The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington. Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song.What's great about Gitika Partington's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training, repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible. Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep and a huge favourite, Sway (Quien Sera). Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are.The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive introduction by Partington, as well as performance tips for each song and information on voice care and learning the tunes. It's a personal book for Partington, who is passionate about the power of music to bring people together, and enthusiastic about getting people who wouldn't believe they had the confidence or ability, to sing pop!Sing Pop A Cappella is a brilliant book for choirs of any type or size who would enjoy singing five incredible pop tunes without accompaniment. The fantastic sound of a group of people singing a well-known song in a completely new and interesting way is something that Gitika Partington knows well, and something that she wants to impart to groups across the country. Songs like this were made to be sung, so pick up Book Three and Sing Pop A Cappella! / Choeur Mixte (SATB) Et Piano

Evening-An incredibly beautiful work by well-loved Estonian composer Pärt Uusberg. The poem speaks of evening and of the images we associate with dusk and features tonalities that are both familiar and otherworldly. This will be a favourite of your singers.

Dans la lignée des groupes vocaux comme les Comedian Harmonists, les Frères Jacques, les Swingle Singers, j'ai écrit la musique et les paroles de ' She's so lovely ' en signe d'hommage à ces artistes qui apportent une grande qualité vocale à l'univers de ce que l'on a coutume d'appeler la chanson. / Choeur A Cappella

What Else Can I Play? Alto Saxophone Grade 3 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to breathing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment.  Each book in the What Else Can I Play? series presents carefully graded pieces with a variety of musical styles ranging from classical and jazz through to showtunes and popular songs. This series will bring enthusiasm to learning your instrument and provide an entertaining alternative for those pupils who are working towards, or have recently completed exams. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano

The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming. The emotional longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

Edited by Geoffrey Bush and Michael Hurd Four glees and madrigals by Pearsall, Stafford, Smith, Walmisley and S. Wesley. SSATB CONTENTS PEARSALL, R.L. Why weeps, alas! my lady-love STAFFORD SMITH, J. Blest pair of sirens WALMISLEY, T.A. Sweete floweres! ye were too faire WESLEY, Samuel O sing unto mie Roundelaie

South Korea and the United States have a beautiful relationship and share many values one of which is undeniably our love of great choral music. The tenderness and passion emerge effortlessly through the symbolic statements in this touching composition. The TTBB voicing was selected for the Randy Stenson Male Chorus Series whereas the SATB voicing was simply too great to pass up. Excellent for College Choirs medium to difficult.

The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition through various online and on-the-ground vocal music societies the ???a cappella market??? is well defined and well connected. Like singing itself a cappella is a global phenomenon.At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is thelong-awaited definitive work on the subject wide ranging both in its scope and in its target audience - which spans beginners music students and community groups to professional and semi-professional performers vocal/instrumental songwriters composers and producers - providing genre-specific insight on a cappella writing.The tone of the book is instructive and informative yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook - and a ???good read??? - for every vocal arranger whether amateur or professional; every vocal music classroom and any professional recording studio.

This a cappella collection of pieces for mixed choir by Eric Whitacre is the first available printed music compilation of its kind for the composer. The book includes pieces of varying difficulty wide-rangingin theme from the iconic Sleep and Water Night to the quietly angelic Lux Aurumque (Light and Gold) and the recent Nox Aurumque (Night and Gold). A Boy and a Girl and ThisMarriage are both wonderfully tender pieces and the inclusion of the early Go Lovely Rose marks the beginning of a journey through Whitacre's choral output from this first success to the present day.Eric Whitacre is a Los Angeles-based composer and conductor who is held in the highest esteem everywhere inspiring and motivating a new generation of singers and musicians. His music creates a visceral impassioned response in audiences and performers. In 2008 the all-Whitacre choral CD 'Cloudburst' released by the British ensemble Polyphony on Hyperion Records became and unexpected international best-seller topping theclassical charts and earning a Grammy nomination. The BBC raves that 'what hits you straight between the eyes is the honesty optimism and sheer belief that passes any pretension. This is music that can actually make yousmile'.

SATB Solo-The words from the 15th century are newly composed into a lilting carol-anthem of great simplicity and in just four parts. An optional fifth part enters towards the end with a glorious descant. This is a gem and you will love it!

A unique guide to teaching unaccompanied singing!Gitika Partington's a cappella arrangements are used by youth and community choirs around the world.Gitika believes in the sensational power of group singing bringing people together to express joy and celebration through song. Not being able to read music is no obstacle and Gitika's tips and the original arrangements included here demonstrate just how rewarding and inclusive teaching a cappella by ear and gesture can be!Gitika Partington is a singer/songwriter vocal arranger teacher and choral director. She has an MA in choral education and holds many other musical qualifications. Sheruns regular 'popular and world style' singing workshops as well as national training sessions for adults and children. In addition she runs three adult community choirs where all the music is learned by ear and is mostly self arranged.One of Gitika's major loves is a cappella vocal arranging which she does for her three choirs and her vocal workshops. Her arrangements are used by youth and community choirs across the UK and internationally. This book contains the first of many of her arrangements she would like to share even more widely.She is a member of the Natural Voice Practitioner Network an organisation that believes in singing as a spontaneous way of expressing joy celebration and grief and as a medium for binding communities together. Gitika shares the network's belief that singing together should be available to all and is not about having 'a good voice'. All of her groups are non-audition and open to anyone who wants to sing.

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.