Instrumental Accompaniment Set-Musicological Journey Through The 12 Days Of Xmas. Set of instrumental accompaniment parts. Includes: Violin I and II Viola Cello Bass Harp Piccolo Flute I and II Oboe I II and III Bass Clarinet Bassoon I and II French Horn 1-4 Trumpet 1-3 Trombone 1-3 Tuba Timpani Percussion and Full Score.

Instrumental Accompaniment Set-Includes: Trumpet 1 and 2 Trombone 1 and 2 Orchestra Bells Timpani (D And F) Piano (plays from vocal score) and Full Score

SATB-Rhythmic...festive and joyful! Mark Brymer's seamless setting of these familiar carols and Christmas songs is inspired. Adding the (optional) children's choir for O Come Little Children will create a poignant moment forall. Suggested use: Christmas. Instrumental Pak (includes score and parts for Flute Oboe Horn 1 & 2 Trumpet 1 & 2 Trombone/Tuba Percussion Timpani Harp Violin 1 & 2 Viola Cello Bass Piano) and ChoirTrax CD alsoavailable.

From Benjamin Harlan here is a majestic treatment of the traditional HYFRYDOL hymn tune and Edward Osler text of praise with optional orchestra accompaniment. May be used for general worship or special services of praiseAvailableseparately: SATB and SAB. ChoirTrax CD also available. Instrumental ePak includes score and parts for Flute Oboe F Horn Bb Trumpet 1 2 Trombone/Tuba Percussion Timpani Violin 1 2 Viola Cello and String Bass.Performance Time: Approx. 2:45

Trumpet 1 & 2- Trombone 1 & 2- Handbells- Timpani-Joseph Martin gives choirs everywhere a “tour de force” for worship and sacred concerts with this energizing adaptation from the Psalms. This festival anthem can incorporate youth choirs and children's choirs for aspecial moment or it can be sung only by the chancel choir. This is a challenging anthem but well worth the effort. The brass and percussion supplemental accompaniment lifts the anthem to lofty heights. Distinctive!

Instrumental Accompaniment Set-Includes: Trumpet I and II Trombone I and II Orchestra Bells Timpani (D & F) Piano and Full ScorePiano plays from vocal score

From FROZEN-One of the most popular songs from the hit movie Frozen. Here is a skillfully arranged version for young players that's easy to learn and still maintains all the flavor and charm of the original. Instrumentation: Flute Oboe Bassoon Bb Clarinet (x 2) Bb Bass Clarinet Eb Alto Saxophone (x 2) Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet (x 2) F Horn B. C. Trombone/Baritone T. C. Baritone Tuba Percussion (x 2) Mallet Percussion Timpani.

Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2nd Flute) 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb Trombone/Tuba Descant/Tenor Recorder Treble Recorder Classroom Percussion Orchestral Percussion 3 Timpani Violin 1 Violin 2 Viola/Violin 3 Cello Double Bass Rhythm Guitars/Bass Guitar and Piano Duet. This is the score only. A score and set of parts isavailable under the code CH78001.

“Hail hail to the guiding Light that brought us tonight to our Savior!” From the new Selah album this energetic song is a driving anthem of upbeat praise and adoration. With its effortless rhythm this one reallysings! IPak includes score and parts for Flute 1 2; Oboe; Clarinet 1 2; Horn 1 2; Trumpet 1 2 3; Trombone 1 2 3/Tuba; Timpani; Percussion 1 & 2; Harp; Rhythm; Violin 1 2; Viola; Cello; String Bass; Keyboard StringReduction.

Instrumental Accompaniment Set-Contents: Full Score Flute 1-2 Oboe 1-2 Bb Clarinet 1-2 Bassoon 1-2 Horn 1-2 Bb Trumpet 1-2 Trombone 1-2 Tuba Percussion (Crash Cymbal Suspended Cymbal Snare) Timpani Harp and Strings

Orchester-Ballade-Hardback Complete Edition.Composed 1912-1014 The Fiddler’s Child is a mature work a dramatic ballad for solo Violin and Orchestra. It is scored for Flute (2) Oboe (2) Clarinet (in B-flat) (2) Bass clarinet Bassoon (2) Horn (3) Trumpet (2) Trombone (3) Tuba Harp Timpani Drums Strings.

Evis Sammoutis ' – Xylographies For Large Ensemble. Flute (=Piccolo=Alto Flute) Oboe (=English Horn) Clarinet In B Flat (=Bass Clarinet) Bassoon Horn Trumpet In B Flat Tenor Trombone Percussion (One Player: 2 Timpani 4 Woodblocks 2 Bongos Tam-Tam Wind Chimes Snare Drum 2 Suspended Cymbals Vibraphone And Crotales (Extension Of Vibraphone)) Piano Violin I Violin Ii Viola Violoncello Double Bass (Five Strings). Written For Klangforum Wien. Duration: 9'

The full score and parts as follows:5 x Violin I 5 x Violin II 5 x Violin III 5 x Violin IV 3 x Viola 3 x Cello 2 x Bass Flute Oboe 2 x Clarinet Bassoon Horn Trumpet in Bb Trombone Timpani

Introit and Benediction-Uses: Easter Eastertide Scripture: Mark 16:6; Matthew 28:6-10 A resurrection flourish is found in this useful service music set. An opening Introit for Easter sets the alleluias free with clariongestures. The choir dialogues effectively with the organ and optional brass. The final Benediction recalls the joy of the opening Introit and adds a festive punctuation of Easter praise. Available separately: SATB Brass (Scoreand parts for Trumpet 1&2 Horn Trombones 1-3 Timpani & Suspended Cymbal) StudioTrax CD. Duration: ca. 3:18.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be