SKU: BR.OB-5542-15

3 Work Stages, 2 Versions, 1 Edition

,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

ISBN 9790004341711. 10 x 12.5 inches.

With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

3 Work Stages, 2 Versions, 1 Edition.

SKU: BR.PB-5566-07

3 Work Stages, 2 Versions, 1 Edition

,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

ISBN 9790004213766. 6.5 x 9 inches.

With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

3 Work Stages, 2 Versions, 1 Edition.

SKU: BR.OB-5542-19

3 Work Stages, 2 Versions, 1 Edition

,,… the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

ISBN 9790004341735. 10 x 12.5 inches.

With the new edition of the G-minor Symphony, a vital work group in Mozart's oeuvre is now complete: the three late symphonies K. 543, 550 and 551, now available in Urtext editions. As in his new edition of the Hafner Symphony, Henrik Wiese uncovers in the present Breitkopf Urtext score three different stages in the genesis of the G-minor Symphony. Mozart initially wrote the work without clarinets (1st stage), and then he added the clarinets (2nd stage). Not until a final stage did he change the wind instrumentation in the Andante (3rd stage). Mozart thus returned to the 1st version again after completing the 2nd version (with clarinets). This advances the importance of the 1st version without clarinets as Fassung letzter Hand. A compelling insight which sheds new light on the famous G-minor Symphony. Both versions are of equal value and can now be compared with one another, studied and, above all, performed for the first time ever thanks to the new score and parts.Another extremly practical aspect that should be noted: the orchestral parts offer solutions for all the problematic page turns for the first time ever (please see the sample pages of OB 5542 - Violin II.),,... the musical text is fine. This is a valuable improvement. (Clifford Bartlett, Early Music Review)

3 Work Stages, 2 Versions, 1 Edition.

SKU: BT.DHP-1104903-140

9x12 inches. English-German-French-Dutch.

This opening piece by Japanese composer Satoshi Yagisawa expresses joy, gratitude, hope and courage. The three sections are performed without interruption. We hear ‘Joy’ in the brilliant introduction, ‘Gratitude’ in the chorale-like middle section and ‘Courage and Hope’ in the closing section. A fantastic new addition to the Grade 4 repertoire for Concert Band.

Für das symphonische Blasorchester einer japanischen Schule schrieb Satoshi Yagisawa ein erfrischendes Eröffnungswerk, das Freude und Dankbarkeit und zugleich Mut und Hoff nung ausdrücken sollte. Das Ergebnis ist ein Werk aus drei ohne Unterbrechung zu spielenden Teilen: Auf eine brillante Eröffnung namens Joy folgt ein choralartiger Mittelteil, der mit Gratitude überschrieben ist. Der Schlussteil heißt Courage and Hope. Im Mittelteil wurde das Schullied in einem Choral im typischen Stil Yagisawas verarbeitet.

Voyage est une pièce en trois parties qui s’enchaînent sans interruption : une ouverture brillante et joyeuse (Joy), un passage central qui expose une mélodie sous la forme d’un choral (Gratitude), et un fi nale optimiste qui décline le courage et l’espoir (Courage and Hope). Voyage porte les prémisses d’un avenir prometteur.

Voyage è un brano in tre parti che s’intrecciano senza interruzione: un’ouverture brillante gioiosa (Joy), un passaggio centrale che espone una melodia sotto forma di un corale (Gratitude) e in finale impregnato di ottimismo che rappresenta il coraggio e la speranza (Courage and Hope).

SKU: BT.DHP-1104903-010

9x12 inches. English-German-French-Dutch.

This opening piece by Japanese composer Satoshi Yagisawa expresses joy, gratitude, hope and courage. The three sections are performed without interruption. We hear ‘Joy’ in the brilliant introduction, ‘Gratitude’ in the chorale-like middle section and ‘Courage and Hope’ in the closing section. A fantastic new addition to the Grade 4 repertoire for Concert Band.

Für das symphonische Blasorchester einer japanischen Schule schrieb Satoshi Yagisawa ein erfrischendes Eröffnungswerk, das Freude und Dankbarkeit und zugleich Mut und Hoff nung ausdrücken sollte. Das Ergebnis ist ein Werk aus drei ohne Unterbrechung zu spielenden Teilen: Auf eine brillante Eröffnung namens Joy folgt ein choralartiger Mittelteil, der mit Gratitude überschrieben ist. Der Schlussteil heißt Courage and Hope. Im Mittelteil wurde das Schullied in einem Choral im typischen Stil Yagisawas verarbeitet.

Voyage est une pièce en trois parties qui s’enchaînent sans interruption : une ouverture brillante et joyeuse (Joy), un passage central qui expose une mélodie sous la forme d’un choral (Gratitude), et un fi nale optimiste qui décline le courage et l’espoir (Courage and Hope). Voyage porte les prémisses d’un avenir prometteur.

Voyage; un brano in tre parti che s’intrecciano senza interruzione: un’ouverture brillante gioiosa (Joy), un passaggio centrale che espone una melodia sotto forma di un corale (Gratitude) e in finale impregnato di ottimismo che rappresenta il coraggio e la speranza (Courage and Hope).