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VLN/VLA/VLC/GTR::Violin, Viola, Cel… (4)
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VLN/VLA/VLC::Violin, Viola, Cello (4)
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B Flat, E Flat, C and Bass clef Ins… (4)
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Orgue Sans Pédale (2)
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Hohe/Mittlere/Tiefe Singstimme und… (2)
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Clarinette et Violon (2)
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2 Flûtes à Bec ou Violon (2)
2 Ou 4 Voix Mixtes Et Piano (Ou Org… (2)
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English Horn (2)
2 Flûtes à Bec Alto ou Flûte Tra… (2)
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4 Voix de Femmes (SSSA) et Ensemble (2)
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2 Flutes, Basso continuo (2)
Clarinette Bb et A (2)
Piano solo, Flûte Traversière Cla… (2)
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Soprano Saxophone and Piano (2)
Flûte à Bec Soprano ou Flûte Tra… (2)
Flûte Ou Violon Et Guitare (2)
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FLT/VLN/CONT::Fl?te Traversi?re/Vio… (2)
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Solistes (SAAATTTTBBB), Choeur Mixt… (2)
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Violin/Keyboard (2)
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Tenor Saxophone and Piano (2)
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2 Flûtes à Bec Alto, 2 Hautbois, … (2)
Klavier, Violine, Viola, Violoncel… (2)
Travaux Pour Choeurs (2)
Klavier und ein Instrument - Horn … (2)
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Choeur Mixte (SATB) Et Instrument(s… (2)
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2 Recorders, Basso continuo (trio) (2)
Partition D'Orchestre In 16 Poche (2)
VLN/ORCH::Violon, Orchestre (2)
Violon ou Violoncelle et Piano (2)
Concert band, Choral (2)
VLN/VLC/HARP::Violin, Cello, Harp (2)
2 Flûtes Traversières, Cordes Et … (2)
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Violon, Alto et Orchestre (2)
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2 Flutes, Violoncello (2)
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4 Flûtes à Bec Alto (2)
Trombone, Tuba (duet) (2)
Choral SSAATTBB (2)
Violon, Orchestre A Cordes Et Basse… (2)
Violine und Cembalo (Pianoforte), … (2)
3 ou 4 Violons et Piano (2)
Violon, Alto Et Orchestre A Cordes (2)
REC/VLN/ACDN::Fl–te … Bec, Viol… (2)
Klavier, 2 Hörner, Violine und Vi… (2)
FLT/GTR/VLA::Flute, Guitar, Viola (2)
Violon Et Petit Orchestre (2)
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Voix (Ou Récitant) Et Instruments … (2)
Flûte à Bec et Piano (2)
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2 Contrebasses et Piano (2)
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Violon et Ensemble (2)
Soprano voice, Piano (2)
Flûte A Bec Alto Ou Flûte Travers… (2)
Flûte Traversière ou Violon et Pi… (2)
Accompagnement Piano Pour Violon (e… (2)
REC/VLN/VLA/VLC::Fl–te … Bec, V… (2)
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VLN/PF::Violin, Piano (2)
Ensemble (3 ou plus instruments) (2)
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Violine (Flöte), Violine und Viol… (2)
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Flöte, Oboe, Violine und Basso co… (2)
Violoncelle et Brass Band (2)
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2 Violins / 3 Violins / 4 Violins (2)
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2 Violas, Piano (2)
Klavierauszug - Violine, Violoncel… (2)
VLN/SSAX/PFC::Violin/Soprano Saxoph… (2)
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ENS::Ensemble d'École (1)
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Flûte Et Hautbois Ou 2ème Flûte (1)
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VIOLIN DUET, VIOLIN & VIOLA, MIXED… (1)
Soprano, Clarinette, Violon et Pian… (1)
2 Flûtes Et Orchestre A Cordes (1)
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Instruments à Cordes et Orgue (1)
3 Flöte/ Violine/ Oboe, Basso con… (1)
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Orchester, Bläser, Soloinstrument… (1)
Flöte (Blockflöte / Violine) und… (1)
Contrebasse (Partie séparée) (1)
ENS/VLN::Ensemble d'cole/Violon (1)
FLT/VLN/PFC::Flûte Traversière/Vi… (1)
Violin, Electronics (1)
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Facsimilé (1)
FLT/CLT/VLN/VLA/VLC/PFC::Flûte T… (1)
TEN/FLT/VLN/VLC::Tenor, Fl–te Tra… (1)
Flute, Clarinet, Percussion, Piano,… (1)
For two Soprano, Tenor and Baritone… (1)
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Hautbois ou Violon et Piano (1)
Flûte Traversière, Hautbois, Viol… (1)
Baryton, 2 Violons, Violoncelle Et … (1)
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Violon Et Instruments Divers Avec A… (1)
Flûte Traversière ou Violon et Gu… (1)
Violon 3 (Partie Séparée) (1)
VLN/VLC/PFC::Violon, Violoncelle, P… (1)
Blasinstrumente / Klavier und Viol… (1)
VLC/VLN::Violoncelle, Violon (1)
Solo Avec Accompagnement De Cordes (1)
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Oboe, Fagott, Violine, Violoncello… (1)
ORCH::Chamber Orchestra (1)
TRIO/CHAM::Trio, Chamber Group (1)
Violon ou Flûte Traversière, Viol… (1)
Livres Education (1)
3 Flûtes à Bec [S,A,T] (1)
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2 Flûtes A Becs (1)
Flûte A Bec Alto (Flûte Traversi… (1)
Blockflöte, Violine, Violoncello … (1)
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Violon Et Instruments Divers (Avec … (1)
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CHAM/VLN/VLA/OB/BSN::Musique De Cha… (1)
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AFLT/CLT/BASS CLT/PFC/PERC/VLN/VLC:… (1)
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CLT/HN/PFC/VLN/VLA/VLC::Clarinette,… (1)
3 French horns (trio) (1)
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VLN/VLC::Violon/Violoncelle (1)
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2 Sopranos Et Contralto, Choeur A 4… (1)
Tenor voice (1)
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3 Instruments à Vent et Rhythm (1)
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FLUTE & PIANO, OBOE & PIANO, LYONS… (1)
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Violon Et Flûte (Ou Pardessus De V… (1)
Musique De Chambre Et Airs De Cour … (1)
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VLN/SATB::Violon, SATB (1)
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Concerto For Violin And Orchestra A Minor Bwv 1041
Violin and Piano
[Sheet music]
G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition
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Bent Sørensen: L'Isola Della Citta: Violin & Cello: Score
VLN/VLC/PF/ORCH::Violin, Cello, Piano, Orchestra
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
L'Isola Della Citta for Violin Cello Piano and Orchestra (2104-15) by Bent Sø...
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L'Isola Della Citta for Violin Cello Piano and Orchestra (2104-15) by Bent Sørensen. Commissioned by the Danish Radio Trondheim Symphony Orchestra and Trondheim Chamber Music Festival. Written for Trio con Brio Copenhagen.
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Violin Concerto D Major Op. 77
Violin
G. Henle
Facilement identifiable par son ISBN 9790201860053 cette pièce Violin Concerto ...
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Facilement identifiable par son ISBN 9790201860053 cette pièce Violin Concerto D major op. 77 appartient à la collection désormais incontournable Roesner, Linda Correll / Struck, Michael.Composée pour Violon par le célèbre compositeur Brahms Johannes ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Violon / Edition Complète
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Ferdinando Carulli: Trios op. 9/2 Heft 2: Flute & Violin: Instrumental Work
Deutsch
FLT/GTR/VLN::Flute, Guitar, Violin
[Sheet music]
Zimmermann
For Flute Violin and Guitar edited by Siegried Behrend.
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Britten B. - Phantasy Op.2 - Oboe, Violin, Viola And Cello
Oboe, Violin, Viola and Violoncello (Quartet)
[Study Score / Miniature]
Boosey and Hawkes
Quartet in one movement Edition : study score Instrumentation : oboe, violin, v...
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Quartet in one movement Edition : study score Instrumentation : oboe, violin, viola and cello Date of Composition: 1932 Duration : 15' Number of Pages : 22 Series : Hawkes Pocket Scores HPS 10
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Concerto D Major Op. 61 For Violin And Orchestra
Violin and Piano
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Niccolò Paganini: 24 Caprices for Violin Solo: Violin Solo: Instrumental Album
Violin
Lauren Keiser Music Publishing
Jascha Heifetz Version-Since their first publication by Ricordi in 1820 Paganin...
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Jascha Heifetz Version-Since their first publication by Ricordi in 1820 Paganinis Caprices Op. 1 have been sources of inspiration for many great violinists and composers. They have no equal either in beauty originality or difficulty of performance remarked the greatviolinist Ole Bull. However early editions on which most modern publications are based contain many errors as they were not proof read by the composer nor with his manuscript. Even since 1974 when the manuscript was finally published misprintspersisted in virtually every edition forcing players to rely on two or more editions. This was necessary to have both accurate notation that was more in line with Paganinis original intentions (Urtext editions) as well as useful technical markingssuch as fingerings and bowings later added by generations of master violinist. These practical editions however still contained many of the inconsistencies that were first introduced in the first and second printings. Now nearly two centuries later this edition finally offers violinists the best of both worlds uniting a newly-engraved Urtext violin part edited by Endre Granat with expert bowings and fingerings as practiced and taught by legendary violinist and Granats mentor Jascha Heifetz.
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Tartini G. - Quattro Sonate Per Violino
Violin
Armelin Musica
Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo ...
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Giuseppe Tartini (1692 - 1770) Quattro Sonate per Violino - Sonata Il Trillo del Diavolo (Bg5) per VL/BC - Sonata Didone Abbandonata (Bg10) per VL/BC - Sonata Senti lo Mare per (Be1) per VL/VC - Sonata La mia Filli (Ba3) per VL solo A cura di / Edited by Federico e Giovanni Guglielmo La pubblicazione è composta da: - Partitura - Parte di violino secondo le fonti originale - Parte di Violino con revisione violinistica - Parte del Basso La straordinaria riscoperta in tempi moderni della musica di Antonio Vivaldi è stata strettamente connessa sin dagli anni cinquanta dello scorso secolo alla meritoria prima edizione (più o meno completa) da parte dell?Istituto Italiano Antonio Vivaldi fondato da Antonio Fanna. In seguito, oltre ad avere pubblicato quasi la totalità delle composizioni del Prete Rosso l?Istituto veneziano ha corretto e attualizzato le sue più antiche edizioni alla luce delle nuove conquiste musicologiche e con una precisa attenzione a quelle che erano le istanze che provenivano dagli esecutori ?storicamente informati?. Giuseppe Tartini non ha goduto di altrettanta fortuna. Dopo alcune edizioni assai poco accurate (si potrebbe parlare piuttosto di reinterpretazioni, quali furono tra le altre quelle del leggendario violinista Fritz Kreisler e di Riccardo Zandonai), legate prevalentemente alla sopravvivenza ottocentesca di alcuni brani (in particolare il Trillo del Diavolo, la Didone Abbandonata e le variazioni L?Arte dell?Arco) nel corso del XX secolo poche edizioni davvero attendibili sono state date alle stampe, in primis quelle della collana a cura di Edoardo Farina e Claudio Scimone (Le opere di Giuseppe Tartini, Carisch) ma anche grazie all?azione isolata di violinisti (Giovanni Guglielmo) e musicologi (Enrica Bojan e Agnese Pavanello). Ancora oggi siamo ben lontani dalla possibilità di avere una moderna e completa edizione dell?opere del Maestro delle Nazioni anche se grazie all?instancabile lavoro di Sergio Durante e con l?istituzione del ?Comitato Tartini 2020? si intravedono nuovi slanci e grandi opportunità. La mancanza di edizioni attendibili per gli interpreti si è sovente riverberata sulle esecuzioni - fossero queste inserite in saggi scolastici, concorsi internazionali o recital dei più noti virtuosi - al punto che è stato quasi impossibile liberare le opere tartiniane da tutta una serie di istrionismi e di stilemi ottocenteschi che ormai si erano profondamente radicati alla percezione di queste opere. La presente edizione mira quindi non tanto a fornire una nuova edizione critica (talune, ottime, già esistono) di queste quattro Sonate che sono state scelte per la loro notorietà, rappresentatività e bellezza quanto piuttosto a garantire agli interpreti, siano essi giovani studenti o affermati professionisti, un testo coerente e corretto. Per questo motivo in aggiunta ad una parte di violino priva di segni interpretativi abbiamo ritenuto utile introdurre una seconda parte di violino con diteggiature ed indicazioni dinamiche che potranno essere di giovamento sia per gli interpreti ?tradizionali? che per quelli interessati alle prassi esecutive storiche. Federico Guglielmo
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Jan Kubelík: Menuett: Violin: Instrumental Work
Violin
Barenreiter
Jan Kubelik (1880-1940) is regarded as one of the most outstanding Czech Violin ...
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Jan Kubelik (1880-1940) is regarded as one of the most outstanding Czech Violin virtuosos. He studied Violin under Otakar Sevcik and composition under Josef Foerster Karel Knittl and Karel Stecker at the Prague Conservatory. After his studies he focused solely on his concert career.Kubelik made the Czech Violin tradition famous around the whole world and he was hailed as a new Paganini ( Paganini redivivus ). Nowadays his most played pieces are small compositions for Violin and Piano including this Minuet In An Old Style composed in 1930. They have been highly regarded for their perfect instrumental stylisation and the use ofpurely violinistic cantilena. 6 Violin concertos are set broadly rather like symphonies than concertos. Kubelik also composed Orchestral and Piano accompaniments for the works of Paganini (preserved in manuscripts) and cadenzas for numerous Violin concertos.
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Gaetano Pugnani: Six Sonatas Op. 4 - Vol. Ii (Kaufman): Violin Duet:
2 Violins (duet)
[Sheet music]
-
Intermediate/advanced
IMC (International Music Co.)
The second volume containing the final three of six terrific Sonatas for two Vi...
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The second volume containing the final three of six terrific Sonatas for two Violins by Italian composer Gaetano Pugnani. One of the leading Violinists of the late 18th century he was a strong and skillful player with adistinctive style and whose talents led to many developments of the bow and advancements in bowing technique that we know today. With great depth and drama these sonatas reveal Pugnani’s ability at composing music for the Violinand are works that display his brilliance.
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Barbara Barber: Scales for Young Violinists: Violin: Instrumental Tutor
Violin
Alfred Publishing
The 'prequel' to Barbara Barber's widely-used Scales for Advanced Violinists i...
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The 'prequel' to Barbara Barber's widely-used Scales for Advanced Violinists is here! Scales for Young Violinists is a user-friendly scale system which presents two-octave major melodic minor and harmonic minor scales with arpeggios. The first five Foundation Keys (C D E F G) introduce beginning double-stops in octaves 3rds and 6ths remaining in first position. One-octave scales in double-stop octaves 3rds 6ths and harmonics are presented in all twelve keys. Preparatory shifting exercises bowing and rhythmic variants a helpful circle of 5ths and progress chart make this the perfect beginning scale book for every Violinstudent.
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Oscar Rieding: Concertino in a minor op. 21 in Hungarian Style: Violin:
Violin
G. Henle
Concertino in a minor op. 21 in Hungarian Style for Violin and Piano-With this o...
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Concertino in a minor op. 21 in Hungarian Style for Violin and Piano-With this one-movement Concertino Oskar Rieding turns to already advanced students of the violin. Aside from playing in third position it also requires a considerable degree of dexterity and mastery of bowing. The Hungarian style??? mentioned in the title alludes to the fact that Prussian-born Rieding gave more than three decades of service at Budapest???s National Theatre. Its marked rhythms recall Hungarian folk music and will appeal to more spirited young violinists. The Slovenian Rieding specialist Maru?a Zupan i contributes an interesting preface on the little-known composer to this Urtext edition: the markings in the solo part are provided by the experienced violinistEvelyne Gr?b-Trauer.
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Violin Studies
Violin
Schott
The fourth volume of the Violinissimo series features the most important studies...
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The fourth volume of the Violinissimo series features the most important studies for the early years of violin lessons. Violin Studies contains selections from the standard works by Kayser, Dont, Wohlfahrt, Kreutzer and many others. This anthology is ideal for use in music lessons or for violinists who wish to develop their technique. / Violon
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Hector Berlioz: Rêverie Et Caprice: Violin
English
Violin and Piano
Faber Music Limited
Following the composition of Harold En Italie for Viola and orchestra in 1834 B...
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Following the composition of Harold En Italie for Viola and orchestra in 1834 Berlioz began work on the opera Benvenuto Cellini which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot the piece was quickly taken up by several celebrated violinists of the time including David Joachim and Wieniawski and was played all over Europe. This new edition for Violinand Piano by the musicologist and performer Neil Heyde is based on the first edition of the score.
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Ludwig van Beethoven: Beethoven - Two Sonatas for Violin and Piano: Violin and
Violin
[Sheet music + CD]
Music Minus One
Here are two of the greatest sonatas for violin and piano by Ludwig van Beethove...
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Here are two of the greatest sonatas for violin and piano by Ludwig van Beethoven. Cornerstone of chamber literature the ?Spring? sonata in F major and the ?Kreutzer? in A major share an enduring passionfrom violinists and listeners and are an essential element of every serious violinist's repertoire. This deluxe edition includes three CDs with a complete performance of each piece by virtuoso violinist Mario Hossen a stereobackground track played by the internationally renowned pianist Sung-Suk Kang and a -20% slow-tempo version of each accompaniment for ease of practice. Also features a newly engraved authoritative music book containing the soloviolin part edited by Mario Hossen printed on high-quality acid-free ivory paper.
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Carl Philipp Emanuel Bach: Sonatas Band 1: Violin: Instrumental Work
Violin
Wiener Urtext
Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp...
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Sonatas Wq 71-74 BWV 1036 Violinsonaten nach den Trios Wq 143-147-Carl Philipp Emanuel Bach's works for Violin and Harpsichord obbligato pervade his entire compositional oeuvre. The earliest works like the Sonata in D minor still numbered BWV 1036 date back to the years of study with his father yet show already a remarkable creative will of his own. The latest work the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the composer's highly expressive late style. The new two-volume edition of Wiener Urtext Edition contains C. P. E. Bach's complete works for Harpsichord (Piano) obbligato and Violin. Vol. 1 contains not only the sonatas Wq 71–74 and BWV 1036 but alsothe arrangements of the trios Wq 143–145 for Violin and Harpsichord most of which are included in C. P. E. Bach's autographs as well as a – previously ignored – early version of Wq 71 which like BWV 1036 grants a rare insight into the early works of the composer. Vol. 2 contains the four major sonatas of 1763 which already fascinated Johannes Brahms. Brahms not only played them in concert together with Joseph Hellmesberger but also published two of these sonatas in 1864. This volume concludes with the two late works 'Arioso' and 'Fantasie' of 1781 and 1787 respectively. With these works C. P. E. Bach bridged the gap between the late Baroque sonatas of his father and the early classical 'Klaviersonate mit begleitender Violine' [Piano Sonata with Accompanying Violin].
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Studi per violino - Fasc
Violin
[Sheet music]
Ricordi
dal grado elementare agli Studi di Kreutzer. Par . Studi per violino - dal grado...
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dal grado elementare agli Studi di Kreutzer. Par . Studi per violino - dal grado elementare agli studi di Kreutzer [Violin Études: from beginner level to Kreutzer?s Studies] is a carefully put together anthology of authors? studies designed to create a step-by-step but rapid path for young violinists that should allow them to successfully tackle both intermediate and advanced studies, leaving them well-prepared and with the ?equipment? necessary to confront various aspects of technique and performance practice. The consultation of original sources, and editorial and graphic criteria that make it easy to distinguish the editor?s additions from the original indications are a definite plus here, especially in light of the current emphasis on historically informed performance practice. / Date parution : 2022-04-12/ Etude / Violon
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Josef Suk: Melody: Violin Duet: Instrumental Work
2 Violins (duet)
Barenreiter
In 1892 Josef Suk (1874-1935) a mere 18 years of age contributed his piece Mel...
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In 1892 Josef Suk (1874-1935) a mere 18 years of age contributed his piece Melody to a collection of simple works for Violin (for two three or four Violins and for Violin with Piano accompaniment) called The Young Violinist published by the Prague-based firm Jos. R. Vilimek (several books issued per year).This short charming and technically undemanding piece for young violinists which is possibly more familiar to Czech audiences in arrangements for other combinations of instruments (Violin and Piano or solo Piano) was published once again in its original version for two Violins to mark the 70th anniversary of Suk's death(2005).The whereabouts of the autograph of this work is unknown; the editor of the new edition Zdenek Nouza based his revisions on the original carefully prepared edition from 1892. The bowings are Suk's own (he was an excellent violinist) but no fingerings have been added since the piece can be played by violinists of varying technical proficiency; first position alone would suffice however a fuller richer sound would be gained with greater mastery of the instrument.
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Felix Mendelssohn Bartholdy: Konzert In E: Violin: Instrumental Work
Violin
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Niccolò Paganini: Easy Paganini: Violin: Instrumental Work
Violin
De Haske Publications
Attainable for almost everyone-Paganini wrote virtuoso violin music that could o...
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Attainable for almost everyone-Paganini wrote virtuoso violin music that could only be played by a few musicians. However in this book celebrated compositions by Paganini have been adapted and simplified in such a way that they are playable for practically every violinist - without violating the character and the typical features of his music. Tours de force such as pizzicato in the left hand ricochet and harmonics are retained in a simplified form so the pieces in Easy Paganini still sound spectacular and are very violinistic. When it comes to technical requirements for the left hand the third position (with the occasional further extension) will suffice.
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Camillo Sivori: 12 Studi-Capricci Op. 25: Violin
Violin
Ricordi
per violino-The first modern edition of Sivori’s Capricci - the most impo...
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per violino-The first modern edition of Sivori’s Capricci - the most important violin piece after Paganini’s own Capricci - by Fulvio Luciani who first played them. This revised edition provides all the indications needed for its performance. Thenotes analyse Sivori’s extraordinary modernity - he was Paganini’s only student and also a world-famous violinist - and track the evolutions in taste and technical habits (of the violinists) by means of comparison with all the previous editions ofthe Capricci over the years. The Appendix contains versions of 3 Capricci accompanied by piano two of which being published for the first time.Introduction and notes in Italian.
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Canon And Gigue In D: Violin: Score and Parts
Violin, Basso continuo
[Sheet music]
G. Henle
Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of...
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Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular worktoday is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The followingshort gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works Pachelbel might have composed it during his time in Thuringia between 1677 and 1695.This pleasing work is also popular with amateur ensembles.
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Claude Debussy: Minstrels From Préludes I For Violin And Piano: Violin: Score
Violin and Piano
G. Henle
Aus Preludes I für Violine und Klavier-The first volume of Debussy?s Préludes ...
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Aus Preludes I für Violine und Klavier-The first volume of Debussy?s Préludes for Piano (HN 383) was published in 1910 and was soon followed by arrangements for various scorings commissioned by the original publisher. Debussy personally transcribedonly one Prélude Minstrels which was released in 1914 in a version for Violin and Piano.Back at that time ?Minstrels? was the name given to comedians who performed in blackface andcaricatured the alleged behaviour of Blacks in America. The arrangement is of interest not only to pianists since Debussy intervened in the original musical text by adding variants but also to violinists who willdiscover charming and rewarding music of medium difficulty (5 of 9).
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Oscar Rieding: Concerto for Violin and Piano Op. 34: Violin: Instrumental Work
Violin
Dowani
G Major / Sol majeur / G-Dur-Le violiniste et pédagogue allemand Oskar Rieding ...
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G Major / Sol majeur / G-Dur-Le violiniste et pédagogue allemand Oskar Rieding est célèbre jusquà nos jours grâce à ses concertos faciles pour violon destinés aux débutants. La présente édition vous propose son Concerto pour violon et piano op. 34 en Sol majeur qui faitpartie du répertoire standard de tous les élèves de violon. Ce concerto peut être joué entièrement dans la première position. Notre édition vous offre la possibilité de travailler loeuvre dune manière systématique dans trois différents tempos avecun accompagnement professionnel.
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Concerto For 2 Violins And Orchestra D Minor Bwv 1043
2 Violins, Piano
G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for 2 Violins and Orchestra d minor BWV 1043 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 672. / Violon Et Piano / Chanson En Séparée
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Maurice Ravel: Collection For Violin Vol. 1: Violin: Sheet Music Parts
Violin
[Sheet music]
Durand
Collection for Violin - Werke für Violine - Raccolta per violino-Ce volume pré...
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Collection for Violin - Werke für Violine - Raccolta per violino-Ce volume présente une sélection de pièces originales et de transcriptions d?époque qui n?avaient jamais fait l?objet d?une recollection en cahier. Ces transcriptions publiées par Durand en 1928 devinrent un véritable succès éditorial qui sevérifia lors des concerts des violonistes amateurs ou professionnels qui programmèrent aisément ces oeuvres-là. Leur variété et leur couleur - qui sans jamais renier Ravel et l?esprit de l?oeuvre dont certaines sont issues demeurent éminemmentviolonistiques - témoignent de la vitalité de la musique francaise du premier vingtième siècle et de son incontestable succès.Sommaire: Pavane pour une Infante défunte ? Menuet (extrait de la Sonatine pour piano) ? Pavane de la Belle au Bois dormant (extrait de: Ma Mère l?Oye) ? Kaddish (no. 1 des: Deux Mélodies Hébraiques) ? Rigaudon (extrait du: Tombeau de Couperin)? Berceuse sur le nom de Gabriel Fauré ? Five O?Clock (fox-trot daprès: L?Enfant et les Sortileges) ? Pastourelle (daprès: L?Enfant et les Sortileges) ? Boléro ? Adagio (extrait du: Concerto pour piano et orchestre).
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