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European Companies
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| Start Up Piano - Romantic Pop Piano solo - Easy Bosworth
Piano - easy SKU: BT.BOE8011 20 Romantic Pop-Hits für KlavieranfÃÂ...(+)
Piano - easy SKU: BT.BOE8011 20 Romantic Pop-Hits für Klavieranfänger/innen. Arranged by Hans Gunter Heumann. Start Up Piano. Pop & Rock. Book Only. Composed 2021. 72 pages. Bosworth & Co. #BOE8011. Published by Bosworth & Co. (BT.BOE8011). ISBN 9783954562824. German. 20 Romantic Pop-Hits für Klavieranfänger/innen Dieser Spielband aus der Serie Start Up Piano mit 20 Romantic Pop-Hits, die jeder gerne spielen möchte, richtet sich an Klavieranfänger/innen im 1. und 2. Unterrichtsjahr, ebenso an Autodidakten/innen. Akkorde wurden hier strikt gemieden, schwer zu spielende Rhythmen vereinfacht, aber dennoch dem Original nachempfunden. Die Spielstücke stehen in einfachen Tonarten bis zu einem Vorzeichen. Alles ist pädagogisch aufbereitet und mit Tempoangaben, Fingersätzen, Dynamik, Akkordsymbolen sowie dem Text versehen. Start Up Piano ist ein einfaches, unkompliziertes Spielvergnügen für Unterricht und Freizeit. Der ideale Begleiter mit einem breitgefächerten Repertoire für die Anfangszeit am Klavier. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| C. Hubert Parry: Jerusalem (Easy Piano No.26) Easy Piano - Easy Chester
Easy Piano (PIANO) - easy SKU: HL.14025060 Composed by Charles Hubert Has...(+)
Easy Piano (PIANO) - easy SKU: HL.14025060 Composed by Charles Hubert Hastings Parry. Music Sales America. Romantic, Traditional, 20th Century. Book [Softcover]. 4 pages. Chester Music #CH55526. Published by Chester Music (HL.14025060). UPC: 884088489045. 9.0x12.0x0.012 inches. Arranged for Easy Piano. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Espana Romantica. Anthology of Guitar Works by Spanish Masters of the 19th Century - Vol. 1: 26 Easy to Intermediate Pieces Guitar - Easy Ut Orpheus
Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 274. Publ...(+)
Edited by Mario Martino.
Saddle stitching. Classical.
Ut Orpheus #CH 274. Published
by Ut Orpheus
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| E-Z Play Today #200 - The Best Songs Ever (Revised)
Piano, Vocal and Guitar [Sheet music] - Easy Hal Leonard
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbo...(+)
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbook. With vocal melody, lyrics, chord names and big note notation. Traditional pop. Series: Hal Leonard E-Z Play Today. 208 pages. 9x12 inches. Published by Hal Leonard.
(7)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Klavier spielen - mein schönstes Hobby - Band 2 - Easy Schott
Keyboard (NOTEN+CD) - easy to intermediate SKU: HL.49033068 Die modern...(+)
Keyboard (NOTEN+CD) - easy to intermediate SKU: HL.49033068 Die moderne Klavierschule für Jugendliche und Erwachsene. Composed by Hans Gunter Heumann. This edition: Ring/Spiral binding. Sheet music with CD. Edition Schott. German Edition, Method. Edition with CD. 128 pages. Schott Music #ED 9399. Published by Schott Music (HL.49033068). ISBN 9783795756000. 9.0x12.0x0.664 inches. German. Whoever pursues piano playing as a hobby mostly focusses on two things: playing from music, with as wide a range of works from classical, pop and jazz music as possible, and playing without the book, i.e. the ability to accompany melodies with chords, play songs by ear and improvise freely. In this volume, both topics are dealt with thoroughly and systematically. Whereas most piano methods prefer either classical or popular music, both kinds of music are well-balanced herein.Clearly structured chapters cover a variety of interesting topics: the Baroque, Classical and Romantic eras, popular piano styles (e.g. ragtime, boogie, rock 'n' roll, pop ballad), the blues and the genres of opera, operetta and ballet. $31.95 - See more - Buy online | | |
| Coste -- Selected Works for Guitar Guitar Classical guitar Alfred Publishing
Composed by Napoléon Coste. Edited by Jeffrey McFadden. Book; C...(+)
Composed by Napoléon Coste.
Edited by Jeffrey McFadden.
Book; Classical Guitar
Folio; Masterworks. Alfred
Classical Guitar
Masterworks. Masterwork;
Romantic. 72 pages.
Published by Alfred Music
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Organ (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp...(+)
Organ (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-11 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 16 pages. Duration 75'. Breitkopf and Haertel #OB 16109-11. Published by Breitkopf and Haertel (BR.OB-16109-11). ISBN 9790004347362. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Violin 1 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - t...(+)
Violin 1 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-15 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-15. Published by Breitkopf and Haertel (BR.OB-16109-15). ISBN 9790004347379. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Violin 2 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - t...(+)
Violin 2 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-16 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-16. Published by Breitkopf and Haertel (BR.OB-16109-16). ISBN 9790004347386. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Violoncello (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 ...(+)
Violoncello (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-23 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 20 pages. Duration 75'. Breitkopf and Haertel #OB 16109-23. Published by Breitkopf and Haertel (BR.OB-16109-23). ISBN 9790004347409. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Viola (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp...(+)
Viola (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-19 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 28 pages. Duration 75'. Breitkopf and Haertel #OB 16109-19. Published by Breitkopf and Haertel (BR.OB-16109-19). ISBN 9790004347393. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dbl...(+)
Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.PB-16109 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; Softbound. Partitur-Bibliothek (Score Library). Requiem; Romantic; Late-romantic. Full score. 224 pages. Duration 75'. Breitkopf and Haertel #PB 16109. Published by Breitkopf and Haertel (BR.PB-16109). ISBN 9790004214367. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $88.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Double bass (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 ...(+)
Double bass (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str) SKU: BR.OB-16109-27 Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 16 pages. Duration 75'. Breitkopf and Haertel #OB 16109-27. Published by Breitkopf and Haertel (BR.OB-16109-27). ISBN 9790004347416. 10 x 12.5 inches. The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)
authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Play It Again: Piano Book 1 Piano solo Schott
The Perfect Way to Rediscover the Piano. Piano. Softcover. Schott Music #E...(+)
The Perfect Way to
Rediscover the Piano. Piano.
Softcover. Schott Music
#ED13935. Published by
Schott Music
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Play It Again: Piano Book 2 Piano solo Schott
The Perfect Way to Rediscover the Piano. Composed by Melanie Spanswick. Sc...(+)
The Perfect Way to
Rediscover the Piano.
Composed by Melanie
Spanswick. Schott.
Softcover. 120 pages. Schott
Music #ED13945. Published by
Schott Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| Alan Bullard: Pianoworks
Duets 2 4H.: Piano Duet:
Instrumental Album 1 Piano, 4 hands Oxford University Press
Pianoworks Duets 2 is the perfect resource for developing pianists to explore du...(+)
Pianoworks Duets 2 is the perfect resource for developing pianists to explore duet-playing. They'll develop balance playing in time and sight-reading while learning attractive and accessible arrangements in a huge variety of styles and genres including 'Spring' from Vivaldi's The Four Seasons Joplin's exuberant rag 'The Easy Winners' and the traditional Scottish song 'Afton Water'. In addition the collection contains several new and original gems by Alan Bullard the co-author of this celebrated series. 21 duets with parts of equal standard compiled and arranged for beginner to intermediate pianists (approx.Grades 3-5) Wide range of styles including Classical Romantic jazz folk and contemporary CD contains backing tracks of each part to allow solo practice Useful tips on style and technique and background information on every piece Perfect companion to Pianoworks Book 2 and Pianoworks Collection 2
13.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Library of Easy Classical
Guitar Solos: Guitar:
Instrumental Album Guitar notes and tablatures Classical guitar - Easy Music Sales
Library of Easy Classical Guitar Solos. A superb collection of easy and rewardin...(+)
Library of Easy Classical Guitar Solos. A superb collection of easy and rewarding classical guitar solos, each one carefully selected and arranged in modern notation and tablature for the beginning guitarist. Turn these pages to enjoy the greatest guitar music of the Renaissance, Baroque, classical, and Romantic periods. Excerpts from essential guitar methods by Aguado, Carcassi (Op. 60), Carulli, Giuliani (Opp. 50, 51) and Sor (Opp. 60, 48): traditional settings of timeless classics by Bach, Pachelbel, Beethoven, Paganini, Wagner and Mendelssohn: and recital and audition favorites by Galilei, Tárrega and Satie are all contained within these pages. Early masterpieces by Milan, Dowland, Sanz and de Visée are represented here, as well as rarer but equally delightful works by Bosch and Coste.
25.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| The Piano Treasury of
Easy Classical Music:
Piano: Instrumental Album Piano solo [Sheet music + CD] - Easy Music Sales
The Piano Treasury of Easy Classical Music. This tremendous piano collection con...(+)
The Piano Treasury of Easy Classical Music. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the beginning pianist who loves classical music. Includes inventions, preludes, fugues, minuets, sonata movements, nocturnes, waltzes, mazurkas, intermezzos, romantic short pieces, impressionistic works, and light classics, as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. Includes a CD with selected performances.
25.50 GBP - Sold by Musicroom UK Shipment: (stock) information on site | |
| Alan Bullard: Pianoworks
Collection 1: Piano:
Instrumental Album Piano solo Oxford University Press
30 easy pieces for the older beginner-A fantastic anthology compiled especially ...(+)
30 easy pieces for the older beginner-A fantastic anthology compiled especially for the older pianist. The collection is packed full of favourite pieces from a variety of different genres with thirty accessible arrangements for beginner pianists.A wide range of styles including Classical and Romantic favourites popular songs and show tunes traditional melodies Christmas carols easy contemporary pieces and original works by the authors. Includes useful tips on style and technique and informative background information on the pieces. Steady and graded progression helps to build confidence at the Piano. Perfect companion to Piano works.
11.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Accelerando - An
Introduction To The Oboe
For Primary School
Children Oboe Hofmeister Musikverlag
This introduction has been written for primary school children who have not prev...(+)
This introduction has been written for primary school children who have not previously studied another instrument. It is suitable for groubs as well as for individuals.Every new note is colour contrasted, thus ensuring easy recognition. Relaxed by illustrations the school precedes in small steps. Exercises such as writing music, transposing, and playing echoes can be added if the child's progress allows for it. Most of the musical pieces and songs in the book are either traditional or well-known pieces by composers of the Baroque, Classical and Romantic periods.Duets are included here and there to give the children anopportunity to practise playing together early on. / Hautbois
34.50 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Melanie Spanswick: Play
It Again: Piano Book 2:
Piano: Instrumental Tutor Piano solo Schott
The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would yo...(+)
The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would you like to play again? Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident ?former? piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). ?I used to play the piano??Aimed at ?returning? players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from ?Elementary? to ?Intermediate? and Book 2 taking you from ?Late Intermediate? to ?Late Advanced?. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it?s always useful to go ?back to basics?. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you?ll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying ?I used to play the piano?? but wish you still did then Play it again:
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Easiest Keyboard
Collection: Love Songs:
Keyboard: Mixed Songbook Melody line, (Lyrics) and Chords [Sheet music] - Easy Music Sales
The Easiest Keyboard Collection makes learning Love Songs as easy as possible. T...(+)
The Easiest Keyboard Collection makes learning Love Songs as easy as possible. This addition to the popular series features 22 timeless songs of adoration yearning and romance perfect forValentine's day. Ideal for the beginner looking to expand their repertoire with some beautiful and touching tunes this easy Love Song sheet music features such ballads as TheWind Beneath My Wings Try A Little Tenderness and Up Where We Belong. To make it as easy as possible for you to learn these before performing them for your nearest and dearest  each song includes chord symbols lyrics suggested voice rhythm and tempo. Easy-to-follow chord diagrams are grouped together at the start of each song and show all left-hand chord voicings used. The Easiest Keyboard Collection:Love Songs makes learning these lovelorn lullabies as simple as falling in love itself. As well as the traditional pop songs this songbook features the themes from Romeo & Juliet and LoveStory allowing you to add a touch of cinematic sensuality to your repertoire. As you learn these Love Songs you'll be able to master tunes like Lovin' You and Somethin' Stupid that soundjust as good as the original. The great melody-line arrangements will ensure you are ready to passionately perform them for your beloved. With a book like this you can judge it merely by its cover. Aromantic gesture that represents love is the essence of these Love Songs and with the Easiest Keyboard Collection you can be playing these immortal ballads and titanic romances in no time atall.
13.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Concert Pieces For Cello
And Piano Cello, Piano [Sheet music] Barenreiter
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Col...(+)
Edition no.: BA9695 ISMN: 9790006536580 Volume / Series: Bärenreiters Cello Collection Editor: Sassmannshaus, Christoph Instrumentation of the work: Violoncello, Piano Product format: Piano reduction, Part(s), Teaching material Includes the following individual parts: Violoncello, Piano Binding: Stapled Pages / Format: 32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan
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| Camille Saint-Saëns:
Oratorio de Noël (PA):
SATB: Vocal Score Soli, Choeur Mixte Et Orgue [Sheet music] Barenreiter
Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all...(+)
Owing to its Latin text Saint-Saëns? Christmas Oratorio has found admirers all over the world. Saint-Saëns avoids theatrical effects in his church music and relies almost entirely on homophonic choral writing. Here the operatic allusions so popular in his day have given way to a mixture of romantic élan and reminiscences of the Baroque. The subtitle reads ? dans le style de J. S. Bach? although the composer was unaware of Bach?s Christmas Oratorio.In this unusual form the oratorio of which the final movement is already a hit with many choruses is well-suited for performance during the Advent and Christmas seasons providing a welcome change fromBach.A ?discovery? for Christmas and Advent concertsRelatively simple choral writingSensitive organ arrangementThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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| 3 Letzte Motetten Concert Band/Harmonie [Score and Parts] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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| 14 Motetten (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
406.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| 3 Letzte Motetten Concert Band/Harmonie [Score] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
152.60 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
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