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The Dream Of Gerontius (ELGAR EDWARD)
Solistes, Choeur SATB et Piano
Carus Verlag
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the f...
(+)
Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar’s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at him briefly, then faces the purgatorial fire of salvation confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the Angel, and the three impressive solo parts. All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally. / Date parution : 2022-05-31/ Répertoire / Solistes, Choeur SATB et Piano
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
144.99 GBP - Sold by Musicroom UK
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Andrew R. Mackereth: Hymnus: Fanfare Band: Score
Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...
(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
22.99 GBP - Sold by Musicroom UK
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New Busker's Fakebook 1001 All-Time Hit Songs
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Easy
Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...
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The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
89.80 EUR - Sold by LMI-partitions
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Rudolf Tulácek: Three Pieces For Double Bass and Piano: Double Bass:
Recital Music
Three characterful lyrical and enjoyable solos written in the salon style of th...
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Three characterful lyrical and enjoyable solos written in the salon style of the late 19th-century and allowing the solo double bass to sing throughout the range of the instrument. Tulacek studied composition with Dvorak and his music echoes the Czech nationalist style always melodic tuneful and graceful. Newly typeset in 2009 this edition also includes piano accompaniments for both solo and orchestral tunings. 'This music displays the old-fashioned sentimental romanticism typical of the salon music of the early 20th-century. All three deliciously lyrical pieces are in simple ABA song form.' (ISB) Grade 8 - Trinity-Guildhall /ABRSM Rudolf Tulacek was one of the leading Czech double bassists of his generation and was a respected and influential teacher at the Janacek Academy of Music in Brno. He was born in Jicin Bohemia on 25 August 1885 and began to study the double bass at the age of eleven having already studied flute and violin. So rapid was his progress that he soon became a member of the Jicin Municipal Orchestra and in 1901 entered the Prague Academy of Music to study with Frantisek Cerny one of the Czech capital's leading bassists and teachers. Tulacek graduated in 1907 with the highest commendations from his professors performing the Geissel Concerto at his public graduation concert and in 1909 was offered the post of Solo Bassist in the Zagreb Opera Orchestra. From 1920 he was also a Professor at the Zagreb State Academy of Music and subsequently became Concert-Master of the Zagreb Philharmonic. His many recitals attest to his perfect technique supreme musicality and complete command of the instrument and concerts included music by Cerny Dvorak Geissel Kukla Láska Misek Simandl Stein and Tenaglia alongside his own compositions. In 1937 Tulacek became Professor of Double Bass at the Brno Academy of Music and in 1948 became the first Double Bass Professor at the newly founded
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The Flûte Audition
Flute
Universal Edition
The New Essential Companion. Henrik Wiese, the internationally renowned orchestr...
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The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière
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Theodor Grigoriu: Hommage À Enesco: Violin: Score
ENS/VLN::Ensemble d'cole/Violon
[Sheet music]
Editions Musicales Transatlantiques
Written five years after the death of the composer the work reflects a powerful ...
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Written five years after the death of the composer the work reflects a powerful wish for an imaginary dialogue with a great creator; Upon learning the sad news coming from Paris in 1955 the plan of the work took shape quite soon but the work on the score itself materialized only in 1960 after a long period of gestation. Homage to Enescu has three parts – Prelude Melopoeia Polyphony – or three attitudes: one of awe striking the composer upon entering a vast world another of contemplation of its abyss and still another of lucidly returning to his work the only one capable of rendering him to his won artistic way. It was written forviolins alone (divided in four groups) whose numbers may be multiplied from 8 to 32. Instrumentally speaking Theodor Grigoriu intends an analysis of the rich color resources of the violin but also an investigation of Enescu’s unique original style of playing. The initial theme combines in the sense of an epiphany a monogram of the letters E.N.E.S.C.U. and two motifs from Octuor (Octet) and Chamber Symphony i.e. piece from youth and another from the end of his career both evoking a very characteristic Enescian Stimmung. E= mi / N = rest (in old neumes) / E = mi / S = si / C = do / U = do (ut) Ionel Perlea`s brilliant interpretation during his 1969 concert tour turned the audiences’ attention to this work propelling it into the concert life.
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The Piano Solo Collection (BOSSO EZIO)
Piano solo
[Sheet music]
Hal Leonard
Par BOSSO EZIO. A brand new collection of solo piano pieces by Ezio Bosso from t...
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Par BOSSO EZIO. A brand new collection of solo piano pieces by Ezio Bosso from the album The 12th Room, which combines original compositions with famous pages by Bach and Chopin, revisited by Ezio and included in the suite Bach Was in Another Room (2-7), and by John Cage with In a Landscape. The collection is completed by three pieces belonging to three other projects: Six Breaths (2009), Music For Weather Elements (2010-11), Seasong 1 to 4 and Other Little Stories (2011)./ Recueil / Piano
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Betty Hager Daniel Sharp: Three Wee Kings: Mixed Choir: Vocal Score
[Vocal Score]
Fred Bock Music Company
In this imaginative children's Christmas musical talking stars lions lambs an...
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In this imaginative children's Christmas musical talking stars lions lambs and shepherds all think that the King of Kings will be one of their own kind since the Bible calls Him 'the Bright and Morning Star ' 'the Lion ofJudah ' 'the Lamb of God ' and 'the Good Shepherd.' Three very small kings discover the true King of Kings a tiny baby and tell everyone the news. 'Three Wee Kings' features several familiar tunes plus new songs. Available:Director's Edition Singer's Edition Accompaniment Track CD Listening CD Preview Pak (Singer's Edition and Listening CD) and Singer Edition 5-Pak.
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Betty Hager Daniel Sharp: Three Wee Kings: Mixed Choir: Score
Fred Bock Music Company
Director Edition-In this imaginative children's Christmas musical talking stars...
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Director Edition-In this imaginative children's Christmas musical talking stars lions lambs and shepherds all think that the King of Kings will be one of their own kind since the Bible calls Him 'the Bright and Morning Star ' 'the Lion ofJudah ' 'the Lamb of God ' and 'the Good Shepherd.' Three very small kings discover the true King of Kings a tiny baby and tell everyone the news. 'Three Wee Kings' features several familiar tunes plus new songs. Available:Director's Edition Singer's Edition Accompaniment Track CD Listening CD Preview Pak (Singer's Edition and Listening CD) and Singer Edition 5-Pak.
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The French Song Anthology Complete Package: Vocal Solo: Vocal Collection
Hal Leonard
Book/Pronunciation Guide/Accompaniment CDs The Vocal Library-The largest most c...
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Book/Pronunciation Guide/Accompaniment CDs The Vocal Library-The largest most comprehensive collection of French art songs ever published with 60 songs by 24 composers. This wonderful anthology with newly researched editions in clean new engravings includes interesting notes about thecomposers poets facts about the composition and performance history for each song and new line-by-line translations for study. Some songs are published in transpositions for the first time. This is the ideal collection forteachers to assign to voice students. Includes the complete Le Bestiaire (Poulenc) and Five Greek Songs (Ravel).This complete edition includes the original Anthology plus the Pronunciation Guide (with twoCDs) and the three piano accompaniment CDs. The accompaniment CDs also include tempo adjustment and transposition software for CD-ROM computer use in addition to standard audio files.
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Singers Library Mus Thr2 Sop Bk&CD
Piano, Voice
[Sheet music + CD]
Hal Leonard
For aspiring and professional singers who love Broadway, Alfred's Singer's Libra...
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For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: All for You (Saturday Night) * Autumn (Starting Here, Starting Now) * Ballad of Dependency (The Threepenny Opera) * The Boy Friend (The Boy Friend) * Bring on Tomorrow (Fame -- The Musical) * Goodbye, Little Dream, Goodbye (Anything Goes 1988 Revival) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm a Stranger Here Myself (One Touch of Venus) * Jilted (Of Thee I Sing) * Just Imagine (Good News) * A Little Bit in Love (Wonderful Town) * A Little Bit of Good (Chicago) * Long Ago (Half a Sixpense) * Love in a Home (Lil' Abner) * Love Is Sweeping the Country (Of Thee I Sing) * Mira (Carnival) * My Love Is on the Way (The Golden Apple) * My Man's Gone Now (Porgy and Bess) * Once Upon a Dream (Jekyll & Hyde) * Only Love (Scarlet Pimpernel) * Patterns (Closer Than Ever) * Practically Perfect (Mary Poppins -- Stage Version) * Romance (The Desert Song) * Safety in Numbers (The Boy Friend) * The Sailor of My Dreams (Dames at Sea) * Some Other Time (On the Town)* The Sun Whose Rays Are / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano
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Fundamentals (OKAZAKI MILES)
Guitar
[Sheet music]
Mel Bay
Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skil...
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Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare
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Claude Debussy: Images - 1st Series: Piano: Instrumental Album
Piano solo
Barenreiter
Debussy confidently wrote to his publisher Jacques Durand in August 1905:?I beli...
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Debussy confidently wrote to his publisher Jacques Durand in August 1905:?I believe without unwarranted vanity that these three pieces will prove to be good and that they will take a prominent place in the literature of piano music ? to the left of Schumann or to the right of Chopin ? as you like it?. Debussy?s ?Images? already popular during Debussy?s lifetime delight with their iridescent tone colour and dazzling harmonies ?which reflect the newest discoveries in harmonic chemistry?. The virtuosic second series is notated throughout on three staves.In commemoration of Debussy?s 150th birthday Bärenreiter is publishing an Urtext edition of these piecesreflecting the most recent scholarship and source analysis. Clear presentation fingering by Tamara Stefanovich and valuable information on performance practice all offer optimal conditions for the study of the work.Urtext edition based on the most recent researchIncludes fingering by Tamara StefanovichWith a detailed foreword (Eng/Ger) and critical commentary (Eng)Tamara Stefanovich studied at the University of Belgrade at the Curtis Institute of Music and at the ?Hochschule für Musik und Tanz? in Cologne. She has performed with the Cleveland Orchestra the London Philharmonic and the Chicago Symphony Orchestra under conductors including Esa-Pekka Salonen Vladimir Jurowski and Pierre Boulez and has recorded for Deutsche Grammophon. She performed Debussy?s ?Images I? and ?II? in 2011 for the ?Klavier-Festival Ruhr?. Together with Pierre- Laurent Aimard she prepared the fingering for the ?Klavier-Festival Ruhr? Bärenreiter Piano Album (BA 9659).
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Operaria Baritone
Baryton
[Sheet music + CD]
Breitkopf & Härtel
Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited b...
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Vol. 1: Lyric. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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Threes - 3 Violins
Boosey and Hawkes
Instrumentation : 3 violins Contenu : Hop, Skip and Jump - Wynken, Glynken and...
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Instrumentation : 3 violins Contenu : Hop, Skip and Jump - Wynken, Glynken and Nod - Ready, Steady, go - Ding Dong Bell (Round) - Three Wise Man of Gotham - Three Men in a Boat - Butcher, Baker, Candlestick-Maker - Red, Amber, Green - Fiddlers Three (Round) - Rock, Rock, Bubbly Nombre de pages : 8 Langue : English Format : New Edition portrait
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Steve Bailey Victor Wooten: Steve Bailey & Victor Wooten: Bass Extremes Live:
Bass guitar
Alfred Publishing
Showcasing the tremendous often unrealized potential of the bass guitar Steve ...
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Showcasing the tremendous often unrealized potential of the bass guitar Steve Bailey and Victor Wooten have put together this version of their groundbreaking Bass Extremes album/book project now available on DVD for the first time ever. Steve and Victor demonstrate how the bass guitar can supply bass lines piano and guitar-like comping figures lead solos and percussion parts in styles ranging from bebop to new age and heavy metal. Each piece highlights different aspects of their amazing techniques - like Steve's three-finger technique or his awe-inspiring command of harmonics and chord voicings or Victor's incredible funk grooves or his thumb and two-handedtapping techniques. Between each performance segment Steve and Victor walk you note-for-note through the licks and techniques that make up each song explaining and demonstrating everything at slow speeds.
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Poco Piano For Young Children - Book 2: Piano: Instrumental Tutor
Piano solo
Alfred Publishing
With its highly attractive full-colour age-appropriate layout Poco Piano For ...
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With its highly attractive full-colour age-appropriate layout Poco Piano For Young Children encourages young children to take the first steps on a difficult but thoroughly rewarding journey. Together with the Music Theory for Young Children books the Poco Piano For Young Children series leads the child from the very beginning to grade 1 level. Poco Piano for Young Children includes exercises to help the child develop technique rhythm and reading and it involves the child in activities such as pasting colouring tracing circling and clapping. In Book 2 three new notes in each handare mastered (up to Treble High C and down to Bass Low C) and the child experiences changes of hand position within a tune. Quavers are introduced in all the time signatures covered in Book 1. Sharps and flats are included but no mention is made yet of keys key signatures scales or triads. Dynamic markings are now in Italian while tempo indications are still in English.
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Romanza Sin Palabras (CASABLANCAS BENET)
Petit Orchestre
[Score]
Union Musical Ediciones
Homage to Enric Granados. Par CASABLANCAS BENET. The present work was commission...
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Homage to Enric Granados. Par CASABLANCAS BENET. The present work was commissioned by the Foundation for Iberian Music (Graduate Center of the University of New York) as a tribute to Enric Granados on the occasion of the composer's centenary celebration in New York. The general character of the piece, in which the cantabile register dominates, responds faithfully to its title (A Song without Words) and its form refers to a Lied arrangement in three parts. The first of these, in the form of a serene and contemplative introduction, gives way to more lively and agitated central episodes, whose rhythmic vivacity and scherzandi accents coexist with a certain dramatism, and where there is no lack of a passionate and luminous appeal to the name of Granados, in the form of a musical acrostic made up of the notes E-C (Enric) and G-A-D-(e)S (Granados). All this leads to the final part, of a more lyrical nature, which culminates in the concluding Andantino semplice, in the manner of a dreamed popular song and which constitutes the emotional climax of the work, which concludes on ecstatic resonances, until it fades into silence. The premiere of the work took place on 10 March 2016 at Elebash Recital Hall in New York by the Perspectives Ensemble, conducted by Ángel Gil-Ordóñez. The work is dedicated to Maneleta Domingo, María Lourdes Antràs and Virginia Casablancas. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre
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Bela Bartok: Mikrokosmos for piano Volume 5-6 BB 105: Piano Solo: Instrumental
Piano solo
EMB (Editio Musica Budapest)
Urtext (1932-1939). Bartók's Mikrokosmos has been one of the milestones in peda...
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Urtext (1932-1939). Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a "classical" piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from "Imitation and Inversion," "Ostinato," and "Free Variations," concerning compositional technique, to mood pieces and pieces with programmatic ideas such as "Notturno," "Boating," "From the Diary of a Fly," or the famous "Six Dances in Bulgarian Rhythm." Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók Complete Edition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos.
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Piano Treasury Of Hymns Cd
Piano, Voice
[Sheet music + CD]
-
Intermediate
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Duck Baker: Complete Fingerstyle Gospel Guitar: Guitar Solo: Instrumental
Guitar notes and tablatures
[Sheet music + Audio access]
Mel Bay
Solo Collection. This definitive volume of gospel music arranged for fingerstyle...
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Solo Collection. This definitive volume of gospel music arranged for fingerstyle guitar is sure to become a classic. Duck Baker has applied his expertise as a guitarist and musicologist to produce a labor of love and scholarship that will delight performers and audiences alike. Various facets of religious folk music are presented with generous performance/historical notes and vintage photographs. More than 50 tunes are presented in both notation and tablature with the majority of arrangements in standard guitar tuning. The online audio consists of performances of 24 of the arrangements in the book. One song features guitar and voice and the rest are guitar solos. The tunes represent a cross-section of the different guitar styles covered in the book. Includes access to online audio.
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Alan Bullard: Oxford Book Of Flexible Carols: SATB: Vocal Score
Choral SATB
[Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...
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The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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Philip Sparke: Three Extraordinary Journeys: Brass Band: Score & Parts
Brass ensemble
Anglo Music
A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commission...
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A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or ‘own choice’ contest piece.
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Philip Sparke: Three Extraordinary Journeys: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Anglo Music
A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commission...
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A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or contest piece.
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Philip Sparke: Three Extraordinary Journeys: Fanfare Band: Score
Marching band
Anglo Music
A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commission...
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A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or contest piece.
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Philip Sparke: Three Extraordinary Journeys: Concert Band: Score
Concert band
Anglo Music
A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commission...
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A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or contest piece.
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Philip Sparke: Three Extraordinary Journeys: Brass Band: Score
Brass ensemble
Anglo Music
A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commission...
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A Tribute to Jules Verne (1828-1905)-Three Extraordinary Journeys was commissioned to mark the centenary of the death of the famous author Jules Verne. Based on three novels from his Voyages Extraordinaires series of travel stories the music aims to capture the excitement and adventure of these famous books. A fantastic new major concert or ‘own choice’ contest piece.
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