SKU: HL.48186587
UPC: 888680884475. 9.0x12.0x0.066 inches.
Three Faces is a set of three pieces for Piano written by Odette Gartenlaub. These pieces are considered challenging and difficult and would fit advanced players. Very melodic, each of these three pieces covers 2 pages and they can be played separately. Winner of the Prix de Rome in 1948, Odette Gartenlaub (1922-2014) has written various works for orchestra, chamber ensemble and solo instruments such as 'For the Horn', 'Seven Little studies' or 'Five easy pieces for Flute and Piano' among others..
SKU: FJ.FJH2314
ISBN 9781619282391. UPC: 241444394656. English.
Playing Piano with Three Chords is an introduction to basic chord playing and hands-together playing written for the late elementary pianist. This collection features seasonal favorites that are harmonized with no more than three chords in easy key signatures. Titles include Snow Lay On the Ground; O Christmas Tree; Jingle Bells; Deck the Halls; Up On the Housetop; Silent Night; and eight others. A diagram of the basic chord progression is shown in the root position and then in the inversions used in the arrangement. Lyrics included.
SKU: HL.49008157
ISBN 9790001122702. UPC: 884088099671. 9.0x12.0x0.215 inches.
Playing with six hands means: voluminous sound in all registers, higher density and harmonic variety of chords without stepping beyond a moderate grade of difficulty in the individual parts. It also means fun for three, practising time-keeping and physical co-ordination as well as working together in a group, exchanging ideas, listening to and fitting in with others. Besides, it is also an excellent way of fitting large numbers of pupils into one recital. St. Anthony and the Three Chickens * The Sixties * Slow Minimal * Jazz Colours * Dolce Vita * Little Blues Fugue * Soundtrack * Gentle Swing * Rock Passcaille * Johnnie's Rondo.
SKU: HL.14016411
8.25x11.75x0.156 inches.
Composer's Note:
In writing these pieces I had in mind certain difficulties which worry most organists from time to time; and in order to combine, as it were, business with pleasure I thought it worthwhile to concentrate upon one aspect of organ technique in each piece, even at the risk of making them a little more difficult than others in this series.
In Procession the main difficulty lies in the pedals Arabesque, on the other hand could hardly have had a simpler pedal part: its object is to exercise the left hand in producing a smooth, running semi-quaver pattern Pageant with its cross-rhythms, is designed to produce well-disciplinedhands and feet that can, when required, work in conflicting rhythms.
I have kept the registration schemes as simple and straightforward as possible.
SKU: HL.50600530
UPC: 888680704391. 8.25x12.0x0.198 inches.
“I like the idea of exploring the dramatic, ritualistic side of music. In The Mirror With Three Faces, one can look at three different faces or roles of the same person or at three distinct personalities – each with its own face. Each character (i.e. instrument) may be isolated, in conflict, or in harmony with others and itself. This trio explores individuality and ensemble, harmony and conflict, one in three or three in one – that is the ambiguous nature of this work, structured in the form of a triptych.†(Lera Auerbach).
SKU: BT.CMP-0413-00-120
This exciting medley of American spirituals is sure to please! Mike Hannickel's carefully crafted THREE AMERICAN SPIRITUALS helps young bands develop those all-important listening skills. They'll hear how each tune contrasts and complements the others when “Go Tell It On The Mountainâ€, “Swing Low, Sweet Chariot†and “Who did Swallow Jo-Jo-Jonah†all come together in rousing counterpoint! THREE AMERICAN SPIRITUALS works wonderfully with the unpredictable instrumentation of so many youth bands, while it's contrapuntal nature allows every section to shine. THREE AMERICAN SPIRITUALS allows each parent to say honestly to their child I HEARD you play your part!Een levendige medley waarin drie spirituals contrapuntisch zijn verwerkt: Go Tell It on the Mountain, Swing Low, Sweet Chariot en Who Did Swallow Jo-Jo-Jonah. Elke instrumentgroep komt in Three American Spiritualstot z’n recht en het stuk is bijzonder geschikt om het gehoor van jonge muzikanten te trainen.Ein lebendiges Medley, das die drei bekannten amerikanischen Spirituals kontrapunktisch miteinander verbindet. Ein Stück, in dem jede Instrumentengruppe zu ihrem Recht kommt, welches überdies besonders geeignet ist, das Gehör der jungen Musiker zu schulen. Ãœberzeugend!
SKU: BT.CMP-0413-00-020
SKU: ST.H491
ISBN 9790220224874.
Organist Richard Hills introduces this reissue of a neglected Edwardian classic with a timely note on performance-style, the composer and his works. Varied in colour and mood, and written with an idiomatic command of the instrument, these Three Impromptus reinforce the impression of Coleridge-Taylor not only as a versatile presence on the Edwardian scene, but also as a composer whose music is an enduring part of our British musical heritage.
SKU: AP.36-A929501
ISBN 9781638875192. UPC: 735816239497. English.
When Max Reinhardt was engaged to direct a German language production of Shakespeare's Much Ado About Nothing at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title Viel Lärmen um Nichts did not open until May 6, 1920 at the Schönbrunn Palace Theater. In the pit, the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted a five-movement orchestral suite which garnered much praise when performed three months before the play's opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna's Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) arranged the most popular three items (1. Hornpipe; 2. Garden Scene; and 3. In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. This newly engraved edition of the Artok arrangement, offered with a new full score for the first time, has been completed by R. Mark Rogers. All editions noted above are available from the publisher. Instrumentation: 1.1.2.1: 2.2.1.0: Timp.Perc(2).Harm: Str (9.8.7.6.5 in set).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A929590
UPC: 735816239411. English.
SKU: FP.FTJ04
ISBN 9790570503902.
Three Salutes was written for the seventieth birthday of the composer Nicholas Marshall. The first performance in Great Britain was given on 29th September 2012, by the composer and the dedicatee, at the Temple Church, Budleigh Salterton, Devon, and the first overseas performance was given on 27th October 2012 at Kuwana City Hall, Mie Prefecture, Japan, by Hidehiro Nakamura and Yuka Sasaki.A Whirl received its first performance at Wakefield Cathedral on 15th February 1992 by the composer and Jonathan Bielby, in celebration of the marriage of Jonathan Bielby and Jayne Hall.John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth centuryconcert work for a fipple flute), Alan Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide. He was made a Fellow of the Royal Northern College of usic in 2002 for his services to British music and is a Distinguished Visiting Scholar of Manchester University.
SKU: ST.EC49
ISBN 9790220221613.
Complemented by Professor Strohm's facsimile edition of the entire source by the University of Chicago Press, the publication of eight Mass settings from the Lucca Choirbook is a signal contribution to our understanding of the dissemination of English music in fifteenth-century Europe. Only two are ascribed, to Walter Frye and Henricus Tik, but the insular provenance of the music is confirmed on grounds of style, repertoire and performance procedure. None of the Masses is preserved complete, but three are unica, and three others have been completed from concordances reflecting the significant influence of native-born composers on European music at this time.
SKU: AP.36-M303491
UPC: 660355185960. English.
These three early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Robert Burns: 1. Wilt Thou Be My Dearie?, 2. Ye Banks and Braes O' Bonnie Doon, and 3. My Luve is Like a Red, Red Rose.
SKU: ST.EC44
ISBN 9790220220296.
Surviving incomplete and published here for the first time, the mass Inclina cor meum deus includes an editorial tenor part. In three of the six surviving antiphons editorial additions likewise substitute for missing material, though three others are too incomplete for reconstruction. A detailed biographical note updates our knowledge of the composer's career in the light of recently discovered documentation from the churchwardens' accounts of St Margaret's, Westminster.
SKU: AP.36-A269801
ISBN 9798892704120. UPC: 659359671999. English.
This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. Wiegenlied (Lullaby), Op. 49, No. 4; Feldeinsamkeit (In Summer Fields), Op. 86, No. 2. A vocalist may be brought in to sing the solo along with the orchestra, though the solo vocal lines are also written into the instruments should a purely instrumental performance be preferred. Instrumentation: 2.2.2.2+CBsn: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Voice (opt.). Reprint edition.
SKU: LO.99-3972H
UPC: 000308152500.
Three choruses from Part I of Handel's Messiah have been skillfully arranged for women's ensembles. Each movement may be offered individually or combined with any of the others. Whether performed by a large or small ensemble, this extraordinary music will lift the spirits and enrich the lives of all who hear it!
SKU: AP.36-A269802
UPC: 659359546631. English.
SKU: AP.36-M107891
ISBN 9781628768800. UPC: 660355108723. English.
Written shortly after his Fourth Symphony, the Three Sonatinas, Op. 67, are Jean Sibelius's most successful piano works.
SKU: AP.36-M328691
UPC: 660355086960. English.
Songs: 1. For Me the Jasmine Buds (text by Florence Earle Coates), 2. Ecstasy (text by the composer), 3. Golden Gates (text author unknown, though it was published in a journal called Our Dumb Animals, which was published by the Massachusetts Society for the Prevention of Cruelty to Animals).
SKU: ST.AC94
ISBN 9790220216091.
CONTENTS Beautie sweet love (B flat - F) Care-charmer sleep (D - E) Let others sing of knights and palladines (D - E).
