading to Musical Autograph Albums (or Notestammbucher). Before this specialization, musicians contributed in one form or another, but our knowledge of them in these albums is mostly limited to individual people or events. Some would simply sign their name while others would insert a fragment of music, usually a canon (titled fuga) with text in Latin. Canons were popular because they displayed the craftsmanship of the composer in a limited space. Composers well-known today, including J. S. Bach, Telemann, Mozart, Beethoven, Dowland, and Brahms, all participated in the practice, with Beethoven being the first to indicate an interest in creating an album only of music. This interest came around 1815. In an 1845 letter from Johann Friedrich Naue to Heinrich Carl Breidenstein, Naue recalled an 1813 visit with Beethoven, who presented a book suggesting Naue to collect entries from celebrated musicians as he traveled. Shortly after we find Louis Spohr speaking about leaving on his grand tour through Europe in 1815 and of his desire to carry an album with entries from the many artists he would come across. He wrote in his autobiography that his most valuable contribution came from Beethoven in 1815. Spohr's Notenstammbuch, comprised only of musical entries, is groundbreaking because it was coupled with a concert tour, allowing him to reach beyond the Germanic world, where the creation of these books had been nearly exclusive. Spohr brought the practice of Notenstammbucher to France, and in turn indirectly inspired Vogt to create a book of his own some fifteen years later. Vogt's Musical Album of Autographs Vogt's Musical Album of Autographs acts as a form of a memoir, displaying mementos of musicians who held special meaning in his life as well as showing those with whom he was enamored from the younger generation. The anonymous Pie Jesu submitted to Vogt in 1831 marks the beginning of an album that would span nearly three decades by the time the final entry, an excerpt from Charles Gounod's (1818-1893) Faust, which premiered in 1859, was submitted. Within this album we find sixty-two entries from musicians whom he must have known very well because they were colleagues at the Conservatoire, or composers of opera whose works he was performing with the Paris Opera. Other entries came from performers with whom he had performed and some who were simply passing through Paris, such as Joseph Joachim (1831-1907). Of the sixty-three total entries, some are original, unpublished works, while others came from well-known existing works. Nineteen of these works are for solo piano, sixteen utilize the oboe or English horn, thirteen feature the voice (in many different combinations, including vocal solos with piano, and small choral settings up to one with double choir), two feature violin as a solo instrument, and one even features the now obscure ophicleide. The connections among the sixty-two contributors to Vogt's album are virtually never-ending. All were acquainted with Vogt in some capacity, from long-time friendships to relationships that were created when Vogt requested their entry. Thus, while Vogt is the person who is central to each of these musicians, the web can be greatly expanded. In general, the connections are centered around the Conservatoire, teacher lineages, the Opera, and performing circles. The relationships between all the contributors in the album parallel the current musical world, as many of these kinds of relationships still exist, and permit us to fantasize who might be found in an album created today by a musician of the same standing. Also important, is what sort of entries the contributors chose to pen. The sixty-three entries are varied, but can be divided into published and unpublished works. Within the published works, we find opera excerpts, symphony excerpts, mass excerpts, and canons, while the unpublished works include music for solo piano, oboe or English horn, string instruments (violin and cello), and voice (voice with piano and choral). The music for oboe and English horn works largely belong in the unpublished works of the album. These entries were most likely written to honor Vogt. Seven are for oboe and piano and were contributed by Joseph Joachim, Pauline Garcia Viardot (1821-1910), Joseph Artot, Anton Bohrer (1783-1852), Georges Onslow (1784-1853), Desire Beaulieu (1791-1863), and Narcisse Girard (1797-1860). The common thread between these entries is the simplicity of the melody and structure. Many are repetitive, especially Beaulieu's entry, which features a two-note ostinato throughout the work, which he even included in his signature. Two composers contributed pieces for English horn and piano, and like the previous oboe entries, are simple and repetitive. These were written by Michele Carafa (1787-1872) and Louis Clapisson (1808-1866). There are two other entries that were unpublished works and are chamber music. One is an oboe trio by Jacques Halevy (1799-1862) and the other is for oboe and strings (string trio) by J. B. Cramer (1771-1858). There are five published works in the album for oboe and English horn. There are three from operas and the other two from symphonic works. Ambroise Thomas (1811-1896) contributed an excerpt from the Entr'acte of his opera La Guerillero, and was likely chosen because the oboe was featured at this moment. Hippolyte Chelard (1789-1861) also chose to honor Vogt by writing for English horn. His entry, for English horn and piano, is taken from his biggest success, Macbeth. The English horn part was actually taken from Lady Macbeth's solo in the sleepwalking scene. Vogt's own entry also falls into this category, as he entered an excerpt from Donizetti's Maria di Rohan. The excerpt he chose is a duet between soprano and English horn. There are two entries featuring oboe that are excerpted from symphonic repertoire. One is a familiar oboe melody from Beethoven's Pastoral Symphony entered by his first biographer, Anton Schindler (1796-1864). The other is an excerpt from Berlioz's choral symphony, Romeo et Juliette. He entered an oboe solo from the Grand Fete section of the piece. Pedagogical benefit All of these works are lovely, and fit within the album wonderfully, but these works also are great oboe and English horn music for young students. The common thread between these entries is the simplicity of the melody and structure. Many are repetitive, especially Beaulieu's entry, which features a two-note ostinato throughout the work in the piano. This repetitive structure is beneficial for young students for searching for a short solo to present at a studio recital, or simply to learn. They also work many technical issues a young player may encounter, such as mastering the rolling finger to uncover and recover the half hole. This is true of Bealieu's Pensee as well as Onslow's Andantino. Berlioz's entry from Romeo et Juliette features very long phrases, which helps with endurance and helps keep the air spinning through the oboe. Some of the pieces also use various levels of ornamentation, from trills to grace notes, and short cadenzas. This allows the student to learn appropriate ways to phrase with these added notes. The chamber music is a valuable way to start younger students with chamber music, especially the short quartet by Cramer for oboe and string trio. All of these pieces will not tax the student to learn a work that is more advanced, as well as give them a full piece that they can work on from beginning to end in a couple weeks, instead of months. Editorial Policy The works found in this edition are based on the manuscript housed at the Morgan Library in New York City (call number Cary 348, V886. A3). When possible, published scores were consulted and compared to clarify pitch and text. The general difficulties in creating an edition of these works stem from entries that appear to be hastily written, and thus omit complete articulations and dynamic indications for all passages and parts. The manuscript has been modernized into a performance edition. The score order from the manuscript has been retained. If an entry also exists in a published work, and this was not indicated on the manuscript, appropriate titles and subtitles have been added tacitly. For entries that were untitled, the beginning tempo marking or expressive directive has been added as its title tacitly. Part names have been changed from the original language to English. If no part name was present, it was added tacitly. All scores are transposing where applicable. Measure numbers have been added at the beginning of every system. Written directives have been retained in the original language and are placed relative to where they appear in the manuscript. Tempo markings from the manuscript have been retained, even if they were abbreviated, i.e., Andte. The barlines, braces, brackets, and clefs are modernized. The beaming and stem direction has been modernized. Key signatures have been modernized as some of the flats/sharps do not appear on the correct lines or spaces. Time signatures have been modernized. In a few cases, when a time signature was missing in the manuscript, it has been added tacitly. Triplet and rhythmic groupings have been modernized. Slurs, ties, and articulations (staccato and accent) have been modernized. Slurs, ties, and articulations have been added to parallel passages tacitly. Courtesy accidentals found in the manuscript have been removed, unless it appeared to be helpful to the performer. Dynamic indications from the manuscript have been retained, except where noted. --Kristin Leitterman. IntroductionGustave Vogt’s Musical ParisGustave Vogt (1781–1870) was born into the “Age of Enlightenment,†at the apex of the Enlightenment’s outreach. During his lifetime he would observe its effect on the world. Over the course of his life he lived through many changes in musical style. When he was born, composers such as Mozart and Haydn were still writing masterworks revered today, and eighty-nine years later, as he departed the world, the new realm of Romanticism was beginning to emerge with Mahler, Richard Strauss and Debussy, who were soon to make their respective marks on the musical world. Vogt himself left a huge mark on the musical world, with critics referring to him as the “grandfather of the modern oboe†and the “premier oboist of Europe.â€Through his eighty-nine years, Vogt would live through what was perhaps the most turbulent period of French history. He witnessed the French Revolution of 1789, followed by the many newly established governments, only to die just months before the establishment of the Third Republic in 1870, which would be the longest lasting government since the beginning of the revolution. He also witnessed the transformation of the French musical world from one in which opera reigned supreme, to one in which virtuosi, chamber music, and symphonic music ruled. Additionally, he experienced the development of the oboe right before his eyes. When he began playing in the late eighteenth century, the standard oboe had two keys (E and Eb) and at the time of his death in 1870, the “System Six†Triébert oboe (the instrument adopted by Conservatoire professor, Georges Gillet, in 1882) was only five years from being developed.Vogt was born March 18, 1781 in the ancient town of Strasbourg, part of the Alsace region along the German border. At the time of his birth, Strasbourg had been annexed by Louis XIV, and while heavily influenced by Germanic culture, had been loosely governed by the French for a hundred years. Although it is unclear when Vogt began studying the oboe and when his family made its move to the French capital, the Vogts may have fled Strasbourg in 1792 after much of the city was destroyed during the French Revolution. He was without question living in Paris by 1798, as he enrolled on June 8 at the newly established Conservatoire national de Musique to study oboe with the school’s first oboe professor, Alexandre-Antoine Sallantin (1775–1830).Vogt’s relationship with the Conservatoire would span over half a century, moving seamlessly from the role of student to professor. In 1799, just a year after enrolling, he was awarded the premier prix, becoming the fourth oboist to achieve this award. By 1802 he had been appointed répétiteur, which involved teaching the younger students and filling in for Sallantin in exchange for a free education. He maintained this rank until 1809, when he was promoted to professor adjoint and finally to professor titulaire in 1816 when Sallantin retired. This was a position he held for thirty-seven years, retiring in 1853, making him the longest serving oboe professor in the school’s history. During his tenure, he became the most influential oboist in France, teaching eighty-nine students, plus sixteen he taught while he was professor adjoint and professor titulaire. Many of these students went on to be famous in their own right, such as Henri Brod (1799–1839), Apollon Marie-Rose Barret (1804–1879), Charles Triebert (1810–1867), Stanislas Verroust (1814–1863), and Charles Colin (1832–1881). His influence stretches from French to American oboe playing in a direct line from Charles Colin to Georges Gillet (1854–1920), and then to Marcel Tabuteau (1887–1966), the oboist Americans lovingly describe as the “father of American oboe playing.â€Opera was an important part of Vogt’s life. His first performing position was with the Théâtre-Montansier while he was still studying at the Conservatoire. Shortly after, he moved to the Ambigu-Comique and, in 1801 was appointed as first oboist with the Théâtre-Italien in Paris. He had been in this position for only a year, when he began playing first oboe at the Opéra-Comique. He remained there until 1814, when he succeeded his teacher, Alexandre-Antoine Sallantin, as soloist with the Paris Opéra, the top orchestra in Paris at the time. He played with the Paris Opéra until 1834, all the while bringing in his current and past students to fill out the section. In this position, he began to make a name for himself; so much so that specific performances were immortalized in memoirs and letters. One comes from a young Hector Berlioz (1803–1865) after having just arrived in Paris in 1822 and attended the Paris Opéra’s performance of Mehul’s Stratonice and Persuis’ ballet Nina. It was in response to the song Quand le bien-amié reviendra that Berlioz wrote: “I find it difficult to believe that that song as sung by her could ever have made as true and touching an effect as the combination of Vogt’s instrument…†Shortly after this, Berlioz gave up studying medicine and focused on music.Vogt frequently made solo and chamber appearances throughout Europe. His busiest period of solo work was during the 1820s. In 1825 and 1828 he went to London to perform as a soloist with the London Philharmonic Society. Vogt also traveled to Northern France in 1826 for concerts, and then in 1830 traveled to Munich and Stuttgart, visiting his hometown of Strasbourg on the way. While on tour, Vogt performed Luigi Cherubini’s (1760–1842) Ave Maria, with soprano Anna (Nanette) Schechner (1806–1860), and a Concertino, presumably written by himself. As a virtuoso performer in pursuit of repertoire to play, Vogt found himself writing much of his own music. His catalog includes chamber music, variation sets, vocal music, concerted works, religious music, wind band arrangements, and pedagogical material. He most frequently performed his variation sets, which were largely based on themes from popular operas he had, presumably played while he was at the Opéra.He made his final tour in 1839, traveling to Tours and Bordeaux. During this tour he appeared with the singer Caroline Naldi, Countess de Sparre, and the violinist Joseph Artôt (1815–1845). This ended his active career as a soloist. His performance was described in the Revue et gazette musicale de Paris as having “lost none of his superiority over the oboe…. It’s always the same grace, the same sweetness. We made a trip to Switzerland, just by closing your eyes and listening to Vogt’s oboe.â€Vogt was also active performing in Paris as a chamber and orchestral musician. He was one of the founding members of the Société des Concerts du Conservatoire, a group established in 1828 by violinist and conductor François-Antoine Habeneck (1781–1849). The group featured faculty and students performing alongside each other and works such as Beethoven symphonies, which had never been heard in France. He also premiered the groundbreaking woodwind quintets of Antonin Reicha (1770–1836).After his retirement from the Opéra in 1834 and from the Société des Concerts du Conservatoire in 1842, Vogt began to slow down. His final known performance was of Cherubini’s Ave Maria on English horn with tenor Alexis Dupont (1796–1874) in 1843. He then began to reflect on his life and the people he had known. When he reached his 60s, he began gathering entries for his Musical Album of Autographs.Autograph AlbumsVogt’s Musical Album of Autographs is part of a larger practice of keeping autograph albums, also commonly known as Stammbuch or Album Amicorum (meaning book of friendship or friendship book), which date back to the time of the Reformation and the University of Wittenberg. It was during the mid-sixteenth century that students at the University of Wittenberg began passing around bibles for their fellow students and professors to sign, leaving messages to remember them by as they moved on to the next part of their lives. The things people wrote were mottos, quotes, and even drawings of their family coat of arms or some other scene that meant something to the owner. These albums became the way these young students remembered their school family once they had moved on to another school or town. It was also common for the entrants to comment on other entries and for the owner to amend entries when they learned of important life details such as marriage or death.As the practice continued, bibles were set aside for emblem books, which was a popular book genre that featured allegorical illustrations (emblems) in a tripartite form: image, motto, epigram. The first emblem book used for autographs was published in 1531 by Andrea Alciato (1492–1550), a collection of 212 Latin emblem poems. In 1558, the first book conceived for the purpose of the album amicorum was published by Lyon de Tournes (1504–1564) called the Thesaurus Amicorum. These books continued to evolve, and spread to wider circles away from universities. Albums could be found being kept by noblemen, physicians, lawyers, teachers, painters, musicians, and artisans.The albums eventually became more specialized, leading to Musical Autograph Albums (or Notestammbücher). Before this specialization, musicians contributed in one form or another, but our knowledge of them in these albums is mostly limited to individual people or events. Some would simply sign their name while others would insert a fragment of music, usually a canon (titled fuga) with text in Latin. Canons were popular because they displayed the craftsmanship of the composer in a limited space. Composers well-known today, including J. S. Bach, Telemann, Mozart, Beethoven, Dowland, and Brahms, all participated in the practice, with Beethoven being the first to indicate an interest in creating an album only of music.This interest came around 1815. In an 1845 letter from Johann Friedrich Naue to Heinrich Carl Breidenstein, Naue recalled an 1813 visit with Beethoven, who presented a book suggesting Naue to collect entries from celebrated musicians as he traveled. Shortly after we find Louis Spohr speaking about leaving on his “grand tour†through Europe in 1815 and of his desire to carry an album with entries from the many artists he would come across. He wrote in his autobiography that his “most valuable contribution†came from Beethoven in 1815. Spohr’s Notenstammbuch, comprised only of musical entries, is groundbreaking because it was coupled with a concert tour, allowing him to reach beyond the Germanic world, where the creation of these books had been nearly exclusive. Spohr brought the practice of Notenstammbücher to France, and in turn indirectly inspired Vogt to create a book of his own some fifteen years later.Vogt’s Musical Album of AutographsVogt’s Musical Album of Autographs acts as a form of a memoir, displaying mementos of musicians who held special meaning in his life as well as showing those with whom he was enamored from the younger generation. The anonymous Pie Jesu submitted to Vogt in 1831 marks the beginning of an album that would span nearly three decades by the time the final entry, an excerpt from Charles Gounod’s (1818–1893) Faust, which premiered in 1859, was submitted.Within this album ... $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Letsch Mouth Harp Song Book - Easy Schott
French harp (NOTEN+CD) - easy to intermediate SKU: HL.49033370 70 well...(+)
French harp (NOTEN+CD) - easy to intermediate SKU: HL.49033370 70 well-known Songs. Composed by Glenn Letsch. This edition: Paperback/Soft Cover. Sheet music with CD. Edition Schott. Volkslieder, Traditionals, Blues, Hits aus Rock und Pop fur diatonische Richter-Modelle (Blues Harp) - mit Solos - Mitspiel-CD. Edition with CD. 100 pages. Schott Music #ED 9881. Published by Schott Music (HL.49033370). ISBN 9783795750862. 9.0x12.0x0.311 inches. German - English. Wolff Letsch. Finding songs for the diatonic Richter harmonica (blues harp) is not easy. Many songs can only be played in the upper octave; otherwise advanced techniques like bending have to be applied.Perry Letsch has looked through hundreds of German songs and examined them for their suitability. The results are songs suitable both for the beginner and the advanced player. Some songs have been provided with their own solos. Apart from popular folk songs the edition includes standards such as Abilene, Blue Bossa or Dona, Dona.Play-along CD with all titles included. $24.99 - See more - Buy online | | |
| Guitarist's Treasury of Classic Themes Guitar notes and tablatures Classical guitar [Sheet music] - Beginner Mel Bay
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By D...(+)
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By David Coe. For Guitar (All). Tune Book. Archive Edition. Classic. Level: Beginning. Book. 168 pages. Published by Mel Bay Publications, Inc.
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Popular Movie Instrumental Solos French horn [Sheet music + CD] - Beginner Alfred Publishing
For Horn in F. Instrumental Series. Pop Instrumental Solo Series. Movie. Book an...(+)
For Horn in F. Instrumental Series. Pop Instrumental Solo Series. Movie. Book and CD. 12 pages. Published by Alfred Publishing.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Le Petit Chevrier Corse (flute/piano) Flute and Piano - Advanced Leduc, Alphonse
(Flute/Piano) SKU: HL.48181498 Composed by Henri Tomasi. Leduc. Post-1900...(+)
(Flute/Piano) SKU: HL.48181498 Composed by Henri Tomasi. Leduc. Post-1900. Softcover. 4 pages. Alphonse Leduc #AL21072. Published by Alphonse Leduc (HL.48181498). UPC: 888680842635. 0.052 inches. French composer and conductor, Henri Tomasi (1901-1971) composed The Little Corsican Goatherd in 1952. As with his other woodwind compositions, The Little Corsican Goatherd was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in The Little Corsican Goatherd for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005.. $14.20 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Fellowship Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-010 Composed by Jac...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-010 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2018. De Haske Publications #DHP 1185861-010. Published by De Haske Publications (BT.DHP-1185861-010). English-German-French-Dutch. ‘The Fellowship’ is a musical homage to friendship and camaraderie, symbolised in two alternating, complementary themes. The themes are based on popular songs from two sister municipalities, one lying in Normandy (France), and the other in Rheinland-Pfalz (Rhineland-Palatinate, Germany). Through the merging of their songs in this composition, their bond of friendship is sealed for eternity.
The Fellowship staat voor vriendschap en kameraadschap. Deze symboliek komt tot uiting in twee thema’s, die elkaar afwisselen en elkaar aanvullen. Het ene thema is gebaseerd op een Frans lied, het andere op een Duits lied. Beide zijn populaire liederen uit twee partnergemeenten, waarvan de ene in Normandië (Frankrijk) ligt, en de andere in Rheinland-Pfalz (Duitsland). Door de samensmelting van hun liederen in deze compositie wordt hun vriendschapsband voor altijd beklonken.
The Fellowship ist eine musikalische Hommage auf die Freundschaft und Kameradschaft. Diese Symbolik wird durch zwei Themen dargestellt, die sich abwechseln und gegenseitig ergänzen. Die beiden Themen basieren auf zwei Liedern aus einer deutschen Stadt und aus einer französischen Partnerstadt. Das Verschmelzen der beiden Lieder in dieser Komposition symbolisiert ihre immerwährende Freundschaft.
The Fellowship est un hommage musical l’amitié et la camaraderie symbolisé par deux thèmes qui s’alternent et se complémentent. Au travers de ces chansons populaires issues de deux municipalités jumelées, l’une en Normandie et l’autre en Rhénanie-Palatinat (Allemagne) cette composition a bouclé leur lien d’amitié pour l’éternité.
The Fellowship (L’amicizia) è un omaggio musicale all'amicizia, simboleggiata da due temi che si alternano e si completano a vicenda. Un tema è basato su una canzone popolare francesee una tedesca di due comuni gemellati, situati in Normandia (Francia) e a Rheinland-Pfalz (Renania-Palatinato, Germania). Attraverso la fusione delle due canzoni, il legame di amicizia è stretto per l'eternit . $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Fellowship Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-140 Composed by Jac...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1185861-140 Composed by Jacob De Haan. Concert and Contest Collection CBHA. Score Only. Composed 2018. 12 pages. De Haske Publications #DHP 1185861-140. Published by De Haske Publications (BT.DHP-1185861-140). English-German-French-Dutch. ‘The Fellowship’ is a musical homage to friendship and camaraderie, symbolised in two alternating, complementary themes. The themes are based on popular songs from two sister municipalities, one lying in Normandy (France), and the other in Rheinland-Pfalz (Rhineland-Palatinate, Germany). Through the merging of their songs in this composition, their bond of friendship is sealed for eternity.
The Fellowship staat voor vriendschap en kameraadschap. Deze symboliek komt tot uiting in twee thema’s, die elkaar afwisselen en elkaar aanvullen. Het ene thema is gebaseerd op een Frans lied, het andere op een Duits lied. Beide zijn populaire liederen uit twee partnergemeenten, waarvan de ene in Normandië (Frankrijk) ligt, en de andere in Rheinland-Pfalz (Duitsland). Door de samensmelting van hun liederen in deze compositie wordt hun vriendschapsband voor altijd beklonken.
The Fellowship ist eine musikalische Hommage auf die Freundschaft und Kameradschaft. Diese Symbolik wird durch zwei Themen dargestellt, die sich abwechseln und gegenseitig ergänzen. Die beiden Themen basieren auf zwei Liedern aus einer deutschen Stadt und aus einer französischen Partnerstadt. Das Verschmelzen der beiden Lieder in dieser Komposition symbolisiert ihre immerwährende Freundschaft.
The Fellowship est un hommage musical l’amitié et la camaraderie symbolisé par deux thèmes qui s’alternent et se complémentent. Au travers de ces chansons populaires issues de deux municipalités jumelées, l’une en Normandie et l’autre en Rhénanie-Palatinat (Allemagne) cette composition a bouclé leur lien d’amitié pour l’éternité.
The Fellowship (L’amicizia) è un omaggio musicale all'amicizia, simboleggiata da due temi che si alternano e si completano a vicenda. Un tema è basato su una canzone popolare francesee una tedesca di due comuni gemellati, situati in Normandia (Francia) e a Rheinland-Pfalz (Renania-Palatinato, Germania). Attraverso la fusione delle due canzoni, il legame di amicizia è stretto per l'eternit . $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Discover the Opera [Score and Parts] De Haske Publications
String Trio - easy SKU: BT.DHP-1155624-070 Arranged by Nico Dezaire. De H...(+)
String Trio - easy SKU: BT.DHP-1155624-070 Arranged by Nico Dezaire. De Haske Flexible String Trios. Set (Score & Parts). Composed 2015. 24 pages. De Haske Publications #DHP 1155624-070. Published by De Haske Publications (BT.DHP-1155624-070). ISBN 9789043142380. English-German-French-Dutch. Discover the Opera is a collection of arrangements of opera themes from the Baroque, Classical and Romantic Periods. The second part of the Flexible String Trios series, the set contains six inspiring arrangements that are wonderful,yet challenging, to play and perform. The Flexible String Trios series offers attractive pieces which have been specially composed and arranged for string ensembles. Students and teachers are treated to a great variety of musical styles - from classical or folk to contemporarypopular music. Each part can be played by violin, viola or cello.
Voor strijkers-ensembles die in wisselende bezettingen spelen biedt de Flexible String Trios serie een uitgekiend concept. In de partituur worden 3 stemmen aangegeven, waarbij iedere stem door zowel viool, altviool of cello kan wordeningevuld. Op deze manier kunnen de stukken in allerlei combinaties van strijkinstrumenten worden gespeeld. Zowel combinaties met dezelfde als met verschillende strijkinstrumenten zijn mogelijk. In het laatste geval is het wel aan te raden het hoogstgestemde instrument de hoogst genummerde stem te laten spelen. Dit levert een juiste klankbalans en daardoor het mooiste resultaat. Discover the Opera is een verzameling arrangementen van opera-thema`s die dateren uit de baroktijd, klassieke tijd en romantiek (18e en 19e eeuw). De partijen zijn eenvoudig en aantrekkelijk geschreven en blijven dicht bij het origineel.Discover the Opera bevat zes uitdagende arrangementen - heerlijk om te spelen en uitermate geschikt voor uitvoeringen!
Discover the Opera ist eine Sammlung von Bearbeitungen von Opernthemen aus den Epochen Barock, Klassik und Romantik. Das Set, das die zweite Ausgabe derFlexible String Trios Serie ist, enthält sechs anspruchsvolle Arrangements, dieherrliches Spielmaterial sind und sich ausgezeichnet für Aufführungen eignen! Jede Stimme in den Ausgaben der Flexible String Trios Serie kann von Violine, Viola oder Cello gespielt werden.
Pour les Ensembles Cordes qui jouent en instrumentation variable, la collection Flexible String Trios offre de multiples avantages : Le set complet contient un conducteur trois voix et neuf parties séparées car chaque voix est déclinéepour chacun des trois instruments. Ceci signifie que toutes les combinaisons instrumentales pourront être envisagées. Discover the Opera rassemble une collection de six thèmes dopéra de styles baroque, classique et romantique (allant du XVIIIe au XIXe siècle). Les arrangements sont simples et attrayants tout en restant fidèles aux compositions originales. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A First Book of Tchaikovsky -- For The Beginning Pianist with Downloadable MP3s Piano solo - Easy Dover Publications
Piano - Early Intermediate; Late Elementary SKU: AP.6-464164 Favorite ...(+)
Piano - Early Intermediate; Late Elementary SKU: AP.6-464164 Favorite Pieces in Easy Piano Arrangements. Composed by Peter Ilyich Tchaikovsky. Edited by David Dutkanicz. Arranged by David Dutkanicz. Masterworks; Piano Collection; Piano Supplemental. Dover Edition: My First Book. Masterwork Arrangement; Romantic. Collection. 48 pages. Dover Publications #06-464164. Published by Dover Publications (AP.6-464164). ISBN 9780486464169. English. Peter Ilyich Tchaikovsky. This collection of effortless arrangements allows beginning pianists to experience the pleasure of playing favorite Tchaikovsky compositions. Students of all ages will delight in performing themes from The Nutcracker, Romeo and Juliet, Swan Lake, Sleeping Beauty, and other popular works. Features 21 simplified Tchaikovsky compositions in all. $9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solos, Duets & Trios for Winds -- Movie Favorites French horn - Easy Alfred Publishing
Horn - Grade 2-3 SKU: AP.47832 Flexible Arrangements for Multiple Comb...(+)
Horn - Grade 2-3 SKU: AP.47832 Flexible Arrangements for Multiple Combinations of Wind Instruments. Arranged by Bill Galliford. Duet or Duo; Instrumental Series; Solo; Solo Small Ensembles; Trio. Solos, Duets & Trios for Winds. Movie; Pop. Book and Digital Download. 68 pages. Alfred Music #00-47832. Published by Alfred Music (AP.47832). ISBN 9781470641665. UPC: 038081548029. English. Adaptable and flexible to your unique needs, Solos, Duets & Trios for Winds is a versatile series that encourages playing in a variety of combinations. Featuring three written parts for every song, the arrangements are designed so that the top line is the melody (Part 1), the second line (Part 2) creates a duet, and the third line (Part 3) forms a trio. You can play solo parts alone or form small wind ensembles by mixing and matching instrumentation, as well as mixing the parts played. Students will gain the opportunity to learn how to play in a small chamber group setting. The accompanying online media includes fully orchestrated backing tracks, PDF files with piano accompaniments, and TNT 2 software, which features the ability to change the speed of the recordings without changing the pitch. Solos, Duets & Trios for Winds: Movie Favorites features 19 of the most familiar and popular movie themes ever. Titles: As Time Goes By * Can You Read My Mind? (Love Theme from Superman) * Cantina Band * Ding-Dong! The Witch Is Dead * Family Portrait * From Russia with Love * Gonna Fly Now (Theme from Rocky) * Hedwig's Theme * The Great Escape March * The Imperial March (Darth Vader's Theme) * In Dreams * May the Force Be with You * James Bond Theme * The Magnificent Seven (Main Title) * Newt Says Goodbye to Tina/Jacob's Bakery * Over the Rainbow * Song from M*A*S*H (Suicide Is Painless) * Star Wars (Main Title) * Theme from Superman. $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classic Hymns (Trumpet) Trumpet [Sheet music + CD] - Intermediate Anglo Music
Trumpet - intermediate SKU: BT.AMP-091-400 Arranged by Philip Sparke. Edu...(+)
Trumpet - intermediate SKU: BT.AMP-091-400 Arranged by Philip Sparke. Educational Tool. Book with CD. Composed 2004. 24 pages. Anglo Music Press #AMP 091-400. Published by Anglo Music Press (BT.AMP-091-400). ISBN 9789043153362. English-German-French-Dutch. In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.
Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.
Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Joy Of First Classics Book 2 Piano solo [Sheet music] - Easy Music Sales
Selected and edited by Denes Agay. Book. Published by Music Sales. (YK20568) B...(+)
Selected and edited by Denes Agay. Book. Published by Music Sales. (YK20568)
By popular demand, a second volume of piano pieces for the beginner and early grade pianist has been compiled by Dr. Agay. Contains rare, original keyboard miniatures of three centuries, some of which have not been in print before.
(1)$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M). ISBN 9781736363058. 8.75x11.75 inches. A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songbook for Home Use: Anthology Songs for Voice and Piano, Boo Piano, Voice PWM (Polskie Wydawnictwo Muzyczne)
Piano Accompaniment; Voice (Voice and Piano) SKU: HL.346309 An Antholo...(+)
Piano Accompaniment; Voice (Voice and Piano) SKU: HL.346309 An Anthology Songs for Voice and Piano Book 4. Composed by Stanislaw Moniuszko. PWM. Classical. Softcover. 102 pages. Polskie Wydawnictwo Muzyczne #10315. Published by Polskie Wydawnictwo Muzyczne (HL.346309). ISBN 9781540093851. UPC: 840126923711. In composing songs, which Moniuszko wrote from his youth to the end of his life, he was guided by a definite idea. He wished to present Polish society with national, Polish songs, which could occupy an important place in the everyday life of the Polish people, so displacing imported trash. In a similar way Jozef Ignacy Kraszewski, with an extensive and comprehensive series of novels, supplanted the French romance, so popular, especially with contemporary ladies. Having composed a considerable number of songs, Moniuszko conceived the idea of publishing them in separate books under one general title: Songbook for Home Use. The title of this collection is significant evidence of the composers intention: these songs are to be used at home by every and any body in all the different circumstances of everyday life. They should suit the different moods and needs of the heart, so resulting in rich diversity. [Witold Rudzinski]. $28.99 - See more - Buy online | | |
| Songbook for Home Use: Anthology of Songs for Voice and Piano, Piano, Voice PWM (Polskie Wydawnictwo Muzyczne)
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.346307 An Antholo...(+)
Piano Accompaniment; Vocal (Voice and Piano) SKU: HL.346307 An Anthology of Songs for Voice and Piano Book 3. Composed by Stanislaw Moniuszko. PWM. Classical. Softcover. 118 pages. Polskie Wydawnictwo Muzyczne #10225. Published by Polskie Wydawnictwo Muzyczne (HL.346307). ISBN 9781540093837. UPC: 840126923698. In composing songs, which Moniuszko wrote from his youth to the end of his life, he was guided by a definite idea. He wished to present Polish society with national, Polish songs, which could occupy an important place in the everyday life of the Polish people, so displacing imported trash. In a similar way Jozef Ignacy Kraszewski, with an extensive and comprehensive series of novels, supplanted the French romance, so popular, especially with contemporary ladies. Having composed a considerable number of songs, Moniuszko conceived the idea of publishing them in separate books under one general title: Songbook for Home Use. The title of this collection is significant evidence of the composers intention: these songs are to be used at home by every and any body in all the different circumstances of everyday life. They should suit the different moods and needs of the heart, so resulting in rich diversity. [Witold Rudzinski]. $33.00 - See more - Buy online | | |
| FastTrack Drum Method - Book 2 - French Edition Drums [Sheet music + CD] Hal Leonard
Fast Track Music Instruction. Book and CD Package. Size 9x12 inches. 48 pages. P...(+)
Fast Track Music Instruction. Book and CD Package. Size 9x12 inches. 48 pages. Published by Hal Leonard.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Magolt Classic Hits;treb.rec. - Easy Schott
1-2 Treble Recorders (NOTEN+CD) - easy SKU: HL.49033175 Composed by Magol...(+)
1-2 Treble Recorders (NOTEN+CD) - easy SKU: HL.49033175 Composed by Magolt. Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Beliebten klassischen Melodien in der erfolgreichen Magolt-Reihe: so konnen auch Alt-Blockflotenspieler die bekanntesten Ohrwurmer der Klassik zum Orchester-Playback der CD selbst mitspielen. Edition with CD. 24 pages. Schott Music #ED 9575-50. Published by Schott Music (HL.49033175). ISBN 9783795756307. 7.5x10.75x0.129 inches. German - English - French. Here is the long-awaited volume of popular classical melodies in Magolt's successful series. Now recorder players can also enjoy playing through the best known catchy tunes in classical music for themselves with an orchestral accompaniment on CD. $20.99 - See more - Buy online | | |
| Love songs. Choral collection with CD Choral SATB Carus Verlag
SATB choir SKU: CA.221200 Love Songs. Composed by Various. Edited ...(+)
SATB choir SKU: CA.221200 Love Songs. Composed by Various. Edited by Frieder Bernius, Friedemann Luz. This edition: paperback. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus sheet music series: Choral collections, LIEDERPROJEKT. Chorbuch Liebeslieder. Secular choral music, Wedding. Choir Book. 128 pages. Carus Verlag #CV 02.212/00. Published by Carus Verlag (CA.221200). ISBN 9790007170776. In every century, love is probably the most frequently-celebrated theme. The choral anthology for the LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection. * ideal for concerts and weddings * 4-6 part settings, some with piano accompaniment * settings mainly in German, English, and French * contains popular and well-known compositions by composers including Brahms, Dowland, Gluck, Mendelssohn, Monteverdi, Morley, Purcell, Ravel, Tallis, and Tchaikovsky * with numerous new choral movements * with chansons, jazz standards and pop classics such as Autumn leaves, La vie en rose, Sehnsucht and many more * easy to medium difficulty * a CD with selected songs is included with the conductor's volume. $39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Liebeslieder Choral SATB Carus Verlag
Love Songs. Edited by Frieder Bernlus, Luz Friedemann. This edition: pape...(+)
Love Songs. Edited by Frieder Bernlus, Luz Friedemann. This edition: paperback. Liederprojekt. Secular choral music; Choral collections, Wedding. Choral collection. 104 pages. Published by Carus Verlag (CA.221205).
$22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Opera Omnia Ut Orpheus
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed...(+)
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4). ISBN 9790215318373. 9 x 12 inches. Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo
Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas. Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste. $214.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Watch What Happens Choral 3-part SAB Hal Leonard
Choral (SAB Choir) SKU: HL.118404 Composed by Michel Legrand. Arranged by...(+)
Choral (SAB Choir) SKU: HL.118404 Composed by Michel Legrand. Arranged by Mark A. Brymer. Jazz Chorals. Bossa Nova, Standard, Vocal Jazz. Octavo. 12 pages. Published by Hal Leonard (HL.118404). UPC: 884088898601. 6.75x10.5 inches. The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard, recorded by dozens of artists. You'll love the charming chromatic melodic theme of “watch what happens” when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm parts available digitally (gtr, b, dm). Duration: ca. 2:30. $1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Watch What Happens - ShowTrax CD Choral CD Hal Leonard
Choral (ShowTrax CD) SKU: HL.118407 Composed by Michel Legrand. Arranged ...(+)
Choral (ShowTrax CD) SKU: HL.118407 Composed by Michel Legrand. Arranged by Mark A. Brymer. Jazz Chorals. Bossa Nova, Standard, Vocal Jazz. CD only. Published by Hal Leonard (HL.118407). UPC: 884088898632. 5x5 inches. The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard, recorded by dozens of artists. You'll love the charming chromatic melodic theme of “watch what happens” when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm parts available digitally (gtr, b, dm). Duration: ca. 2:30. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Upriver Concert band [Score] Theodore Presser Co.
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Compo...(+)
Band Concert Band SKU: PR.465000130 For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130). ISBN 9781598064070. UPC: 680160600144. 9x12 inches. Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’. In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,†for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,†and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Springâ€) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pierrot's Bon Voyage String Orchestra [Score] - Beginner Carl Fischer
By Joseph Compello. Arranged by Joseph Compello. For Full Score. Carl Fischer Be...(+)
By Joseph Compello. Arranged by Joseph Compello. For Full Score. Carl Fischer Beginning String Orchestra Series. Grade 1. Full Score. Published by Carl Fischer
$6.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Best Of Richard Clayderman Piano solo Amsco Wise Publications
Piano SKU: BT.MUSAM982861 Composed by Richard Clayderman. Ballad. Book On...(+)
Piano SKU: BT.MUSAM982861 Composed by Richard Clayderman. Ballad. Book Only. Wise Publications #MUSAM982861. Published by Wise Publications (BT.MUSAM982861). ISBN 9781846090561. The French superstar with a recording career that stretches from the mid-seventies to the present day. Clayderman's romantic Piano solos and irresistible melodies have enchanted audiences and Piano fans for many years, andthisbook of Piano solos features his best-loved melodies, as well as transcriptions of of his own reworkings of popular classics. Includes Don't Cry For Me Argentina and All By Myself. This book is speciallyproducedwith Lay-Flat pages that are designed to sit easily at the Piano. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Great Themes: French Horn
Solo: Instrumental Album
French horn [Sheet music + CD] - Easy Hal Leonard
Instrumental Play-Along-All your favourite instrumental themes are in this super...(+)
Instrumental Play-Along-All your favourite instrumental themes are in this superb collection for soloists! The 15 themes include Hollywood hits like ?Axel F? from Beverly Hills Cop and ?Bella's Lullaby? from Twilight; inspirational sports anthems like ?Bugler's Dream? (Olympic Fanfare) and ?Chariots of Fire?; as well as popular TV show theme songs from Hawaii Five-O and I Love Lucy. Includes a full-accompaniment play-along CD with tempo adjustment software.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Movie and TV Music for
Horn: French Horn Solo:
Instrumental Album French horn [Sheet music + Audio access] Hal Leonard
Instrumental Play-Along-Solo arrangements for 13 iconic themes from popular TV s...(+)
Instrumental Play-Along-Solo arrangements for 13 iconic themes from popular TV shows and movies are featured in this collection perfect for budding instrumentalists.It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound and then to play-along and sound like a pro!Includes themes from The Avengers ? Doctor Who XI ? Downton Abbey ? Game of Thrones ? Guardians of the Galaxy ? Hawaii Five-O ? Rey's Theme (from Star Wars: The Force Awakens) ? The X-Files and more.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Ultimate Movie
Instrumental Solo: French
Horn: Instrumental Album French horn [Sheet music + CD] - Easy Alfred Publishing
60 popular themes from the movies in arrangements for solo French Horn (level 2-...(+)
60 popular themes from the movies in arrangements for solo French Horn (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.
18.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Suzuki Bass School Cd,
Vol.1 Double Bass [CD] Alfred Publishing
Teach bass with the popular Suzuki Bass School. The CD features an exquisite ren...(+)
Teach bass with the popular Suzuki Bass School. The CD features an exquisite rendition of the bass part with piano accompaniment. Recordings by Gary Karr. / Contrebasse
26.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Maïté Etcheverry:
Villanelles: Harp:
Instrumental Work Harp [Livre] Edition Choudens
This collection of 15 Medieval popular songs for Celtic Harp inspired by popular...(+)
This collection of 15 Medieval popular songs for Celtic Harp inspired by popular themes from Brittany and Ireland. Arranged by acclaimed French music teacher Ma té Etcheverry these Villanelles are apleasure to play and you'll love learning them. This beautiful Harp sheet music will put the pretty melodies and delicate harmonies of these Villanelles literally at your fingertips. Each songis arranged in standard notation with suggested fingerings making these Celtic-inspired tunes accessible to players of most abilities.? Audiences of all tastes will love listening to thesefascinating and unusual melodies. Whether you are performing or just practising you'll love playing?Ma té Etcheverry's Villanelles.
22.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| BERKLEE JERRY GATES -
ARRANGING FOR HORNS French horn [Sheet music + Audio access] Berklee
Write for a horn section! In this book, you will learn how to add saxophone...(+)
Write for a horn section! In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score. You will learn to: Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings Expand your harmony by using jazz chords Use brass mutes Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more ?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!? ?Hassan El Shafei, Artist/Record Producer ?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!? ?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice) ?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!? ?Mark Harrison, Keyboardist/Composer, Music Educator, and Author ?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.? ?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media) ?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.? ?Ben Newhouse, Composer and Educator / Partitions jazz
28.99 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Gordon Lewin: Twenty-two
Unaccompanied Pieces for
Saxophone: Saxophone: Saxophone ABRSM Publishing
Gordon Lewin's collection of pieces for saxophone Grades 3 to 6 combines a pop...(+)
Gordon Lewin's collection of pieces for saxophone Grades 3 to 6 combines a popular mix of original pieces arrangements and traditional songs from Bach Paganini and Rossini to folksongs. Selected for the ABRSM Alto and Tenor Saxophone examinations grades 4 5 and 6.
7.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Chanson d'amour
(GERLITZ CARSTEN (Arr) Piano solo [Sheet music + Audio access] - Easy Schott
16 Famous French Pop Songs. Par GERLITZ CARSTEN (Arr.). Paris, the city of love ...(+)
16 Famous French Pop Songs. Par GERLITZ CARSTEN (Arr.). Paris, the city of love and lovers: Sacré-Coeur, Place Pigalle, Pont Neuf - there is hardly any other city that is as associated with love as the metropolis on the Seine. Numerous romantic and melancholy love songs from France are played and sung everywhere. The most popular of them have now been selected and made into easy arrangements by Carsten Gerlitz in the tenth volume of the successful Schott Piano Lounge series. All pieces have been beautifully arranged and are provided as downloadable MP3 tracks, accessed with the voucher code provided in the volume.
Play a 'Chanson d'amour' to the person you love in a language that is understood by everyone: music! / Niveau : Facile - Intermédiaire / Date parution : 2022-02-12/ Recueil / Piano
29.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Alan Haughton: Tunes You
Know - Easiest
Arrangements For Piano:
Piano: Kevin Mayhew
The two new Tunes You Know books have been drawn from Alan Haughton's brand new ...(+)
The two new Tunes You Know books have been drawn from Alan Haughton's brand new Piano course Play Piano! They include popular and fun tunes such as the themes from Eastenders James Bond and The Flintstones allspecially arranged for the young beginner working towards Grade 1 standard.Aiken DrumCockles and musselsFrench folk songGirls and boys come out to playGo and tell AuntNancyJingle bellsLittle Bo PeepMary had a little lambMerrily we roll alongOde to joyOh dear what can the matter be?Pease pudding hotShepherd'sheySuper TrouperThe banks of the OhioThere were ten in the bedWhen the saints go marching inWinter
6.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Francis Poulenc: Nos
Souvenirs Qui Chantent:
SATB: Vocal Score Choral SATB SATB, Piano [Vocal Score] Leduc, Alphonse
This title is taken from the compilation French Songs And Choruses For Mixed-Voi...(+)
This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) This song clearly not originally intended for the classical concert stage is a pretty piece in an old-fashioned popular music style. It has the quality of a popular valse-musette the kind of waltz-song that might be heard in a Paris restaurant played by a group with an accordion. Accordingly it usually is missing from official lists of Poulenc's music. It is not included in either Poulenc's discussion of his songs Journal de mes mélodies or the book on interpreting them by his singing partner Pierre Bernac 'FrancisPoulenc: The Man and His Music'. Arranged for SATB by Stuart Nicholson.
4.50 GBP - Sold by Musicroom UK | |
| Wilson-Smith: All Jazzed
Up For F Horn: French
Horn: Instrumental Album Brass Wind Publications
A collection of extremely varied and well known songs - from the 1940's to 1980'...(+)
A collection of extremely varied and well known songs - from the 1940's to 1980's - covering jazz and light popular styles. These melodies are suited to the easy to intermediate grades with a careful allocation of note ranges to enable the young and developing embouchure (lip and facial muscles ) to play in a comfortable and musical manner. The pieces are arranged with attention to scalic and rhythmic development whilst giving the musical satisfaction of well known and simple songs such as the Pink Panther Theme. The lyrical O Sole Mio gives the opportunity of phrasing and breath control development whilst articulation and note recognition is provided by tunes like the jazzstandard Sweet Georgia Brown and the comic Odd Job. Chord symbols are provided in the accompaniment part for additional enhancement or ensemble with other rhythm instruments.
9.75 GBP - Sold by Musicroom UK | |
| Henri Tomasi: Le Petit
Chevrier Corse: Flute:
Instrumental Work Flute and Piano Leduc, Alphonse
French composer and conductor Henri Tomasi (1901-1971) composed Le Petit Chevr...(+)
French composer and conductor Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005.
10.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Michel Legrand: Watch
What Happens: Mixed Choir
a Cappella: Backing
Tracks Hal Leonard
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become ...(+)
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard recorded by dozens of artists. You'll love the charming chromatic melodic theme of ?watch what happens? when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 2:30.
29.40 GBP - Sold by Musicroom UK | |
| Michel Legrand: Watch
What Happens: Mixed Choir
a Cappella: Vocal Score Choral 3-part SAB [Vocal Score] Hal Leonard
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become ...(+)
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard recorded by dozens of artists. You'll love the charming chromatic melodic theme of ?watch what happens? when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 2:30.
11.25 GBP - Sold by Musicroom UK | |
| Michel Legrand: Watch
What Happens: Upper
Voices a Cappella: Vocal
Score Choral 3-part SSA [Vocal Score] Hal Leonard
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become ...(+)
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard recorded by dozens of artists. You'll love the charming chromatic melodic theme of ?watch what happens? when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 2:30.
11.25 GBP - Sold by Musicroom UK | |
| Michel Legrand: Watch
What Happens: Mixed Choir
a Cappella: Vocal Score Choral SATB [Vocal Score] Hal Leonard
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become ...(+)
The 1964 theme of the classic French film The Umbrellas of Cherbourg has become a popular jazz standard recorded by dozens of artists. You'll love the charming chromatic melodic theme of ?watch what happens? when you keep yourself open to finding love. Choirs of all levels will enjoy experiencing this interesting song along with developing style and skill. Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 2:30.
11.25 GBP - Sold by Musicroom UK | |
| Solos Duets & Trios for
Winds: Movie Favorites:
Horn: Instrumental
Collection French horn [Sheet music + Audio access] Alfred Publishing
Flexible arrangements for multiple combinations of wind instruments-Adaptable an...(+)
Flexible arrangements for multiple combinations of wind instruments-Adaptable and flexible to your unique needs Solos Duets
15.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Wonderful World of
Tchaikovsky for Violin &
Piano: Violin:
Instrumental Album Violin Kevin Mayhew
Wonderful World of Tchaikovsky for Violin and Piano-Russian composer Pyotr Ilyic...(+)
Wonderful World of Tchaikovsky for Violin and Piano-Russian composer Pyotr Ilyich Tchaikovsky’s works included symphonies concertos operas ballets chamber music and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most populartheatrical music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally which he bolstered with appearances as a guest conductor later in his career in Europe and theUnited States.Arranged by Andrew Moore for intermediate level Violin and Piano The Wonderful World Of Tchaikovsky includes Barcarolle Daydream Love theme from Romeo andJuliet Old French song Tears Theme from second movement of Symphony No 5 and Waltz from Swan Lake.
8.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
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